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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18992C it is the complementary color #E766D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18992C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18992C shade: #1D9927, #2EAB3A, #3FBD4D, #50CF60 and #61E173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18992C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18992C shade: #18992C, #078719, #007506, #006300 and #005100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18992C shade: #189A2C, #279A18, #4A9A18, #6D9A18 and #909A18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18992C shade: #189A2C, #189A4F, #189A72, #189A95 and #187B9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18992C shade matches the following richer shades: #189A2C and #09A822

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18992C shade: #189A2C, #268B36, #347D40, #436F4A and #516054

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18992C shade: #4A9A18, #279A18, #189A2B, #189A4E and #189A71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18992C shade: #0C5317, #127622, #189A2C, #1DBE36 and #27DD43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18992C shade: #18992C, #186C9A and #9A1838

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18992C shade: #18992C, #2B189A and #9A2B18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18992C shade: #18992C, #186C9A, #9A1886 and #9A4518

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18992C shade: #18992C, #18459A, #9A1886 and #9A6C18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 71 / 40

HEX #18992C

RGB 24 153 44

HSL 129.3, 0.73%, 0.35%

LAB 55.24, -54.67, 45.84

 

Complementary color

CMYK 0 / 56 / 9 / 9

HEX #E766D3

RGB 231 102 211

HSL 309.3, 0.73%, 0.65%

LAB 62.67, 63.08, -32.8

 

CMYK 81 / 0 / 75 / 40

HEX #1D9927

RGB 29 153 39

HSL 124.84, 0.68%, 0.36%

LAB 55.27, -54.53, 47.84

 

CMYK 73 / 0 / 66 / 33

HEX #2EAB3A

RGB 46 171 58

HSL 125.76, 0.58%, 0.43%

LAB 61.66, -56.1, 47.01

 

CMYK 67 / 0 / 59 / 26

HEX #3FBD4D

RGB 63 189 77

HSL 126.67, 0.5%, 0.49%

LAB 68.01, -57.06, 45.82

 

CMYK 61 / 0 / 54 / 19

HEX #50CF60

RGB 80 207 96

HSL 127.56, 0.57%, 0.56%

LAB 74.3, -57.6, 44.5

 

CMYK 57 / 0 / 49 / 12

HEX #61E173

RGB 97 225 115

HSL 128.44, 0.68%, 0.63%

LAB 80.53, -57.88, 43.15

 

CMYK 84 / 0 / 71 / 40

HEX #18992C

RGB 24 153 44

HSL 129.3, 0.73%, 0.35%

LAB 55.24, -54.67, 45.84

 

CMYK 95 / 0 / 81 / 47

HEX #078719

RGB 7 135 25

HSL 128.44, 0.9%, 0.28%

LAB 48.81, -52.09, 46.3

 

CMYK 100 / 0 / 95 / 54

HEX #007506

RGB 0 117 6

HSL 123.08, 1%, 0.23%

LAB 42.36, -48.21, 45.39

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 84 / 0 / 71 / 40

HEX #189A2C

RGB 24 154 44

HSL 129.23, 0.73%, 0.35%

LAB 55.57, -54.99, 46.19

 

CMYK 75 / 0 / 84 / 40

HEX #279A18

RGB 39 154 24

HSL 113.08, 0.73%, 0.35%

LAB 55.69, -54.37, 53.16

 

CMYK 52 / 0 / 84 / 40

HEX #4A9A18

RGB 74 154 24

HSL 96.92, 0.73%, 0.35%

LAB 56.72, -45.99, 54.47

 

CMYK 29 / 0 / 84 / 40

HEX #6D9A18

RGB 109 154 24

HSL 80.77, 0.73%, 0.35%

LAB 58.44, -33.59, 56.65

 

CMYK 6 / 0 / 84 / 40

HEX #909A18

RGB 144 154 24

HSL 64.62, 0.73%, 0.35%

LAB 60.88, -18.78, 59.71

 

CMYK 84 / 0 / 71 / 40

HEX #189A2C

RGB 24 154 44

HSL 129.23, 0.73%, 0.35%

LAB 55.57, -54.99, 46.19

 

CMYK 84 / 0 / 49 / 40

HEX #189A4F

RGB 24 154 79

HSL 145.38, 0.73%, 0.35%

LAB 55.96, -50.3, 30.07

 

CMYK 84 / 0 / 26 / 40

HEX #189A72

RGB 24 154 114

HSL 161.54, 0.73%, 0.35%

LAB 56.61, -42.93, 11.75

 

CMYK 84 / 0 / 3 / 40

HEX #189A95

RGB 24 154 149

HSL 177.69, 0.73%, 0.35%

LAB 57.54, -33.29, -6.79

 

CMYK 84 / 20 / 0 / 40

HEX #187B9A

RGB 24 123 154

HSL 194.31, 0.73%, 0.35%

LAB 47.87, -15.77, -24.35

 

CMYK 84 / 0 / 71 / 40

HEX #189A2C

RGB 24 154 44

HSL 129.23, 0.73%, 0.35%

LAB 55.57, -54.99, 46.19

 

CMYK 95 / 0 / 80 / 34

HEX #09A822

RGB 9 168 34

HSL 129.43, 0.9%, 0.35%

LAB 60.05, -61.23, 54.2

 

CMYK 84 / 0 / 71 / 40

HEX #189A2C

RGB 24 154 44

HSL 129.23, 0.73%, 0.35%

LAB 55.57, -54.99, 46.19

 

