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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18CBD1 it is the complementary color #E7342E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18CBD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18CBD1 shade: #1DCBCC, #2EDDDF, #3FEFF2, #50FFFF and #61FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18CBD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18CBD1 shade: #18CBD1, #07B9BE, #00A7AB, #009598 and #008385

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18CBD1 shade: #18CBD1, #1899D1, #1867D1, #1836D1 and #2D18D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18CBD1 shade: #18CBD1, #1899D1, #1867D1, #1836D1 and #1818D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18CBD1 shade matches the following richer shades: #18CBD1 and #05DDE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18CBD1 shade: #18CBD1, #2BBABE, #3EA8AC, #519699 and #648486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18CBD1 shade: #18D172, #18D1A3, #18CED1, #189DD1 and #186CD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18CBD1 shade: #0F8488, #14A8AD, #18CBD1, #2DE0E6 and #52E5EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18CBD1 shade: #18CBD1, #4018D1 and #D18A18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18CBD1 shade: #18CBD1, #D118CE and #CED118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18CBD1 shade: #18CBD1, #4018D1, #D11B18 and #A9D118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18CBD1 shade: #18CBD1, #7818D1, #D11B18 and #72D118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 3 / 0 / 18

HEX #18CBD1

RGB 24 203 209

HSL 181.95, 0.79%, 0.46%

LAB 74.51, -37.87, -14.68

 

Complementary color

CMYK 0 / 77 / 80 / 9

HEX #E7342E

RGB 231 52 46

HSL 1.95, 0.79%, 0.54%

LAB 51.43, 66.63, 46.86

 

CMYK 86 / 0 / 0 / 20

HEX #1DCBCC

RGB 29 203 204

HSL 180.34, 0.75%, 0.46%

LAB 74.4, -39.09, -12.13

 

CMYK 79 / 1 / 0 / 13

HEX #2EDDDF

RGB 46 221 223

HSL 180.68, 0.73%, 0.53%

LAB 80.53, -40.43, -13.14

 

CMYK 74 / 1 / 0 / 5

HEX #3FEFF2

RGB 63 239 242

HSL 181.01, 0.87%, 0.6%

LAB 86.6, -41.49, -14.06

 

CMYK 69 / 0 / 0 / 0

HEX #50FFFF

RGB 80 255 255

HSL 180, 1%, 0.66%

LAB 91.88, -43.08, -12.91

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.73, -12.32

 

CMYK 89 / 3 / 0 / 18

HEX #18CBD1

RGB 24 203 209

HSL 181.95, 0.79%, 0.46%

LAB 74.51, -37.87, -14.68

 

CMYK 96 / 3 / 0 / 25

HEX #07B9BE

RGB 7 185 190

HSL 181.64, 0.93%, 0.39%

LAB 68.36, -36.03, -13.57

 

CMYK 100 / 2 / 0 / 33

HEX #00A7AB

RGB 0 167 171

HSL 181.4, 1%, 0.34%

LAB 62.15, -33.77, -12.35

 

CMYK 100 / 2 / 0 / 40

HEX #009598

RGB 0 149 152

HSL 181.18, 1%, 0.3%

LAB 55.85, -31.25, -11.04

 

CMYK 100 / 2 / 0 / 48

HEX #008385

RGB 0 131 133

HSL 180.9, 1%, 0.26%

LAB 49.41, -28.68, -9.7

 

CMYK 89 / 3 / 0 / 18

HEX #18CBD1

RGB 24 203 209

HSL 181.95, 0.79%, 0.46%

LAB 74.51, -37.87, -14.68

 

CMYK 89 / 27 / 0 / 18

HEX #1899D1

RGB 24 153 209

HSL 198.16, 0.79%, 0.46%

LAB 59.51, -12.64, -37.71

 

CMYK 89 / 51 / 0 / 18

HEX #1867D1

RGB 24 103 209

HSL 214.38, 0.79%, 0.46%

LAB 44.94, 17.58, -60.92

 

CMYK 89 / 74 / 0 / 18

HEX #1836D1

RGB 24 54 209

HSL 230.27, 0.79%, 0.46%

LAB 32.78, 48.7, -80.83

 

CMYK 78 / 89 / 0 / 18

HEX #2D18D1

RGB 45 24 209

HSL 246.81, 0.79%, 0.46%

LAB 28.94, 63.36, -87.18

 

CMYK 89 / 3 / 0 / 18

HEX #18CBD1

RGB 24 203 209

HSL 181.95, 0.79%, 0.46%

LAB 74.51, -37.87, -14.68

 

CMYK 89 / 27 / 0 / 18

HEX #1899D1

RGB 24 153 209

HSL 198.16, 0.79%, 0.46%

LAB 59.51, -12.64, -37.71

 

CMYK 89 / 51 / 0 / 18

HEX #1867D1

RGB 24 103 209

HSL 214.38, 0.79%, 0.46%

LAB 44.94, 17.58, -60.92

 

CMYK 89 / 74 / 0 / 18

HEX #1836D1

RGB 24 54 209

HSL 230.27, 0.79%, 0.46%

LAB 32.78, 48.7, -80.83

 

CMYK 89 / 89 / 0 / 18

HEX #1818D1

RGB 24 24 209

HSL 240, 0.79%, 0.46%

LAB 27.98, 62.72, -88.8

 

CMYK 89 / 3 / 0 / 18

HEX #18CBD1

RGB 24 203 209

HSL 181.95, 0.79%, 0.46%

LAB 74.51, -37.87, -14.68

 

CMYK 98 / 3 / 0 / 11

HEX #05DDE4

RGB 5 221 228

HSL 181.88, 0.96%, 0.46%

LAB 80.37, -40.95, -16.07

 

