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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18D1BD it is the complementary color #E72E42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18D1BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18D1BD shade: #1DD1B8, #2EE3CB, #3FF5DE, #50FFF1 and #61FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18D1BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18D1BD shade: #18D1BD, #07BFAA, #00AD97, #009B84 and #008971

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18D1BD shade: #18D1BD, #18D18B, #18D159, #18D127 and #3BD118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18D1BD shade: #18D1BD, #18B4D1, #1882D1, #1850D1 and #181ED1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18D1BD shade matches the following richer shades: #18D1BD and #05E4CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18D1BD shade: #18D1BD, #2BBEAF, #3EACA0, #519991 and #648682

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18D1BD shade: #18D159, #18D18A, #18D1BC, #18B6D1 and #1884D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18D1BD shade: #0F887B, #14AD9C, #18D1BD, #2DE6D2 and #52EADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18D1BD shade: #18D1BD, #2818D1 and #D17218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18D1BD shade: #18D1BD, #BC18D1 and #D1BC18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18D1BD shade: #18D1BD, #2818D1, #D1182E and #C2D118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18D1BD shade: #18D1BD, #5F18D1, #D1182E and #8AD118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 10 / 18

HEX #18D1BD

RGB 24 209 189

HSL 173.51, 0.79%, 0.46%

LAB 75.74, -46.3, -2.05

 

Complementary color

CMYK 0 / 80 / 71 / 9

HEX #E72E42

RGB 231 46 66

HSL 353.51, 0.79%, 0.54%

LAB 51.08, 68.96, 35.36

 

CMYK 86 / 0 / 12 / 18

HEX #1DD1B8

RGB 29 209 184

HSL 171.67, 0.76%, 0.47%

LAB 75.65, -47.36, 0.51

 

CMYK 80 / 0 / 11 / 11

HEX #2EE3CB

RGB 46 227 203

HSL 172.04, 0.76%, 0.54%

LAB 81.75, -48.59, -0.71

 

CMYK 74 / 0 / 9 / 4

HEX #3FF5DE

RGB 63 245 222

HSL 172.42, 0.9%, 0.6%

LAB 87.79, -49.52, -1.83

 

CMYK 69 / 0 / 5 / 0

HEX #50FFF1

RGB 80 255 241

HSL 175.2, 1%, 0.66%

LAB 91.49, -46.82, -6.23

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.73, -12.32

 

CMYK 89 / 0 / 10 / 18

HEX #18D1BD

RGB 24 209 189

HSL 173.51, 0.79%, 0.46%

LAB 75.74, -46.3, -2.05

 

CMYK 96 / 0 / 11 / 25

HEX #07BFAA

RGB 7 191 170

HSL 173.15, 0.93%, 0.39%

LAB 69.62, -44.58, -0.72

 

CMYK 100 / 0 / 13 / 32

HEX #00AD97

RGB 0 173 151

HSL 172.37, 1%, 0.34%

LAB 63.44, -42.43, 0.76

 

CMYK 100 / 0 / 15 / 39

HEX #009B84

RGB 0 155 132

HSL 171.1, 1%, 0.3%

LAB 57.18, -40.01, 2.35

 

CMYK 100 / 0 / 18 / 46

HEX #008971

RGB 0 137 113

HSL 169.49, 1%, 0.27%

LAB 50.78, -37.55, 4.02

 

CMYK 89 / 0 / 10 / 18

HEX #18D1BD

RGB 24 209 189

HSL 173.51, 0.79%, 0.46%

LAB 75.74, -46.3, -2.05

 

CMYK 89 / 0 / 33 / 18

HEX #18D18B

RGB 24 209 139

HSL 157.3, 0.79%, 0.46%

LAB 74.61, -58.51, 23.03

 

CMYK 89 / 0 / 57 / 18

HEX #18D159

RGB 24 209 89

HSL 141.08, 0.79%, 0.46%

LAB 73.88, -67.14, 47.03

 

CMYK 89 / 0 / 81 / 18

HEX #18D127

RGB 24 209 39

HSL 124.86, 0.79%, 0.46%

LAB 73.51, -71.8, 65.47

 

CMYK 72 / 0 / 89 / 18

HEX #3BD118

RGB 59 209 24

HSL 108.65, 0.79%, 0.46%

LAB 73.93, -68.26, 69.4

 

CMYK 89 / 0 / 10 / 18

HEX #18D1BD

RGB 24 209 189

HSL 173.51, 0.79%, 0.46%

LAB 75.74, -46.3, -2.05

 

CMYK 89 / 14 / 0 / 18

HEX #18B4D1

RGB 24 180 209

HSL 189.41, 0.79%, 0.46%

LAB 67.61, -26.86, -25.17

 

CMYK 89 / 38 / 0 / 18

HEX #1882D1

RGB 24 130 209

HSL 205.62, 0.79%, 0.46%

LAB 52.69, 0.67, -48.48

 

CMYK 89 / 62 / 0 / 18

HEX #1850D1

RGB 24 80 209

HSL 221.84, 0.79%, 0.46%

LAB 38.79, 32.57, -70.93

 

CMYK 89 / 86 / 0 / 18

HEX #181ED1

RGB 24 30 209

HSL 238.05, 0.79%, 0.46%

LAB 28.71, 60.53, -87.58

 

CMYK 89 / 0 / 10 / 18

HEX #18D1BD

RGB 24 209 189

HSL 173.51, 0.79%, 0.46%

LAB 75.74, -46.3, -2.05

 

CMYK 98 / 0 / 11 / 11

HEX #05E4CC

RGB 5 228 204

HSL 173.54, 0.96%, 0.46%

LAB 81.77, -50.83, -1.24

 

