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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18CDCD it is the complementary color #E73232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18CDCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18CDCD shade: #1DCDC8, #2EDFDB, #3FF1EE, #50FFFF and #61FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18CDCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18CDCD shade: #18CDCD, #07BBBA, #00A9A7, #009794 and #008581

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18CDCD shade: #18CDCD, #18CD9C, #18CD6B, #18CD3A and #26CD18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18CDCD shade: #18CDCD, #189CCD, #186BCD, #183ACD and #1818CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18CDCD shade matches the following richer shades: #18CDCD and #05DFDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18CDCD shade: #18CDCD, #2ABABA, #3DA8A8, #4F9595 and #628383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18CDCD shade: #18CD6C, #18CD9D, #18CDCD, #189DCD and #186CCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18CDCD shade: #0F8383, #13A8A8, #18CDCD, #28E5E5 and #4DEAEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18CDCD shade: #18CDCD, #3C18CD and #CD8418

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18CDCD shade: #18CDCD, #CD18CD and #CDCD18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18CDCD shade: #18CDCD, #3C18CD, #CD1818 and #A9CD18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18CDCD shade: #18CDCD, #7218CD, #CD1818 and #72CD18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 0 / 20

HEX #18CDCD

RGB 24 205 205

HSL 180, 0.79%, 0.45%

LAB 74.99, -39.98, -11.8

 

Complementary color

CMYK 0 / 78 / 78 / 9

HEX #E73232

RGB 231 50 50

HSL 0, 0.79%, 0.55%

LAB 51.27, 67.31, 44.58

 

CMYK 86 / 0 / 2 / 20

HEX #1DCDC8

RGB 29 205 200

HSL 178.3, 0.75%, 0.46%

LAB 74.88, -41.16, -9.25

 

CMYK 79 / 0 / 2 / 13

HEX #2EDFDB

RGB 46 223 219

HSL 178.64, 0.73%, 0.53%

LAB 81, -42.47, -10.31

 

CMYK 74 / 0 / 1 / 5

HEX #3FF1EE

RGB 63 241 238

HSL 178.99, 0.86%, 0.6%

LAB 87.07, -43.5, -11.27

 

CMYK 69 / 0 / 0 / 0

HEX #50FFFF

RGB 80 255 255

HSL 180, 1%, 0.66%

LAB 91.88, -43.08, -12.91

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.73, -12.32

 

CMYK 88 / 0 / 0 / 20

HEX #18CDCD

RGB 24 205 205

HSL 180, 0.79%, 0.45%

LAB 74.99, -39.98, -11.8

 

CMYK 96 / 0 / 1 / 27

HEX #07BBBA

RGB 7 187 186

HSL 179.67, 0.93%, 0.38%

LAB 68.85, -38.17, -10.64

 

CMYK 100 / 0 / 1 / 34

HEX #00A9A7

RGB 0 169 167

HSL 179.29, 1%, 0.33%

LAB 62.65, -35.95, -9.36

 

CMYK 100 / 0 / 2 / 41

HEX #009794

RGB 0 151 148

HSL 178.81, 1%, 0.3%

LAB 56.36, -33.46, -7.99

 

CMYK 100 / 0 / 3 / 48

HEX #008581

RGB 0 133 129

HSL 178.2, 1%, 0.26%

LAB 49.93, -30.93, -6.57

 

CMYK 88 / 0 / 0 / 20

HEX #18CDCD

RGB 24 205 205

HSL 180, 0.79%, 0.45%

LAB 74.99, -39.98, -11.8

 

CMYK 88 / 0 / 24 / 20

HEX #18CD9C

RGB 24 205 156

HSL 163.76, 0.79%, 0.45%

LAB 73.71, -53.17, 12.77

 

CMYK 88 / 0 / 48 / 20

HEX #18CD6B

RGB 24 205 107

HSL 147.51, 0.79%, 0.45%

LAB 72.84, -63.15, 37.12

 

CMYK 88 / 0 / 72 / 20

HEX #18CD3A

RGB 24 205 58

HSL 131.27, 0.79%, 0.45%

LAB 72.34, -69.31, 58.27

 

CMYK 81 / 0 / 88 / 20

HEX #26CD18

RGB 38 205 24

HSL 115.36, 0.79%, 0.45%

LAB 72.32, -70.05, 67.88

 

CMYK 88 / 0 / 0 / 20

HEX #18CDCD

RGB 24 205 205

HSL 180, 0.79%, 0.45%

LAB 74.99, -39.98, -11.8

 

CMYK 88 / 24 / 0 / 20

HEX #189CCD

RGB 24 156 205

HSL 196.24, 0.79%, 0.45%

LAB 60.23, -15.72, -34.35

 

CMYK 88 / 48 / 0 / 20

HEX #186BCD

RGB 24 107 205

HSL 212.49, 0.79%, 0.45%

LAB 45.79, 13.43, -57.24

 

CMYK 88 / 72 / 0 / 20

HEX #183ACD

RGB 24 58 205

HSL 228.73, 0.79%, 0.45%

LAB 33.2, 44.96, -77.82

 

CMYK 88 / 88 / 0 / 20

HEX #1818CD

RGB 24 24 205

HSL 240, 0.79%, 0.45%

LAB 27.45, 61.6, -87.36

 

CMYK 88 / 0 / 0 / 20

HEX #18CDCD

RGB 24 205 205

HSL 180, 0.79%, 0.45%

LAB 74.99, -39.98, -11.8

 

CMYK 98 / 0 / 0 / 13

HEX #05DFDF

RGB 5 223 223

HSL 180, 0.96%, 0.45%

LAB 80.81, -43.33, -12.75

 

