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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #191258 it is the complementary color #E6EDA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #191258. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #191258 shade: #1E1253, #2F2466, #403679, #51488C and #625A9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #191258. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #191258 shade: #191258, #080045, #000032, #00001F and #00000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #191258 shade: #191258, #2C1258, #3F1258, #521258 and #58124C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #191258 shade: #191258 and #121258

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #191258 shade matches the following richer shades: #191258, #120961 and #0B006A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #191258 shade: #191258, #201A50, #272347, #2E2C3E and #353436

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #191258 shade: #123058, #121D58, #191258, #2C1258 and #3E1258

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #191258 shade: #050414, #0F0B36, #191258, #23197B and #2C209D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #191258 shade: #191258, #581243 and #275812

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #191258 shade: #191258, #581912 and #125819

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #191258 shade: #191258, #581243, #515812 and #125827

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #191258 shade: #191258, #58122E, #515812 and #12583C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 80 / 0 / 65

HEX #191258

RGB 25 18 88

HSL 246, 0.66%, 0.21%

LAB 11.58, 27.38, -40.74

 

Complementary color

CMYK 3 / 0 / 30 / 7

HEX #E6EDA7

RGB 230 237 167

HSL 66, 0.66%, 0.79%

LAB 91.77, -13.21, 33.22

 

CMYK 64 / 78 / 0 / 67

HEX #1E1253

RGB 30 18 83

HSL 251.08, 0.64%, 0.2%

LAB 11.51, 26.34, -37.44

 

CMYK 54 / 65 / 0 / 60

HEX #2F2466

RGB 47 36 102

HSL 250, 0.48%, 0.27%

LAB 19.33, 24.5, -37.3

 

CMYK 47 / 55 / 0 / 53

HEX #403679

RGB 64 54 121

HSL 248.96, 0.38%, 0.34%

LAB 27.04, 22.9, -36.98

 

CMYK 42 / 49 / 0 / 45

HEX #51488C

RGB 81 72 140

HSL 247.94, 0.32%, 0.42%

LAB 34.55, 21.58, -36.69

 

CMYK 38 / 43 / 0 / 38

HEX #625A9F

RGB 98 90 159

HSL 246.96, 0.28%, 0.49%

LAB 41.86, 20.49, -36.46

 

CMYK 72 / 80 / 0 / 65

HEX #191258

RGB 25 18 88

HSL 246, 0.66%, 0.21%

LAB 11.58, 27.38, -40.74

 

CMYK 88 / 100 / 0 / 73

HEX #080045

RGB 8 0 69

HSL 246.96, 1%, 0.14%

LAB 4.35, 27.88, -39.57

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 100 / 100 / 0 / 95

HEX #00000C

RGB 0 0 12

HSL 240, 1%, 0.02%

LAB 0.24, 1.68, -4.58

 

CMYK 72 / 80 / 0 / 65

HEX #191258

RGB 25 18 88

HSL 246, 0.66%, 0.21%

LAB 11.58, 27.38, -40.74

 

CMYK 50 / 80 / 0 / 65

HEX #2C1258

RGB 44 18 88

HSL 262.29, 0.66%, 0.21%

LAB 13.67, 30.43, -37.23

 

CMYK 28 / 80 / 0 / 65

HEX #3F1258

RGB 63 18 88

HSL 278.57, 0.66%, 0.21%

LAB 16.47, 34.34, -32.54

 

CMYK 7 / 80 / 0 / 65

HEX #521258

RGB 82 18 88

HSL 294.86, 0.66%, 0.21%

LAB 19.77, 38.73, -27.07

 

CMYK 0 / 80 / 14 / 65

HEX #58124C

RGB 88 18 76

HSL 310.29, 0.66%, 0.21%

LAB 20.16, 38.06, -18.27

 

CMYK 72 / 80 / 0 / 65

HEX #191258

RGB 25 18 88

HSL 246, 0.66%, 0.21%

LAB 11.58, 27.38, -40.74

 

CMYK 80 / 80 / 0 / 65

HEX #121258

RGB 18 18 88

HSL 240, 0.66%, 0.21%

LAB 11.03, 26.55, -41.66

 

CMYK 72 / 80 / 0 / 65

HEX #191258

RGB 25 18 88

HSL 246, 0.66%, 0.21%

LAB 11.58, 27.38, -40.74

 

CMYK 81 / 91 / 0 / 62

HEX #120961

RGB 18 9 97

HSL 246.14, 0.83%, 0.21%

LAB 10.46, 34.74, -48.66

 

CMYK 90 / 100 / 0 / 58

HEX #0B006A

RGB 11 0 106

HSL 246.23, 1%, 0.21%

LAB 9.89, 41.71, -55.6

 

CMYK 72 / 80 / 0 / 65

HEX #191258

RGB 25 18 88

HSL 246, 0.66%, 0.21%

LAB 11.58, 27.38, -40.74

 

CMYK 60 / 68 / 0 / 69

HEX #201A50

RGB 32 26 80

HSL 246.67, 0.51%, 0.21%

LAB 13.38, 20.31, -32.32

 

