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Color name
HEX #193B8D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #193B8D it is the complementary color #E6C472. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #193B8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #193B8D shade: #1E3B88, #2F4D9B, #405FAE, #5171C1 and #6283D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #193B8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #193B8D shade: #193B8D, #08297A, #001767, #000554 and #000041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #193B8D shade: #193B8F, #191C8F, #36198F, #56198F and #75198F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #193B8D shade: #193B8F, #191C8F and #19198F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #193B8D shade matches the following richer shades: #193B8F and #0B369C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #193B8D shade: #193B8F, #264181, #344773, #424C66 and #4F5258

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #193B8D shade: #197B8F, #195C8F, #193C8F, #191D8F and #34198F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #193B8D shade: #0C1E48, #132D6B, #193B8F, #1F4AB2 and #2559D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #193B8D shade: #193B8D, #83198F and #6B8F19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #193B8D shade: #193B8D, #8F193C and #3C8F19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #193B8D shade: #193B8D, #83198F, #8F6B19 and #258F19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #193B8D shade: #193B8D, #8F1977, #8F6B19 and #198F30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 58 / 0 / 45

HEX #193B8D

RGB 25 59 141

HSL 222.41, 0.7%, 0.33%

LAB 27.46, 19.98, -48.93

 

Complementary color

CMYK 0 / 15 / 50 / 10

HEX #E6C472

RGB 230 196 114

HSL 42.41, 0.7%, 0.67%

LAB 80.47, 1.87, 45.34

 

CMYK 78 / 57 / 0 / 47

HEX #1E3B88

RGB 30 59 136

HSL 223.58, 0.64%, 0.33%

LAB 27.25, 18.52, -46.16

 

CMYK 70 / 50 / 0 / 39

HEX #2F4D9B

RGB 47 77 155

HSL 223.33, 0.53%, 0.4%

LAB 34.56, 16.08, -45.94

 

CMYK 63 / 45 / 0 / 32

HEX #405FAE

RGB 64 95 174

HSL 223.09, 0.46%, 0.47%

LAB 41.74, 14.23, -45.69

 

CMYK 58 / 41 / 0 / 24

HEX #5171C1

RGB 81 113 193

HSL 222.86, 0.47%, 0.54%

LAB 48.77, 12.77, -45.47

 

CMYK 54 / 38 / 0 / 17

HEX #6283D4

RGB 98 131 212

HSL 222.63, 0.57%, 0.61%

LAB 55.67, 11.61, -45.29

 

CMYK 82 / 58 / 0 / 45

HEX #193B8D

RGB 25 59 141

HSL 222.41, 0.7%, 0.33%

LAB 27.46, 19.98, -48.93

 

CMYK 93 / 66 / 0 / 52

HEX #08297A

RGB 8 41 122

HSL 222.63, 0.88%, 0.25%

LAB 20.21, 23.52, -48.87

 

CMYK 100 / 78 / 0 / 60

HEX #001767

RGB 0 23 103

HSL 226.6, 1%, 0.2%

LAB 13.18, 27.8, -48.15

 

CMYK 100 / 94 / 0 / 67

HEX #000554

RGB 0 5 84

HSL 236.43, 1%, 0.16%

LAB 6.76, 31.47, -46.05

 

CMYK 100 / 100 / 0 / 75

HEX #000041

RGB 0 0 65

HSL 240, 1%, 0.13%

LAB 3.45, 24.03, -38.21

 

CMYK 83 / 59 / 0 / 44

HEX #193B8F

RGB 25 59 143

HSL 222.71, 0.7%, 0.33%

LAB 27.62, 20.79, -49.89

 

CMYK 83 / 80 / 0 / 44

HEX #191C8F

RGB 25 28 143

HSL 238.47, 0.7%, 0.33%

LAB 20.13, 40.84, -62.22

 

CMYK 62 / 83 / 0 / 44

HEX #36198F

RGB 54 25 143

HSL 254.75, 0.7%, 0.33%

LAB 21.81, 44.87, -59.36

 

CMYK 40 / 83 / 0 / 44

HEX #56198F

RGB 86 25 143

HSL 271.02, 0.7%, 0.33%

LAB 25.73, 49.21, -52.76

 

CMYK 18 / 83 / 0 / 44

HEX #75198F

RGB 117 25 143

HSL 286.78, 0.7%, 0.33%

LAB 30.55, 54.6, -44.73

 

CMYK 83 / 59 / 0 / 44

HEX #193B8F

RGB 25 59 143

HSL 222.71, 0.7%, 0.33%

LAB 27.62, 20.79, -49.89

 

CMYK 83 / 80 / 0 / 44

HEX #191C8F

RGB 25 28 143

HSL 238.47, 0.7%, 0.33%

LAB 20.13, 40.84, -62.22

 

CMYK 83 / 83 / 0 / 44

HEX #19198F

RGB 25 25 143

HSL 240, 0.7%, 0.33%

LAB 19.58, 42.43, -63.12

 

CMYK 83 / 59 / 0 / 44

HEX #193B8F

RGB 25 59 143

HSL 222.71, 0.7%, 0.33%

LAB 27.62, 20.79, -49.89

 

CMYK 93 / 65 / 0 / 39

HEX #0B369C

RGB 11 54 156

HSL 222.21, 0.87%, 0.33%

LAB 27.05, 28.52, -58.82

 

CMYK 83 / 59 / 0 / 44

HEX #193B8F

RGB 25 59 143

HSL 222.71, 0.7%, 0.33%

LAB 27.62, 20.79, -49.89

 

