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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #188988 it is the complementary color #E77677. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #188988. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #188988 shade: #1D8983, #2E9B96, #3FADA9, #50BFBC and #61D1CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #188988. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #188988 shade: #188988, #077775, #006562, #00534F and #00413C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #188988 shade: #188A89, #188A6A, #188A4C, #188A2D and #228A18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #188988 shade: #188A89, #186C8A, #184E8A, #182F8A and #18188A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #188988 shade matches the following richer shades: #188A89 and #0B9796

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #188988 shade: #188A89, #257D7C, #32706F, #406362 and #4D5555

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #188988 shade: #188A4B, #188A6A, #188A88, #186E8A and #184F8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #188988 shade: #0C4444, #126766, #188A89, #1EADAC and #24D0CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #188988 shade: #188988, #2D188A and #8A5B18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #188988 shade: #188988, #88188A and #8A8818

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #188988 shade: #188988, #2D188A, #8A181A and #758A18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #188988 shade: #188988, #4F188A, #8A181A and #538A18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 1 / 46

HEX #188988

RGB 24 137 136

HSL 179.47, 0.7%, 0.32%

LAB 51.68, -29.15, -8.02

 

Complementary color

CMYK 0 / 49 / 48 / 9

HEX #E77677

RGB 231 118 119

HSL 359.47, 0.7%, 0.68%

LAB 62.74, 43.73, 19.78

 

CMYK 79 / 0 / 4 / 46

HEX #1D8983

RGB 29 137 131

HSL 176.67, 0.65%, 0.33%

LAB 51.6, -30.19, -5.22

 

CMYK 70 / 0 / 3 / 39

HEX #2E9B96

RGB 46 155 150

HSL 177.25, 0.54%, 0.39%

LAB 58.25, -31.05, -6.26

 

CMYK 64 / 0 / 2 / 32

HEX #3FADA9

RGB 63 173 169

HSL 177.82, 0.47%, 0.46%

LAB 64.81, -31.61, -7.17

 

CMYK 58 / 0 / 2 / 25

HEX #50BFBC

RGB 80 191 188

HSL 178.38, 0.46%, 0.53%

LAB 71.28, -31.98, -7.99

 

CMYK 54 / 0 / 1 / 18

HEX #61D1CF

RGB 97 209 207

HSL 178.93, 0.55%, 0.6%

LAB 77.67, -32.21, -8.74

 

CMYK 82 / 0 / 1 / 46

HEX #188988

RGB 24 137 136

HSL 179.47, 0.7%, 0.32%

LAB 51.68, -29.15, -8.02

 

CMYK 94 / 0 / 2 / 53

HEX #077775

RGB 7 119 117

HSL 178.93, 0.89%, 0.25%

LAB 44.97, -27.6, -6.85

 

CMYK 100 / 0 / 3 / 60

HEX #006562

RGB 0 101 98

HSL 178.22, 1%, 0.2%

LAB 38.18, -25.37, -5.47

 

CMYK 100 / 0 / 5 / 67

HEX #00534F

RGB 0 83 79

HSL 177.11, 1%, 0.16%

LAB 31.23, -22.65, -3.92

 

CMYK 100 / 0 / 8 / 75

HEX #00413C

RGB 0 65 60

HSL 175.38, 1%, 0.13%

LAB 24.02, -19.83, -2.26

 

CMYK 83 / 0 / 1 / 46

HEX #188A89

RGB 24 138 137

HSL 179.47, 0.7%, 0.32%

LAB 52.04, -29.33, -8.07

 

CMYK 83 / 0 / 23 / 46

HEX #188A6A

RGB 24 138 106

HSL 163.16, 0.7%, 0.32%

LAB 51.17, -38.21, 8.65

 

CMYK 83 / 0 / 45 / 46

HEX #188A4C

RGB 24 138 76

HSL 147.37, 0.7%, 0.32%

LAB 50.56, -44.95, 24.78

 

CMYK 83 / 0 / 67 / 46

HEX #188A2D

RGB 24 138 45

HSL 131.05, 0.7%, 0.32%

LAB 50.17, -49.65, 39.97

 

CMYK 75 / 0 / 83 / 46

HEX #228A18

RGB 34 138 24

HSL 114.74, 0.7%, 0.32%

LAB 50.2, -49.97, 48.04

 

CMYK 83 / 0 / 1 / 46

HEX #188A89

RGB 24 138 137

HSL 179.47, 0.7%, 0.32%

LAB 52.04, -29.33, -8.07

 

CMYK 83 / 22 / 0 / 46

HEX #186C8A

RGB 24 108 138

HSL 195.79, 0.7%, 0.32%

LAB 42.39, -13.1, -23.35

 

CMYK 83 / 43 / 0 / 46

HEX #184E8A

RGB 24 78 138

HSL 211.58, 0.7%, 0.32%

LAB 32.87, 5.59, -38.34

 

CMYK 83 / 66 / 0 / 46

HEX #182F8A

RGB 24 47 138

HSL 227.89, 0.7%, 0.32%

LAB 23.88, 26.99, -52.92

 

CMYK 83 / 83 / 0 / 46

HEX #18188A

RGB 24 24 138

HSL 240, 0.7%, 0.32%

LAB 18.72, 41.24, -61.42

 

CMYK 83 / 0 / 1 / 46

HEX #188A89

RGB 24 138 137

HSL 179.47, 0.7%, 0.32%

LAB 52.04, -29.33, -8.07

 

CMYK 93 / 0 / 1 / 41

HEX #0B9796

RGB 11 151 150

HSL 179.57, 0.86%, 0.32%

LAB 56.49, -32.37, -8.93

 

