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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18AEA3 it is the complementary color #E7515C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18AEA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18AEA3 shade: #1DAE9E, #2EC0B1, #3FD2C4, #50E4D7 and #61F6EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18AEA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18AEA3 shade: #18AEA3, #079C90, #008A7D, #00786A and #006657

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18AEA3 shade: #17AFA3, #17AF7B, #17AF52, #17AF29 and #2EAF17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18AEA3 shade: #17AFA3, #1791AF, #1768AF, #173FAF and #1717AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18AEA3 shade matches the following richer shades: #17AFA3 and #07BFB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18AEA3 shade: #17AFA3, #279E96, #388E88, #487E7A and #586E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18AEA3 shade: #17AF51, #17AF7A, #17AFA2, #1793AF and #176BAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18AEA3 shade: #0D665F, #128A81, #17AFA3, #1CD3C5 and #35E3D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18AEA3 shade: #18AEA3, #2917AF and #AF6517

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18AEA3 shade: #18AEA3, #A217AF and #AFA217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18AEA3 shade: #18AEA3, #2917AF, #AF1724 and #9DAF17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18AEA3 shade: #18AEA3, #5617AF, #AF1724 and #70AF17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 6 / 32

HEX #18AEA3

RGB 24 174 163

HSL 175.6, 0.76%, 0.39%

LAB 64.25, -38.34, -4.73

 

Complementary color

CMYK 0 / 65 / 60 / 9

HEX #E7515C

RGB 231 81 92

HSL 355.6, 0.76%, 0.61%

LAB 55.73, 58.6, 25.97

 

CMYK 83 / 0 / 9 / 32

HEX #1DAE9E

RGB 29 174 158

HSL 173.38, 0.71%, 0.4%

LAB 64.16, -39.4, -2.06

 

CMYK 76 / 0 / 8 / 25

HEX #2EC0B1

RGB 46 192 177

HSL 173.84, 0.61%, 0.47%

LAB 70.49, -40.47, -3.22

 

CMYK 70 / 0 / 7 / 18

HEX #3FD2C4

RGB 63 210 196

HSL 174.29, 0.62%, 0.54%

LAB 76.76, -41.24, -4.26

 

CMYK 65 / 0 / 6 / 11

HEX #50E4D7

RGB 80 228 215

HSL 174.73, 0.73%, 0.6%

LAB 82.97, -41.8, -5.21

 

CMYK 61 / 0 / 5 / 4

HEX #61F6EA

RGB 97 246 234

HSL 175.17, 0.89%, 0.67%

LAB 89.11, -42.19, -6.07

 

CMYK 86 / 0 / 6 / 32

HEX #18AEA3

RGB 24 174 163

HSL 175.6, 0.76%, 0.39%

LAB 64.25, -38.34, -4.73

 

CMYK 96 / 0 / 8 / 39

HEX #079C90

RGB 7 156 144

HSL 175.17, 0.91%, 0.32%

LAB 57.88, -36.68, -3.45

 

CMYK 100 / 0 / 9 / 46

HEX #008A7D

RGB 0 138 125

HSL 174.35, 1%, 0.27%

LAB 51.45, -34.5, -1.99

HEX #008A7D

CMYK 100 / 0 / 12 / 53

HEX #00786A

RGB 0 120 106

HSL 173, 1%, 0.24%

LAB 44.9, -31.97, -0.4

HEX #00786A

CMYK 100 / 0 / 15 / 60

HEX #006657

RGB 0 102 87

HSL 171.18, 1%, 0.2%

LAB 38.18, -29.37, 1.29

HEX #006657

CMYK 87 / 0 / 7 / 31

HEX #17AFA3

RGB 23 175 163

HSL 175.26, 0.77%, 0.39%

LAB 64.55, -38.85, -4.28

 

CMYK 87 / 0 / 30 / 31

HEX #17AF7B

RGB 23 175 123

HSL 159.47, 0.77%, 0.39%

LAB 63.57, -49.29, 16.45

 

