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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1870B3 it is the complementary color #E78F4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1870B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1870B3 shade: #1D70AE, #2E82C1, #3F94D4, #50A6E7 and #61B8FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1870B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1870B3 shade: #1870B3, #075EA0, #004C8D, #003A7A and #002867

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1870B3 shade: #1870B3, #1846B3, #181CB3, #3D18B3 and #6718B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1870B3 shade: #1870B3, #1846B3, #181CB3 and #1818B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1870B3 shade matches the following richer shades: #1870B3 and #0772C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1870B3 shade: #1870B3, #286EA3, #396C92, #496982 and #5A6771

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1870B3 shade: #18B3A1, #189CB3, #1872B3, #1849B3 and #1820B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1870B3 shade: #0E426A, #13598F, #1870B3, #1D87D7 and #3A9AE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1870B3 shade: #1870B3, #7818B3 and #B0B318

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1870B3 shade: #1870B3, #B31872 and #72B318

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1870B3 shade: #1870B3, #7818B3, #B35918 and #53B318

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1870B3 shade: #1870B3, #A618B3, #B35918 and #25B318

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 37 / 0 / 30

HEX #1870B3

RGB 24 112 179

HSL 205.94, 0.76%, 0.4%

LAB 45.69, 0.09, -42.4

 

Complementary color

CMYK 0 / 38 / 67 / 9

HEX #E78F4C

RGB 231 143 76

HSL 25.94, 0.76%, 0.6%

LAB 67.39, 27.57, 48.74

 

CMYK 83 / 36 / 0 / 32

HEX #1D70AE

RGB 29 112 174

HSL 205.66, 0.71%, 0.4%

LAB 45.5, -1.42, -39.76

 

CMYK 76 / 33 / 0 / 24

HEX #2E82C1

RGB 46 130 193

HSL 205.71, 0.62%, 0.47%

LAB 52.28, -3.33, -39.99

 

CMYK 70 / 30 / 0 / 17

HEX #3F94D4

RGB 63 148 212

HSL 205.77, 0.63%, 0.54%

LAB 58.97, -4.81, -40.19

 

CMYK 65 / 28 / 0 / 9

HEX #50A6E7

RGB 80 166 231

HSL 205.83, 0.76%, 0.61%

LAB 65.55, -5.98, -40.36

 

CMYK 61 / 26 / 0 / 2

HEX #61B8FA

RGB 97 184 250

HSL 205.88, 0.94%, 0.68%

LAB 72.04, -6.92, -40.52

 

CMYK 87 / 37 / 0 / 30

HEX #1870B3

RGB 24 112 179

HSL 205.94, 0.76%, 0.4%

LAB 45.69, 0.09, -42.4

 

CMYK 96 / 41 / 0 / 37

HEX #075EA0

RGB 7 94 160

HSL 205.88, 0.92%, 0.33%

LAB 38.88, 2.87, -42.06

 

CMYK 100 / 46 / 0 / 45

HEX #004C8D

RGB 0 76 141

HSL 207.66, 1%, 0.28%

LAB 32.02, 6.46, -41.58

 

CMYK 100 / 52 / 0 / 52

HEX #003A7A

RGB 0 58 122

HSL 211.48, 1%, 0.24%

LAB 25.05, 10.74, -40.99

 

CMYK 100 / 61 / 0 / 60

HEX #002867

RGB 0 40 103

HSL 216.7, 1%, 0.2%

LAB 17.9, 15.43, -40.39

 

CMYK 87 / 37 / 0 / 30

HEX #1870B3

RGB 24 112 179

HSL 205.94, 0.76%, 0.4%

LAB 45.69, 0.09, -42.4

 

CMYK 87 / 61 / 0 / 30

HEX #1846B3

RGB 24 70 179

HSL 222.19, 0.76%, 0.4%

LAB 33.62, 27.55, -61.85

 

CMYK 87 / 84 / 0 / 30

HEX #181CB3

RGB 24 28 179

HSL 238.45, 0.76%, 0.4%

LAB 24.57, 52.4, -76.78

 

CMYK 66 / 87 / 0 / 30

HEX #3D18B3

RGB 61 24 179

HSL 254.32, 0.76%, 0.4%

LAB 26.45, 56.09, -73.6

 

CMYK 42 / 87 / 0 / 30

HEX #6718B3

RGB 103 24 179

HSL 270.58, 0.76%, 0.4%

LAB 31.33, 60.42, -65.38

 

CMYK 87 / 37 / 0 / 30

HEX #1870B3

RGB 24 112 179

HSL 205.94, 0.76%, 0.4%

LAB 45.69, 0.09, -42.4

 

CMYK 87 / 61 / 0 / 30

HEX #1846B3

RGB 24 70 179

HSL 222.19, 0.76%, 0.4%

LAB 33.62, 27.55, -61.85

 

CMYK 87 / 84 / 0 / 30

HEX #181CB3

RGB 24 28 179

HSL 238.45, 0.76%, 0.4%

LAB 24.57, 52.4, -76.78

 

CMYK 87 / 87 / 0 / 30

HEX #1818B3

RGB 24 24 179

HSL 240, 0.76%, 0.4%

LAB 24.01, 54.1, -77.73

 

CMYK 87 / 37 / 0 / 30

HEX #1870B3

RGB 24 112 179

HSL 205.94, 0.76%, 0.4%

LAB 45.69, 0.09, -42.4

 

CMYK 96 / 42 / 0 / 23

HEX #0772C4

RGB 7 114 196

HSL 206.03, 0.93%, 0.4%

LAB 47.06, 4.66, -50.05

 

CMYK 87 / 37 / 0 / 30

HEX #1870B3

RGB 24 112 179

HSL 205.94, 0.76%, 0.4%

LAB 45.69, 0.09, -42.4

 

