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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18525E it is the complementary color #E7ADA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18525E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18525E shade: #1D5259, #2E646C, #3F767F, #508892 and #619AA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18525E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18525E shade: #18525E, #07404B, #002E38, #001C25 and #000A12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18525E shade: #18515D, #183E5D, #182C5D, #18195D and #29185D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18525E shade: #18515D, #183E5D, #182C5D, #18195D and #18185D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18525E shade matches the following richer shades: #18515D, #0E5766 and #055D70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18525E shade: #18515D, #214B53, #2B444A, #343E40 and #3E3837

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18525E shade: #185D43, #185D56, #18515D, #183F5D and #182C5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18525E shade: #07181B, #0F343C, #18515D, #206E7E and #288A9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18525E shade: #18525E, #31185D and #5D4D18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18525E shade: #18525E, #5D1851 and #515D18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18525E shade: #18525E, #31185D, #5D2318 and #435D18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18525E shade: #18525E, #46185D, #5D2318 and #2F5D18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 13 / 0 / 63

HEX #18525E

RGB 24 82 94

HSL 190.29, 0.59%, 0.23%

LAB 31.89, -14.04, -12.41

 

Complementary color

CMYK 0 / 25 / 30 / 9

HEX #E7ADA1

RGB 231 173 161

HSL 10.29, 0.59%, 0.77%

LAB 75.73, 19.57, 14.44

 

CMYK 67 / 8 / 0 / 65

HEX #1D5259

RGB 29 82 89

HSL 187, 0.51%, 0.23%

LAB 31.85, -14.88, -9.29

 

CMYK 57 / 7 / 0 / 58

HEX #2E646C

RGB 46 100 108

HSL 187.74, 0.4%, 0.3%

LAB 39.2, -15.31, -9.98

 

CMYK 50 / 7 / 0 / 50

HEX #3F767F

RGB 63 118 127

HSL 188.44, 0.34%, 0.37%

LAB 46.37, -15.54, -10.58

 

CMYK 45 / 7 / 0 / 43

HEX #508892

RGB 80 136 146

HSL 189.09, 0.29%, 0.44%

LAB 53.37, -15.66, -11.13

 

CMYK 41 / 7 / 0 / 35

HEX #619AA5

RGB 97 154 165

HSL 189.71, 0.27%, 0.51%

LAB 60.22, -15.71, -11.64

 

CMYK 74 / 13 / 0 / 63

HEX #18525E

RGB 24 82 94

HSL 190.29, 0.59%, 0.23%

LAB 31.89, -14.04, -12.41

 

CMYK 91 / 15 / 0 / 71

HEX #07404B

RGB 7 64 75

HSL 189.71, 0.83%, 0.16%

LAB 24.39, -12.78, -11.63

 

CMYK 100 / 18 / 0 / 78

HEX #002E38

RGB 0 46 56

HSL 190.71, 1%, 0.11%

LAB 16.7, -10.41, -10.58

 

CMYK 100 / 24 / 0 / 85

HEX #001C25

RGB 0 28 37

HSL 194.59, 1%, 0.07%

LAB 8.69, -6.76, -9.28

 

CMYK 100 / 44 / 0 / 93

HEX #000A12

RGB 0 10 18

HSL 206.67, 1%, 0.04%

LAB 2.36, -1.23, -4.68

 

CMYK 74 / 13 / 0 / 64

HEX #18515D

RGB 24 81 93

HSL 190.43, 0.59%, 0.23%

LAB 31.51, -13.81, -12.36

 

CMYK 74 / 33 / 0 / 64

HEX #183E5D

RGB 24 62 93

HSL 206.96, 0.59%, 0.23%

LAB 25.04, -1.92, -22.37

 

CMYK 74 / 53 / 0 / 64

HEX #182C5D

RGB 24 44 93

HSL 222.61, 0.59%, 0.23%

LAB 19.17, 10.77, -31.73

 

