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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #193041 it is the complementary color #E6CFBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #193041. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #193041 shade: #1E303C, #2F424F, #405462, #516675 and #627888

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #193041. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #193041 shade: #193041, #081E2E, #000C1B and #000008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #193041 shade: #193042, #192642, #191B42, #231942 and #2E1942

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #193041 shade: #193042, #192642, #191B42 and #191942

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #193041 shade matches the following richer shades: #193042, #123249, #0A3350 and #033458

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #193041 shade: #193042, #212F3A, #282E33, #2F2D2B and #372C24

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #193041 shade: #19423D, #193C42, #193142, #192642 and #191B42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #193041 shade: #020406, #0E1A24, #193042, #25465F and #305C7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #193041 shade: #193041, #321942 and #414219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #193041 shade: #193041, #421931 and #314219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #193041 shade: #193041, #321942, #422A19 and #294219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #193041 shade: #193041, #3E1942, #422A19 and #1D4219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 26 / 0 / 75

HEX #193041

RGB 25 48 65

HSL 205.5, 0.44%, 0.18%

LAB 18.81, -3.11, -13.44

 

Complementary color

CMYK 0 / 10 / 17 / 10

HEX #E6CFBE

RGB 230 207 190

HSL 25.5, 0.44%, 0.82%

LAB 84.57, 5.3, 11.36

 

CMYK 50 / 20 / 0 / 76

HEX #1E303C

RGB 30 48 60

HSL 204, 0.33%, 0.18%

LAB 18.87, -3.45, -9.9

 

CMYK 41 / 16 / 0 / 69

HEX #2F424F

RGB 47 66 79

HSL 204.38, 0.25%, 0.25%

LAB 26.92, -3.69, -10.24

 

CMYK 35 / 14 / 0 / 62

HEX #405462

RGB 64 84 98

HSL 204.71, 0.21%, 0.32%

LAB 34.63, -3.86, -10.6

 

CMYK 31 / 13 / 0 / 54

HEX #516675

RGB 81 102 117

HSL 205, 0.18%, 0.39%

LAB 42.06, -3.98, -10.98

 

CMYK 28 / 12 / 0 / 47

HEX #627888

RGB 98 120 136

HSL 205.26, 0.16%, 0.46%

LAB 49.26, -4.09, -11.36

 

CMYK 62 / 26 / 0 / 75

HEX #193041

RGB 25 48 65

HSL 205.5, 0.44%, 0.18%

LAB 18.81, -3.11, -13.44

 

CMYK 83 / 35 / 0 / 82

HEX #081E2E

RGB 8 30 46

HSL 205.26, 0.7%, 0.11%

LAB 10.39, -2.12, -13.22

 

CMYK 100 / 56 / 0 / 89

HEX #000C1B

RGB 0 12 27

HSL 213.33, 1%, 0.05%

LAB 3.09, 0.17, -10.13

 

CMYK 100 / 100 / 0 / 97

HEX #000008

RGB 0 0 8

HSL 240, 1%, 0.02%

LAB 0.16, 1.11, -3.03

 

CMYK 62 / 27 / 0 / 74

HEX #193042

RGB 25 48 66

HSL 206.34, 0.45%, 0.18%

LAB 18.86, -2.73, -14.05

 

CMYK 62 / 42 / 0 / 74

HEX #192642

RGB 25 38 66

HSL 220.98, 0.45%, 0.18%

LAB 15.41, 4.39, -19.44

 

CMYK 62 / 59 / 0 / 74

HEX #191B42

RGB 25 27 66

HSL 237.07, 0.45%, 0.18%

LAB 11.85, 12.64, -25.13

 

CMYK 47 / 62 / 0 / 74

HEX #231942

RGB 35 25 66

HSL 254.63, 0.45%, 0.18%

LAB 12.26, 16.78, -24.42

 

CMYK 30 / 62 / 0 / 74

HEX #2E1942

RGB 46 25 66

HSL 270.73, 0.45%, 0.18%

LAB 13.65, 20.07, -22.12

 

CMYK 62 / 27 / 0 / 74

HEX #193042

RGB 25 48 66

HSL 206.34, 0.45%, 0.18%

LAB 18.86, -2.73, -14.05

 

CMYK 62 / 42 / 0 / 74

HEX #192642

RGB 25 38 66

HSL 220.98, 0.45%, 0.18%

LAB 15.41, 4.39, -19.44

 

CMYK 62 / 59 / 0 / 74

HEX #191B42

RGB 25 27 66

HSL 237.07, 0.45%, 0.18%

LAB 11.85, 12.64, -25.13

 

CMYK 62 / 62 / 0 / 74

HEX #191942

RGB 25 25 66

HSL 240, 0.45%, 0.18%

LAB 11.24, 14.15, -26.11

 

CMYK 62 / 27 / 0 / 74

HEX #193042

RGB 25 48 66

HSL 206.34, 0.45%, 0.18%

LAB 18.86, -2.73, -14.05

 

CMYK 75 / 32 / 0 / 71

HEX #123249

RGB 18 50 73

HSL 205.09, 0.6%, 0.18%

LAB 19.6, -2.94, -17.67

 

CMYK 88 / 36 / 0 / 69

HEX #0A3350

RGB 10 51 80

HSL 204.86, 0.78%, 0.18%

LAB 20.09, -1.93, -21.63

 

CMYK 97 / 41 / 0 / 65

HEX #033458

RGB 3 52 88

HSL 205.41, 0.93%, 0.18%

LAB 20.75, 0.08, -25.92

 