CMYK 71 / 50 / 0 / 49

HEX #264181

RGB 38 65 129

HSL 222.2, 0.54%, 0.33%

LAB 28.84, 12.76, -39.21

 

CMYK 55 / 38 / 0 / 55

HEX #344773

RGB 52 71 115

HSL 221.9, 0.38%, 0.33%

LAB 30.58, 6.43, -27.62

 

CMYK 35 / 25 / 0 / 60

HEX #424C66

RGB 66 76 102

HSL 223.33, 0.21%, 0.33%

LAB 32.45, 3.01, -16.43

 

CMYK 10 / 7 / 0 / 65

HEX #4F5258

RGB 79 82 88

HSL 220, 0.05%, 0.33%

LAB 34.81, 0.16, -3.92

 

CMYK 83 / 14 / 0 / 44

HEX #197B8F

RGB 25 123 143

HSL 190.17, 0.7%, 0.33%

LAB 47.44, -19.56, -18.54

 

CMYK 83 / 36 / 0 / 44

HEX #195C8F

RGB 25 92 143

HSL 205.93, 0.7%, 0.33%

LAB 37.56, -1.41, -33.93

 

CMYK 83 / 58 / 0 / 44

HEX #193C8F

RGB 25 60 143

HSL 222.2, 0.7%, 0.33%

LAB 27.9, 20.09, -49.43

 

CMYK 83 / 80 / 0 / 44

HEX #191D8F

RGB 25 29 143

HSL 237.97, 0.7%, 0.33%

LAB 20.32, 40.29, -61.9

 

CMYK 64 / 83 / 0 / 44

HEX #34198F

RGB 52 25 143

HSL 253.73, 0.7%, 0.33%

LAB 21.61, 44.65, -59.69

 

CMYK 83 / 58 / 0 / 72

HEX #0C1E48

RGB 12 30 72

HSL 222, 0.71%, 0.16%

LAB 12.45, 10.31, -28.4

 

CMYK 82 / 58 / 0 / 58

HEX #132D6B

RGB 19 45 107

HSL 222.27, 0.7%, 0.25%

LAB 20.35, 15.2, -38.99

 

CMYK 83 / 59 / 0 / 44

HEX #193B8F

RGB 25 59 143

HSL 222.71, 0.7%, 0.33%

LAB 27.62, 20.79, -49.89

 

CMYK 83 / 58 / 0 / 30

HEX #1F4AB2

RGB 31 74 178

HSL 222.45, 0.7%, 0.41%

LAB 34.81, 25.02, -59.31

 

CMYK 83 / 58 / 0 / 16

HEX #2559D5

RGB 37 89 213

HSL 222.27, 0.7%, 0.49%

LAB 41.75, 29.11, -68.37

 

CMYK 82 / 58 / 0 / 45

HEX #193B8D

RGB 25 59 141

HSL 222.41, 0.7%, 0.33%

LAB 27.46, 19.98, -48.93

 

CMYK 8 / 83 / 0 / 44

HEX #83198F

RGB 131 25 143

HSL 293.9, 0.7%, 0.33%

LAB 32.93, 57.29, -40.77

 

CMYK 25 / 0 / 83 / 44

HEX #6B8F19

RGB 107 143 25

HSL 78.31, 0.7%, 0.33%

LAB 54.91, -29.21, 53.2

 

CMYK 82 / 58 / 0 / 45

HEX #193B8D

RGB 25 59 141

HSL 222.41, 0.7%, 0.33%

LAB 27.46, 19.98, -48.93

 

CMYK 0 / 83 / 58 / 44

HEX #8F193C

RGB 143 25 60

HSL 342.2, 0.7%, 0.33%

LAB 31.49, 49.52, 10.54

 

CMYK 58 / 0 / 83 / 44

HEX #3C8F19

RGB 60 143 25

HSL 102.2, 0.7%, 0.33%

LAB 52.59, -45.8, 50.23

 

CMYK 82 / 58 / 0 / 45

HEX #193B8D

RGB 25 59 141

HSL 222.41, 0.7%, 0.33%

LAB 27.46, 19.98, -48.93

 

CMYK 8 / 83 / 0 / 44

HEX #83198F

RGB 131 25 143

HSL 293.9, 0.7%, 0.33%

LAB 32.93, 57.29, -40.77

 

CMYK 0 / 25 / 83 / 44

HEX #8F6B19

RGB 143 107 25

HSL 41.69, 0.7%, 0.33%

LAB 47.53, 6.56, 47.77

 

CMYK 74 / 0 / 83 / 44

HEX #258F19

RGB 37 143 25

HSL 113.9, 0.7%, 0.33%

LAB 51.96, -51.05, 49.41

 

CMYK 82 / 58 / 0 / 45

HEX #193B8D

RGB 25 59 141

HSL 222.41, 0.7%, 0.33%

LAB 27.46, 19.98, -48.93

 

CMYK 0 / 83 / 17 / 44

HEX #8F1977

RGB 143 25 119

HSL 312.2, 0.7%, 0.33%

LAB 33.7, 55.99, -24.43

 

CMYK 0 / 25 / 83 / 44

HEX #8F6B19

RGB 143 107 25

HSL 41.69, 0.7%, 0.33%

LAB 47.53, 6.56, 47.77

 

CMYK 83 / 0 / 66 / 44

HEX #198F30

RGB 25 143 48

HSL 131.69, 0.7%, 0.33%

LAB 51.91, -50.86, 40.55

 

Description

Color code: HEX #193B8D | qconv.com Color code: HEX #193B8D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 59 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 59 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 58 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 58% 0% 45% C M Y K

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Provide designers and agencies with accurate color values.

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