CMYK 74 / 73 / 0 / 64

HEX #18195D

RGB 24 25 93

HSL 239.13, 0.59%, 0.23%

LAB 13.71, 24.51, -40.6

 

CMYK 56 / 74 / 0 / 64

HEX #29185D

RGB 41 24 93

HSL 254.78, 0.59%, 0.23%

LAB 15.03, 27.96, -38.37

 

CMYK 74 / 13 / 0 / 64

HEX #18515D

RGB 24 81 93

HSL 190.43, 0.59%, 0.23%

LAB 31.51, -13.81, -12.36

 

CMYK 74 / 33 / 0 / 64

HEX #183E5D

RGB 24 62 93

HSL 206.96, 0.59%, 0.23%

LAB 25.04, -1.92, -22.37

 

CMYK 74 / 53 / 0 / 64

HEX #182C5D

RGB 24 44 93

HSL 222.61, 0.59%, 0.23%

LAB 19.17, 10.77, -31.73

 

CMYK 74 / 73 / 0 / 64

HEX #18195D

RGB 24 25 93

HSL 239.13, 0.59%, 0.23%

LAB 13.71, 24.51, -40.6

 

CMYK 74 / 74 / 0 / 64

HEX #18185D

RGB 24 24 93

HSL 240, 0.59%, 0.23%

LAB 13.46, 25.19, -41.01

 

CMYK 74 / 13 / 0 / 64

HEX #18515D

RGB 24 81 93

HSL 190.43, 0.59%, 0.23%

LAB 31.51, -13.81, -12.36

 

CMYK 86 / 15 / 0 / 60

HEX #0E5766

RGB 14 87 102

HSL 190.23, 0.76%, 0.23%

LAB 33.71, -15.31, -14.69

 

CMYK 96 / 17 / 0 / 56

HEX #055D70

RGB 5 93 112

HSL 190.65, 0.91%, 0.23%

LAB 36.04, -15.73, -17.35

 

CMYK 74 / 13 / 0 / 64

HEX #18515D

RGB 24 81 93

HSL 190.43, 0.59%, 0.23%

LAB 31.51, -13.81, -12.36

 

CMYK 60 / 10 / 0 / 67

HEX #214B53

RGB 33 75 83

HSL 189.6, 0.43%, 0.23%

LAB 29.36, -11.94, -9.2

 

CMYK 42 / 8 / 0 / 71

HEX #2B444A

RGB 43 68 74

HSL 191.61, 0.26%, 0.23%

LAB 27.14, -7.78, -6.67

 

CMYK 19 / 3 / 0 / 75

HEX #343E40

RGB 52 62 64

HSL 190, 0.1%, 0.23%

LAB 25.4, -3.6, -2.62

HEX #343E40

CMYK 0 / 10 / 11 / 76

HEX #3E3837

RGB 62 56 55

HSL 8.57, 0.06%, 0.23%

LAB 24.09, 2.41, 1.57

HEX #3E3837

CMYK 74 / 0 / 28 / 64

HEX #185D43

RGB 24 93 67

HSL 157.39, 0.59%, 0.23%

LAB 34.86, -28.15, 8.9

 

CMYK 74 / 0 / 8 / 64

HEX #185D56

RGB 24 93 86

HSL 173.91, 0.59%, 0.23%

LAB 35.39, -22.75, -2.13

 

CMYK 74 / 13 / 0 / 64

HEX #18515D

RGB 24 81 93

HSL 190.43, 0.59%, 0.23%

LAB 31.51, -13.81, -12.36

 

CMYK 74 / 32 / 0 / 64

HEX #183F5D

RGB 24 63 93

HSL 206.09, 0.59%, 0.23%

LAB 25.38, -2.58, -21.84

 

CMYK 74 / 53 / 0 / 64

HEX #182C5D

RGB 24 44 93

HSL 222.61, 0.59%, 0.23%

LAB 19.17, 10.77, -31.73

 

