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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #187D73 it is the complementary color #E7828C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #187D73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #187D73 shade: #1D7D6E, #2E8F81, #3FA194, #50B3A7 and #61C5BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #187D73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #187D73 shade: #187D73, #076B60, #00594D, #00473A and #003527

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #187D73 shade: #177C72, #177C57, #177C3C, #177C20 and #297C17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #187D73 shade: #177C72, #176B7C, #174F7C, #17347C and #17197C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #187D73 shade matches the following richer shades: #177C72 and #0B887B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #187D73 shade: #177C72, #237068, #2F645F, #3B5855 and #474C4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #187D73 shade: #177C3C, #177C57, #177C72, #176B7C and #17507C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #187D73 shade: #0A3632, #115952, #177C72, #1E9E92 and #24C1B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #187D73 shade: #187D73, #21177C and #7C4917

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #187D73 shade: #187D73, #72177C and #7C7217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #187D73 shade: #187D73, #21177C, #7C1721 and #727C17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #187D73 shade: #187D73, #3F177C, #7C1721 and #547C17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 8 / 51

HEX #187D73

RGB 24 125 115

HSL 174.06, 0.68%, 0.29%

LAB 47.1, -29.79, -2.48

 

Complementary color

CMYK 0 / 44 / 39 / 9

HEX #E7828C

RGB 231 130 140

HSL 354.06, 0.68%, 0.71%

LAB 65.63, 39.77, 11.87

 

CMYK 77 / 0 / 12 / 51

HEX #1D7D6E

RGB 29 125 110

HSL 170.63, 0.62%, 0.3%

LAB 47.05, -30.66, 0.4

 

CMYK 68 / 0 / 10 / 44

HEX #2E8F81

RGB 46 143 129

HSL 171.34, 0.51%, 0.37%

LAB 53.83, -31.3, -0.75

 

CMYK 61 / 0 / 8 / 37

HEX #3FA194

RGB 63 161 148

HSL 172.04, 0.44%, 0.44%

LAB 60.5, -31.66, -1.75

 

CMYK 55 / 0 / 7 / 30

HEX #50B3A7

RGB 80 179 167

HSL 172.73, 0.39%, 0.51%

LAB 67.08, -31.85, -2.65

 

CMYK 51 / 0 / 6 / 23

HEX #61C5BA

RGB 97 197 186

HSL 173.4, 0.46%, 0.58%

LAB 73.56, -31.93, -3.47

 

CMYK 81 / 0 / 8 / 51

HEX #187D73

RGB 24 125 115

HSL 174.06, 0.68%, 0.29%

LAB 47.1, -29.79, -2.48

 

CMYK 93 / 0 / 10 / 58

HEX #076B60

RGB 7 107 96

HSL 173.4, 0.88%, 0.22%

LAB 40.25, -28.43, -1.17

 

CMYK 100 / 0 / 13 / 65

HEX #00594D

RGB 0 89 77

HSL 171.91, 1%, 0.17%

LAB 33.31, -26.3, 0.4

 

CMYK 100 / 0 / 18 / 72

HEX #00473A

RGB 0 71 58

HSL 169.01, 1%, 0.14%

LAB 26.19, -23.55, 2.23

 

CMYK 100 / 0 / 26 / 79

HEX #003527

RGB 0 53 39

HSL 164.15, 1%, 0.1%

LAB 18.77, -20.68, 4.24

 

CMYK 81 / 0 / 8 / 51

HEX #177C72

RGB 23 124 114

HSL 174.06, 0.69%, 0.29%

LAB 46.73, -29.72, -2.45

 

CMYK 81 / 0 / 30 / 51

HEX #177C57

RGB 23 124 87

HSL 158.02, 0.69%, 0.29%

LAB 46.02, -37.09, 12.46

 

CMYK 81 / 0 / 52 / 51

HEX #177C3C

RGB 23 124 60

HSL 141.98, 0.69%, 0.29%

LAB 45.53, -42.7, 27.07

 

CMYK 81 / 0 / 74 / 51

HEX #177C20

RGB 23 124 32

HSL 125.35, 0.69%, 0.29%

LAB 45.22, -46.41, 40.24

 

CMYK 67 / 0 / 81 / 51

HEX #297C17

RGB 41 124 23

HSL 109.31, 0.69%, 0.29%

LAB 45.56, -43.74, 44.04

 

CMYK 81 / 0 / 8 / 51

HEX #177C72

RGB 23 124 114

HSL 174.06, 0.69%, 0.29%

LAB 46.73, -29.72, -2.45

 

CMYK 81 / 14 / 0 / 51

HEX #176B7C

RGB 23 107 124

HSL 190.1, 0.69%, 0.29%

LAB 41.46, -17.68, -16.35

 

CMYK 81 / 36 / 0 / 51

HEX #174F7C

RGB 23 79 124

HSL 206.73, 0.69%, 0.29%

LAB 32.32, -0.85, -30.57

 

CMYK 81 / 58 / 0 / 51

HEX #17347C

RGB 23 52 124

HSL 222.77, 0.69%, 0.29%

LAB 23.98, 17.73, -43.97

 

CMYK 81 / 80 / 0 / 51

HEX #17197C

RGB 23 25 124

HSL 238.81, 0.69%, 0.29%

LAB 17.14, 35.84, -55.18

 

CMYK 81 / 0 / 8 / 51

HEX #177C72

RGB 23 124 114

HSL 174.06, 0.69%, 0.29%

LAB 46.73, -29.72, -2.45

 

CMYK 92 / 0 / 10 / 47

HEX #0B887B

RGB 11 136 123

HSL 173.76, 0.85%, 0.29%

LAB 50.82, -33.61, -1.75

 