CMYK 87 / 0 / 53 / 31

HEX #17AF52

RGB 23 175 82

HSL 143.29, 0.77%, 0.39%

LAB 62.89, -57.18, 37.16

 

CMYK 87 / 0 / 77 / 31

HEX #17AF29

RGB 23 175 41

HSL 127.11, 0.77%, 0.39%

LAB 62.51, -61.85, 54.36

 

CMYK 74 / 0 / 87 / 31

HEX #2EAF17

RGB 46 175 23

HSL 110.92, 0.77%, 0.39%

LAB 62.76, -59.94, 59.79

 

CMYK 87 / 0 / 7 / 31

HEX #17AFA3

RGB 23 175 163

HSL 175.26, 0.77%, 0.39%

LAB 64.55, -38.85, -4.28

 

CMYK 87 / 17 / 0 / 31

HEX #1791AF

RGB 23 145 175

HSL 191.84, 0.77%, 0.39%

LAB 55.61, -20.39, -24.55

 

CMYK 87 / 41 / 0 / 31

HEX #1768AF

RGB 23 104 175

HSL 208.03, 0.77%, 0.39%

LAB 43.03, 3.45, -44.29

 

CMYK 87 / 64 / 0 / 31

HEX #173FAF

RGB 23 63 175

HSL 224.21, 0.77%, 0.39%

LAB 31.42, 30.6, -63.08

 

CMYK 87 / 87 / 0 / 31

HEX #1717AF

RGB 23 23 175

HSL 240, 0.77%, 0.39%

LAB 23.3, 53.28, -76.5

 

CMYK 87 / 0 / 7 / 31

HEX #17AFA3

RGB 23 175 163

HSL 175.26, 0.77%, 0.39%

LAB 64.55, -38.85, -4.28

 

CMYK 96 / 0 / 7 / 25

HEX #07BFB1

RGB 7 191 177

HSL 175.43, 0.93%, 0.39%

LAB 69.81, -42.6, -4.27

 

CMYK 87 / 0 / 7 / 31

HEX #17AFA3

RGB 23 175 163

HSL 175.26, 0.77%, 0.39%

LAB 64.55, -38.85, -4.28

 

CMYK 75 / 0 / 5 / 38

HEX #279E96

RGB 39 158 150

HSL 175.97, 0.6%, 0.39%

LAB 59.05, -33.39, -5.08

 

CMYK 61 / 0 / 4 / 44

HEX #388E88

RGB 56 142 136

HSL 175.81, 0.43%, 0.39%

LAB 53.99, -27.06, -4.52

 

CMYK 43 / 0 / 3 / 51

HEX #487E7A

RGB 72 126 122

HSL 175.56, 0.27%, 0.39%

LAB 49.14, -18.94, -3.45

 

CMYK 20 / 0 / 1 / 57

HEX #586E6D

RGB 88 110 109

HSL 177.27, 0.11%, 0.39%

LAB 44.7, -8.33, -2.14

 

CMYK 87 / 0 / 54 / 31

HEX #17AF51

RGB 23 175 81

HSL 142.89, 0.77%, 0.39%

LAB 62.87, -57.33, 37.64

 

CMYK 87 / 0 / 30 / 31

HEX #17AF7A

RGB 23 175 122

HSL 159.08, 0.77%, 0.39%

LAB 63.55, -49.52, 16.97

 

CMYK 87 / 0 / 7 / 31

HEX #17AFA2

RGB 23 175 162

HSL 174.87, 0.77%, 0.39%

LAB 64.52, -39.14, -3.77

 

CMYK 87 / 16 / 0 / 31

HEX #1793AF

RGB 23 147 175

HSL 191.05, 0.77%, 0.39%

LAB 56.23, -21.45, -23.59

 

CMYK 87 / 39 / 0 / 31

HEX #176BAF

RGB 23 107 175

HSL 206.84, 0.77%, 0.39%

LAB 43.93, 1.56, -42.85

 