CMYK 73 / 0 / 61 / 45

HEX #268B36

RGB 38 139 54

HSL 129.5, 0.57%, 0.35%

LAB 50.85, -46.76, 36.62

 

CMYK 58 / 0 / 49 / 51

HEX #347D40

RGB 52 125 64

HSL 129.86, 0.41%, 0.35%

LAB 46.67, -36.66, 26.49

 

CMYK 40 / 0 / 33 / 56

HEX #436F4A

RGB 67 111 74

HSL 129.55, 0.25%, 0.35%

LAB 42.85, -23.79, 15.95

 

CMYK 16 / 0 / 13 / 62

HEX #516054

RGB 81 96 84

HSL 132, 0.08%, 0.35%

LAB 39.17, -8.4, 4.94

 

CMYK 52 / 0 / 84 / 40

HEX #4A9A18

RGB 74 154 24

HSL 96.92, 0.73%, 0.35%

LAB 56.72, -45.99, 54.47

 

CMYK 75 / 0 / 84 / 40

HEX #279A18

RGB 39 154 24

HSL 113.08, 0.73%, 0.35%

LAB 55.69, -54.37, 53.16

 

CMYK 84 / 0 / 72 / 40

HEX #189A2B

RGB 24 154 43

HSL 128.77, 0.73%, 0.35%

LAB 55.56, -55.09, 46.58

 

CMYK 84 / 0 / 49 / 40

HEX #189A4E

RGB 24 154 78

HSL 144.92, 0.73%, 0.35%

LAB 55.94, -50.47, 30.58

 

CMYK 84 / 0 / 27 / 40

HEX #189A71

RGB 24 154 113

HSL 161.08, 0.73%, 0.35%

LAB 56.58, -43.18, 12.28

 

CMYK 86 / 0 / 72 / 67

HEX #0C5317

RGB 12 83 23

HSL 129.3, 0.75%, 0.19%

LAB 30.22, -34.49, 28.25

 

CMYK 85 / 0 / 71 / 54

HEX #127622

RGB 18 118 34

HSL 129.6, 0.74%, 0.27%

LAB 43.06, -44.84, 37.1

 

CMYK 84 / 0 / 71 / 40

HEX #189A2C

RGB 24 154 44

HSL 129.23, 0.73%, 0.35%

LAB 55.57, -54.99, 46.19

 

CMYK 85 / 0 / 72 / 25

HEX #1DBE36

RGB 29 190 54

HSL 129.32, 0.74%, 0.43%

LAB 67.54, -64.77, 54.81

 

CMYK 82 / 0 / 70 / 13

HEX #27DD43

RGB 39 221 67

HSL 129.23, 0.73%, 0.51%

LAB 77.61, -71.96, 60.47

 

CMYK 84 / 0 / 71 / 40

HEX #18992C

RGB 24 153 44

HSL 129.3, 0.73%, 0.35%

LAB 55.24, -54.67, 45.84

 

CMYK 84 / 30 / 0 / 40

HEX #186C9A

RGB 24 108 154

HSL 201.23, 0.73%, 0.35%

LAB 43.14, -7.1, -31.72

 

CMYK 0 / 84 / 64 / 40

HEX #9A1838

RGB 154 24 56

HSL 345.23, 0.73%, 0.35%

LAB 33.58, 52.63, 16.38

 

CMYK 84 / 0 / 71 / 40

HEX #18992C

RGB 24 153 44

HSL 129.3, 0.73%, 0.35%

LAB 55.24, -54.67, 45.84

 

CMYK 72 / 84 / 0 / 40

HEX #2B189A

RGB 43 24 154

HSL 248.77, 0.73%, 0.35%

LAB 21.94, 47.57, -65.97

 

CMYK 0 / 72 / 84 / 40

HEX #9A2B18

RGB 154 43 24

HSL 8.77, 0.73%, 0.35%

LAB 35.33, 45.03, 37.74

 

CMYK 84 / 0 / 71 / 40

HEX #18992C

RGB 24 153 44

HSL 129.3, 0.73%, 0.35%

LAB 55.24, -54.67, 45.84

 

CMYK 84 / 30 / 0 / 40

HEX #186C9A

RGB 24 108 154

HSL 201.23, 0.73%, 0.35%

LAB 43.14, -7.1, -31.72

 

CMYK 0 / 84 / 13 / 40

HEX #9A1886

RGB 154 24 134

HSL 309.23, 0.73%, 0.35%

LAB 36.45, 60.82, -29.35

 

CMYK 0 / 55 / 84 / 40

HEX #9A4518

RGB 154 69 24

HSL 20.77, 0.73%, 0.35%

LAB 39.9, 32.91, 41.9

 

CMYK 84 / 0 / 71 / 40

HEX #18992C

RGB 24 153 44

HSL 129.3, 0.73%, 0.35%

LAB 55.24, -54.67, 45.84

 

CMYK 84 / 55 / 0 / 40

HEX #18459A

RGB 24 69 154

HSL 219.23, 0.73%, 0.35%

LAB 31.31, 18.24, -50.63

 

CMYK 0 / 84 / 13 / 40

HEX #9A1886

RGB 154 24 134

HSL 309.23, 0.73%, 0.35%

LAB 36.45, 60.82, -29.35

 

CMYK 0 / 30 / 84 / 40

HEX #9A6C18

RGB 154 108 24

HSL 38.77, 0.73%, 0.35%

LAB 49.08, 11.07, 49.98

 

Description

Color code: HEX #18992C | qconv.com Color code: HEX #18992C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 153 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 153 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 71 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 71% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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