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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #188F74 it is the complementary color #E7708B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #188F74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #188F74 shade: #1D8F6F, #2EA182, #3FB395, #50C5A8 and #61D7BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #188F74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #188F74 shade: #188F74, #077D61, #006B4E, #00593B and #004728

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #188F74 shade: #188F74, #188F54, #188F34, #1C8F18 and #3C8F18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #188F74 shade: #188F74, #188A8F, #186A8F, #184A8F and #182A8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #188F74 shade matches the following richer shades: #188F74 and #0A9D7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #188F74 shade: #188F74, #26826D, #337465, #41675E and #4E5957

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #188F74 shade: #188F34, #188F54, #188F74, #188B8F and #186C8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #188F74 shade: #0C493B, #126C58, #188F74, #1EB391 and #24D6AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #188F74 shade: #188F74, #181C8F and #8F4418

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #188F74 shade: #188F74, #74188F and #8F7418

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #188F74 shade: #188F74, #181C8F, #8F1834 and #8F8B18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #188F74 shade: #188F74, #38188F, #8F1834 and #708F18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 19 / 44

HEX #188F74

RGB 24 143 116

HSL 166.39, 0.71%, 0.33%

LAB 53.06, -37.75, 5.58

 

Complementary color

CMYK 0 / 52 / 40 / 9

HEX #E7708B

RGB 231 112 139

HSL 346.39, 0.71%, 0.67%

LAB 62.03, 48.7, 7.34

 

CMYK 80 / 0 / 22 / 44

HEX #1D8F6F

RGB 29 143 111

HSL 163.16, 0.66%, 0.34%

LAB 53.01, -38.53, 8.39

 

CMYK 71 / 0 / 19 / 37

HEX #2EA182

RGB 46 161 130

HSL 163.83, 0.56%, 0.41%

LAB 59.6, -39.26, 7.04

 

CMYK 65 / 0 / 17 / 30

HEX #3FB395

RGB 63 179 149

HSL 164.48, 0.48%, 0.47%

LAB 66.11, -39.68, 5.84

 

CMYK 59 / 0 / 15 / 23

HEX #50C5A8

RGB 80 197 168

HSL 165.13, 0.5%, 0.54%

LAB 72.54, -39.91, 4.76

 

CMYK 55 / 0 / 13 / 16

HEX #61D7BB

RGB 97 215 187

HSL 165.76, 0.6%, 0.61%

LAB 78.89, -40, 3.77

 

CMYK 83 / 0 / 19 / 44

HEX #188F74

RGB 24 143 116

HSL 166.39, 0.71%, 0.33%

LAB 53.06, -37.75, 5.58

 

CMYK 94 / 0 / 22 / 51

HEX #077D61

RGB 7 125 97

HSL 165.76, 0.89%, 0.26%

LAB 46.41, -36.34, 7.12

 

CMYK 100 / 0 / 27 / 58

HEX #006B4E

RGB 0 107 78

HSL 163.74, 1%, 0.21%

LAB 39.69, -34.19, 8.92

 

CMYK 100 / 0 / 34 / 65

HEX #00593B

RGB 0 89 59

HSL 159.78, 1%, 0.17%

LAB 32.83, -31.48, 10.95

 

CMYK 100 / 0 / 44 / 72

HEX #004728

RGB 0 71 40

HSL 153.8, 1%, 0.14%

LAB 25.74, -28.57, 13.16

 

CMYK 83 / 0 / 19 / 44

HEX #188F74

RGB 24 143 116

HSL 166.39, 0.71%, 0.33%

LAB 53.06, -37.75, 5.58

 

CMYK 83 / 0 / 41 / 44

HEX #188F54

RGB 24 143 84

HSL 150.25, 0.71%, 0.33%

LAB 52.37, -45.29, 22.75

 

CMYK 83 / 0 / 64 / 44

HEX #188F34

RGB 24 143 52

HSL 134.12, 0.71%, 0.33%

LAB 51.94, -50.51, 38.74

 

CMYK 80 / 0 / 83 / 44

HEX #1C8F18

RGB 28 143 24

HSL 117.98, 0.71%, 0.33%

LAB 51.79, -52.54, 49.49

 

CMYK 58 / 0 / 83 / 44

HEX #3C8F18

RGB 60 143 24

HSL 101.85, 0.71%, 0.33%

LAB 52.59, -45.85, 50.52

 

CMYK 83 / 0 / 19 / 44

HEX #188F74

RGB 24 143 116

HSL 166.39, 0.71%, 0.33%

LAB 53.06, -37.75, 5.58

 

CMYK 83 / 3 / 0 / 44

HEX #188A8F

RGB 24 138 143

HSL 182.52, 0.71%, 0.33%

LAB 52.24, -27.43, -11.26

 

CMYK 83 / 26 / 0 / 44

HEX #186A8F

RGB 24 106 143

HSL 198.66, 0.71%, 0.33%

LAB 41.98, -10.08, -26.98

 

CMYK 83 / 48 / 0 / 44

HEX #184A8F

RGB 24 74 143

HSL 214.79, 0.71%, 0.33%

LAB 31.98, 10.33, -42.84

 

CMYK 83 / 71 / 0 / 44

HEX #182A8F

RGB 24 42 143

HSL 230.92, 0.71%, 0.33%

LAB 23.11, 32.28, -57.28

 

CMYK 83 / 0 / 19 / 44

HEX #188F74

RGB 24 143 116

HSL 166.39, 0.71%, 0.33%

LAB 53.06, -37.75, 5.58

 

CMYK 94 / 0 / 21 / 38

HEX #0A9D7C

RGB 10 157 124

HSL 166.53, 0.88%, 0.33%

LAB 57.69, -42.58, 7.62

 

