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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #187B77 it is the complementary color #E78488. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #187B77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #187B77 shade: #1D7B72, #2E8D85, #3F9F98, #50B1AB and #61C3BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #187B77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #187B77 shade: #187B77, #076964, #005751, #00453E and #00332B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #187B77 shade: #187B77, #187B5C, #187B42, #187B27 and #247B18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #187B77 shade: #187B77, #18647B, #184A7B, #182F7B and #18187B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #187B77 shade matches the following richer shades: #187B77, #0C8782 and #00938D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #187B77 shade: #187B77, #246F6C, #306361, #3C5756 and #484B4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #187B77 shade: #187B41, #187B5C, #187B76, #18667B and #184B7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #187B77 shade: #0A3634, #115956, #187B77, #1F9D98 and #26C0BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #187B77 shade: #187B77, #27187B and #7B4E18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #187B77 shade: #187B77, #76187B and #7B7618

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #187B77 shade: #187B77, #27187B, #7B181D and #6C7B18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #187B77 shade: #187B77, #44187B, #7B181D and #4E7B18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 3 / 52

HEX #187B77

RGB 24 123 119

HSL 177.58, 0.67%, 0.29%

LAB 46.57, -27.59, -5.65

 

Complementary color

CMYK 0 / 43 / 41 / 9

HEX #E78488

RGB 231 132 136

HSL 357.58, 0.67%, 0.71%

LAB 65.96, 38.3, 14.59

 

CMYK 76 / 0 / 7 / 52

HEX #1D7B72

RGB 29 123 114

HSL 174.26, 0.62%, 0.3%

LAB 46.5, -28.53, -2.77

 

CMYK 67 / 0 / 6 / 45

HEX #2E8D85

RGB 46 141 133

HSL 174.95, 0.51%, 0.37%

LAB 53.3, -29.21, -3.83

 

CMYK 60 / 0 / 4 / 38

HEX #3F9F98

RGB 63 159 152

HSL 175.63, 0.43%, 0.44%

LAB 60, -29.61, -4.75

 

CMYK 55 / 0 / 3 / 31

HEX #50B1AB

RGB 80 177 171

HSL 176.29, 0.38%, 0.5%

LAB 66.59, -29.83, -5.59

 

CMYK 50 / 0 / 3 / 24

HEX #61C3BE

RGB 97 195 190

HSL 176.94, 0.45%, 0.57%

LAB 73.08, -29.95, -6.34

 

CMYK 80 / 0 / 3 / 52

HEX #187B77

RGB 24 123 119

HSL 177.58, 0.67%, 0.29%

LAB 46.57, -27.59, -5.65

 

CMYK 93 / 0 / 5 / 59

HEX #076964

RGB 7 105 100

HSL 176.94, 0.88%, 0.22%

LAB 39.7, -26.19, -4.44

 

CMYK 100 / 0 / 7 / 66

HEX #005751

RGB 0 87 81

HSL 175.86, 1%, 0.17%

LAB 32.72, -24.01, -2.98

 

CMYK 100 / 0 / 10 / 73

HEX #00453E

RGB 0 69 62

HSL 173.91, 1%, 0.14%

LAB 25.58, -21.23, -1.29

 

CMYK 100 / 0 / 16 / 80

HEX #00332B

RGB 0 51 43

HSL 170.59, 1%, 0.1%

LAB 18.11, -18.34, 0.55

 

CMYK 80 / 0 / 3 / 52

HEX #187B77

RGB 24 123 119

HSL 177.58, 0.67%, 0.29%

LAB 46.57, -27.59, -5.65

 

CMYK 80 / 0 / 25 / 52

HEX #187B5C

RGB 24 123 92

HSL 161.21, 0.67%, 0.29%

LAB 45.82, -35.29, 9.24

 

CMYK 80 / 0 / 46 / 52

HEX #187B42

RGB 24 123 66

HSL 145.45, 0.67%, 0.29%

LAB 45.29, -41.11, 23.49

 

