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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #189931 it is the complementary color #E766CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #189931. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #189931 shade: #1D992C, #2EAB3F, #3FBD52, #50CF65 and #61E178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #189931. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #189931 shade: #189931, #07871E, #00750B, #006300 and #005100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #189931 shade: #189A31, #219A18, #459A18, #689A18 and #8B9A18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #189931 shade: #189A31, #189A54, #189A77, #189A9A and #18769A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #189931 shade matches the following richer shades: #189A31 and #09A828

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #189931 shade: #189A31, #268B3A, #347D43, #436F4B and #516054

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #189931 shade: #459A18, #229A18, #189A2F, #189A52 and #189A75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #189931 shade: #0C531A, #127625, #189A31, #1DBE3C and #27DD4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #189931 shade: #189931, #18689A and #9A1834

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #189931 shade: #189931, #2F189A and #9A2F18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #189931 shade: #189931, #18689A, #9A1882 and #9A4A18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #189931 shade: #189931, #18419A, #9A1882 and #9A7118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 68 / 40

HEX #189931

RGB 24 153 49

HSL 131.63, 0.73%, 0.35%

LAB 55.28, -54.17, 43.8

 

Complementary color

CMYK 0 / 56 / 11 / 9

HEX #E766CE

RGB 231 102 206

HSL 311.63, 0.73%, 0.65%

LAB 62.46, 62.3, -30.3

 

CMYK 81 / 0 / 71 / 40

HEX #1D992C

RGB 29 153 44

HSL 127.26, 0.68%, 0.36%

LAB 55.3, -54.08, 45.93

 

CMYK 73 / 0 / 63 / 33

HEX #2EAB3F

RGB 46 171 63

HSL 128.16, 0.58%, 0.43%

LAB 61.71, -55.55, 44.87

 

CMYK 67 / 0 / 57 / 26

HEX #3FBD52

RGB 63 189 82

HSL 129.05, 0.5%, 0.49%

LAB 68.07, -56.43, 43.56

 

CMYK 61 / 0 / 51 / 19

HEX #50CF65

RGB 80 207 101

HSL 129.92, 0.57%, 0.56%

LAB 74.36, -56.92, 42.18

 

CMYK 57 / 0 / 47 / 12

HEX #61E178

RGB 97 225 120

HSL 130.78, 0.68%, 0.63%

LAB 80.6, -57.16, 40.81

 

CMYK 84 / 0 / 68 / 40

HEX #189931

RGB 24 153 49

HSL 131.63, 0.73%, 0.35%

LAB 55.28, -54.17, 43.8

 

CMYK 95 / 0 / 78 / 47

HEX #07871E

RGB 7 135 30

HSL 130.78, 0.9%, 0.28%

LAB 48.84, -51.72, 44.62

 

CMYK 100 / 0 / 91 / 54

HEX #00750B

RGB 0 117 11

HSL 125.64, 1%, 0.23%

LAB 42.38, -47.99, 44.28

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 84 / 0 / 68 / 40

HEX #189A31

RGB 24 154 49

HSL 131.54, 0.73%, 0.35%

LAB 55.61, -54.49, 44.16

 

CMYK 79 / 0 / 84 / 40

HEX #219A18

RGB 33 154 24

HSL 115.85, 0.73%, 0.35%

LAB 55.58, -55.32, 53.02

 

CMYK 55 / 0 / 84 / 40

HEX #459A18

RGB 69 154 24

HSL 99.23, 0.73%, 0.35%

LAB 56.53, -47.47, 54.23

 

CMYK 32 / 0 / 84 / 40

HEX #689A18

RGB 104 154 24

HSL 83.08, 0.73%, 0.35%

LAB 58.15, -35.55, 56.29

 

CMYK 10 / 0 / 84 / 40

HEX #8B9A18

RGB 139 154 24

HSL 66.92, 0.73%, 0.35%

LAB 60.49, -20.98, 59.22

 

CMYK 84 / 0 / 68 / 40

HEX #189A31

RGB 24 154 49

HSL 131.54, 0.73%, 0.35%

LAB 55.61, -54.49, 44.16

 

CMYK 84 / 0 / 45 / 40

HEX #189A54

RGB 24 154 84

HSL 147.69, 0.73%, 0.35%

LAB 56.03, -49.4, 27.52

 

CMYK 84 / 0 / 23 / 40

HEX #189A77

RGB 24 154 119

HSL 163.85, 0.73%, 0.35%

LAB 56.72, -41.68, 9.09

 

CMYK 84 / 0 / 0 / 40

HEX #189A9A

RGB 24 154 154

HSL 180, 0.73%, 0.35%

LAB 57.69, -31.76, -9.4

 

CMYK 84 / 23 / 0 / 40

HEX #18769A

RGB 24 118 154

HSL 196.62, 0.73%, 0.35%

LAB 46.29, -12.96, -26.8

 

CMYK 84 / 0 / 68 / 40

HEX #189A31

RGB 24 154 49

HSL 131.54, 0.73%, 0.35%

LAB 55.61, -54.49, 44.16

 

CMYK 95 / 0 / 76 / 34

HEX #09A828

RGB 9 168 40

HSL 131.7, 0.9%, 0.35%

LAB 60.08, -60.79, 52.26

 

CMYK 84 / 0 / 68 / 40

HEX #189A31

RGB 24 154 49

HSL 131.54, 0.73%, 0.35%

LAB 55.61, -54.49, 44.16

 

