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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18489F it is the complementary color #E7B760. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18489F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18489F shade: #1D489A, #2E5AAD, #3F6CC0, #507ED3 and #6190E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18489F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18489F shade: #18489F, #07368C, #002479, #001266 and #000053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18489F shade: #17489F, #17239F, #30179F, #55179F and #7A179F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18489F shade: #17489F, #17239F and #17179F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18489F shade matches the following richer shades: #17489F and #0943AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18489F shade: #17489F, #264C90, #355082, #445573 and #535964

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18489F shade: #17929F, #176D9F, #17499F, #17259F and #2E179F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18489F shade: #0D2757, #12377B, #17489F, #1D58C3 and #2A6ADF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18489F shade: #18489F, #89179F and #809F17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18489F shade: #18489F, #9F1749 and #499F17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18489F shade: #18489F, #89179F, #9F6D17 and #2E9F17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18489F shade: #18489F, #9F178D, #9F6D17 and #179F29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 55 / 0 / 38

HEX #18489F

RGB 24 72 159

HSL 218.67, 0.74%, 0.36%

LAB 32.55, 18.22, -51.64

 

Complementary color

CMYK 0 / 21 / 58 / 9

HEX #E7B760

RGB 231 183 96

HSL 38.67, 0.74%, 0.64%

LAB 77.1, 7.64, 50.14

 

CMYK 81 / 53 / 0 / 40

HEX #1D489A

RGB 29 72 154

HSL 219.36, 0.68%, 0.36%

LAB 32.32, 16.67, -48.98

 

CMYK 73 / 48 / 0 / 32

HEX #2E5AAD

RGB 46 90 173

HSL 219.21, 0.58%, 0.43%

LAB 39.43, 14.16, -48.85

 

CMYK 67 / 44 / 0 / 25

HEX #3F6CC0

RGB 63 108 192

HSL 219.07, 0.51%, 0.5%

LAB 46.43, 12.22, -48.68

 

CMYK 62 / 40 / 0 / 17

HEX #507ED3

RGB 80 126 211

HSL 218.93, 0.6%, 0.57%

LAB 53.31, 10.68, -48.52

 

CMYK 58 / 37 / 0 / 10

HEX #6190E6

RGB 97 144 230

HSL 218.8, 0.73%, 0.64%

LAB 60.07, 9.44, -48.38

 

CMYK 85 / 55 / 0 / 38

HEX #18489F

RGB 24 72 159

HSL 218.67, 0.74%, 0.36%

LAB 32.55, 18.22, -51.64

 

CMYK 95 / 61 / 0 / 45

HEX #07368C

RGB 7 54 140

HSL 218.8, 0.9%, 0.29%

LAB 25.49, 21.77, -51.53

 

CMYK 100 / 70 / 0 / 53

HEX #002479

RGB 0 36 121

HSL 222.15, 1%, 0.24%

LAB 18.55, 26.18, -50.97

 

CMYK 100 / 82 / 0 / 60

HEX #001266

RGB 0 18 102

HSL 229.41, 1%, 0.2%

LAB 11.9, 30.66, -49.61

 

CMYK 100 / 100 / 0 / 67

HEX #000053

RGB 0 0 83

HSL 240, 1%, 0.16%

LAB 5.64, 33.82, -47.22

 

CMYK 86 / 55 / 0 / 38

HEX #17489F

RGB 23 72 159

HSL 218.38, 0.75%, 0.36%

LAB 32.52, 18.13, -51.68

 

CMYK 86 / 78 / 0 / 38

HEX #17239F

RGB 23 35 159

HSL 234.71, 0.75%, 0.36%

LAB 23.3, 42.3, -66.82

 

CMYK 70 / 86 / 0 / 38

HEX #30179F

RGB 48 23 159

HSL 251.03, 0.75%, 0.36%

LAB 22.81, 49.85, -67.59

 

CMYK 47 / 86 / 0 / 38

HEX #55179F

RGB 85 23 159

HSL 267.35, 0.75%, 0.36%

LAB 26.87, 53.68, -60.74

 

CMYK 23 / 86 / 0 / 38

HEX #7A179F

RGB 122 23 159

HSL 283.68, 0.75%, 0.36%

LAB 32.38, 59.2, -51.52

 

CMYK 86 / 55 / 0 / 38

HEX #17489F

RGB 23 72 159

HSL 218.38, 0.75%, 0.36%

LAB 32.52, 18.13, -51.68

 

CMYK 86 / 78 / 0 / 38

HEX #17239F

RGB 23 35 159

HSL 234.71, 0.75%, 0.36%

LAB 23.3, 42.3, -66.82

 

CMYK 86 / 86 / 0 / 38

HEX #17179F

RGB 23 23 159

HSL 240, 0.75%, 0.36%

LAB 21.2, 48.41, -70.3

 

CMYK 86 / 55 / 0 / 38

HEX #17489F

RGB 23 72 159

HSL 218.38, 0.75%, 0.36%

LAB 32.52, 18.13, -51.68

 

CMYK 95 / 61 / 0 / 32

HEX #0943AE

RGB 9 67 174

HSL 218.91, 0.9%, 0.36%

LAB 32.1, 26.82, -61.39

 

CMYK 86 / 55 / 0 / 38

HEX #17489F

RGB 23 72 159

HSL 218.38, 0.75%, 0.36%

LAB 32.52, 18.13, -51.68

 

