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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19364B it is the complementary color #E6C9B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19364B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19364B shade: #1E3646, #2F4859, #405A6C, #516C7F and #627E92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19364B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19364B shade: #19364B, #082438, #001225 and #000012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19364B shade: #19374C, #19294C, #191B4C, #25194C and #32194C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19364B shade: #19374C, #19294C, #191B4C and #19194C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19364B shade matches the following richer shades: #19374C, #113854, #08395D and #003B65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19364B shade: #19374C, #213544, #2A343B, #323333 and #3A312B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19364B shade: #194C46, #19444C, #19374C, #19294C and #191C4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19364B shade: #040A0E, #0F202D, #19374C, #234D6B and #2E638A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19364B shade: #19364B, #38194C and #4B4C19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19364B shade: #19364B, #4C1937 and #374C19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19364B shade: #19364B, #38194C, #4C2E19 and #2D4C19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19364B shade: #19364B, #48194C, #4C2E19 and #1D4C19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 28 / 0 / 71

HEX #19364B

RGB 25 54 75

HSL 205.2, 0.5%, 0.2%

LAB 21.41, -3.39, -16.18

 

Complementary color

CMYK 0 / 13 / 22 / 10

HEX #E6C9B4

RGB 230 201 180

HSL 25.2, 0.5%, 0.8%

LAB 82.86, 6.96, 14.24

 

CMYK 57 / 23 / 0 / 73

HEX #1E3646

RGB 30 54 70

HSL 204, 0.4%, 0.2%

LAB 21.42, -3.98, -12.78

 

CMYK 47 / 19 / 0 / 65

HEX #2F4859

RGB 47 72 89

HSL 204.29, 0.31%, 0.27%

LAB 29.31, -4.38, -13.07

 

CMYK 41 / 17 / 0 / 58

HEX #405A6C

RGB 64 90 108

HSL 204.55, 0.26%, 0.34%

LAB 36.9, -4.63, -13.38

 

CMYK 36 / 15 / 0 / 50

HEX #516C7F

RGB 81 108 127

HSL 204.78, 0.22%, 0.41%

LAB 44.24, -4.81, -13.7

 

CMYK 33 / 14 / 0 / 43

HEX #627E92

RGB 98 126 146

HSL 205, 0.2%, 0.48%

LAB 51.37, -4.95, -14.04

 

CMYK 67 / 28 / 0 / 71

HEX #19364B

RGB 25 54 75

HSL 205.2, 0.5%, 0.2%

LAB 21.41, -3.39, -16.18

 

CMYK 86 / 36 / 0 / 78

HEX #082438

RGB 8 36 56

HSL 205, 0.75%, 0.13%

LAB 13.22, -2.1, -15.96

 

CMYK 100 / 51 / 0 / 85

HEX #001225

RGB 0 18 37

HSL 210.81, 1%, 0.07%

LAB 5.11, 0.5, -14.83

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 67 / 28 / 0 / 70

HEX #19374C

RGB 25 55 76

HSL 204.71, 0.5%, 0.2%

LAB 21.8, -3.68, -16.23

 

CMYK 67 / 46 / 0 / 70

HEX #19294C

RGB 25 41 76

HSL 221.18, 0.5%, 0.2%

LAB 17.06, 6.18, -23.7

 

CMYK 67 / 64 / 0 / 70

HEX #191B4C

RGB 25 27 76

HSL 237.65, 0.5%, 0.2%

LAB 12.69, 16.59, -30.73

 

CMYK 51 / 67 / 0 / 70

HEX #25194C

RGB 37 25 76

HSL 254.12, 0.5%, 0.2%

LAB 13.29, 20.73, -29.69

 

CMYK 34 / 67 / 0 / 70

HEX #32194C

RGB 50 25 76

HSL 269.41, 0.5%, 0.2%

LAB 14.93, 24.14, -26.98

 

CMYK 67 / 28 / 0 / 70

HEX #19374C

RGB 25 55 76

HSL 204.71, 0.5%, 0.2%

LAB 21.8, -3.68, -16.23

 

CMYK 67 / 46 / 0 / 70

HEX #19294C

RGB 25 41 76

HSL 221.18, 0.5%, 0.2%

LAB 17.06, 6.18, -23.7

 

CMYK 67 / 64 / 0 / 70

HEX #191B4C

RGB 25 27 76

HSL 237.65, 0.5%, 0.2%

LAB 12.69, 16.59, -30.73

 

CMYK 67 / 67 / 0 / 70

HEX #19194C

RGB 25 25 76

HSL 240, 0.5%, 0.2%

LAB 12.11, 18.06, -31.66

 

CMYK 67 / 28 / 0 / 70

HEX #19374C

RGB 25 55 76

HSL 204.71, 0.5%, 0.2%

LAB 21.8, -3.68, -16.23

 

CMYK 80 / 33 / 0 / 67

HEX #113854

RGB 17 56 84

HSL 205.07, 0.66%, 0.2%

LAB 22.26, -2.69, -20.86

 

CMYK 91 / 39 / 0 / 64

HEX #08395D

RGB 8 57 93

HSL 205.41, 0.84%, 0.2%

LAB 22.89, -0.67, -25.8

 

CMYK 100 / 42 / 0 / 60

HEX #003B65

RGB 0 59 101

HSL 204.95, 1%, 0.2%

LAB 23.89, 0.69, -29.42

 

CMYK 67 / 28 / 0 / 70

HEX #19374C

RGB 25 55 76

HSL 204.71, 0.5%, 0.2%

LAB 21.8, -3.68, -16.23

 