CMYK 89 / 3 / 0 / 18

HEX #18CBD1

RGB 24 203 209

HSL 181.95, 0.79%, 0.46%

LAB 74.51, -37.87, -14.68

 

CMYK 77 / 2 / 0 / 25

HEX #2BBABE

RGB 43 186 190

HSL 181.63, 0.63%, 0.46%

LAB 69, -34.3, -12.57

 

CMYK 64 / 2 / 0 / 33

HEX #3EA8AC

RGB 62 168 172

HSL 182.18, 0.47%, 0.46%

LAB 63.35, -28.49, -11.02

 

CMYK 47 / 2 / 0 / 40

HEX #519699

RGB 81 150 153

HSL 182.5, 0.31%, 0.46%

LAB 57.91, -20.92, -8.36

 

CMYK 25 / 1 / 0 / 47

HEX #648486

RGB 100 132 134

HSL 183.53, 0.15%, 0.46%

LAB 52.88, -10.76, -4.78

 

CMYK 89 / 0 / 45 / 18

HEX #18D172

RGB 24 209 114

HSL 149.19, 0.79%, 0.46%

LAB 74.2, -63.31, 35.35

 

CMYK 89 / 0 / 22 / 18

HEX #18D1A3

RGB 24 209 163

HSL 165.08, 0.79%, 0.46%

LAB 75.1, -53.05, 10.99

 

CMYK 89 / 1 / 0 / 18

HEX #18CED1

RGB 24 206 209

HSL 180.97, 0.79%, 0.46%

LAB 75.41, -39.24, -13.33

 

CMYK 89 / 25 / 0 / 18

HEX #189DD1

RGB 24 157 209

HSL 196.86, 0.79%, 0.46%

LAB 60.7, -14.84, -35.84

 

CMYK 89 / 48 / 0 / 18

HEX #186CD1

RGB 24 108 209

HSL 212.76, 0.79%, 0.46%

LAB 46.34, 14.36, -58.65

 

CMYK 89 / 3 / 0 / 47

HEX #0F8488

RGB 15 132 136

HSL 181.98, 0.8%, 0.3%

LAB 49.96, -27.39, -10.62

 

CMYK 88 / 3 / 0 / 32

HEX #14A8AD

RGB 20 168 173

HSL 181.96, 0.79%, 0.38%

LAB 62.65, -32.8, -12.7

 

CMYK 89 / 3 / 0 / 18

HEX #18CBD1

RGB 24 203 209

HSL 181.95, 0.79%, 0.46%

LAB 74.51, -37.87, -14.68

 

CMYK 80 / 3 / 0 / 10

HEX #2DE0E6

RGB 45 224 230

HSL 181.95, 0.79%, 0.54%

LAB 81.61, -39.83, -15.24

 

CMYK 65 / 2 / 0 / 8

HEX #52E5EA

RGB 82 229 234

HSL 181.97, 0.78%, 0.62%

LAB 83.85, -36.82, -13.94

 

CMYK 89 / 3 / 0 / 18

HEX #18CBD1

RGB 24 203 209

HSL 181.95, 0.79%, 0.46%

LAB 74.51, -37.87, -14.68

 

CMYK 69 / 89 / 0 / 18

HEX #4018D1

RGB 64 24 209

HSL 252.97, 0.79%, 0.46%

LAB 30.27, 64.3, -84.93

 

CMYK 0 / 34 / 89 / 18

HEX #D18A18

RGB 209 138 24

HSL 36.97, 0.79%, 0.46%

LAB 63.18, 18.97, 64.28

 

CMYK 89 / 3 / 0 / 18

HEX #18CBD1

RGB 24 203 209

HSL 181.95, 0.79%, 0.46%

LAB 74.51, -37.87, -14.68

 

CMYK 0 / 89 / 1 / 18

HEX #D118CE

RGB 209 24 206

HSL 300.97, 0.79%, 0.46%

LAB 50.29, 81.83, -49.68

 

CMYK 1 / 0 / 89 / 18

HEX #CED118

RGB 206 209 24

HSL 60.97, 0.79%, 0.46%

LAB 81.18, -19.53, 78.34

 

CMYK 89 / 3 / 0 / 18

HEX #18CBD1

RGB 24 203 209

HSL 181.95, 0.79%, 0.46%

LAB 74.51, -37.87, -14.68

 

CMYK 69 / 89 / 0 / 18

HEX #4018D1

RGB 64 24 209

HSL 252.97, 0.79%, 0.46%

LAB 30.27, 64.3, -84.93

 

CMYK 0 / 87 / 89 / 18

HEX #D11B18

RGB 209 27 24

HSL 0.97, 0.79%, 0.46%

LAB 44.81, 65.97, 50.13

 

CMYK 19 / 0 / 89 / 18

HEX #A9D118

RGB 169 209 24

HSL 72.97, 0.79%, 0.46%

LAB 78.52, -34.84, 75.1

 

CMYK 89 / 3 / 0 / 18

HEX #18CBD1

RGB 24 203 209

HSL 181.95, 0.79%, 0.46%

LAB 74.51, -37.87, -14.68

 

CMYK 43 / 89 / 0 / 18

HEX #7818D1

RGB 120 24 209

HSL 271.14, 0.79%, 0.46%

LAB 36.46, 69.18, -74.49

 

CMYK 0 / 87 / 89 / 18

HEX #D11B18

RGB 209 27 24

HSL 0.97, 0.79%, 0.46%

LAB 44.81, 65.97, 50.13

 

CMYK 45 / 0 / 89 / 18

HEX #72D118

RGB 114 209 24

HSL 90.81, 0.79%, 0.46%

LAB 75.6, -54.77, 71.49

 

Description

Color code: HEX #18CBD1 | qconv.com Color code: HEX #18CBD1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 203 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 203 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 3 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 3% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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