CMYK 75 / 33 / 0 / 36

HEX #286EA3

RGB 40 110 163

HSL 205.85, 0.61%, 0.4%

LAB 44.59, -3.12, -34.74

 

CMYK 61 / 26 / 0 / 43

HEX #396C92

RGB 57 108 146

HSL 205.62, 0.44%, 0.4%

LAB 43.76, -5.09, -25.93

 

CMYK 44 / 19 / 0 / 49

HEX #496982

RGB 73 105 130

HSL 206.32, 0.28%, 0.4%

LAB 42.96, -4.51, -17.51

 

CMYK 20 / 9 / 0 / 56

HEX #5A6771

RGB 90 103 113

HSL 206.09, 0.11%, 0.4%

LAB 42.86, -2.56, -7.27

 

CMYK 87 / 0 / 10 / 30

HEX #18B3A1

RGB 24 179 161

HSL 173.03, 0.76%, 0.4%

LAB 65.75, -41.13, -1.4

 

CMYK 87 / 13 / 0 / 30

HEX #189CB3

RGB 24 156 179

HSL 188.9, 0.76%, 0.4%

LAB 59.18, -24.69, -21.34

 

CMYK 87 / 36 / 0 / 30

HEX #1872B3

RGB 24 114 179

HSL 205.16, 0.76%, 0.4%

LAB 46.29, -1.14, -41.44

 

CMYK 87 / 59 / 0 / 30

HEX #1849B3

RGB 24 73 179

HSL 221.03, 0.76%, 0.4%

LAB 34.42, 25.54, -60.54

 

CMYK 87 / 82 / 0 / 30

HEX #1820B3

RGB 24 32 179

HSL 236.9, 0.76%, 0.4%

LAB 25.2, 50.54, -75.73

 

CMYK 87 / 38 / 0 / 58

HEX #0E426A

RGB 14 66 106

HSL 206.09, 0.77%, 0.24%

LAB 26.82, -0.65, -27.97

 

CMYK 87 / 38 / 0 / 44

HEX #13598F

RGB 19 89 143

HSL 206.13, 0.77%, 0.32%

LAB 36.49, -0.07, -35.63

 

CMYK 87 / 37 / 0 / 30

HEX #1870B3

RGB 24 112 179

HSL 205.94, 0.76%, 0.4%

LAB 45.69, 0.09, -42.4

 

CMYK 87 / 37 / 0 / 16

HEX #1D87D7

RGB 29 135 215

HSL 205.81, 0.76%, 0.48%

LAB 54.55, 0.26, -48.9

 

CMYK 75 / 32 / 0 / 11

HEX #3A9AE4

RGB 58 154 228

HSL 206.12, 0.76%, 0.56%

LAB 61.32, -3.35, -45.4

 

CMYK 87 / 37 / 0 / 30

HEX #1870B3

RGB 24 112 179

HSL 205.94, 0.76%, 0.4%

LAB 45.69, 0.09, -42.4

 

CMYK 33 / 87 / 0 / 30

HEX #7818B3

RGB 120 24 179

HSL 277.16, 0.76%, 0.4%

LAB 33.78, 62.72, -61.28

 

CMYK 2 / 0 / 87 / 30

HEX #B0B318

RGB 176 179 24

HSL 61.16, 0.76%, 0.4%

LAB 70.55, -17.47, 68.8

 

CMYK 87 / 37 / 0 / 30

HEX #1870B3

RGB 24 112 179

HSL 205.94, 0.76%, 0.4%

LAB 45.69, 0.09, -42.4

 

CMYK 0 / 87 / 36 / 30

HEX #B31872

RGB 179 24 114

HSL 325.16, 0.76%, 0.4%

LAB 40.33, 63.97, -10.51

 

CMYK 36 / 0 / 87 / 30

HEX #72B318

RGB 114 179 24

HSL 85.16, 0.76%, 0.4%

LAB 66.43, -42.72, 63.69

 

CMYK 87 / 37 / 0 / 30

HEX #1870B3

RGB 24 112 179

HSL 205.94, 0.76%, 0.4%

LAB 45.69, 0.09, -42.4

 

CMYK 33 / 87 / 0 / 30

HEX #7818B3

RGB 120 24 179

HSL 277.16, 0.76%, 0.4%

LAB 33.78, 62.72, -61.28

 

CMYK 0 / 50 / 87 / 30

HEX #B35918

RGB 179 89 24

HSL 25.16, 0.76%, 0.4%

LAB 48, 32.65, 50.42

 

CMYK 54 / 0 / 87 / 30

HEX #53B318

RGB 83 179 24

HSL 97.16, 0.76%, 0.4%

LAB 65.08, -52.81, 61.99

 

CMYK 87 / 37 / 0 / 30

HEX #1870B3

RGB 24 112 179

HSL 205.94, 0.76%, 0.4%

LAB 45.69, 0.09, -42.4

 

CMYK 7 / 87 / 0 / 30

HEX #A618B3

RGB 166 24 179

HSL 294.97, 0.76%, 0.4%

LAB 41.24, 70.13, -48.83

 

CMYK 0 / 50 / 87 / 30

HEX #B35918

RGB 179 89 24

HSL 25.16, 0.76%, 0.4%

LAB 48, 32.65, 50.42

 

CMYK 79 / 0 / 87 / 30

HEX #25B318

RGB 37 179 24

HSL 114.97, 0.76%, 0.4%

LAB 63.92, -62.49, 60.53

 

Description

Color code: HEX #1870B3 | qconv.com Color code: HEX #1870B3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 112 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 112 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 37 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 37% 0% 30% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

48% - Works of Siddharth |...
Link: http://websiddu.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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