CMYK 73 / 0 / 58 / 45

HEX #268B3A

RGB 38 139 58

HSL 131.88, 0.57%, 0.35%

LAB 50.9, -46.22, 34.71

 

CMYK 58 / 0 / 46 / 51

HEX #347D43

RGB 52 125 67

HSL 132.33, 0.41%, 0.35%

LAB 46.71, -36.16, 24.9

 

CMYK 40 / 0 / 32 / 56

HEX #436F4B

RGB 67 111 75

HSL 130.91, 0.25%, 0.35%

LAB 42.87, -23.6, 15.39

 

CMYK 16 / 0 / 13 / 62

HEX #516054

RGB 81 96 84

HSL 132, 0.08%, 0.35%

LAB 39.17, -8.4, 4.94

 

CMYK 55 / 0 / 84 / 40

HEX #459A18

RGB 69 154 24

HSL 99.23, 0.73%, 0.35%

LAB 56.53, -47.47, 54.23

 

CMYK 78 / 0 / 84 / 40

HEX #229A18

RGB 34 154 24

HSL 115.38, 0.73%, 0.35%

LAB 55.6, -55.17, 53.04

 

CMYK 84 / 0 / 69 / 40

HEX #189A2F

RGB 24 154 47

HSL 130.62, 0.73%, 0.35%

LAB 55.59, -54.7, 44.99

 

CMYK 84 / 0 / 47 / 40

HEX #189A52

RGB 24 154 82

HSL 146.77, 0.73%, 0.35%

LAB 56, -49.77, 28.55

 

CMYK 84 / 0 / 24 / 40

HEX #189A75

RGB 24 154 117

HSL 162.92, 0.73%, 0.35%

LAB 56.67, -42.19, 10.15

 

CMYK 86 / 0 / 69 / 67

HEX #0C531A

RGB 12 83 26

HSL 131.83, 0.75%, 0.19%

LAB 30.25, -34.11, 26.8

 

CMYK 85 / 0 / 69 / 54

HEX #127625

RGB 18 118 37

HSL 131.4, 0.74%, 0.27%

LAB 43.09, -44.51, 35.79

 

CMYK 84 / 0 / 68 / 40

HEX #189A31

RGB 24 154 49

HSL 131.54, 0.73%, 0.35%

LAB 55.61, -54.49, 44.16

 

CMYK 85 / 0 / 68 / 25

HEX #1DBE3C

RGB 29 190 60

HSL 131.55, 0.74%, 0.43%

LAB 67.59, -64.21, 52.53

 

CMYK 82 / 0 / 67 / 13

HEX #27DD4A

RGB 39 221 74

HSL 131.54, 0.73%, 0.51%

LAB 77.66, -71.3, 57.81

 

CMYK 84 / 0 / 68 / 40

HEX #189931

RGB 24 153 49

HSL 131.63, 0.73%, 0.35%

LAB 55.28, -54.17, 43.8

 

CMYK 84 / 32 / 0 / 40

HEX #18689A

RGB 24 104 154

HSL 203.08, 0.73%, 0.35%

LAB 41.89, -4.68, -33.69

 

CMYK 0 / 84 / 66 / 40

HEX #9A1834

RGB 154 24 52

HSL 347.08, 0.73%, 0.35%

LAB 33.5, 52.39, 18.88

 

CMYK 84 / 0 / 68 / 40

HEX #189931

RGB 24 153 49

HSL 131.63, 0.73%, 0.35%

LAB 55.28, -54.17, 43.8

 

CMYK 69 / 84 / 0 / 40

HEX #2F189A

RGB 47 24 154

HSL 250.62, 0.73%, 0.35%

LAB 22.27, 47.89, -65.42

 

CMYK 0 / 69 / 84 / 40

HEX #9A2F18

RGB 154 47 24

HSL 10.62, 0.73%, 0.35%

LAB 35.92, 43.4, 38.29

 

CMYK 84 / 0 / 68 / 40

HEX #189931

RGB 24 153 49

HSL 131.63, 0.73%, 0.35%

LAB 55.28, -54.17, 43.8

 

CMYK 84 / 32 / 0 / 40

HEX #18689A

RGB 24 104 154

HSL 203.08, 0.73%, 0.35%

LAB 41.89, -4.68, -33.69

 

CMYK 0 / 84 / 16 / 40

HEX #9A1882

RGB 154 24 130

HSL 311.08, 0.73%, 0.35%

LAB 36.24, 60.25, -27.2

 

CMYK 0 / 52 / 84 / 40

HEX #9A4A18

RGB 154 74 24

HSL 23.08, 0.73%, 0.35%

LAB 40.95, 30.26, 42.84

 

CMYK 84 / 0 / 68 / 40

HEX #189931

RGB 24 153 49

HSL 131.63, 0.73%, 0.35%

LAB 55.28, -54.17, 43.8

 

CMYK 84 / 58 / 0 / 40

HEX #18419A

RGB 24 65 154

HSL 221.08, 0.73%, 0.35%

LAB 30.18, 20.99, -52.47

 

CMYK 0 / 84 / 16 / 40

HEX #9A1882

RGB 154 24 130

HSL 311.08, 0.73%, 0.35%

LAB 36.24, 60.25, -27.2

 

CMYK 0 / 27 / 84 / 40

HEX #9A7118

RGB 154 113 24

HSL 41.08, 0.73%, 0.35%

LAB 50.39, 8.21, 51.11

 

Description

Color code: HEX #189931 | qconv.com Color code: HEX #189931 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 153 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 153 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 68 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 68% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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