CMYK 87 / 0 / 7 / 60

HEX #0D665F

RGB 13 102 95

HSL 175.28, 0.77%, 0.23%

LAB 38.58, -25.83, -3.02

 

CMYK 87 / 0 / 7 / 46

HEX #128A81

RGB 18 138 129

HSL 175.5, 0.77%, 0.31%

LAB 51.71, -32.28, -3.91

 

CMYK 87 / 0 / 7 / 31

HEX #17AFA3

RGB 23 175 163

HSL 175.26, 0.77%, 0.39%

LAB 64.55, -38.85, -4.28

 

CMYK 87 / 0 / 7 / 17

HEX #1CD3C5

RGB 28 211 197

HSL 175.41, 0.77%, 0.47%

LAB 76.6, -44.71, -5.09

 

CMYK 77 / 0 / 6 / 11

HEX #35E3D6

RGB 53 227 214

HSL 175.52, 0.76%, 0.55%

LAB 82.14, -44.98, -5.96

 

CMYK 86 / 0 / 6 / 32

HEX #18AEA3

RGB 24 174 163

HSL 175.6, 0.76%, 0.39%

LAB 64.25, -38.34, -4.73

 

CMYK 77 / 87 / 0 / 31

HEX #2917AF

RGB 41 23 175

HSL 247.11, 0.77%, 0.39%

LAB 24.26, 54.03, -74.89

 

CMYK 0 / 42 / 87 / 31

HEX #AF6517

RGB 175 101 23

HSL 30.79, 0.77%, 0.39%

LAB 50.08, 24.43, 52.25

 

CMYK 86 / 0 / 6 / 32

HEX #18AEA3

RGB 24 174 163

HSL 175.6, 0.76%, 0.39%

LAB 64.25, -38.34, -4.73

 

CMYK 7 / 87 / 0 / 31

HEX #A217AF

RGB 162 23 175

HSL 294.87, 0.77%, 0.39%

LAB 40.23, 68.96, -48.12

 

CMYK 0 / 7 / 87 / 31

HEX #AFA217

RGB 175 162 23

HSL 54.87, 0.77%, 0.39%

LAB 65.76, -9.16, 65.08

 

CMYK 86 / 0 / 6 / 32

HEX #18AEA3

RGB 24 174 163

HSL 175.6, 0.76%, 0.39%

LAB 64.25, -38.34, -4.73

 

CMYK 77 / 87 / 0 / 31

HEX #2917AF

RGB 41 23 175

HSL 247.11, 0.77%, 0.39%

LAB 24.26, 54.03, -74.89

 

CMYK 0 / 87 / 79 / 31

HEX #AF1724

RGB 175 23 36

HSL 354.87, 0.77%, 0.39%

LAB 37.58, 57.79, 34.74

 

CMYK 10 / 0 / 87 / 31

HEX #9DAF17

RGB 157 175 23

HSL 67.11, 0.77%, 0.39%

LAB 67.94, -23.7, 66.26

 

CMYK 86 / 0 / 6 / 32

HEX #18AEA3

RGB 24 174 163

HSL 175.6, 0.76%, 0.39%

LAB 64.25, -38.34, -4.73

 

CMYK 51 / 87 / 0 / 31

HEX #5617AF

RGB 86 23 175

HSL 264.87, 0.77%, 0.39%

LAB 28.61, 57.74, -67.55

 

CMYK 0 / 87 / 79 / 31

HEX #AF1724

RGB 175 23 36

HSL 354.87, 0.77%, 0.39%

LAB 37.58, 57.79, 34.74

 

CMYK 36 / 0 / 87 / 31

HEX #70AF17

RGB 112 175 23

HSL 84.87, 0.77%, 0.39%

LAB 65.09, -41.78, 62.72

 

Description

Color code: HEX #18AEA3 | qconv.com Color code: HEX #18AEA3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 174 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 174 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 6 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 6% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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