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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #18F5D0 it is the complementary color #E70A2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #18F5D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #18F5D0 shade: #1DF5CB, #2EFFDE, #3FFFF1, #50FFFF and #61FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #18F5D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #18F5D0 shade: #18F5D0, #07E3BD, #00D1AA, #00BF97 and #00AD84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #18F5D0 shade: #18F5D0, #18F595, #18F559, #18F51E and #4FF518

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #18F5D0 shade: #18F5D0, #18DEF5, #18A3F5, #1867F5 and #182CF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #18F5D0 shade matches the following richer shades: #18F5D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #18F5D0 shade: #18F5D0, #2CE2C3, #3FCEB6, #53BBA9 and #66A79C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #18F5D0 shade: #18F557, #18F592, #18F5CC, #18E3F5 and #18A8F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #18F5D0 shade: #07B497, #09DBB8, #18F5D0, #40F7D8 and #68F8E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #18F5D0 shade: #18F5D0, #1C18F5 and #F57418

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #18F5D0 shade: #18F5D0, #CC18F5 and #F5CC18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #18F5D0 shade: #18F5D0, #1C18F5, #F51841 and #F1F518

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #18F5D0 shade: #18F5D0, #5E18F5, #F51841 and #AFF518

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 15 / 4

HEX #18F5D0

RGB 24 245 208

HSL 169.95, 0.92%, 0.53%

LAB 87.02, -56.06, 4.31

 

Complementary color

CMYK 0 / 96 / 80 / 9

HEX #E70A2F

RGB 231 10 47

HSL 349.95, 0.92%, 0.47%

LAB 48.77, 74.26, 43.68

 

CMYK 88 / 0 / 17 / 4

HEX #1DF5CB

RGB 29 245 203

HSL 168.33, 0.92%, 0.54%

LAB 86.94, -57.08, 6.8

 

CMYK 82 / 0 / 13 / 0

HEX #2EFFDE

RGB 46 255 222

HSL 170.53, 1%, 0.59%

LAB 90.49, -55.21, 2.09

 

CMYK 75 / 0 / 5 / 0

HEX #3FFFF1

RGB 63 255 241

HSL 175.63, 1%, 0.62%

LAB 91.2, -48.76, -6.7

 

CMYK 69 / 0 / 0 / 0

HEX #50FFFF

RGB 80 255 255

HSL 180, 1%, 0.66%

LAB 91.88, -43.08, -12.91

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.73, -12.32

 

CMYK 90 / 0 / 15 / 4

HEX #18F5D0

RGB 24 245 208

HSL 169.95, 0.92%, 0.53%

LAB 87.02, -56.06, 4.31

 

CMYK 97 / 0 / 17 / 11

HEX #07E3BD

RGB 7 227 189

HSL 169.64, 0.94%, 0.46%

LAB 81.1, -54.32, 5.73

 

CMYK 100 / 0 / 19 / 18

HEX #00D1AA

RGB 0 209 170

HSL 168.8, 1%, 0.41%

LAB 75.14, -52.21, 7.28

 

CMYK 100 / 0 / 21 / 25

HEX #00BF97

RGB 0 191 151

HSL 167.43, 1%, 0.37%

LAB 69.11, -49.87, 8.92

 

CMYK 100 / 0 / 24 / 32

HEX #00AD84

RGB 0 173 132

HSL 165.78, 1%, 0.34%

LAB 62.97, -47.49, 10.64

 

CMYK 90 / 0 / 15 / 4

HEX #18F5D0

RGB 24 245 208

HSL 169.95, 0.92%, 0.53%

LAB 87.02, -56.06, 4.31

 

CMYK 90 / 0 / 39 / 4

HEX #18F595

RGB 24 245 149

HSL 153.94, 0.92%, 0.53%

LAB 85.84, -69.17, 32.98

 

CMYK 90 / 0 / 64 / 4

HEX #18F559

RGB 24 245 89

HSL 137.65, 0.92%, 0.53%

LAB 85.11, -78, 59.89

 

CMYK 90 / 0 / 88 / 4

HEX #18F51E

RGB 24 245 30

HSL 121.63, 0.92%, 0.53%

LAB 84.79, -82.08, 77.52

 

CMYK 68 / 0 / 90 / 4

HEX #4FF518

RGB 79 245 24

HSL 105.07, 0.92%, 0.53%

LAB 85.52, -75.69, 79.4

 

CMYK 90 / 0 / 15 / 4

HEX #18F5D0

RGB 24 245 208

HSL 169.95, 0.92%, 0.53%

LAB 87.02, -56.06, 4.31

 

CMYK 90 / 9 / 0 / 4

HEX #18DEF5

RGB 24 222 245

HSL 186.24, 0.92%, 0.53%

LAB 81.31, -35.65, -23.68

 

CMYK 90 / 33 / 0 / 4

HEX #18A3F5

RGB 24 163 245

HSL 202.26, 0.92%, 0.53%

LAB 64.15, -5.19, -50.33

 

CMYK 90 / 58 / 0 / 4

HEX #1867F5

RGB 24 103 245

HSL 218.55, 0.92%, 0.53%

LAB 47.61, 31.46, -76.93

 

CMYK 90 / 82 / 0 / 4

HEX #182CF5

RGB 24 44 245

HSL 234.57, 0.92%, 0.53%

LAB 35.18, 65.24, -97.43

 

CMYK 90 / 0 / 15 / 4

HEX #18F5D0

RGB 24 245 208

HSL 169.95, 0.92%, 0.53%

LAB 87.02, -56.06, 4.31

 

CMYK 90 / 0 / 15 / 4

HEX #18F5D0

RGB 24 245 208

HSL 169.95, 0.92%, 0.53%

LAB 87.02, -56.06, 4.31

 

