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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18A994 it is the complementary color #E7566B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18A994. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18A994 shade: #1DA98F, #2EBBA2, #3FCDB5, #50DFC8 and #61F1DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18A994. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18A994 shade: #18A994, #079781, #00856E, #00735B and #006148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18A994 shade: #18A994, #18A96D, #18A946, #18A91E and #38A918

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18A994 shade: #18A994, #1897A9, #1870A9, #1849A9 and #1821A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18A994 shade matches the following richer shades: #18A994 and #08B99F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18A994 shade: #18A994, #279989, #378A7E, #477A73 and #566A67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18A994 shade: #18A946, #18A96D, #18A993, #1898A9 and #1871A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18A994 shade: #0D6155, #138574, #18A994, #1DCDB4 and #32E1C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18A994 shade: #18A994, #1F18A9 and #A95918

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18A994 shade: #18A994, #9318A9 and #A99318

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18A994 shade: #18A994, #1F18A9, #A9182E and #A2A918

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18A994 shade: #18A994, #4B18A9, #A9182E and #76A918

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 12 / 34

HEX #18A994

RGB 24 169 148

HSL 171.31, 0.75%, 0.38%

LAB 62.26, -40.38, 0.73

 

Complementary color

CMYK 0 / 63 / 54 / 9

HEX #E7566B

RGB 231 86 107

HSL 351.31, 0.75%, 0.62%

LAB 56.79, 57.6, 18.6

 

CMYK 83 / 0 / 15 / 34

HEX #1DA98F

RGB 29 169 143

HSL 168.86, 0.71%, 0.39%

LAB 62.19, -41.34, 3.43

 

CMYK 75 / 0 / 13 / 27

HEX #2EBBA2

RGB 46 187 162

HSL 169.36, 0.61%, 0.46%

LAB 68.56, -42.33, 2.17

 

CMYK 69 / 0 / 12 / 20

HEX #3FCDB5

RGB 63 205 181

HSL 169.86, 0.59%, 0.53%

LAB 74.86, -43, 1.04

 

CMYK 64 / 0 / 10 / 13

HEX #50DFC8

RGB 80 223 200

HSL 170.35, 0.69%, 0.59%

LAB 81.1, -43.46, 0.01

 

CMYK 60 / 0 / 9 / 5

HEX #61F1DB

RGB 97 241 219

HSL 170.83, 0.84%, 0.66%

LAB 87.27, -43.76, -0.93

 

CMYK 86 / 0 / 12 / 34

HEX #18A994

RGB 24 169 148

HSL 171.31, 0.75%, 0.38%

LAB 62.26, -40.38, 0.73

 

CMYK 95 / 0 / 15 / 41

HEX #079781

RGB 7 151 129

HSL 170.83, 0.91%, 0.31%

LAB 55.85, -38.8, 2.14

 

CMYK 100 / 0 / 17 / 48

HEX #00856E

RGB 0 133 110

HSL 169.62, 1%, 0.26%

LAB 49.38, -36.65, 3.74

 

CMYK 100 / 0 / 21 / 55

HEX #00735B

RGB 0 115 91

HSL 167.48, 1%, 0.23%

LAB 42.79, -34.1, 5.5

 

CMYK 100 / 0 / 26 / 62

HEX #006148

RGB 0 97 72

HSL 164.54, 1%, 0.19%

LAB 36.02, -31.47, 7.39

 

CMYK 86 / 0 / 12 / 34

HEX #18A994

RGB 24 169 148

HSL 171.31, 0.75%, 0.38%

LAB 62.26, -40.38, 0.73

 

CMYK 86 / 0 / 36 / 34

HEX #18A96D

RGB 24 169 109

HSL 155.17, 0.75%, 0.38%

LAB 61.37, -50, 21.09

 

CMYK 86 / 0 / 59 / 34

HEX #18A946

RGB 24 169 70

HSL 139.03, 0.75%, 0.38%

LAB 60.79, -56.84, 40.49

 

CMYK 86 / 0 / 82 / 34

HEX #18A91E

RGB 24 169 30

HSL 122.48, 0.75%, 0.38%

LAB 60.48, -60.68, 55.84

 

CMYK 67 / 0 / 86 / 34

HEX #38A918

RGB 56 169 24

HSL 106.76, 0.75%, 0.38%

LAB 61.03, -56.04, 58.11

 

CMYK 86 / 0 / 12 / 34

HEX #18A994

RGB 24 169 148

HSL 171.31, 0.75%, 0.38%

LAB 62.26, -40.38, 0.73

 

CMYK 86 / 11 / 0 / 34

HEX #1897A9

RGB 24 151 169

HSL 187.45, 0.75%, 0.38%

LAB 57.26, -25.47, -18.6

 

CMYK 86 / 34 / 0 / 34

HEX #1870A9

RGB 24 112 169

HSL 203.59, 0.75%, 0.38%

LAB 45.15, -3.77, -37.41

 

CMYK 86 / 57 / 0 / 34

HEX #1849A9

RGB 24 73 169

HSL 219.72, 0.75%, 0.38%

LAB 33.61, 21.57, -55.91

 

CMYK 86 / 80 / 0 / 34

HEX #1821A9

RGB 24 33 169

HSL 236.28, 0.75%, 0.38%

LAB 24.15, 46.81, -71.48

 

CMYK 86 / 0 / 12 / 34

HEX #18A994

RGB 24 169 148

HSL 171.31, 0.75%, 0.38%

LAB 62.26, -40.38, 0.73

 

CMYK 96 / 0 / 14 / 27

HEX #08B99F

RGB 8 185 159

HSL 171.19, 0.92%, 0.38%

LAB 67.47, -45.03, 2.19

 