CMYK 62 / 27 / 0 / 74

HEX #193042

RGB 25 48 66

HSL 206.34, 0.45%, 0.18%

LAB 18.86, -2.73, -14.05

 

CMYK 43 / 19 / 0 / 77

HEX #212F3A

RGB 33 47 58

HSL 206.4, 0.27%, 0.18%

LAB 18.64, -2.45, -8.86

 

CMYK 22 / 10 / 0 / 80

HEX #282E33

RGB 40 46 51

HSL 207.27, 0.12%, 0.18%

LAB 18.56, -1.27, -4.09

 

CMYK 0 / 4 / 9 / 82

HEX #2F2D2B

RGB 47 45 43

HSL 30, 0.04%, 0.18%

LAB 18.61, 0.45, 1.61

 

CMYK 0 / 20 / 35 / 78

HEX #372C24

RGB 55 44 36

HSL 25.26, 0.21%, 0.18%

LAB 18.98, 3.57, 7.09

 

CMYK 62 / 0 / 8 / 74

HEX #19423D

RGB 25 66 61

HSL 172.68, 0.45%, 0.18%

LAB 25.08, -15.74, -1.29

 

CMYK 62 / 9 / 0 / 74

HEX #193C42

RGB 25 60 66

HSL 188.78, 0.45%, 0.18%

LAB 23.11, -10.55, -7.55

 

CMYK 62 / 26 / 0 / 74

HEX #193142

RGB 25 49 66

HSL 204.88, 0.45%, 0.18%

LAB 19.21, -3.42, -13.51

 

CMYK 62 / 42 / 0 / 74

HEX #192642

RGB 25 38 66

HSL 220.98, 0.45%, 0.18%

LAB 15.41, 4.39, -19.44

 

CMYK 62 / 59 / 0 / 74

HEX #191B42

RGB 25 27 66

HSL 237.07, 0.45%, 0.18%

LAB 11.85, 12.64, -25.13

 

CMYK 67 / 33 / 0 / 98

HEX #020406

RGB 2 4 6

HSL 210, 0.5%, 0.02%

LAB 1.02, -0.24, -0.94

 

CMYK 61 / 28 / 0 / 86

HEX #0E1A24

RGB 14 26 36

HSL 207.27, 0.44%, 0.1%

LAB 8.65, -1.7, -8.53

 

CMYK 62 / 27 / 0 / 74

HEX #193042

RGB 25 48 66

HSL 206.34, 0.45%, 0.18%

LAB 18.86, -2.73, -14.05

 

CMYK 61 / 26 / 0 / 63

HEX #25465F

RGB 37 70 95

HSL 205.86, 0.44%, 0.26%

LAB 28.38, -3.71, -18.41

 

CMYK 62 / 26 / 0 / 51

HEX #305C7D

RGB 48 92 125

HSL 205.71, 0.45%, 0.34%

LAB 37.41, -4.49, -23.14

 

CMYK 62 / 26 / 0 / 75

HEX #193041

RGB 25 48 65

HSL 205.5, 0.44%, 0.18%

LAB 18.81, -3.11, -13.44

 

CMYK 24 / 62 / 0 / 74

HEX #321942

RGB 50 25 66

HSL 276.59, 0.45%, 0.18%

LAB 14.21, 21.32, -21.19

 

CMYK 2 / 0 / 62 / 74

HEX #414219

RGB 65 66 25

HSL 61.46, 0.45%, 0.18%

LAB 26.99, -7.09, 24.38

 

CMYK 62 / 26 / 0 / 75

HEX #193041

RGB 25 48 65

HSL 205.5, 0.44%, 0.18%

LAB 18.81, -3.11, -13.44

 

CMYK 0 / 62 / 26 / 74

HEX #421931

RGB 66 25 49

HSL 324.88, 0.45%, 0.18%

LAB 15.88, 23.18, -6.37

 

CMYK 26 / 0 / 62 / 74

HEX #314219

RGB 49 66 25

HSL 84.88, 0.45%, 0.18%

LAB 25.62, -14.82, 22.44

 

CMYK 62 / 26 / 0 / 75

HEX #193041

RGB 25 48 65

HSL 205.5, 0.44%, 0.18%

LAB 18.81, -3.11, -13.44

 

CMYK 24 / 62 / 0 / 74

HEX #321942

RGB 50 25 66

HSL 276.59, 0.45%, 0.18%

LAB 14.21, 21.32, -21.19

 

CMYK 0 / 36 / 62 / 74

HEX #422A19

RGB 66 42 25

HSL 24.88, 0.45%, 0.18%

LAB 19.57, 8.95, 15.56

 

CMYK 38 / 0 / 62 / 74

HEX #294219

RGB 41 66 25

HSL 96.59, 0.45%, 0.18%

LAB 25.07, -18.34, 21.66

 

CMYK 62 / 26 / 0 / 75

HEX #193041

RGB 25 48 65

HSL 205.5, 0.44%, 0.18%

LAB 18.81, -3.11, -13.44

 

CMYK 6 / 62 / 0 / 74

HEX #3E1942

RGB 62 25 66

HSL 294.15, 0.45%, 0.18%

LAB 16.07, 25.18, -18.13

 

CMYK 0 / 36 / 62 / 74

HEX #422A19

RGB 66 42 25

HSL 24.88, 0.45%, 0.18%

LAB 19.57, 8.95, 15.56

 

CMYK 56 / 0 / 62 / 74

HEX #1D4219

RGB 29 66 25

HSL 114.15, 0.45%, 0.18%

LAB 24.41, -22.95, 20.72

 

Description

Color code: HEX #193041 | qconv.com Color code: HEX #193041 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 48 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 48 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 26 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 26% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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