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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #185E0C it is the complementary color #E7A1F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #185E0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #185E0C shade: #1D5E07, #2E701A, #3F822D, #509440 and #61A653

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #185E0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #185E0C shade: #185E0C, #074C00, #003A00, #002800 and #001600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #185E0C shade: #185E0C, #2E5E0C, #445E0C, #5B5E0C and #5E4C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #185E0C shade: #185E0C, #0C5E16, #0C5E2C, #0C5E42 and #0C5E59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #185E0C shade matches the following richer shades: #185E0C and #126703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #185E0C shade: #185E0C, #1E5614, #244D1D, #2A4426 and #303C2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #185E0C shade: #445E0C, #2E5E0C, #185E0C, #0C5E15 and #0C5E2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #185E0C shade: #051502, #0E3A07, #185E0C, #218311 and #2BA715

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #185E0C shade: #185E0C, #0C5A5E and #5E0C39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #185E0C shade: #185E0C, #0C185E and #5E0C18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #185E0C shade: #185E0C, #0C5A5E, #520C5E and #5E100C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #185E0C shade: #185E0C, #0C415E, #520C5E and #5E290C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 87 / 63

HEX #185E0C

RGB 24 94 12

HSL 111.22, 0.77%, 0.21%

LAB 34.45, -37.3, 36.98

 

Complementary color

CMYK 5 / 34 / 0 / 5

HEX #E7A1F3

RGB 231 161 243

HSL 291.22, 0.77%, 0.79%

LAB 75.42, 39.29, -30.76

 

CMYK 69 / 0 / 93 / 63

HEX #1D5E07

RGB 29 94 7

HSL 104.83, 0.86%, 0.2%

LAB 34.56, -36.43, 38.6

 

CMYK 59 / 0 / 77 / 56

HEX #2E701A

RGB 46 112 26

HSL 106.05, 0.62%, 0.27%

LAB 41.6, -37.63, 39.13

 

CMYK 52 / 0 / 65 / 49

HEX #3F822D

RGB 63 130 45

HSL 107.29, 0.49%, 0.34%

LAB 48.53, -38.17, 38.45

 

CMYK 46 / 0 / 57 / 42

HEX #509440

RGB 80 148 64

HSL 108.57, 0.4%, 0.42%

LAB 55.33, -38.34, 37.32

 

CMYK 42 / 0 / 50 / 35

HEX #61A653

RGB 97 166 83

HSL 109.88, 0.33%, 0.49%

LAB 62.03, -38.31, 36.06

 

CMYK 74 / 0 / 87 / 63

HEX #185E0C

RGB 24 94 12

HSL 111.22, 0.77%, 0.21%

LAB 34.45, -37.3, 36.98

 

CMYK 91 / 0 / 100 / 70

HEX #074C00

RGB 7 76 0

HSL 114.47, 1%, 0.15%

LAB 27.34, -34.76, 34.75

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 74 / 0 / 87 / 63

HEX #185E0C

RGB 24 94 12

HSL 111.22, 0.77%, 0.21%

LAB 34.45, -37.3, 36.98

 

CMYK 51 / 0 / 87 / 63

HEX #2E5E0C

RGB 46 94 12

HSL 95.12, 0.77%, 0.21%

LAB 35.23, -31.05, 37.98

 

CMYK 28 / 0 / 87 / 63

HEX #445E0C

RGB 68 94 12

HSL 79.02, 0.77%, 0.21%

LAB 36.48, -22.24, 39.58

 

CMYK 3 / 0 / 87 / 63

HEX #5B5E0C

RGB 91 94 12

HSL 62.2, 0.77%, 0.21%

LAB 38.3, -11.47, 41.87

 

CMYK 0 / 19 / 87 / 63

HEX #5E4C0C

RGB 94 76 12

HSL 46.83, 0.77%, 0.21%

LAB 33.08, 0.65, 37.47

 

CMYK 74 / 0 / 87 / 63

HEX #185E0C

RGB 24 94 12

HSL 111.22, 0.77%, 0.21%

LAB 34.45, -37.3, 36.98

 

CMYK 87 / 0 / 77 / 63

HEX #0C5E16

RGB 12 94 22

HSL 127.32, 0.77%, 0.21%

LAB 34.28, -38.56, 33.01

 

CMYK 87 / 0 / 53 / 63

HEX #0C5E2C

RGB 12 94 44

HSL 143.41, 0.77%, 0.21%

LAB 34.53, -35.47, 22.13

 

CMYK 87 / 0 / 30 / 63

HEX #0C5E42

RGB 12 94 66

HSL 159.51, 0.77%, 0.21%

LAB 34.96, -30.59, 9.61

 

CMYK 87 / 0 / 5 / 63

HEX #0C5E59

RGB 12 94 89

HSL 176.34, 0.77%, 0.21%

LAB 35.61, -23.82, -3.71

 

CMYK 74 / 0 / 87 / 63

HEX #185E0C

RGB 24 94 12

HSL 111.22, 0.77%, 0.21%

LAB 34.45, -37.3, 36.98

 

CMYK 83 / 0 / 97 / 60

HEX #126703

RGB 18 103 3

HSL 111, 0.94%, 0.21%

LAB 37.55, -42.01, 42.19

 

CMYK 74 / 0 / 87 / 63

HEX #185E0C

RGB 24 94 12

HSL 111.22, 0.77%, 0.21%

LAB 34.45, -37.3, 36.98

 

