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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1899BD it is the complementary color #E76642. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1899BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1899BD shade: #1D99B8, #2EABCB, #3FBDDE, #50CFF1 and #61E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1899BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1899BD shade: #1899BD, #0787AA, #007597, #006384 and #005171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1899BD shade: #1899BD, #186DBD, #1840BD, #1D18BD and #4918BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1899BD shade: #1899BD, #186DBD, #1840BD and #1818BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1899BD shade matches the following richer shades: #1899BD and #07A3CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1899BD shade: #1899BD, #298FAC, #3B869A, #4C7C89 and #5D7278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1899BD shade: #18BD89, #18BDB5, #1899BD, #186DBD and #1841BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1899BD shade: #0F5E74, #137C99, #1899BD, #1DB6E1 and #42C2E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1899BD shade: #1899BD, #5D18BD and #BD9F18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1899BD shade: #1899BD, #BD1899 and #99BD18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1899BD shade: #1899BD, #5D18BD, #BD3C18 and #78BD18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1899BD shade: #1899BD, #8E18BD, #BD3C18 and #47BD18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 19 / 0 / 26

HEX #1899BD

RGB 24 153 189

HSL 193.09, 0.77%, 0.42%

LAB 58.65, -19.72, -27.81

 

Complementary color

CMYK 0 / 56 / 71 / 9

HEX #E76642

RGB 231 102 66

HSL 13.09, 0.77%, 0.58%

LAB 58.87, 47.85, 44.27

 

CMYK 84 / 17 / 0 / 28

HEX #1D99B8

RGB 29 153 184

HSL 192, 0.73%, 0.42%

LAB 58.51, -21.08, -25.19

 

CMYK 77 / 16 / 0 / 20

HEX #2EABCB

RGB 46 171 203

HSL 192.23, 0.63%, 0.49%

LAB 64.98, -22.52, -25.86

 

CMYK 72 / 15 / 0 / 13

HEX #3FBDDE

RGB 63 189 222

HSL 192.45, 0.71%, 0.56%

LAB 71.37, -23.64, -26.46

 

CMYK 67 / 14 / 0 / 5

HEX #50CFF1

RGB 80 207 241

HSL 192.67, 0.85%, 0.63%

LAB 77.69, -24.51, -27

 

CMYK 62 / 12 / 0 / 0

HEX #61E1FF

RGB 97 225 255

HSL 191.39, 1%, 0.69%

LAB 83.76, -26.64, -25.12

 

CMYK 87 / 19 / 0 / 26

HEX #1899BD

RGB 24 153 189

HSL 193.09, 0.77%, 0.42%

LAB 58.65, -19.72, -27.81

 

CMYK 96 / 21 / 0 / 33

HEX #0787AA

RGB 7 135 170

HSL 192.88, 0.92%, 0.35%

LAB 52.15, -17.62, -27.05

 

CMYK 100 / 23 / 0 / 41

HEX #007597

RGB 0 117 151

HSL 193.51, 1%, 0.3%

LAB 45.58, -14.95, -26.16

 

CMYK 100 / 25 / 0 / 48

HEX #006384

RGB 0 99 132

HSL 195, 1%, 0.26%

LAB 38.88, -11.85, -25.21

 

CMYK 100 / 28 / 0 / 56

HEX #005171

RGB 0 81 113

HSL 196.99, 1%, 0.22%

LAB 31.98, -8.59, -24.28

 

CMYK 87 / 19 / 0 / 26

HEX #1899BD

RGB 24 153 189

HSL 193.09, 0.77%, 0.42%

LAB 58.65, -19.72, -27.81

 

CMYK 87 / 42 / 0 / 26

HEX #186DBD

RGB 24 109 189

HSL 209.09, 0.77%, 0.42%

LAB 45.37, 5.87, -48.71

 

CMYK 87 / 66 / 0 / 26

HEX #1840BD

RGB 24 64 189

HSL 225.45, 0.77%, 0.42%

LAB 33, 35.36, -68.79

 

CMYK 85 / 87 / 0 / 26

HEX #1D18BD

RGB 29 24 189

HSL 241.82, 0.77%, 0.42%

LAB 25.53, 57.18, -81.14

 

CMYK 61 / 87 / 0 / 26

HEX #4918BD

RGB 73 24 189

HSL 257.82, 0.77%, 0.42%

LAB 28.76, 59.71, -75.69

 

CMYK 87 / 19 / 0 / 26

HEX #1899BD

RGB 24 153 189

HSL 193.09, 0.77%, 0.42%

LAB 58.65, -19.72, -27.81

 

CMYK 87 / 42 / 0 / 26

HEX #186DBD

RGB 24 109 189

HSL 209.09, 0.77%, 0.42%

LAB 45.37, 5.87, -48.71

 

CMYK 87 / 66 / 0 / 26

HEX #1840BD

RGB 24 64 189

HSL 225.45, 0.77%, 0.42%

LAB 33, 35.36, -68.79

 

CMYK 87 / 87 / 0 / 26

HEX #1818BD

RGB 24 24 189

HSL 240, 0.77%, 0.42%

LAB 25.33, 57.03, -81.49

 

CMYK 87 / 19 / 0 / 26

HEX #1899BD

RGB 24 153 189

HSL 193.09, 0.77%, 0.42%

LAB 58.65, -19.72, -27.81

 

CMYK 97 / 21 / 0 / 19

HEX #07A3CE

RGB 7 163 206

HSL 192.96, 0.93%, 0.42%

LAB 62.25, -19.83, -31.77

 

CMYK 87 / 19 / 0 / 26

HEX #1899BD

RGB 24 153 189

HSL 193.09, 0.77%, 0.42%

LAB 58.65, -19.72, -27.81

 