CMYK 81 / 0 / 14 / 11

HEX #2CE2C3

RGB 44 226 195

HSL 169.78, 0.76%, 0.53%

LAB 81.22, -50.43, 2.76

 

CMYK 69 / 0 / 12 / 19

HEX #3FCEB6

RGB 63 206 182

HSL 169.93, 0.59%, 0.53%

LAB 75.19, -43.18, 0.97

 

CMYK 56 / 0 / 10 / 27

HEX #53BBA9

RGB 83 187 169

HSL 169.62, 0.43%, 0.53%

LAB 69.64, -34.49, 0.02

 

CMYK 39 / 0 / 7 / 35

HEX #66A79C

RGB 102 167 156

HSL 169.85, 0.27%, 0.53%

LAB 64.05, -23.41, -0.87

 

CMYK 90 / 0 / 64 / 4

HEX #18F557

RGB 24 245 87

HSL 137.1, 0.92%, 0.53%

LAB 85.09, -78.22, 60.68

 

CMYK 90 / 0 / 40 / 4

HEX #18F592

RGB 24 245 146

HSL 153.12, 0.92%, 0.53%

LAB 85.79, -69.72, 34.42

 

CMYK 90 / 0 / 17 / 4

HEX #18F5CC

RGB 24 245 204

HSL 168.87, 0.92%, 0.53%

LAB 86.93, -57.07, 6.26

 

CMYK 90 / 7 / 0 / 4

HEX #18E3F5

RGB 24 227 245

HSL 184.89, 0.92%, 0.53%

LAB 82.77, -37.97, -21.47

 

CMYK 90 / 31 / 0 / 4

HEX #18A8F5

RGB 24 168 245

HSL 200.9, 0.92%, 0.53%

LAB 65.59, -8.01, -48.05

 

CMYK 96 / 0 / 16 / 29

HEX #07B497

RGB 7 180 151

HSL 169.94, 0.93%, 0.37%

LAB 65.69, -45.13, 4.02

 

CMYK 96 / 0 / 16 / 14

HEX #09DBB8

RGB 9 219 184

HSL 170, 0.92%, 0.45%

LAB 78.57, -52.35, 4.73

 

CMYK 90 / 0 / 15 / 4

HEX #18F5D0

RGB 24 245 208

HSL 169.95, 0.92%, 0.53%

LAB 87.02, -56.06, 4.31

 

CMYK 74 / 0 / 13 / 3

HEX #40F7D8

RGB 64 247 216

HSL 169.84, 0.92%, 0.61%

LAB 88.24, -51.78, 1.96

 

CMYK 58 / 0 / 10 / 3

HEX #68F8E0

RGB 104 248 224

HSL 170, 0.91%, 0.69%

LAB 89.61, -44.36, -0.11

 

CMYK 90 / 0 / 15 / 4

HEX #18F5D0

RGB 24 245 208

HSL 169.95, 0.92%, 0.53%

LAB 87.02, -56.06, 4.31

 

CMYK 89 / 90 / 0 / 4

HEX #1C18F5

RGB 28 24 245

HSL 241.09, 0.92%, 0.53%

LAB 32.9, 72.5, -101.22

 

CMYK 0 / 53 / 90 / 4

HEX #F57418

RGB 245 116 24

HSL 24.98, 0.92%, 0.53%

LAB 63.32, 45.1, 66.54

 

CMYK 90 / 0 / 15 / 4

HEX #18F5D0

RGB 24 245 208

HSL 169.95, 0.92%, 0.53%

LAB 87.02, -56.06, 4.31

 

CMYK 17 / 90 / 0 / 4

HEX #CC18F5

RGB 204 24 245

HSL 288.87, 0.92%, 0.53%

LAB 51.93, 87.15, -69.22

 

CMYK 0 / 17 / 90 / 4

HEX #F5CC18

RGB 245 204 24

HSL 48.87, 0.92%, 0.53%

LAB 83.27, -0.35, 81.43

 

CMYK 90 / 0 / 15 / 4

HEX #18F5D0

RGB 24 245 208

HSL 169.95, 0.92%, 0.53%

LAB 87.02, -56.06, 4.31

 

CMYK 89 / 90 / 0 / 4

HEX #1C18F5

RGB 28 24 245

HSL 241.09, 0.92%, 0.53%

LAB 32.9, 72.5, -101.22

 

CMYK 0 / 90 / 73 / 4

HEX #F51841

RGB 245 24 65

HSL 348.87, 0.92%, 0.53%

LAB 52.34, 76.78, 38.11

 

CMYK 2 / 0 / 90 / 4

HEX #F1F518

RGB 241 245 24

HSL 61.09, 0.92%, 0.53%

LAB 93.48, -22.33, 89.16

 

CMYK 90 / 0 / 15 / 4

HEX #18F5D0

RGB 24 245 208

HSL 169.95, 0.92%, 0.53%

LAB 87.02, -56.06, 4.31

 

CMYK 62 / 90 / 0 / 4

HEX #5E18F5

RGB 94 24 245

HSL 259, 0.92%, 0.53%

LAB 37.16, 75.15, -94.01

 

CMYK 0 / 90 / 73 / 4

HEX #F51841

RGB 245 24 65

HSL 348.87, 0.92%, 0.53%

LAB 52.34, 76.78, 38.11

 

CMYK 29 / 0 / 90 / 4

HEX #AFF518

RGB 175 245 24

HSL 79, 0.92%, 0.53%

LAB 89.15, -48.28, 83.89

 

Description

Color code: HEX #18F5D0 | qconv.com Color code: HEX #18F5D0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 245 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 245 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 15 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 15% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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