CMYK 86 / 0 / 12 / 34

HEX #18A994

RGB 24 169 148

HSL 171.31, 0.75%, 0.38%

LAB 62.26, -40.38, 0.73

 

CMYK 75 / 0 / 10 / 40

HEX #279989

RGB 39 153 137

HSL 171.58, 0.59%, 0.38%

LAB 57.09, -34.78, -0.57

HEX #279989

CMYK 60 / 0 / 9 / 46

HEX #378A7E

RGB 55 138 126

HSL 171.33, 0.43%, 0.38%

LAB 52.39, -28.06, -1.08

HEX #378A7E

CMYK 42 / 0 / 6 / 52

HEX #477A73

RGB 71 122 115

HSL 171.76, 0.26%, 0.38%

LAB 47.62, -18.92, -1.56

HEX #477A73

CMYK 19 / 0 / 3 / 58

HEX #566A67

RGB 86 106 103

HSL 171, 0.1%, 0.38%

LAB 43.16, -8.14, -0.81

HEX #566A67

CMYK 86 / 0 / 59 / 34

HEX #18A946

RGB 24 169 70

HSL 139.03, 0.75%, 0.38%

LAB 60.79, -56.84, 40.49

 

CMYK 86 / 0 / 36 / 34

HEX #18A96D

RGB 24 169 109

HSL 155.17, 0.75%, 0.38%

LAB 61.37, -50, 21.09

 

CMYK 86 / 0 / 13 / 34

HEX #18A993

RGB 24 169 147

HSL 170.9, 0.75%, 0.38%

LAB 62.23, -40.66, 1.25

 

CMYK 86 / 10 / 0 / 34

HEX #1898A9

RGB 24 152 169

HSL 187.03, 0.75%, 0.38%

LAB 57.57, -25.98, -18.12

 

CMYK 86 / 33 / 0 / 34

HEX #1871A9

RGB 24 113 169

HSL 203.17, 0.75%, 0.38%

LAB 45.45, -4.38, -36.92

 

CMYK 87 / 0 / 12 / 62

HEX #0D6155

RGB 13 97 85

HSL 171.43, 0.76%, 0.22%

LAB 36.54, -26.49, 0.15

 

CMYK 86 / 0 / 13 / 48

HEX #138574

RGB 19 133 116

HSL 171.05, 0.75%, 0.3%

LAB 49.71, -33.73, 0.73

 

CMYK 86 / 0 / 12 / 34

HEX #18A994

RGB 24 169 148

HSL 171.31, 0.75%, 0.38%

LAB 62.26, -40.38, 0.73

 

CMYK 86 / 0 / 12 / 20

HEX #1DCDB4

RGB 29 205 180

HSL 171.48, 0.75%, 0.46%

LAB 74.33, -46.75, 0.74

 

CMYK 78 / 0 / 11 / 12

HEX #32E1C8

RGB 50 225 200

HSL 171.43, 0.74%, 0.54%

LAB 81.13, -48.16, -0.02

 

CMYK 86 / 0 / 12 / 34

HEX #18A994

RGB 24 169 148

HSL 171.31, 0.75%, 0.38%

LAB 62.26, -40.38, 0.73

 

CMYK 82 / 86 / 0 / 34

HEX #1F18A9

RGB 31 24 169

HSL 242.9, 0.75%, 0.38%

LAB 23.03, 51.37, -73.33

 

CMYK 0 / 47 / 86 / 34

HEX #A95918

RGB 169 89 24

HSL 26.9, 0.75%, 0.38%

LAB 46.51, 28.46, 48.56

 

CMYK 86 / 0 / 12 / 34

HEX #18A994

RGB 24 169 148

HSL 171.31, 0.75%, 0.38%

LAB 62.26, -40.38, 0.73

 

CMYK 13 / 86 / 0 / 34

HEX #9318A9

RGB 147 24 169

HSL 290.9, 0.75%, 0.38%

LAB 37.34, 65.1, -49.32

 

CMYK 0 / 13 / 86 / 34

HEX #A99318

RGB 169 147 24

HSL 50.9, 0.75%, 0.38%

LAB 61.11, -3.83, 60.79

 

CMYK 86 / 0 / 12 / 34

HEX #18A994

RGB 24 169 148

HSL 171.31, 0.75%, 0.38%

LAB 62.26, -40.38, 0.73

 

CMYK 82 / 86 / 0 / 34

HEX #1F18A9

RGB 31 24 169

HSL 242.9, 0.75%, 0.38%

LAB 23.03, 51.37, -73.33

 

CMYK 0 / 86 / 73 / 34

HEX #A9182E

RGB 169 24 46

HSL 350.9, 0.75%, 0.38%

LAB 36.53, 56.3, 27.15

 

CMYK 4 / 0 / 86 / 34

HEX #A2A918

RGB 162 169 24

HSL 62.9, 0.75%, 0.38%

LAB 66.61, -18.51, 65.1

 

CMYK 86 / 0 / 12 / 34

HEX #18A994

RGB 24 169 148

HSL 171.31, 0.75%, 0.38%

LAB 62.26, -40.38, 0.73

 

CMYK 56 / 86 / 0 / 34

HEX #4B18A9

RGB 75 24 169

HSL 261.1, 0.75%, 0.38%

LAB 26.77, 54.7, -67.01

 

CMYK 0 / 86 / 73 / 34

HEX #A9182E

RGB 169 24 46

HSL 350.9, 0.75%, 0.38%

LAB 36.53, 56.3, 27.15

 

CMYK 30 / 0 / 86 / 34

HEX #76A918

RGB 118 169 24

HSL 81.1, 0.75%, 0.38%

LAB 63.58, -36.86, 61.33

 

Description

Color code: HEX #18A994 | qconv.com Color code: HEX #18A994 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 169 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 169 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 12 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 12% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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