CMYK 83 / 0 / 1 / 46

HEX #188A89

RGB 24 138 137

HSL 179.47, 0.7%, 0.32%

LAB 52.04, -29.33, -8.07

 

CMYK 70 / 0 / 1 / 51

HEX #257D7C

RGB 37 125 124

HSL 179.32, 0.54%, 0.32%

LAB 47.64, -25.36, -6.98

 

CMYK 55 / 0 / 1 / 56

HEX #32706F

RGB 50 112 111

HSL 179.03, 0.38%, 0.32%

LAB 43.38, -20.08, -5.53

 

CMYK 35 / 0 / 1 / 61

HEX #406362

RGB 64 99 98

HSL 178.29, 0.21%, 0.32%

LAB 39.4, -12.78, -3.45

 

CMYK 9 / 0 / 0 / 67

HEX #4D5555

RGB 77 85 85

HSL 180, 0.05%, 0.32%

LAB 35.46, -3.16, -1.09

 

CMYK 83 / 0 / 46 / 46

HEX #188A4B

RGB 24 138 75

HSL 146.84, 0.7%, 0.32%

LAB 50.55, -45.14, 25.3

 

CMYK 83 / 0 / 23 / 46

HEX #188A6A

RGB 24 138 106

HSL 163.16, 0.7%, 0.32%

LAB 51.17, -38.21, 8.65

 

CMYK 83 / 0 / 1 / 46

HEX #188A88

RGB 24 138 136

HSL 178.95, 0.7%, 0.32%

LAB 52, -29.64, -7.54

 

CMYK 83 / 20 / 0 / 46

HEX #186E8A

RGB 24 110 138

HSL 194.74, 0.7%, 0.32%

LAB 43.03, -14.24, -22.35

 

CMYK 83 / 43 / 0 / 46

HEX #184F8A

RGB 24 79 138

HSL 211.05, 0.7%, 0.32%

LAB 33.18, 4.92, -37.85

 

CMYK 82 / 0 / 0 / 73

HEX #0C4444

RGB 12 68 68

HSL 180, 0.7%, 0.16%

LAB 25.65, -17.05, -5.09

 

CMYK 83 / 0 / 1 / 60

HEX #126766

RGB 18 103 102

HSL 179.29, 0.7%, 0.24%

LAB 39.22, -23.59, -6.35

 

CMYK 83 / 0 / 1 / 46

HEX #188A89

RGB 24 138 137

HSL 179.47, 0.7%, 0.32%

LAB 52.04, -29.33, -8.07

 

CMYK 83 / 0 / 1 / 32

HEX #1EADAC

RGB 30 173 172

HSL 179.58, 0.7%, 0.4%

LAB 64.28, -34.77, -9.7

 

CMYK 83 / 0 / 0 / 18

HEX #24D0CF

RGB 36 208 207

HSL 179.65, 0.7%, 0.48%

LAB 76.06, -40, -11.26

 

CMYK 82 / 0 / 1 / 46

HEX #188988

RGB 24 137 136

HSL 179.47, 0.7%, 0.32%

LAB 51.68, -29.15, -8.02

 

CMYK 67 / 83 / 0 / 46

HEX #2D188A

RGB 45 24 138

HSL 251.05, 0.7%, 0.32%

LAB 20.23, 42.89, -58.88

 

CMYK 0 / 34 / 83 / 46

HEX #8A5B18

RGB 138 91 24

HSL 35.26, 0.7%, 0.32%

LAB 42.69, 13.5, 43.55

 

CMYK 82 / 0 / 1 / 46

HEX #188988

RGB 24 137 136

HSL 179.47, 0.7%, 0.32%

LAB 51.68, -29.15, -8.02

 

CMYK 1 / 83 / 0 / 46

HEX #88188A

RGB 136 24 138

HSL 298.95, 0.7%, 0.32%

LAB 33.4, 57.68, -36.87

 

CMYK 0 / 1 / 83 / 46

HEX #8A8818

RGB 138 136 24

HSL 58.95, 0.7%, 0.32%

LAB 55.15, -12.05, 54.6

 

CMYK 82 / 0 / 1 / 46

HEX #188988

RGB 24 137 136

HSL 179.47, 0.7%, 0.32%

LAB 51.68, -29.15, -8.02

 

CMYK 67 / 83 / 0 / 46

HEX #2D188A

RGB 45 24 138

HSL 251.05, 0.7%, 0.32%

LAB 20.23, 42.89, -58.88

 

CMYK 0 / 83 / 81 / 46

HEX #8A181A

RGB 138 24 26

HSL 358.95, 0.7%, 0.32%

LAB 29.74, 46.46, 30.07

 

CMYK 15 / 0 / 83 / 46

HEX #758A18

RGB 117 138 24

HSL 71.05, 0.7%, 0.32%

LAB 54.05, -22.53, 52.99

 

CMYK 82 / 0 / 1 / 46

HEX #188988

RGB 24 137 136

HSL 179.47, 0.7%, 0.32%

LAB 51.68, -29.15, -8.02

 

CMYK 43 / 83 / 0 / 46

HEX #4F188A

RGB 79 24 138

HSL 268.95, 0.7%, 0.32%

LAB 24.16, 47.26, -52.26

 

CMYK 0 / 83 / 81 / 46

HEX #8A181A

RGB 138 24 26

HSL 358.95, 0.7%, 0.32%

LAB 29.74, 46.46, 30.07

 

CMYK 40 / 0 / 83 / 46

HEX #538A18

RGB 83 138 24

HSL 88.95, 0.7%, 0.32%

LAB 51.93, -36.38, 50.28

 

Description

Color code: HEX #188988 | qconv.com Color code: HEX #188988 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 137 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 137 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 1 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 1% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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