CMYK 88 / 0 / 0 / 20

HEX #18CDCD

RGB 24 205 205

HSL 180, 0.79%, 0.45%

LAB 74.99, -39.98, -11.8

 

CMYK 77 / 0 / 0 / 27

HEX #2ABABA

RGB 42 186 186

HSL 180, 0.63%, 0.45%

LAB 68.86, -35.59, -10.58

 

CMYK 64 / 0 / 0 / 34

HEX #3DA8A8

RGB 61 168 168

HSL 180, 0.47%, 0.45%

LAB 63.2, -29.81, -9.01

 

CMYK 47 / 0 / 0 / 42

HEX #4F9595

RGB 79 149 149

HSL 180, 0.31%, 0.45%

LAB 57.39, -21.97, -6.85

 

CMYK 25 / 0 / 0 / 49

HEX #628383

RGB 98 131 131

HSL 180, 0.14%, 0.45%

LAB 52.36, -11.58, -3.8

 

CMYK 88 / 0 / 47 / 20

HEX #18CD6C

RGB 24 205 108

HSL 147.85, 0.79%, 0.45%

LAB 72.85, -62.99, 36.64

 

CMYK 88 / 0 / 23 / 20

HEX #18CD9D

RGB 24 205 157

HSL 164.09, 0.79%, 0.45%

LAB 73.73, -52.93, 12.26

 

CMYK 88 / 0 / 0 / 20

HEX #18CDCD

RGB 24 205 205

HSL 180, 0.79%, 0.45%

LAB 74.99, -39.98, -11.8

 

CMYK 88 / 23 / 0 / 20

HEX #189DCD

RGB 24 157 205

HSL 195.91, 0.79%, 0.45%

LAB 60.53, -16.26, -33.88

 

CMYK 88 / 47 / 0 / 20

HEX #186CCD

RGB 24 108 205

HSL 212.15, 0.79%, 0.45%

LAB 46.08, 12.79, -56.78

 

CMYK 89 / 0 / 0 / 49

HEX #0F8383

RGB 15 131 131

HSL 180, 0.79%, 0.29%

LAB 49.46, -28.51, -8.43

 

CMYK 89 / 0 / 0 / 34

HEX #13A8A8

RGB 19 168 168

HSL 180, 0.8%, 0.37%

LAB 62.48, -34.4, -10.16

 

CMYK 88 / 0 / 0 / 20

HEX #18CDCD

RGB 24 205 205

HSL 180, 0.79%, 0.45%

LAB 74.99, -39.98, -11.8

 

CMYK 83 / 0 / 0 / 10

HEX #28E5E5

RGB 40 229 229

HSL 180, 0.78%, 0.53%

LAB 82.99, -42.74, -12.65

 

CMYK 67 / 0 / 0 / 8

HEX #4DEAEA

RGB 77 234 234

HSL 180, 0.79%, 0.61%

LAB 85.18, -39.8, -11.96

 

CMYK 88 / 0 / 0 / 20

HEX #18CDCD

RGB 24 205 205

HSL 180, 0.79%, 0.45%

LAB 74.99, -39.98, -11.8

 

CMYK 71 / 88 / 0 / 20

HEX #3C18CD

RGB 60 24 205

HSL 251.93, 0.79%, 0.45%

LAB 29.47, 63.01, -83.94

 

CMYK 0 / 36 / 88 / 20

HEX #CD8418

RGB 205 132 24

HSL 35.8, 0.79%, 0.45%

LAB 61.26, 20.49, 62.57

 

CMYK 88 / 0 / 0 / 20

HEX #18CDCD

RGB 24 205 205

HSL 180, 0.79%, 0.45%

LAB 74.99, -39.98, -11.8

 

CMYK 0 / 88 / 0 / 20

HEX #CD18CD

RGB 205 24 205

HSL 300, 0.79%, 0.45%

LAB 49.54, 80.99, -50.33

 

CMYK 0 / 0 / 88 / 20

HEX #CDCD18

RGB 205 205 24

HSL 60, 0.79%, 0.45%

LAB 80.01, -17.99, 77.39

 

CMYK 88 / 0 / 0 / 20

HEX #18CDCD

RGB 24 205 205

HSL 180, 0.79%, 0.45%

LAB 74.99, -39.98, -11.8

 

CMYK 71 / 88 / 0 / 20

HEX #3C18CD

RGB 60 24 205

HSL 251.93, 0.79%, 0.45%

LAB 29.47, 63.01, -83.94

 

CMYK 0 / 88 / 88 / 20

HEX #CD1818

RGB 205 24 24

HSL 0, 0.79%, 0.45%

LAB 43.8, 65.44, 49

 

CMYK 18 / 0 / 88 / 20

HEX #A9CD18

RGB 169 205 24

HSL 71.93, 0.79%, 0.45%

LAB 77.38, -33, 74.16

 

CMYK 88 / 0 / 0 / 20

HEX #18CDCD

RGB 24 205 205

HSL 180, 0.79%, 0.45%

LAB 74.99, -39.98, -11.8

 

CMYK 44 / 88 / 0 / 20

HEX #7218CD

RGB 114 24 205

HSL 269.83, 0.79%, 0.45%

LAB 35.28, 67.61, -74.14

 

CMYK 0 / 88 / 88 / 20

HEX #CD1818

RGB 205 24 24

HSL 0, 0.79%, 0.45%

LAB 43.8, 65.44, 49

 

CMYK 44 / 0 / 88 / 20

HEX #72CD18

RGB 114 205 24

HSL 90.17, 0.79%, 0.45%

LAB 74.39, -53.23, 70.46

 

Description

Color code: HEX #18CDCD | qconv.com Color code: HEX #18CDCD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 205 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 205 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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