CMYK 80 / 0 / 68 / 52

HEX #187B27

RGB 24 123 39

HSL 129.09, 0.67%, 0.29%

LAB 44.95, -45.2, 36.94

 

CMYK 71 / 0 / 80 / 52

HEX #247B18

RGB 36 123 24

HSL 112.73, 0.67%, 0.29%

LAB 45.09, -44.43, 43.21

 

CMYK 80 / 0 / 3 / 52

HEX #187B77

RGB 24 123 119

HSL 177.58, 0.67%, 0.29%

LAB 46.57, -27.59, -5.65

 

CMYK 80 / 19 / 0 / 52

HEX #18647B

RGB 24 100 123

HSL 193.94, 0.67%, 0.29%

LAB 39.14, -13.98, -19.31

 

CMYK 80 / 40 / 0 / 52

HEX #184A7B

RGB 24 74 123

HSL 209.7, 0.67%, 0.29%

LAB 30.69, 2.16, -32.54

 

CMYK 80 / 62 / 0 / 52

HEX #182F7B

RGB 24 47 123

HSL 226.06, 0.67%, 0.29%

LAB 22.5, 20.98, -45.73

 

CMYK 80 / 80 / 0 / 52

HEX #18187B

RGB 24 24 123

HSL 240, 0.67%, 0.29%

LAB 16.88, 36.13, -54.98

 

CMYK 80 / 0 / 3 / 52

HEX #187B77

RGB 24 123 119

HSL 177.58, 0.67%, 0.29%

LAB 46.57, -27.59, -5.65

 

CMYK 91 / 0 / 4 / 47

HEX #0C8782

RGB 12 135 130

HSL 177.56, 0.84%, 0.29%

LAB 50.71, -30.95, -5.99

 

CMYK 100 / 0 / 4 / 42

HEX #00938D

RGB 0 147 141

HSL 177.55, 1%, 0.29%

LAB 54.86, -33.77, -6.21

 

CMYK 80 / 0 / 3 / 52

HEX #187B77

RGB 24 123 119

HSL 177.58, 0.67%, 0.29%

LAB 46.57, -27.59, -5.65

 

CMYK 68 / 0 / 3 / 56

HEX #246F6C

RGB 36 111 108

HSL 177.6, 0.51%, 0.29%

LAB 42.5, -23.26, -5.08

 

CMYK 52 / 0 / 2 / 61

HEX #306361

RGB 48 99 97

HSL 177.65, 0.35%, 0.29%

LAB 38.58, -17.61, -4.15

 

CMYK 31 / 0 / 1 / 66

HEX #3C5756

RGB 60 87 86

HSL 177.78, 0.18%, 0.29%

LAB 34.9, -10.3, -2.68

 

CMYK 4 / 0 / 0 / 71

HEX #484B4B

RGB 72 75 75

HSL 180, 0.02%, 0.29%

LAB 31.62, -1.22, -0.43

 

CMYK 80 / 0 / 47 / 52

HEX #187B41

RGB 24 123 65

HSL 144.85, 0.67%, 0.29%

LAB 45.28, -41.29, 24.02

 

CMYK 80 / 0 / 25 / 52

HEX #187B5C

RGB 24 123 92

HSL 161.21, 0.67%, 0.29%

LAB 45.82, -35.29, 9.24

 

CMYK 80 / 0 / 4 / 52

HEX #187B76

RGB 24 123 118

HSL 176.97, 0.67%, 0.29%

LAB 46.54, -27.9, -5.1

 

CMYK 80 / 17 / 0 / 52

HEX #18667B

RGB 24 102 123

HSL 192.73, 0.67%, 0.29%

LAB 39.79, -15.13, -18.3

 

CMYK 80 / 39 / 0 / 52

HEX #184B7B

RGB 24 75 123

HSL 209.09, 0.67%, 0.29%

LAB 31.01, 1.5, -32.03

 