CMYK 83 / 0 / 19 / 44

HEX #188F74

RGB 24 143 116

HSL 166.39, 0.71%, 0.33%

LAB 53.06, -37.75, 5.58

 

CMYK 71 / 0 / 16 / 49

HEX #26826D

RGB 38 130 109

HSL 166.3, 0.55%, 0.33%

LAB 48.86, -31.97, 3.64

 

CMYK 56 / 0 / 13 / 55

HEX #337465

RGB 51 116 101

HSL 166.15, 0.39%, 0.33%

LAB 44.42, -24.73, 2.01

 

CMYK 37 / 0 / 9 / 60

HEX #41675E

RGB 65 103 94

HSL 165.79, 0.23%, 0.33%

LAB 40.63, -15.75, 0.8

 

CMYK 12 / 0 / 2 / 65

HEX #4E5957

RGB 78 89 87

HSL 169.09, 0.07%, 0.33%

LAB 36.84, -4.74, -0.31

 

CMYK 83 / 0 / 64 / 44

HEX #188F34

RGB 24 143 52

HSL 134.12, 0.71%, 0.33%

LAB 51.94, -50.51, 38.74

 

CMYK 83 / 0 / 41 / 44

HEX #188F54

RGB 24 143 84

HSL 150.25, 0.71%, 0.33%

LAB 52.37, -45.29, 22.75

 

CMYK 83 / 0 / 19 / 44

HEX #188F74

RGB 24 143 116

HSL 166.39, 0.71%, 0.33%

LAB 53.06, -37.75, 5.58

 

CMYK 83 / 3 / 0 / 44

HEX #188B8F

RGB 24 139 143

HSL 182.02, 0.71%, 0.33%

LAB 52.56, -27.92, -10.78

 

CMYK 83 / 24 / 0 / 44

HEX #186C8F

RGB 24 108 143

HSL 197.65, 0.71%, 0.33%

LAB 42.62, -11.25, -25.99

 

CMYK 84 / 0 / 19 / 71

HEX #0C493B

RGB 12 73 59

HSL 166.23, 0.72%, 0.17%

LAB 27.18, -22.63, 3.03

 

CMYK 83 / 0 / 19 / 58

HEX #126C58

RGB 18 108 88

HSL 166.67, 0.71%, 0.25%

LAB 40.51, -30.31, 4.06

 

CMYK 83 / 0 / 19 / 44

HEX #188F74

RGB 24 143 116

HSL 166.39, 0.71%, 0.33%

LAB 53.06, -37.75, 5.58

 

CMYK 83 / 0 / 19 / 30

HEX #1EB391

RGB 30 179 145

HSL 166.31, 0.71%, 0.41%

LAB 65.41, -44.98, 6.95

 

CMYK 83 / 0 / 19 / 16

HEX #24D6AE

RGB 36 214 174

HSL 166.52, 0.71%, 0.49%

LAB 77, -51.51, 7.83

 

CMYK 83 / 0 / 19 / 44

HEX #188F74

RGB 24 143 116

HSL 166.39, 0.71%, 0.33%

LAB 53.06, -37.75, 5.58

 

CMYK 83 / 80 / 0 / 44

HEX #181C8F

RGB 24 28 143

HSL 237.98, 0.71%, 0.33%

LAB 20.08, 40.78, -62.3

 

CMYK 0 / 52 / 83 / 44

HEX #8F4418

RGB 143 68 24

HSL 22.18, 0.71%, 0.33%

LAB 37.91, 28.87, 39.43

 

CMYK 83 / 0 / 19 / 44

HEX #188F74

RGB 24 143 116

HSL 166.39, 0.71%, 0.33%

LAB 53.06, -37.75, 5.58

 

CMYK 19 / 83 / 0 / 44

HEX #74188F

RGB 116 24 143

HSL 286.39, 0.71%, 0.33%

LAB 30.28, 54.71, -45.17

 

CMYK 0 / 19 / 83 / 44

HEX #8F7418

RGB 143 116 24

HSL 46.39, 0.71%, 0.33%

LAB 49.97, 1.36, 50.28

 

CMYK 83 / 0 / 19 / 44

HEX #188F74

RGB 24 143 116

HSL 166.39, 0.71%, 0.33%

LAB 53.06, -37.75, 5.58

 

CMYK 83 / 80 / 0 / 44

HEX #181C8F

RGB 24 28 143

HSL 237.98, 0.71%, 0.33%

LAB 20.08, 40.78, -62.3

 

CMYK 0 / 83 / 64 / 44

HEX #8F1834

RGB 143 24 52

HSL 345.88, 0.71%, 0.33%

LAB 31.21, 49.24, 15.45

 

CMYK 0 / 3 / 83 / 44

HEX #8F8B18

RGB 143 139 24

HSL 57.98, 0.71%, 0.33%

LAB 56.46, -11.37, 55.9

 

CMYK 83 / 0 / 19 / 44

HEX #188F74

RGB 24 143 116

HSL 166.39, 0.71%, 0.33%

LAB 53.06, -37.75, 5.58

 

CMYK 61 / 83 / 0 / 44

HEX #38188F

RGB 56 24 143

HSL 256.13, 0.71%, 0.33%

LAB 21.86, 45.54, -59.27

 

CMYK 0 / 83 / 64 / 44

HEX #8F1834

RGB 143 24 52

HSL 345.88, 0.71%, 0.33%

LAB 31.21, 49.24, 15.45

 

CMYK 22 / 0 / 83 / 44

HEX #708F18

RGB 112 143 24

HSL 75.63, 0.71%, 0.33%

LAB 55.23, -27.16, 53.9

 

Description

Color code: HEX #188F74 | qconv.com Color code: HEX #188F74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 143 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 143 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 19 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 19% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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