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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19457E it is the complementary color #E6BA81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19457E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19457E shade: #1E4579, #2F578C, #40699F, #517BB2 and #628DC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19457E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19457E shade: #19457E, #08336B, #002158, #000F45 and #000032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19457E shade: #19457F, #192A7F, #23197F, #3F197F and #5B197F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19457E shade: #19457F, #192A7F and #19197F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19457E shade matches the following richer shades: #19457F, #0C448C and #004298

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19457E shade: #19457F, #254773, #324966, #3E4A5A and #4A4C4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19457E shade: #197E7F, #19627F, #19477F, #192C7F and #21197F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19457E shade: #0B203A, #12335D, #19457F, #2058A2 and #266BC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19457E shade: #19457E, #66197F and #707F19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19457E shade: #19457E, #7F1947 and #477F19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19457E shade: #19457E, #66197F, #7F5119 and #327F19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19457E shade: #19457E, #7F197A, #7F5119 and #197F1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 45 / 0 / 51

HEX #19457E

RGB 25 69 126

HSL 213.86, 0.67%, 0.3%

LAB 29.33, 6.89, -36.58

 

Complementary color

CMYK 0 / 19 / 44 / 10

HEX #E6BA81

RGB 230 186 129

HSL 33.86, 0.67%, 0.7%

LAB 78.18, 8.54, 34.83

 

CMYK 75 / 43 / 0 / 53

HEX #1E4579

RGB 30 69 121

HSL 214.29, 0.6%, 0.3%

LAB 29.19, 5.56, -33.67

 

CMYK 66 / 38 / 0 / 45

HEX #2F578C

RGB 47 87 140

HSL 214.19, 0.5%, 0.37%

LAB 36.58, 3.87, -33.61

 

CMYK 60 / 34 / 0 / 38

HEX #40699F

RGB 64 105 159

HSL 214.11, 0.43%, 0.44%

LAB 43.79, 2.65, -33.57

 

CMYK 54 / 31 / 0 / 30

HEX #517BB2

RGB 81 123 178

HSL 214.02, 0.39%, 0.51%

LAB 50.84, 1.73, -33.56

 

CMYK 50 / 28 / 0 / 23

HEX #628DC5

RGB 98 141 197

HSL 213.94, 0.46%, 0.58%

LAB 57.73, 1.01, -33.58

 

CMYK 80 / 45 / 0 / 51

HEX #19457E

RGB 25 69 126

HSL 213.86, 0.67%, 0.3%

LAB 29.33, 6.89, -36.58

 

CMYK 93 / 52 / 0 / 58

HEX #08336B

RGB 8 51 107

HSL 213.94, 0.86%, 0.23%

LAB 21.87, 9.76, -36.54

 

CMYK 100 / 63 / 0 / 65

HEX #002158

RGB 0 33 88

HSL 217.5, 1%, 0.17%

LAB 14.36, 13.88, -36.23

 

CMYK 100 / 78 / 0 / 73

HEX #000F45

RGB 0 15 69

HSL 226.96, 1%, 0.14%

LAB 6.97, 18.87, -35.28

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 80 / 46 / 0 / 50

HEX #19457F

RGB 25 69 127

HSL 214.12, 0.67%, 0.3%

LAB 29.4, 7.3, -37.09

 

CMYK 80 / 67 / 0 / 50

HEX #192A7F

RGB 25 42 127

HSL 230, 0.67%, 0.3%

LAB 21.56, 26.19, -49.81

 

CMYK 72 / 80 / 0 / 50

HEX #23197F

RGB 35 25 127

HSL 245.88, 0.67%, 0.3%

LAB 18.3, 37.89, -55.16

 

CMYK 50 / 80 / 0 / 50

HEX #3F197F

RGB 63 25 127

HSL 262.35, 0.67%, 0.3%

LAB 21.15, 41.46, -50.36

 

CMYK 28 / 80 / 0 / 50

HEX #5B197F

RGB 91 25 127

HSL 278.82, 0.67%, 0.3%

LAB 25.11, 46.33, -43.73

 

CMYK 80 / 46 / 0 / 50

HEX #19457F

RGB 25 69 127

HSL 214.12, 0.67%, 0.3%

LAB 29.4, 7.3, -37.09

 

CMYK 80 / 67 / 0 / 50

HEX #192A7F

RGB 25 42 127

HSL 230, 0.67%, 0.3%

LAB 21.56, 26.19, -49.81

 

CMYK 80 / 80 / 0 / 50

HEX #19197F

RGB 25 25 127

HSL 240, 0.67%, 0.3%

LAB 17.62, 37.03, -56.31

 

CMYK 80 / 46 / 0 / 50

HEX #19457F

RGB 25 69 127

HSL 214.12, 0.67%, 0.3%

LAB 29.4, 7.3, -37.09

 

CMYK 91 / 51 / 0 / 45

HEX #0C448C

RGB 12 68 140

HSL 213.75, 0.84%, 0.3%

LAB 29.68, 12.22, -44.72

 

CMYK 100 / 57 / 0 / 40

HEX #004298

RGB 0 66 152

HSL 213.95, 1%, 0.3%

LAB 29.82, 18.05, -51.85

 

CMYK 80 / 46 / 0 / 50

HEX #19457F

RGB 25 69 127

HSL 214.12, 0.67%, 0.3%

LAB 29.4, 7.3, -37.09

 