CMYK 81 / 0 / 4 / 79

HEX #0A3634

RGB 10 54 52

HSL 177.27, 0.69%, 0.13%

LAB 19.85, -15.01, -3.03

 

CMYK 81 / 0 / 3 / 65

HEX #115956

RGB 17 89 86

HSL 177.5, 0.68%, 0.21%

LAB 33.85, -21.67, -4.43

 

CMYK 80 / 0 / 3 / 52

HEX #187B77

RGB 24 123 119

HSL 177.58, 0.67%, 0.29%

LAB 46.57, -27.59, -5.65

 

CMYK 80 / 0 / 3 / 38

HEX #1F9D98

RGB 31 157 152

HSL 177.62, 0.67%, 0.37%

LAB 58.67, -33.19, -6.8

 

CMYK 80 / 0 / 3 / 25

HEX #26C0BA

RGB 38 192 186

HSL 177.66, 0.67%, 0.45%

LAB 70.63, -38.71, -7.95

 

CMYK 80 / 0 / 3 / 52

HEX #187B77

RGB 24 123 119

HSL 177.58, 0.67%, 0.29%

LAB 46.57, -27.59, -5.65

 

CMYK 68 / 80 / 0 / 52

HEX #27187B

RGB 39 24 123

HSL 249.09, 0.67%, 0.29%

LAB 17.98, 37.54, -53.12

 

CMYK 0 / 37 / 80 / 52

HEX #7B4E18

RGB 123 78 24

HSL 32.73, 0.67%, 0.29%

LAB 37.35, 14.15, 37.85

 

CMYK 80 / 0 / 3 / 52

HEX #187B77

RGB 24 123 119

HSL 177.58, 0.67%, 0.29%

LAB 46.57, -27.59, -5.65

 

CMYK 4 / 80 / 0 / 52

HEX #76187B

RGB 118 24 123

HSL 296.97, 0.67%, 0.29%

LAB 29.25, 51.35, -34.31

 

CMYK 0 / 4 / 80 / 52

HEX #7B7618

RGB 123 118 24

HSL 56.97, 0.67%, 0.29%

LAB 48.55, -9.18, 48.26

 

CMYK 80 / 0 / 3 / 52

HEX #187B77

RGB 24 123 119

HSL 177.58, 0.67%, 0.29%

LAB 46.57, -27.59, -5.65

 

CMYK 68 / 80 / 0 / 52

HEX #27187B

RGB 39 24 123

HSL 249.09, 0.67%, 0.29%

LAB 17.98, 37.54, -53.12

 

CMYK 0 / 80 / 76 / 52

HEX #7B181D

RGB 123 24 29

HSL 356.97, 0.67%, 0.29%

LAB 26.6, 41.86, 23.87

 

CMYK 12 / 0 / 80 / 52

HEX #6C7B18

RGB 108 123 24

HSL 69.09, 0.67%, 0.29%

LAB 48.78, -18.81, 47.99

 

CMYK 80 / 0 / 3 / 52

HEX #187B77

RGB 24 123 119

HSL 177.58, 0.67%, 0.29%

LAB 46.57, -27.59, -5.65

 

CMYK 45 / 80 / 0 / 52

HEX #44187B

RGB 68 24 123

HSL 266.67, 0.67%, 0.29%

LAB 21.25, 41.62, -47.62

 

CMYK 0 / 80 / 76 / 52

HEX #7B181D

RGB 123 24 29

HSL 356.97, 0.67%, 0.29%

LAB 26.6, 41.86, 23.87

 

CMYK 37 / 0 / 80 / 52

HEX #4E7B18

RGB 78 123 24

HSL 87.27, 0.67%, 0.29%

LAB 46.78, -31.53, 45.41

 

Description

Color code: HEX #187B77 | qconv.com Color code: HEX #187B77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 123 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 123 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 3 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 3% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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