CMYK 65 / 0 / 77 / 66

HEX #1E5614

RGB 30 86 20

HSL 110.91, 0.62%, 0.21%

LAB 31.77, -32.12, 31.41

 

CMYK 53 / 0 / 62 / 70

HEX #244D1D

RGB 36 77 29

HSL 111.25, 0.45%, 0.21%

LAB 28.83, -25.26, 23.77

 

CMYK 38 / 0 / 44 / 73

HEX #2A4426

RGB 42 68 38

HSL 112, 0.28%, 0.21%

LAB 26.06, -17, 15.1

 

CMYK 20 / 0 / 23 / 76

HEX #303C2E

RGB 48 60 46

HSL 111.43, 0.13%, 0.21%

LAB 23.86, -8.24, 7.05

 

CMYK 28 / 0 / 87 / 63

HEX #445E0C

RGB 68 94 12

HSL 79.02, 0.77%, 0.21%

LAB 36.48, -22.24, 39.58

 

CMYK 51 / 0 / 87 / 63

HEX #2E5E0C

RGB 46 94 12

HSL 95.12, 0.77%, 0.21%

LAB 35.23, -31.05, 37.98

 

CMYK 74 / 0 / 87 / 63

HEX #185E0C

RGB 24 94 12

HSL 111.22, 0.77%, 0.21%

LAB 34.45, -37.3, 36.98

 

CMYK 87 / 0 / 78 / 63

HEX #0C5E15

RGB 12 94 21

HSL 126.59, 0.77%, 0.21%

LAB 34.27, -38.65, 33.43

 

CMYK 87 / 0 / 54 / 63

HEX #0C5E2B

RGB 12 94 43

HSL 142.68, 0.77%, 0.21%

LAB 34.51, -35.65, 22.68

 

CMYK 76 / 0 / 90 / 92

HEX #051502

RGB 5 21 2

HSL 110.53, 0.83%, 0.05%

LAB 5.18, -8.31, 6.78

 

CMYK 76 / 0 / 88 / 77

HEX #0E3A07

RGB 14 58 7

HSL 111.76, 0.78%, 0.13%

LAB 20.58, -26.07, 25.25

 

CMYK 74 / 0 / 87 / 63

HEX #185E0C

RGB 24 94 12

HSL 111.22, 0.77%, 0.21%

LAB 34.45, -37.3, 36.98

 

CMYK 75 / 0 / 87 / 49

HEX #218311

RGB 33 131 17

HSL 111.58, 0.77%, 0.29%

LAB 47.75, -48.2, 47.76

 

CMYK 74 / 0 / 87 / 35

HEX #2BA715

RGB 43 167 21

HSL 110.96, 0.78%, 0.37%

LAB 60.07, -58, 57.84

 

CMYK 74 / 0 / 87 / 63

HEX #185E0C

RGB 24 94 12

HSL 111.22, 0.77%, 0.21%

LAB 34.45, -37.3, 36.98

 

CMYK 87 / 4 / 0 / 63

HEX #0C5A5E

RGB 12 90 94

HSL 182.93, 0.77%, 0.21%

LAB 34.39, -20.04, -8.64

 

CMYK 0 / 87 / 39 / 63

HEX #5E0C39

RGB 94 12 57

HSL 327.07, 0.77%, 0.21%

LAB 19.79, 38.95, -5.59

 

CMYK 74 / 0 / 87 / 63

HEX #185E0C

RGB 24 94 12

HSL 111.22, 0.77%, 0.21%

LAB 34.45, -37.3, 36.98

 

CMYK 87 / 74 / 0 / 63

HEX #0C185E

RGB 12 24 94

HSL 231.22, 0.77%, 0.21%

LAB 12.86, 24.28, -42.7

 

CMYK 0 / 87 / 74 / 63

HEX #5E0C18

RGB 94 12 24

HSL 351.22, 0.77%, 0.21%

LAB 18.84, 36.09, 16.46

 

CMYK 74 / 0 / 87 / 63

HEX #185E0C

RGB 24 94 12

HSL 111.22, 0.77%, 0.21%

LAB 34.45, -37.3, 36.98

 

CMYK 87 / 4 / 0 / 63

HEX #0C5A5E

RGB 12 90 94

HSL 182.93, 0.77%, 0.21%

LAB 34.39, -20.04, -8.64

 

CMYK 13 / 87 / 0 / 63

HEX #520C5E

RGB 82 12 94

HSL 291.22, 0.77%, 0.21%

LAB 19.49, 41.93, -31.51

 

CMYK 0 / 83 / 87 / 63

HEX #5E100C

RGB 94 16 12

HSL 2.93, 0.77%, 0.21%

LAB 19.13, 34.27, 24.01

 

CMYK 74 / 0 / 87 / 63

HEX #185E0C

RGB 24 94 12

HSL 111.22, 0.77%, 0.21%

LAB 34.45, -37.3, 36.98

 

CMYK 87 / 31 / 0 / 63

HEX #0C415E

RGB 12 65 94

HSL 201.22, 0.77%, 0.21%

LAB 25.76, -5.2, -21.92

 

CMYK 13 / 87 / 0 / 63

HEX #520C5E

RGB 82 12 94

HSL 291.22, 0.77%, 0.21%

LAB 19.49, 41.93, -31.51

 

CMYK 0 / 56 / 87 / 63

HEX #5E290C

RGB 94 41 12

HSL 21.22, 0.77%, 0.21%

LAB 23.65, 22.22, 28.9

 

Description

Color code: HEX #185E0C | qconv.com Color code: HEX #185E0C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 94 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 94 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 87 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 87% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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