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Color name
HEX #18A8F0

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18A8F0 it is the complementary color #E7570F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18A8F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18A8F0 shade: #1DA8EB, #2EBAFE, #3FCCFF, #50DEFF and #61F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18A8F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18A8F0 shade: #18A8F0, #0796DD, #0084CA, #0072B7 and #0060A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18A8F0 shade: #18A8F0, #186EF0, #1834F0, #3718F0 and #7118F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18A8F0 shade: #18A8F0, #186EF0, #1834F0 and #1818F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18A8F0 shade matches the following richer shades: #18A8F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18A8F0 shade: #18A8F0, #2CA1DC, #409BC8, #5494B4 and #688EA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18A8F0 shade: #18F0C5, #18E1F0, #18A8F0, #186FF0 and #1835F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18A8F0 shade: #0A76AB, #0D90D2, #18A8F0, #3FB7F2 and #66C5F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18A8F0 shade: #18A8F0, #8B18F0 and #F0E118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18A8F0 shade: #18A8F0, #F018A8 and #A8F018

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18A8F0 shade: #18A8F0, #8B18F0, #F06018 and #7DF018

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18A8F0 shade: #18A8F0, #CC18F0, #F06018 and #3CF018

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 30 / 0 / 6

HEX #18A8F0

RGB 24 168 240

HSL 200, 0.88%, 0.52%

LAB 65.35, -9.81, -45.69

 

Complementary color

CMYK 0 / 62 / 94 / 9

HEX #E7570F

RGB 231 87 15

HSL 20, 0.88%, 0.48%

LAB 55.93, 53.23, 62.73

 

CMYK 88 / 29 / 0 / 8

HEX #1DA8EB

RGB 29 168 235

HSL 199.51, 0.84%, 0.52%

LAB 65.17, -11.33, -43.23

 

CMYK 82 / 27 / 0 / 0

HEX #2EBAFE

RGB 46 186 254

HSL 199.62, 0.99%, 0.59%

LAB 71.46, -13.29, -43.69

 

CMYK 75 / 20 / 0 / 0

HEX #3FCCFF

RGB 63 204 255

HSL 195.94, 1%, 0.62%

LAB 76.96, -20.78, -35.64

 

CMYK 69 / 13 / 0 / 0

HEX #50DEFF

RGB 80 222 255

HSL 191.31, 1%, 0.66%

LAB 82.47, -27.71, -27.13

 

CMYK 62 / 6 / 0 / 0

HEX #61F0FF

RGB 97 240 255

HSL 185.7, 1%, 0.69%

LAB 88.01, -33.84, -18.69

 

CMYK 90 / 30 / 0 / 6

HEX #18A8F0

RGB 24 168 240

HSL 200, 0.88%, 0.52%

LAB 65.35, -9.81, -45.69

 

CMYK 97 / 32 / 0 / 13

HEX #0796DD

RGB 7 150 221

HSL 199.91, 0.94%, 0.45%

LAB 59.05, -7.25, -45.15

 

CMYK 100 / 35 / 0 / 21

HEX #0084CA

RGB 0 132 202

HSL 200.79, 1%, 0.4%

LAB 52.69, -4.19, -44.51

HEX #0084CA

CMYK 100 / 38 / 0 / 28

HEX #0072B7

RGB 0 114 183

HSL 202.62, 1%, 0.36%

LAB 46.25, -0.75, -43.84

HEX #0072B7

CMYK 100 / 41 / 0 / 36

HEX #0060A4

RGB 0 96 164

HSL 204.88, 1%, 0.32%

LAB 39.66, 2.9, -43.2

HEX #0060A4

CMYK 90 / 30 / 0 / 6

HEX #18A8F0

RGB 24 168 240

HSL 200, 0.88%, 0.52%

LAB 65.35, -9.81, -45.69

 

CMYK 90 / 54 / 0 / 6

HEX #186EF0

RGB 24 110 240

HSL 216.11, 0.88%, 0.52%

LAB 49.05, 25.1, -71.78

 

CMYK 90 / 78 / 0 / 6

HEX #1834F0

RGB 24 52 240

HSL 232.22, 0.88%, 0.52%

LAB 35.87, 59.96, -93.45

 

CMYK 77 / 90 / 0 / 6

HEX #3718F0

RGB 55 24 240

HSL 248.61, 0.88%, 0.52%

LAB 33.47, 71.92, -97.41

 

CMYK 53 / 90 / 0 / 6

HEX #7118F0

RGB 113 24 240

HSL 264.72, 0.88%, 0.52%

LAB 38.65, 75.42, -88.66

 

CMYK 90 / 30 / 0 / 6

HEX #18A8F0

RGB 24 168 240

HSL 200, 0.88%, 0.52%

LAB 65.35, -9.81, -45.69

 

CMYK 90 / 54 / 0 / 6

HEX #186EF0

RGB 24 110 240

HSL 216.11, 0.88%, 0.52%

LAB 49.05, 25.1, -71.78

 

CMYK 90 / 78 / 0 / 6

HEX #1834F0

RGB 24 52 240

HSL 232.22, 0.88%, 0.52%

LAB 35.87, 59.96, -93.45

 

CMYK 90 / 90 / 0 / 6

HEX #1818F0

RGB 24 24 240

HSL 240, 0.88%, 0.52%

LAB 32.12, 71.12, -99.7

 

CMYK 90 / 30 / 0 / 6

HEX #18A8F0

RGB 24 168 240

HSL 200, 0.88%, 0.52%

LAB 65.35, -9.81, -45.69

 

CMYK 90 / 30 / 0 / 6

HEX #18A8F0

RGB 24 168 240

HSL 200, 0.88%, 0.52%

LAB 65.35, -9.81, -45.69

 