CMYK 89 / 0 / 10 / 18

HEX #18D1BD

RGB 24 209 189

HSL 173.51, 0.79%, 0.46%

LAB 75.74, -46.3, -2.05

 

CMYK 77 / 0 / 8 / 25

HEX #2BBEAF

RGB 43 190 175

HSL 173.88, 0.63%, 0.46%

LAB 69.78, -40.45, -3.18

 

CMYK 64 / 0 / 7 / 33

HEX #3EACA0

RGB 62 172 160

HSL 173.45, 0.47%, 0.46%

LAB 64.22, -33.8, -3.03

 

CMYK 47 / 0 / 5 / 40

HEX #519991

RGB 81 153 145

HSL 173.33, 0.31%, 0.46%

LAB 58.58, -24.59, -2.8

 

CMYK 25 / 0 / 3 / 47

HEX #648682

RGB 100 134 130

HSL 172.94, 0.15%, 0.46%

LAB 53.35, -12.82, -1.75

 

CMYK 89 / 0 / 57 / 18

HEX #18D159

RGB 24 209 89

HSL 141.08, 0.79%, 0.46%

LAB 73.88, -67.14, 47.03

 

CMYK 89 / 0 / 34 / 18

HEX #18D18A

RGB 24 209 138

HSL 156.97, 0.79%, 0.46%

LAB 74.59, -58.72, 23.53

 

CMYK 89 / 0 / 10 / 18

HEX #18D1BC

RGB 24 209 188

HSL 173.19, 0.79%, 0.46%

LAB 75.72, -46.57, -1.55

 

CMYK 89 / 13 / 0 / 18

HEX #18B6D1

RGB 24 182 209

HSL 188.76, 0.79%, 0.46%

LAB 68.21, -27.86, -24.25

 

CMYK 89 / 37 / 0 / 18

HEX #1884D1

RGB 24 132 209

HSL 204.97, 0.79%, 0.46%

LAB 53.28, -0.53, -47.54

 

CMYK 89 / 0 / 10 / 47

HEX #0F887B

RGB 15 136 123

HSL 173.55, 0.8%, 0.3%

LAB 50.85, -33.36, -1.69

 

CMYK 88 / 0 / 10 / 32

HEX #14AD9C

RGB 20 173 156

HSL 173.33, 0.79%, 0.38%

LAB 63.7, -40.16, -1.64

 

CMYK 89 / 0 / 10 / 18

HEX #18D1BD

RGB 24 209 189

HSL 173.51, 0.79%, 0.46%

LAB 75.74, -46.3, -2.05

 

CMYK 80 / 0 / 9 / 10

HEX #2DE6D2

RGB 45 230 210

HSL 173.51, 0.79%, 0.54%

LAB 82.81, -48.08, -2.86

 

CMYK 65 / 0 / 7 / 8

HEX #52EADA

RGB 82 234 218

HSL 173.68, 0.78%, 0.62%

LAB 84.84, -43.37, -4.02

 

CMYK 89 / 0 / 10 / 18

HEX #18D1BD

RGB 24 209 189

HSL 173.51, 0.79%, 0.46%

LAB 75.74, -46.3, -2.05

 

CMYK 81 / 89 / 0 / 18

HEX #2818D1

RGB 40 24 209

HSL 245.19, 0.79%, 0.46%

LAB 28.66, 63.17, -87.65

 

CMYK 0 / 45 / 89 / 18

HEX #D17218

RGB 209 114 24

HSL 29.19, 0.79%, 0.46%

LAB 57.71, 31.84, 60.02

 

CMYK 89 / 0 / 10 / 18

HEX #18D1BD

RGB 24 209 189

HSL 173.51, 0.79%, 0.46%

LAB 75.74, -46.3, -2.05

 

CMYK 10 / 89 / 0 / 18

HEX #BC18D1

RGB 188 24 209

HSL 293.19, 0.79%, 0.46%

LAB 46.91, 78.76, -57.03

 

CMYK 0 / 10 / 89 / 18

HEX #D1BC18

RGB 209 188 24

HSL 53.19, 0.79%, 0.46%

LAB 75.82, -7.67, 74.21

 

CMYK 89 / 0 / 10 / 18

HEX #18D1BD

RGB 24 209 189

HSL 173.51, 0.79%, 0.46%

LAB 75.74, -46.3, -2.05

 

CMYK 81 / 89 / 0 / 18

HEX #2818D1

RGB 40 24 209

HSL 245.19, 0.79%, 0.46%

LAB 28.66, 63.17, -87.65

 

CMYK 0 / 89 / 78 / 18

HEX #D1182E

RGB 209 24 46

HSL 352.86, 0.79%, 0.46%

LAB 44.81, 67.04, 38.71

 

CMYK 7 / 0 / 89 / 18

HEX #C2D118

RGB 194 209 24

HSL 64.86, 0.79%, 0.46%

LAB 80.26, -24.58, 77.22

 

CMYK 89 / 0 / 10 / 18

HEX #18D1BD

RGB 24 209 189

HSL 173.51, 0.79%, 0.46%

LAB 75.74, -46.3, -2.05

 

CMYK 55 / 89 / 0 / 18

HEX #5F18D1

RGB 95 24 209

HSL 263.03, 0.79%, 0.46%

LAB 33.33, 66.61, -79.77

 

CMYK 0 / 89 / 78 / 18

HEX #D1182E

RGB 209 24 46

HSL 352.86, 0.79%, 0.46%

LAB 44.81, 67.04, 38.71

 

CMYK 34 / 0 / 89 / 18

HEX #8AD118

RGB 138 209 24

HSL 83.03, 0.79%, 0.46%

LAB 76.72, -46.66, 72.88

 

Description

Color code: HEX #18D1BD | qconv.com Color code: HEX #18D1BD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 209 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 209 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 10 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 10% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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