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Color name
HEX #18C32E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18C32E it is the complementary color #E73CD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18C32E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18C32E shade: #1DC329, #2ED53C, #3FE74F, #50F962 and #61FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18C32E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18C32E shade: #18C32E, #07B11B, #009F08, #008D00 and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18C32E shade: #18C32E, #30C318, #5EC318, #8CC318 and #BAC318

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18C32E shade: #18C32E, #18C35C, #18C38A, #18C3B8 and #189FC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18C32E shade matches the following richer shades: #18C32E and #06D420

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18C32E shade: #18C32E, #29B13B, #3B9F48, #4D8D55 and #5F7C62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18C32E shade: #5FC318, #31C318, #18C32C, #18C359 and #18C387

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18C32E shade: #0F791C, #139E25, #18C32E, #20E33A and #45E85A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18C32E shade: #18C32E, #188DC3 and #C31848

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18C32E shade: #18C32E, #2C18C3 and #C32C18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18C32E shade: #18C32E, #188DC3, #C318AF and #C34E18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18C32E shade: #18C32E, #1859C3, #C318AF and #C38118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 76 / 24

HEX #18C32E

RGB 24 195 46

HSL 127.72, 0.78%, 0.43%

LAB 69.06, -67.33, 59.14

 

Complementary color

CMYK 0 / 74 / 10 / 9

HEX #E73CD1

RGB 231 60 209

HSL 307.72, 0.78%, 0.57%

LAB 56.9, 78.55, -40.68

 

CMYK 85 / 0 / 79 / 24

HEX #1DC329

RGB 29 195 41

HSL 124.34, 0.74%, 0.44%

LAB 69.08, -67.24, 60.75

 

CMYK 78 / 0 / 72 / 16

HEX #2ED53C

RGB 46 213 60

HSL 125.03, 0.67%, 0.51%

LAB 75.14, -69.35, 60.5

 

CMYK 73 / 0 / 66 / 9

HEX #3FE74F

RGB 63 231 79

HSL 125.71, 0.78%, 0.58%

LAB 81.17, -70.85, 59.72

 

CMYK 68 / 0 / 61 / 2

HEX #50F962

RGB 80 249 98

HSL 126.39, 0.93%, 0.65%

LAB 87.16, -71.89, 58.66

 

CMYK 62 / 0 / 54 / 0

HEX #61FF75

RGB 97 255 117

HSL 127.59, 1%, 0.69%

LAB 89.55, -68.48, 53.22

 

CMYK 88 / 0 / 76 / 24

HEX #18C32E

RGB 24 195 46

HSL 127.72, 0.78%, 0.43%

LAB 69.06, -67.33, 59.14

 

CMYK 96 / 0 / 85 / 31

HEX #07B11B

RGB 7 177 27

HSL 127.06, 0.92%, 0.36%

LAB 62.98, -64.33, 58.88

 

CMYK 100 / 0 / 95 / 38

HEX #009F08

RGB 0 159 8

HSL 123.02, 1%, 0.31%

LAB 56.89, -60.32, 57.24

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 88 / 0 / 76 / 24

HEX #18C32E

RGB 24 195 46

HSL 127.72, 0.78%, 0.43%

LAB 69.06, -67.33, 59.14

 

CMYK 75 / 0 / 88 / 24

HEX #30C318

RGB 48 195 24

HSL 111.58, 0.78%, 0.43%

LAB 69.27, -65.77, 65.29

 

CMYK 52 / 0 / 88 / 24

HEX #5EC318

RGB 94 195 24

HSL 95.44, 0.78%, 0.43%

LAB 70.51, -55.56, 66.84

 

CMYK 28 / 0 / 88 / 24

HEX #8CC318

RGB 140 195 24

HSL 79.3, 0.78%, 0.43%

LAB 72.68, -39.93, 69.54

 

CMYK 5 / 0 / 88 / 24

HEX #BAC318

RGB 186 195 24

HSL 63.16, 0.78%, 0.43%

LAB 75.78, -21.14, 73.37

 

CMYK 88 / 0 / 76 / 24

HEX #18C32E

RGB 24 195 46

HSL 127.72, 0.78%, 0.43%

LAB 69.06, -67.33, 59.14

 

CMYK 88 / 0 / 53 / 24

HEX #18C35C

RGB 24 195 92

HSL 143.86, 0.78%, 0.43%

LAB 69.47, -62.22, 40.31

 

CMYK 88 / 0 / 29 / 24

HEX #18C38A

RGB 24 195 138

HSL 160, 0.78%, 0.43%

LAB 70.22, -53.51, 17.53

 

CMYK 88 / 0 / 6 / 24

HEX #18C3B8

RGB 24 195 184

HSL 176.14, 0.78%, 0.43%

LAB 71.34, -41.64, -5.83

 

CMYK 88 / 18 / 0 / 24

HEX #189FC3

RGB 24 159 195

HSL 192.63, 0.78%, 0.43%

LAB 60.72, -20.82, -27.98

 

CMYK 88 / 0 / 76 / 24

HEX #18C32E

RGB 24 195 46

HSL 127.72, 0.78%, 0.43%

LAB 69.06, -67.33, 59.14

 

CMYK 97 / 0 / 85 / 17

HEX #06D420

RGB 6 212 32

HSL 127.57, 0.94%, 0.43%

LAB 74.34, -73.88, 67.91

 

CMYK 88 / 0 / 76 / 24

HEX #18C32E

RGB 24 195 46

HSL 127.72, 0.78%, 0.43%

LAB 69.06, -67.33, 59.14

 