CMYK 76 / 17 / 0 / 33

HEX #298FAC

RGB 41 143 172

HSL 193.28, 0.62%, 0.42%

LAB 55.17, -18.66, -23.49

 

CMYK 62 / 13 / 0 / 40

HEX #3B869A

RGB 59 134 154

HSL 192.63, 0.45%, 0.42%

LAB 52.19, -16.92, -17.64

 

CMYK 45 / 9 / 0 / 46

HEX #4C7C89

RGB 76 124 137

HSL 192.79, 0.29%, 0.42%

LAB 49.2, -12.63, -12.17

 

CMYK 23 / 5 / 0 / 53

HEX #5D7278

RGB 93 114 120

HSL 193.33, 0.13%, 0.42%

LAB 46.6, -6.27, -5.89

 

CMYK 87 / 0 / 28 / 26

HEX #18BD89

RGB 24 189 137

HSL 161.09, 0.77%, 0.42%

LAB 68.31, -51.43, 15.42

 

CMYK 87 / 0 / 4 / 26

HEX #18BDB5

RGB 24 189 181

HSL 177.09, 0.77%, 0.42%

LAB 69.42, -39.84, -7.03

 

CMYK 87 / 19 / 0 / 26

HEX #1899BD

RGB 24 153 189

HSL 193.09, 0.77%, 0.42%

LAB 58.65, -19.72, -27.81

 

CMYK 87 / 42 / 0 / 26

HEX #186DBD

RGB 24 109 189

HSL 209.09, 0.77%, 0.42%

LAB 45.37, 5.87, -48.71

 

CMYK 87 / 66 / 0 / 26

HEX #1841BD

RGB 24 65 189

HSL 225.09, 0.77%, 0.42%

LAB 33.24, 34.71, -68.38

 

CMYK 87 / 19 / 0 / 55

HEX #0F5E74

RGB 15 94 116

HSL 193.07, 0.77%, 0.26%

LAB 36.68, -14.04, -18.82

 

CMYK 88 / 19 / 0 / 40

HEX #137C99

RGB 19 124 153

HSL 192.99, 0.78%, 0.34%

LAB 48.08, -17.09, -23.45

 

CMYK 87 / 19 / 0 / 26

HEX #1899BD

RGB 24 153 189

HSL 193.09, 0.77%, 0.42%

LAB 58.65, -19.72, -27.81

 

CMYK 87 / 19 / 0 / 12

HEX #1DB6E1

RGB 29 182 225

HSL 193.16, 0.77%, 0.5%

LAB 68.86, -22.26, -32

 

CMYK 71 / 16 / 0 / 10

HEX #42C2E6

RGB 66 194 230

HSL 193.17, 0.77%, 0.58%

LAB 73.19, -23.28, -28

 

CMYK 87 / 19 / 0 / 26

HEX #1899BD

RGB 24 153 189

HSL 193.09, 0.77%, 0.42%

LAB 58.65, -19.72, -27.81

 

CMYK 51 / 87 / 0 / 26

HEX #5D18BD

RGB 93 24 189

HSL 265.09, 0.77%, 0.42%

LAB 31.01, 61.61, -71.89

 

CMYK 0 / 16 / 87 / 26

HEX #BD9F18

RGB 189 159 24

HSL 49.09, 0.77%, 0.42%

LAB 66.28, -1.28, 65.82

 

CMYK 87 / 19 / 0 / 26

HEX #1899BD

RGB 24 153 189

HSL 193.09, 0.77%, 0.42%

LAB 58.65, -19.72, -27.81

 

CMYK 0 / 87 / 19 / 26

HEX #BD1899

RGB 189 24 153

HSL 313.09, 0.77%, 0.42%

LAB 43.9, 70.73, -28.81

 

CMYK 19 / 0 / 87 / 26

HEX #99BD18

RGB 153 189 24

HSL 73.09, 0.77%, 0.42%

LAB 71.71, -32.06, 69.07

 

CMYK 87 / 19 / 0 / 26

HEX #1899BD

RGB 24 153 189

HSL 193.09, 0.77%, 0.42%

LAB 58.65, -19.72, -27.81

 

CMYK 51 / 87 / 0 / 26

HEX #5D18BD

RGB 93 24 189

HSL 265.09, 0.77%, 0.42%

LAB 31.01, 61.61, -71.89

 

CMYK 0 / 68 / 87 / 26

HEX #BD3C18

RGB 189 60 24

HSL 13.09, 0.77%, 0.42%

LAB 44.4, 50.18, 48.15

 

CMYK 37 / 0 / 87 / 26

HEX #78BD18

RGB 120 189 24

HSL 85.09, 0.77%, 0.42%

LAB 69.79, -44.77, 66.68

 

CMYK 87 / 19 / 0 / 26

HEX #1899BD

RGB 24 153 189

HSL 193.09, 0.77%, 0.42%

LAB 58.65, -19.72, -27.81

 

CMYK 25 / 87 / 0 / 26

HEX #8E18BD

RGB 142 24 189

HSL 282.91, 0.77%, 0.42%

LAB 37.98, 67.98, -60.19

 

CMYK 0 / 68 / 87 / 26

HEX #BD3C18

RGB 189 60 24

HSL 13.09, 0.77%, 0.42%

LAB 44.4, 50.18, 48.15

 

CMYK 62 / 0 / 87 / 26

HEX #47BD18

RGB 71 189 24

HSL 102.91, 0.77%, 0.42%

LAB 67.87, -59.44, 64.28

 

Description

Color code: HEX #1899BD | qconv.com Color code: HEX #1899BD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 153 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 153 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 19 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 19% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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