CMYK 51 / 22 / 0 / 73

HEX #213544

RGB 33 53 68

HSL 205.71, 0.35%, 0.2%

LAB 21.16, -3.14, -11.82

 

CMYK 29 / 12 / 0 / 77

HEX #2A343B

RGB 42 52 59

HSL 204.71, 0.17%, 0.2%

LAB 21.07, -2.27, -5.8

 

CMYK 2 / 0 / 0 / 80

HEX #323333

RGB 50 51 51

HSL 180, 0.01%, 0.2%

LAB 21.15, -0.43, -0.16

 

CMYK 0 / 16 / 26 / 77

HEX #3A312B

RGB 58 49 43

HSL 24, 0.15%, 0.2%

LAB 21.1, 2.87, 5.32

 

CMYK 67 / 0 / 8 / 70

HEX #194C46

RGB 25 76 70

HSL 172.94, 0.5%, 0.2%

LAB 28.95, -18.52, -1.47

 

CMYK 67 / 11 / 0 / 70

HEX #19444C

RGB 25 68 76

HSL 189.41, 0.5%, 0.2%

LAB 26.34, -11.94, -9.26

 

CMYK 67 / 28 / 0 / 70

HEX #19374C

RGB 25 55 76

HSL 204.71, 0.5%, 0.2%

LAB 21.8, -3.68, -16.23

 

CMYK 67 / 46 / 0 / 70

HEX #19294C

RGB 25 41 76

HSL 221.18, 0.5%, 0.2%

LAB 17.06, 6.18, -23.7

 

CMYK 67 / 63 / 0 / 70

HEX #191C4C

RGB 25 28 76

HSL 236.47, 0.5%, 0.2%

LAB 12.98, 15.85, -30.26

 

CMYK 71 / 29 / 0 / 95

HEX #040A0E

RGB 4 10 14

HSL 204, 0.56%, 0.04%

LAB 2.48, -0.95, -2.24

 

CMYK 67 / 29 / 0 / 82

HEX #0F202D

RGB 15 32 45

HSL 206, 0.5%, 0.12%

LAB 11.44, -2.28, -10.83

 

CMYK 67 / 28 / 0 / 70

HEX #19374C

RGB 25 55 76

HSL 204.71, 0.5%, 0.2%

LAB 21.8, -3.68, -16.23

 

CMYK 67 / 28 / 0 / 58

HEX #234D6B

RGB 35 77 107

HSL 205, 0.51%, 0.28%

LAB 31.18, -4.25, -21.71

 

CMYK 67 / 28 / 0 / 46

HEX #2E638A

RGB 46 99 138

HSL 205.43, 0.5%, 0.36%

LAB 40.15, -4.59, -26.79

 

CMYK 67 / 28 / 0 / 71

HEX #19364B

RGB 25 54 75

HSL 205.2, 0.5%, 0.2%

LAB 21.41, -3.39, -16.18

 

CMYK 26 / 67 / 0 / 70

HEX #38194C

RGB 56 25 76

HSL 276.47, 0.5%, 0.2%

LAB 15.79, 25.82, -25.55

 

CMYK 1 / 0 / 67 / 70

HEX #4B4C19

RGB 75 76 25

HSL 61.18, 0.5%, 0.2%

LAB 31.2, -8.16, 29.3

 

CMYK 67 / 28 / 0 / 71

HEX #19364B

RGB 25 54 75

HSL 205.2, 0.5%, 0.2%

LAB 21.41, -3.39, -16.18

 

CMYK 0 / 67 / 28 / 70

HEX #4C1937

RGB 76 25 55

HSL 324.71, 0.5%, 0.2%

LAB 17.95, 27.83, -7.31

 

CMYK 28 / 0 / 67 / 70

HEX #374C19

RGB 55 76 25

HSL 84.71, 0.5%, 0.2%

LAB 29.54, -17.65, 27.02

 

CMYK 67 / 28 / 0 / 71

HEX #19364B

RGB 25 54 75

HSL 205.2, 0.5%, 0.2%

LAB 21.41, -3.39, -16.18

 

CMYK 26 / 67 / 0 / 70

HEX #38194C

RGB 56 25 76

HSL 276.47, 0.5%, 0.2%

LAB 15.79, 25.82, -25.55

 

CMYK 0 / 39 / 67 / 70

HEX #4C2E19

RGB 76 46 25

HSL 24.71, 0.5%, 0.2%

LAB 22.16, 11.33, 19.06

 

CMYK 41 / 0 / 67 / 70

HEX #2D4C19

RGB 45 76 25

HSL 96.47, 0.5%, 0.2%

LAB 28.89, -21.91, 26.12

 

CMYK 67 / 28 / 0 / 71

HEX #19364B

RGB 25 54 75

HSL 205.2, 0.5%, 0.2%

LAB 21.41, -3.39, -16.18

 

CMYK 5 / 67 / 0 / 70

HEX #48194C

RGB 72 25 76

HSL 295.29, 0.5%, 0.2%

LAB 18.34, 30.48, -21.33

 

CMYK 0 / 39 / 67 / 70

HEX #4C2E19

RGB 76 46 25

HSL 24.71, 0.5%, 0.2%

LAB 22.16, 11.33, 19.06

 

CMYK 62 / 0 / 67 / 70

HEX #1D4C19

RGB 29 76 25

HSL 115.29, 0.5%, 0.2%

LAB 28.11, -27.59, 25.02

 

Description

Color code: HEX #19364B | qconv.com Color code: HEX #19364B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 54 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 54 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 28 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 28% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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