CMYK 77 / 0 / 67 / 31

HEX #29B13B

RGB 41 177 59

HSL 127.94, 0.62%, 0.43%

LAB 63.53, -58.77, 48.61

 

CMYK 63 / 0 / 55 / 38

HEX #3B9F48

RGB 59 159 72

HSL 127.8, 0.46%, 0.43%

LAB 58.22, -47.5, 36.61

 

CMYK 45 / 0 / 40 / 45

HEX #4D8D55

RGB 77 141 85

HSL 127.5, 0.29%, 0.43%

LAB 53.26, -33.06, 23.65

 

CMYK 23 / 0 / 21 / 51

HEX #5F7C62

RGB 95 124 98

HSL 126.21, 0.13%, 0.43%

LAB 49.17, -16.01, 10.86

 

CMYK 51 / 0 / 88 / 24

HEX #5FC318

RGB 95 195 24

HSL 95.09, 0.78%, 0.43%

LAB 70.55, -55.27, 66.89

 

CMYK 75 / 0 / 88 / 24

HEX #31C318

RGB 49 195 24

HSL 111.23, 0.78%, 0.43%

LAB 69.29, -65.62, 65.31

 

CMYK 88 / 0 / 77 / 24

HEX #18C32C

RGB 24 195 44

HSL 127.02, 0.78%, 0.43%

LAB 69.04, -67.47, 59.78

 

CMYK 88 / 0 / 54 / 24

HEX #18C359

RGB 24 195 89

HSL 142.81, 0.78%, 0.43%

LAB 69.43, -62.67, 41.71

 

CMYK 88 / 0 / 31 / 24

HEX #18C387

RGB 24 195 135

HSL 158.95, 0.78%, 0.43%

LAB 70.16, -54.18, 19.06

 

CMYK 88 / 0 / 77 / 53

HEX #0F791C

RGB 15 121 28

HSL 127.36, 0.78%, 0.27%

LAB 44.03, -46.77, 40.57

 

CMYK 88 / 0 / 77 / 38

HEX #139E25

RGB 19 158 37

HSL 127.77, 0.79%, 0.35%

LAB 56.81, -57.34, 50.08

 

CMYK 88 / 0 / 76 / 24

HEX #18C32E

RGB 24 195 46

HSL 127.72, 0.78%, 0.43%

LAB 69.06, -67.33, 59.14

 

CMYK 86 / 0 / 74 / 11

HEX #20E33A

RGB 32 227 58

HSL 128, 0.78%, 0.51%

LAB 79.36, -75.08, 65.41

 

CMYK 70 / 0 / 61 / 9

HEX #45E85A

RGB 69 232 90

HSL 127.73, 0.78%, 0.59%

LAB 81.68, -69.08, 55.78

 

CMYK 88 / 0 / 76 / 24

HEX #18C32E

RGB 24 195 46

HSL 127.72, 0.78%, 0.43%

LAB 69.06, -67.33, 59.14

 

CMYK 88 / 28 / 0 / 24

HEX #188DC3

RGB 24 141 195

HSL 198.95, 0.78%, 0.43%

LAB 55.26, -11, -36.48

 

CMYK 0 / 88 / 63 / 24

HEX #C31848

RGB 195 24 72

HSL 343.16, 0.78%, 0.43%

LAB 42.34, 64.56, 19.26

 

CMYK 88 / 0 / 76 / 24

HEX #18C32E

RGB 24 195 46

HSL 127.72, 0.78%, 0.43%

LAB 69.06, -67.33, 59.14

 

CMYK 77 / 88 / 0 / 24

HEX #2C18C3

RGB 44 24 195

HSL 247.02, 0.78%, 0.43%

LAB 27.1, 59.47, -82.05

 

CMYK 0 / 77 / 88 / 24

HEX #C32C18

RGB 195 44 24

HSL 7.02, 0.78%, 0.43%

LAB 43.46, 57.83, 47.87

 

CMYK 88 / 0 / 76 / 24

HEX #18C32E

RGB 24 195 46

HSL 127.72, 0.78%, 0.43%

LAB 69.06, -67.33, 59.14

 

CMYK 88 / 28 / 0 / 24

HEX #188DC3

RGB 24 141 195

HSL 198.95, 0.78%, 0.43%

LAB 55.26, -11, -36.48

 

CMYK 0 / 88 / 10 / 24

HEX #C318AF

RGB 195 24 175

HSL 307.02, 0.78%, 0.43%

LAB 46.11, 74.86, -38.4

 

CMYK 0 / 60 / 88 / 24

HEX #C34E18

RGB 195 78 24

HSL 18.95, 0.78%, 0.43%

LAB 48.41, 44.42, 51.81

 

CMYK 88 / 0 / 76 / 24

HEX #18C32E

RGB 24 195 46

HSL 127.72, 0.78%, 0.43%

LAB 69.06, -67.33, 59.14

 

CMYK 88 / 54 / 0 / 24

HEX #1859C3

RGB 24 89 195

HSL 217.19, 0.78%, 0.43%

LAB 40.05, 21.21, -60.77

 

CMYK 0 / 88 / 10 / 24

HEX #C318AF

RGB 195 24 175

HSL 307.02, 0.78%, 0.43%

LAB 46.11, 74.86, -38.4

 

CMYK 0 / 34 / 88 / 24

HEX #C38118

RGB 195 129 24

HSL 36.84, 0.78%, 0.43%

LAB 59.31, 17.76, 60.51

 

Description

Color code: HEX #18C32E | qconv.com Color code: HEX #18C32E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 195 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 195 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 76 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 76% 24% C M Y K

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