CMYK 80 / 27 / 0 / 14

HEX #2CA1DC

RGB 44 161 220

HSL 200.11, 0.72%, 0.52%

LAB 62.67, -11.62, -38.87

 

CMYK 68 / 23 / 0 / 22

HEX #409BC8

RGB 64 155 200

HSL 199.85, 0.55%, 0.52%

LAB 60.52, -12.65, -31.04

 

CMYK 53 / 18 / 0 / 29

HEX #5494B4

RGB 84 148 180

HSL 200, 0.39%, 0.52%

LAB 58.38, -11.36, -23

 

CMYK 35 / 12 / 0 / 37

HEX #688EA1

RGB 104 142 161

HSL 200, 0.23%, 0.52%

LAB 56.94, -8.27, -14.27

 

CMYK 90 / 0 / 18 / 6

HEX #18F0C5

RGB 24 240 197

HSL 168.06, 0.88%, 0.52%

LAB 85.27, -56.86, 7.54

 

CMYK 90 / 6 / 0 / 6

HEX #18E1F0

RGB 24 225 240

HSL 184.17, 0.88%, 0.52%

LAB 82.02, -38.58, -19.95

 

CMYK 90 / 30 / 0 / 6

HEX #18A8F0

RGB 24 168 240

HSL 200, 0.88%, 0.52%

LAB 65.35, -9.81, -45.69

 

CMYK 90 / 54 / 0 / 6

HEX #186FF0

RGB 24 111 240

HSL 215.83, 0.88%, 0.52%

LAB 49.32, 24.46, -71.34

 

CMYK 90 / 78 / 0 / 6

HEX #1835F0

RGB 24 53 240

HSL 231.94, 0.88%, 0.52%

LAB 36.05, 59.45, -93.16

 

CMYK 94 / 31 / 0 / 33

HEX #0A76AB

RGB 10 118 171

HSL 199.75, 0.89%, 0.35%

LAB 46.92, -7.45, -35.78

 

CMYK 94 / 31 / 0 / 18

HEX #0D90D2

RGB 13 144 210

HSL 200.1, 0.88%, 0.44%

LAB 56.77, -7.72, -42.59

 

CMYK 90 / 30 / 0 / 6

HEX #18A8F0

RGB 24 168 240

HSL 200, 0.88%, 0.52%

LAB 65.35, -9.81, -45.69

 

CMYK 74 / 24 / 0 / 5

HEX #3FB7F2

RGB 63 183 242

HSL 199.78, 0.87%, 0.6%

LAB 70.41, -14.04, -38.81

 

CMYK 58 / 20 / 0 / 4

HEX #66C5F5

RGB 102 197 245

HSL 200.14, 0.88%, 0.68%

LAB 75.67, -14.5, -32.19

 

CMYK 90 / 30 / 0 / 6

HEX #18A8F0

RGB 24 168 240

HSL 200, 0.88%, 0.52%

LAB 65.35, -9.81, -45.69

 

CMYK 42 / 90 / 0 / 6

HEX #8B18F0

RGB 139 24 240

HSL 271.94, 0.88%, 0.52%

LAB 41.9, 77.92, -83.19

 

CMYK 0 / 6 / 90 / 6

HEX #F0E118

RGB 240 225 24

HSL 55.83, 0.88%, 0.52%

LAB 88.18, -13.05, 85.01

 

CMYK 90 / 30 / 0 / 6

HEX #18A8F0

RGB 24 168 240

HSL 200, 0.88%, 0.52%

LAB 65.35, -9.81, -45.69

 

CMYK 0 / 90 / 30 / 6

HEX #F018A8

RGB 240 24 168

HSL 320, 0.88%, 0.52%

LAB 54.03, 82.95, -21.3

 

CMYK 30 / 0 / 90 / 6

HEX #A8F018

RGB 168 240 24

HSL 80, 0.88%, 0.52%

LAB 87.34, -48.74, 82.26

 

CMYK 90 / 30 / 0 / 6

HEX #18A8F0

RGB 24 168 240

HSL 200, 0.88%, 0.52%

LAB 65.35, -9.81, -45.69

 

CMYK 42 / 90 / 0 / 6

HEX #8B18F0

RGB 139 24 240

HSL 271.94, 0.88%, 0.52%

LAB 41.9, 77.92, -83.19

 

CMYK 0 / 60 / 90 / 6

HEX #F06018

RGB 240 96 24

HSL 20, 0.88%, 0.52%

LAB 58.93, 52.58, 63.02

 

CMYK 48 / 0 / 90 / 6

HEX #7DF018

RGB 125 240 24

HSL 91.94, 0.88%, 0.52%

LAB 85.38, -62.95, 79.84

 

CMYK 90 / 30 / 0 / 6

HEX #18A8F0

RGB 24 168 240

HSL 200, 0.88%, 0.52%

LAB 65.35, -9.81, -45.69

 

CMYK 15 / 90 / 0 / 6

HEX #CC18F0

RGB 204 24 240

HSL 290, 0.88%, 0.52%

LAB 51.59, 86.32, -66.97

 

CMYK 0 / 60 / 90 / 6

HEX #F06018

RGB 240 96 24

HSL 20, 0.88%, 0.52%

LAB 58.93, 52.58, 63.02

 

CMYK 75 / 0 / 90 / 6

HEX #3CF018

RGB 60 240 24

HSL 110, 0.88%, 0.52%

LAB 83.62, -77.33, 77.66

 

Description

Color code: HEX #18A8F0 | qconv.com Color code: HEX #18A8F0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 168 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 168 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 30 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 30% 0% 6% C M Y K

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Provide designers and agencies with accurate color values.

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