CMYK 74 / 47 / 0 / 44

HEX #264C90

RGB 38 76 144

HSL 218.49, 0.58%, 0.36%

LAB 33.12, 11.13, -41.58

 

CMYK 59 / 38 / 0 / 49

HEX #355082

RGB 53 80 130

HSL 218.96, 0.42%, 0.36%

LAB 34.2, 6.03, -31.23

 

CMYK 41 / 26 / 0 / 55

HEX #445573

RGB 68 85 115

HSL 218.3, 0.26%, 0.36%

LAB 35.91, 1.8, -19.21

 

CMYK 17 / 11 / 0 / 61

HEX #535964

RGB 83 89 100

HSL 218.82, 0.09%, 0.36%

LAB 37.67, 0.22, -7.12

 

CMYK 86 / 8 / 0 / 38

HEX #17929F

RGB 23 146 159

HSL 185.74, 0.75%, 0.36%

LAB 55.32, -26.32, -15.83

 

CMYK 86 / 31 / 0 / 38

HEX #176D9F

RGB 23 109 159

HSL 202.06, 0.75%, 0.36%

LAB 43.69, -5.88, -33.83

 

CMYK 86 / 54 / 0 / 38

HEX #17499F

RGB 23 73 159

HSL 217.94, 0.75%, 0.36%

LAB 32.81, 17.45, -51.22

 

CMYK 86 / 77 / 0 / 38

HEX #17259F

RGB 23 37 159

HSL 233.82, 0.75%, 0.36%

LAB 23.7, 41.15, -66.15

 

CMYK 71 / 86 / 0 / 38

HEX #2E179F

RGB 46 23 159

HSL 250.15, 0.75%, 0.36%

LAB 22.64, 49.7, -67.87

 

CMYK 85 / 55 / 0 / 66

HEX #0D2757

RGB 13 39 87

HSL 218.92, 0.74%, 0.2%

LAB 16.62, 10.26, -31.86

 

CMYK 85 / 55 / 0 / 52

HEX #12377B

RGB 18 55 123

HSL 218.86, 0.74%, 0.28%

LAB 24.61, 14.65, -42.32

 

CMYK 86 / 55 / 0 / 38

HEX #17489F

RGB 23 72 159

HSL 218.38, 0.75%, 0.36%

LAB 32.52, 18.13, -51.68

 

CMYK 85 / 55 / 0 / 24

HEX #1D58C3

RGB 29 88 195

HSL 218.67, 0.74%, 0.44%

LAB 39.88, 22.21, -61.03

 

CMYK 81 / 52 / 0 / 13

HEX #2A6ADF

RGB 42 106 223

HSL 218.78, 0.74%, 0.52%

LAB 47.14, 22.37, -65.3

 

CMYK 85 / 55 / 0 / 38

HEX #18489F

RGB 24 72 159

HSL 218.67, 0.74%, 0.36%

LAB 32.55, 18.22, -51.64

 

CMYK 14 / 86 / 0 / 38

HEX #89179F

RGB 137 23 159

HSL 290.29, 0.75%, 0.36%

LAB 34.87, 61.78, -47.36

 

CMYK 19 / 0 / 86 / 38

HEX #809F17

RGB 128 159 23

HSL 73.68, 0.75%, 0.36%

LAB 61.17, -28.21, 59.74

 

CMYK 85 / 55 / 0 / 38

HEX #18489F

RGB 24 72 159

HSL 218.67, 0.74%, 0.36%

LAB 32.55, 18.22, -51.64

 

CMYK 0 / 86 / 54 / 38

HEX #9F1749

RGB 159 23 73

HSL 337.94, 0.75%, 0.36%

LAB 34.93, 55.43, 7.3

 

CMYK 54 / 0 / 86 / 38

HEX #499F17

RGB 73 159 23

HSL 97.94, 0.75%, 0.36%

LAB 58.3, -48.25, 56.12

 

CMYK 85 / 55 / 0 / 38

HEX #18489F

RGB 24 72 159

HSL 218.67, 0.74%, 0.36%

LAB 32.55, 18.22, -51.64

 

CMYK 14 / 86 / 0 / 38

HEX #89179F

RGB 137 23 159

HSL 290.29, 0.75%, 0.36%

LAB 34.87, 61.78, -47.36

 

CMYK 0 / 31 / 86 / 38

HEX #9F6D17

RGB 159 109 23

HSL 37.94, 0.75%, 0.36%

LAB 49.94, 12.77, 51.3

 

CMYK 71 / 0 / 86 / 38

HEX #2E9F17

RGB 46 159 23

HSL 109.85, 0.75%, 0.36%

LAB 57.5, -54.79, 55.11

 

CMYK 85 / 55 / 0 / 38

HEX #18489F

RGB 24 72 159

HSL 218.67, 0.74%, 0.36%

LAB 32.55, 18.22, -51.64

 

CMYK 0 / 86 / 11 / 38

HEX #9F178D

RGB 159 23 141

HSL 307.94, 0.75%, 0.36%

LAB 37.67, 63.1, -31.68

 

CMYK 0 / 31 / 86 / 38

HEX #9F6D17

RGB 159 109 23

HSL 37.94, 0.75%, 0.36%

LAB 49.94, 12.77, 51.3

 

CMYK 86 / 0 / 74 / 38

HEX #179F29

RGB 23 159 41

HSL 127.94, 0.75%, 0.36%

LAB 57.21, -56.95, 49.05

 

Description

Color code: HEX #18489F | qconv.com Color code: HEX #18489F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 72 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 72 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 55 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 55% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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