CMYK 45 / 51 / 0 / 72

HEX #272347

RGB 39 35 71

HSL 246.67, 0.34%, 0.21%

LAB 15.94, 12.48, -21.99

 

CMYK 26 / 29 / 0 / 76

HEX #2E2C3E

RGB 46 44 62

HSL 246.67, 0.17%, 0.21%

LAB 18.93, 5.63, -11.07

 

CMYK 2 / 4 / 0 / 79

HEX #353436

RGB 53 52 54

HSL 270, 0.02%, 0.21%

LAB 21.87, 0.9, -1.11

 

CMYK 80 / 45 / 0 / 65

HEX #123058

RGB 18 48 88

HSL 214.29, 0.66%, 0.21%

LAB 19.83, 4.75, -27.36

 

CMYK 80 / 67 / 0 / 65

HEX #121D58

RGB 18 29 88

HSL 230.57, 0.66%, 0.21%

LAB 13.9, 18.84, -36.95

 

CMYK 72 / 80 / 0 / 65

HEX #191258

RGB 25 18 88

HSL 246, 0.66%, 0.21%

LAB 11.58, 27.38, -40.74

 

CMYK 50 / 80 / 0 / 65

HEX #2C1258

RGB 44 18 88

HSL 262.29, 0.66%, 0.21%

LAB 13.67, 30.43, -37.23

 

CMYK 30 / 80 / 0 / 65

HEX #3E1258

RGB 62 18 88

HSL 277.71, 0.66%, 0.21%

LAB 16.31, 34.12, -32.81

 

CMYK 75 / 80 / 0 / 92

HEX #050414

RGB 5 4 20

HSL 243.75, 0.67%, 0.05%

LAB 1.53, 2.91, -7.12

 

CMYK 72 / 80 / 0 / 79

HEX #0F0B36

RGB 15 11 54

HSL 245.58, 0.66%, 0.13%

LAB 5.49, 16.31, -26.88

 

CMYK 72 / 80 / 0 / 65

HEX #191258

RGB 25 18 88

HSL 246, 0.66%, 0.21%

LAB 11.58, 27.38, -40.74

 

CMYK 72 / 80 / 0 / 52

HEX #23197B

RGB 35 25 123

HSL 246.12, 0.66%, 0.29%

LAB 17.84, 36.56, -53.37

 

CMYK 72 / 80 / 0 / 38

HEX #2C209D

RGB 44 32 157

HSL 245.76, 0.66%, 0.37%

LAB 23.68, 44.76, -64.93

 

CMYK 72 / 80 / 0 / 65

HEX #191258

RGB 25 18 88

HSL 246, 0.66%, 0.21%

LAB 11.58, 27.38, -40.74

 

CMYK 0 / 80 / 24 / 65

HEX #581243

RGB 88 18 67

HSL 318, 0.66%, 0.21%

LAB 19.69, 36.63, -12.82

 

CMYK 56 / 0 / 80 / 65

HEX #275812

RGB 39 88 18

HSL 102, 0.66%, 0.21%

LAB 32.82, -30.42, 33.44

 

CMYK 72 / 80 / 0 / 65

HEX #191258

RGB 25 18 88

HSL 246, 0.66%, 0.21%

LAB 11.58, 27.38, -40.74

 

CMYK 0 / 72 / 80 / 65

HEX #581912

RGB 88 25 18

HSL 6, 0.66%, 0.21%

LAB 19.28, 28.56, 20.67

 

CMYK 80 / 0 / 72 / 65

HEX #125819

RGB 18 88 25

HSL 126, 0.66%, 0.21%

LAB 32.21, -35.13, 29.49

 

CMYK 72 / 80 / 0 / 65

HEX #191258

RGB 25 18 88

HSL 246, 0.66%, 0.21%

LAB 11.58, 27.38, -40.74

 

CMYK 0 / 80 / 24 / 65

HEX #581243

RGB 88 18 67

HSL 318, 0.66%, 0.21%

LAB 19.69, 36.63, -12.82

 

CMYK 8 / 0 / 80 / 65

HEX #515812

RGB 81 88 18

HSL 66, 0.66%, 0.21%

LAB 35.54, -12.66, 37.02

 

CMYK 80 / 0 / 56 / 65

HEX #125827

RGB 18 88 39

HSL 138, 0.66%, 0.21%

LAB 32.38, -33.1, 22.32

 

CMYK 72 / 80 / 0 / 65

HEX #191258

RGB 25 18 88

HSL 246, 0.66%, 0.21%

LAB 11.58, 27.38, -40.74

 

CMYK 0 / 80 / 48 / 65

HEX #58122E

RGB 88 18 46

HSL 336, 0.66%, 0.21%

LAB 18.82, 33.88, 0.6

 

CMYK 8 / 0 / 80 / 65

HEX #515812

RGB 81 88 18

HSL 66, 0.66%, 0.21%

LAB 35.54, -12.66, 37.02

 

CMYK 80 / 0 / 32 / 65

HEX #12583C

RGB 18 88 60

HSL 156, 0.66%, 0.21%

LAB 32.78, -28.63, 10.3

 

Description

Color code: HEX #191258 | qconv.com Color code: HEX #191258 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 18 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 18 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 80 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 80% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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