CMYK 68 / 38 / 0 / 55

HEX #254773

RGB 37 71 115

HSL 213.85, 0.51%, 0.3%

LAB 29.76, 3.07, -28.98

 

CMYK 51 / 28 / 0 / 60

HEX #324966

RGB 50 73 102

HSL 213.46, 0.34%, 0.3%

LAB 30.41, 0.12, -19.68

 

CMYK 31 / 18 / 0 / 65

HEX #3E4A5A

RGB 62 74 90

HSL 214.29, 0.18%, 0.3%

LAB 31.02, -0.53, -11.02

 

CMYK 5 / 3 / 0 / 69

HEX #4A4C4E

RGB 74 76 78

HSL 210, 0.03%, 0.3%

LAB 32.2, -0.36, -1.47

 

CMYK 80 / 1 / 0 / 50

HEX #197E7F

RGB 25 126 127

HSL 180.59, 0.67%, 0.3%

LAB 47.83, -26.46, -8.5

 

CMYK 80 / 23 / 0 / 50

HEX #19627F

RGB 25 98 127

HSL 197.06, 0.67%, 0.3%

LAB 38.68, -11.23, -22.45

 

CMYK 80 / 44 / 0 / 50

HEX #19477F

RGB 25 71 127

HSL 212.94, 0.67%, 0.3%

LAB 30.02, 5.93, -36.1

 

CMYK 80 / 65 / 0 / 50

HEX #192C7F

RGB 25 44 127

HSL 228.82, 0.67%, 0.3%

LAB 22.09, 24.81, -48.94

 

CMYK 74 / 80 / 0 / 50

HEX #21197F

RGB 33 25 127

HSL 244.71, 0.67%, 0.3%

LAB 18.15, 37.7, -55.41

 

CMYK 81 / 45 / 0 / 77

HEX #0B203A

RGB 11 32 58

HSL 213.19, 0.68%, 0.14%

LAB 12.02, 2.31, -19.26

 

CMYK 81 / 45 / 0 / 64

HEX #12335D

RGB 18 51 93

HSL 213.6, 0.68%, 0.22%

LAB 21.16, 4.73, -28.55

 

CMYK 80 / 46 / 0 / 50

HEX #19457F

RGB 25 69 127

HSL 214.12, 0.67%, 0.3%

LAB 29.4, 7.3, -37.09

 

CMYK 80 / 46 / 0 / 36

HEX #2058A2

RGB 32 88 162

HSL 214.15, 0.67%, 0.38%

LAB 37.65, 9.46, -45.19

 

CMYK 81 / 45 / 0 / 23

HEX #266BC4

RGB 38 107 196

HSL 213.8, 0.68%, 0.46%

LAB 45.51, 11.05, -52.5

 

CMYK 80 / 45 / 0 / 51

HEX #19457E

RGB 25 69 126

HSL 213.86, 0.67%, 0.3%

LAB 29.33, 6.89, -36.58

 

CMYK 20 / 80 / 0 / 50

HEX #66197F

RGB 102 25 127

HSL 285.29, 0.67%, 0.3%

LAB 26.88, 48.48, -40.78

 

CMYK 12 / 0 / 80 / 50

HEX #707F19

RGB 112 127 25

HSL 68.82, 0.67%, 0.3%

LAB 50.33, -19.05, 49.19

 

CMYK 80 / 45 / 0 / 51

HEX #19457E

RGB 25 69 126

HSL 213.86, 0.67%, 0.3%

LAB 29.33, 6.89, -36.58

 

CMYK 0 / 80 / 44 / 50

HEX #7F1947

RGB 127 25 71

HSL 332.94, 0.67%, 0.3%

LAB 28.54, 45.9, -1.42

 

CMYK 44 / 0 / 80 / 50

HEX #477F19

RGB 71 127 25

HSL 92.94, 0.67%, 0.3%

LAB 47.74, -35.86, 45.85

 

CMYK 80 / 45 / 0 / 51

HEX #19457E

RGB 25 69 126

HSL 213.86, 0.67%, 0.3%

LAB 29.33, 6.89, -36.58

 

CMYK 20 / 80 / 0 / 50

HEX #66197F

RGB 102 25 127

HSL 285.29, 0.67%, 0.3%

LAB 26.88, 48.48, -40.78

 

CMYK 0 / 36 / 80 / 50

HEX #7F5119

RGB 127 81 25

HSL 32.94, 0.67%, 0.3%

LAB 38.67, 14.29, 38.85

 

CMYK 61 / 0 / 80 / 50

HEX #327F19

RGB 50 127 25

HSL 105.29, 0.67%, 0.3%

LAB 46.88, -42.46, 44.73

 

CMYK 80 / 45 / 0 / 51

HEX #19457E

RGB 25 69 126

HSL 213.86, 0.67%, 0.3%

LAB 29.33, 6.89, -36.58

 

CMYK 0 / 80 / 4 / 50

HEX #7F197A

RGB 127 25 122

HSL 302.94, 0.67%, 0.3%

LAB 30.91, 52.84, -30.93

 

CMYK 0 / 36 / 80 / 50

HEX #7F5119

RGB 127 81 25

HSL 32.94, 0.67%, 0.3%

LAB 38.67, 14.29, 38.85

 

CMYK 80 / 0 / 76 / 50

HEX #197F1E

RGB 25 127 30

HSL 122.94, 0.67%, 0.3%

LAB 46.28, -47.31, 42.13

 

Description

Color code: HEX #19457E | qconv.com Color code: HEX #19457E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 69 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 69 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 45 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 45% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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