CMYK 81 / 0 / 8 / 51

HEX #177C72

RGB 23 124 114

HSL 174.06, 0.69%, 0.29%

LAB 46.73, -29.72, -2.45

 

CMYK 69 / 0 / 7 / 56

HEX #237068

RGB 35 112 104

HSL 173.77, 0.52%, 0.29%

LAB 42.68, -25.15, -2.4

 

CMYK 53 / 0 / 5 / 61

HEX #2F645F

RGB 47 100 95

HSL 174.34, 0.36%, 0.29%

LAB 38.8, -18.99, -2.59

 

CMYK 33 / 0 / 3 / 65

HEX #3B5855

RGB 59 88 85

HSL 173.79, 0.2%, 0.29%

LAB 35.13, -11.49, -1.72

 

CMYK 7 / 0 / 1 / 70

HEX #474C4B

RGB 71 76 75

HSL 168, 0.03%, 0.29%

LAB 31.84, -2.25, -0.11

 

CMYK 81 / 0 / 52 / 51

HEX #177C3C

RGB 23 124 60

HSL 141.98, 0.69%, 0.29%

LAB 45.53, -42.7, 27.07

 

CMYK 81 / 0 / 30 / 51

HEX #177C57

RGB 23 124 87

HSL 158.02, 0.69%, 0.29%

LAB 46.02, -37.09, 12.46

 

CMYK 81 / 0 / 8 / 51

HEX #177C72

RGB 23 124 114

HSL 174.06, 0.69%, 0.29%

LAB 46.73, -29.72, -2.45

 

CMYK 81 / 14 / 0 / 51

HEX #176B7C

RGB 23 107 124

HSL 190.1, 0.69%, 0.29%

LAB 41.46, -17.68, -16.35

 

CMYK 81 / 35 / 0 / 51

HEX #17507C

RGB 23 80 124

HSL 206.14, 0.69%, 0.29%

LAB 32.65, -1.5, -30.07

 

CMYK 81 / 0 / 7 / 79

HEX #0A3632

RGB 10 54 50

HSL 174.55, 0.69%, 0.13%

LAB 19.77, -15.7, -1.77

 

CMYK 81 / 0 / 8 / 65

HEX #115952

RGB 17 89 82

HSL 174.17, 0.68%, 0.21%

LAB 33.72, -22.96, -2.11

 

CMYK 81 / 0 / 8 / 51

HEX #177C72

RGB 23 124 114

HSL 174.06, 0.69%, 0.29%

LAB 46.73, -29.72, -2.45

 

CMYK 81 / 0 / 8 / 38

HEX #1E9E92

RGB 30 158 146

HSL 174.38, 0.68%, 0.37%

LAB 58.79, -35.52, -3.21

 

CMYK 81 / 0 / 8 / 24

HEX #24C1B2

RGB 36 193 178

HSL 174.27, 0.69%, 0.45%

LAB 70.68, -41.61, -3.5

 

CMYK 81 / 0 / 8 / 51

HEX #187D73

RGB 24 125 115

HSL 174.06, 0.68%, 0.29%

LAB 47.1, -29.79, -2.48

 

CMYK 73 / 81 / 0 / 51

HEX #21177C

RGB 33 23 124

HSL 245.94, 0.69%, 0.29%

LAB 17.42, 37.79, -54.71

 

CMYK 0 / 41 / 81 / 51

HEX #7C4917

RGB 124 73 23

HSL 29.7, 0.69%, 0.29%

LAB 36.2, 17.55, 37.25

 

CMYK 81 / 0 / 8 / 51

HEX #187D73

RGB 24 125 115

HSL 174.06, 0.68%, 0.29%

LAB 47.1, -29.79, -2.48

 

CMYK 8 / 81 / 0 / 51

HEX #72177C

RGB 114 23 124

HSL 294.06, 0.69%, 0.29%

LAB 28.5, 50.99, -36.17

 

CMYK 0 / 8 / 81 / 51

HEX #7C7217

RGB 124 114 23

HSL 54.06, 0.69%, 0.29%

LAB 47.47, -6.51, 47.65

 

CMYK 81 / 0 / 8 / 51

HEX #187D73

RGB 24 125 115

HSL 174.06, 0.68%, 0.29%

LAB 47.1, -29.79, -2.48

 

CMYK 73 / 81 / 0 / 51

HEX #21177C

RGB 33 23 124

HSL 245.94, 0.69%, 0.29%

LAB 17.42, 37.79, -54.71

 

CMYK 0 / 81 / 73 / 51

HEX #7C1721

RGB 124 23 33

HSL 354.06, 0.69%, 0.29%

LAB 26.76, 42.69, 21.51

 

CMYK 8 / 0 / 81 / 51

HEX #727C17

RGB 114 124 23

HSL 65.94, 0.69%, 0.29%

LAB 49.56, -16.65, 49.2

 

CMYK 81 / 0 / 8 / 51

HEX #187D73

RGB 24 125 115

HSL 174.06, 0.68%, 0.29%

LAB 47.1, -29.79, -2.48

 

CMYK 49 / 81 / 0 / 51

HEX #3F177C

RGB 63 23 124

HSL 263.76, 0.69%, 0.29%

LAB 20.54, 41.54, -49.46

 

CMYK 0 / 81 / 73 / 51

HEX #7C1721

RGB 124 23 33

HSL 354.06, 0.69%, 0.29%

LAB 26.76, 42.69, 21.51

 

CMYK 32 / 0 / 81 / 51

HEX #547C17

RGB 84 124 23

HSL 83.76, 0.69%, 0.29%

LAB 47.45, -29.68, 46.48

 

Description

Color code: HEX #187D73 | qconv.com Color code: HEX #187D73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 125 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 125 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 8 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 8% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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