CMYK 74 / 11 / 0 / 89

HEX #07181B

RGB 7 24 27

HSL 189, 0.59%, 0.07%

LAB 7.02, -5.2, -4.24

 

CMYK 75 / 13 / 0 / 76

HEX #0F343C

RGB 15 52 60

HSL 190.67, 0.6%, 0.15%

LAB 19.57, -9.96, -8.89

 

CMYK 74 / 13 / 0 / 64

HEX #18515D

RGB 24 81 93

HSL 190.43, 0.59%, 0.23%

LAB 31.51, -13.81, -12.36

 

CMYK 75 / 13 / 0 / 51

HEX #206E7E

RGB 32 110 126

HSL 190.21, 0.59%, 0.31%

LAB 42.71, -17.51, -15.63

 

CMYK 75 / 13 / 0 / 38

HEX #288A9E

RGB 40 138 158

HSL 190.17, 0.6%, 0.39%

LAB 53.06, -20.8, -18.68

 

CMYK 74 / 13 / 0 / 63

HEX #18525E

RGB 24 82 94

HSL 190.29, 0.59%, 0.23%

LAB 31.89, -14.04, -12.41

 

CMYK 47 / 74 / 0 / 64

HEX #31185D

RGB 49 24 93

HSL 261.74, 0.59%, 0.23%

LAB 15.99, 29.56, -36.78

 

CMYK 0 / 17 / 74 / 64

HEX #5D4D18

RGB 93 77 24

HSL 46.09, 0.59%, 0.23%

LAB 33.35, 0.13, 32.64

 

CMYK 74 / 13 / 0 / 63

HEX #18525E

RGB 24 82 94

HSL 190.29, 0.59%, 0.23%

LAB 31.89, -14.04, -12.41

 

CMYK 0 / 74 / 13 / 64

HEX #5D1851

RGB 93 24 81

HSL 310.43, 0.59%, 0.23%

LAB 22.21, 37.92, -18.37

 

CMYK 13 / 0 / 74 / 64

HEX #515D18

RGB 81 93 24

HSL 70.43, 0.59%, 0.23%

LAB 37.2, -15.09, 36.18

 

CMYK 74 / 13 / 0 / 63

HEX #18525E

RGB 24 82 94

HSL 190.29, 0.59%, 0.23%

LAB 31.89, -14.04, -12.41

 

CMYK 47 / 74 / 0 / 64

HEX #31185D

RGB 49 24 93

HSL 261.74, 0.59%, 0.23%

LAB 15.99, 29.56, -36.78

 

CMYK 0 / 62 / 74 / 64

HEX #5D2318

RGB 93 35 24

HSL 9.57, 0.59%, 0.23%

LAB 22.29, 25.76, 20.54

 

CMYK 28 / 0 / 74 / 64

HEX #435D18

RGB 67 93 24

HSL 82.61, 0.59%, 0.23%

LAB 36.15, -21.45, 34.78

 

CMYK 74 / 13 / 0 / 63

HEX #18525E

RGB 24 82 94

HSL 190.29, 0.59%, 0.23%

LAB 31.89, -14.04, -12.41

 

CMYK 25 / 74 / 0 / 64

HEX #46185D

RGB 70 24 93

HSL 280, 0.59%, 0.23%

LAB 19, 34.34, -31.76

 

CMYK 0 / 62 / 74 / 64

HEX #5D2318

RGB 93 35 24

HSL 9.57, 0.59%, 0.23%

LAB 22.29, 25.76, 20.54

 

CMYK 49 / 0 / 74 / 64

HEX #2F5D18

RGB 47 93 24

HSL 100, 0.59%, 0.23%

LAB 35, -29.4, 33.23

 

Description

Color code: HEX #18525E | qconv.com Color code: HEX #18525E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 82 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 82 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 13 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 13% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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