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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #195894 it is the complementary color #E6A76B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #195894. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #195894 shade: #1E588F, #2F6AA2, #407CB5, #518EC8 and #62A0DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #195894. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #195894 shade: #195894, #084681, #00346E, #00225B and #001048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #195894 shade: #195894, #193694, #1C1994, #3D1994 and #5E1994

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #195894 shade: #195894, #193694 and #191994

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #195894 shade matches the following richer shades: #195894 and #0B58A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #195894 shade: #195894, #275786, #355778, #43576A and #51565C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #195894 shade: #19948E, #197994, #195894, #193794 and #1B1994

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #195894 shade: #0D2E4D, #134370, #195894, #1F6DB7 and #2582DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #195894 shade: #195894, #6D1994 and #899419

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #195894 shade: #195894, #941958 and #589419

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #195894 shade: #195894, #6D1994, #945419 and #409419

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #195894 shade: #195894, #921994, #945419 and #1B9419

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 41 / 0 / 42

HEX #195894

RGB 25 88 148

HSL 209.27, 0.71%, 0.34%

LAB 36.6, 3.14, -38.47

 

Complementary color

CMYK 0 / 27 / 53 / 10

HEX #E6A76B

RGB 230 167 107

HSL 29.27, 0.71%, 0.66%

LAB 73.23, 16.58, 39.96

 

CMYK 79 / 38 / 0 / 44

HEX #1E588F

RGB 30 88 143

HSL 209.2, 0.65%, 0.34%

LAB 36.44, 1.72, -35.7

 

CMYK 71 / 35 / 0 / 36

HEX #2F6AA2

RGB 47 106 162

HSL 209.22, 0.55%, 0.41%

LAB 43.54, -0.02, -35.79

 

CMYK 65 / 31 / 0 / 29

HEX #407CB5

RGB 64 124 181

HSL 209.23, 0.48%, 0.48%

LAB 50.5, -1.32, -35.87

 

CMYK 60 / 29 / 0 / 22

HEX #518EC8

RGB 81 142 200

HSL 209.24, 0.52%, 0.55%

LAB 57.33, -2.31, -35.95

 

CMYK 55 / 27 / 0 / 14

HEX #62A0DB

RGB 98 160 219

HSL 209.26, 0.63%, 0.62%

LAB 64.04, -3.09, -36.04

 

CMYK 83 / 41 / 0 / 42

HEX #195894

RGB 25 88 148

HSL 209.27, 0.71%, 0.34%

LAB 36.6, 3.14, -38.47

 

CMYK 94 / 46 / 0 / 49

HEX #084681

RGB 8 70 129

HSL 209.26, 0.88%, 0.27%

LAB 29.46, 5.92, -38.27

 

CMYK 100 / 53 / 0 / 57

HEX #00346E

RGB 0 52 110

HSL 211.64, 1%, 0.22%

LAB 22.24, 9.71, -37.89

 

CMYK 100 / 63 / 0 / 64

HEX #00225B

RGB 0 34 91

HSL 217.58, 1%, 0.18%

LAB 14.95, 14.5, -37.28

 

CMYK 100 / 78 / 0 / 72

HEX #001048

RGB 0 16 72

HSL 226.67, 1%, 0.14%

LAB 7.57, 19.63, -36.39

 

CMYK 83 / 41 / 0 / 42

HEX #195894

RGB 25 88 148

HSL 209.27, 0.71%, 0.34%

LAB 36.6, 3.14, -38.47

 

CMYK 83 / 64 / 0 / 42

HEX #193694

RGB 25 54 148

HSL 225.85, 0.71%, 0.34%

LAB 26.69, 26.24, -54.5

 

CMYK 81 / 83 / 0 / 42

HEX #1C1994

RGB 28 25 148

HSL 241.46, 0.71%, 0.34%

LAB 20.36, 44.23, -64.92

 

CMYK 59 / 83 / 0 / 42

HEX #3D1994

RGB 61 25 148

HSL 257.56, 0.71%, 0.34%

LAB 23.09, 47.1, -60.33

 

CMYK 36 / 83 / 0 / 42

HEX #5E1994

RGB 94 25 148

HSL 273.66, 0.71%, 0.34%

LAB 27.33, 51.67, -53.19

 

CMYK 83 / 41 / 0 / 42

HEX #195894

RGB 25 88 148

HSL 209.27, 0.71%, 0.34%

LAB 36.6, 3.14, -38.47

 

CMYK 83 / 64 / 0 / 42

HEX #193694

RGB 25 54 148

HSL 225.85, 0.71%, 0.34%

LAB 26.69, 26.24, -54.5

 

CMYK 83 / 83 / 0 / 42

HEX #191994

RGB 25 25 148

HSL 240, 0.71%, 0.34%

LAB 20.2, 44.07, -65.19

 

CMYK 83 / 41 / 0 / 42

HEX #195894

RGB 25 88 148

HSL 209.27, 0.71%, 0.34%

LAB 36.6, 3.14, -38.47

 

CMYK 93 / 46 / 0 / 36

HEX #0B58A2

RGB 11 88 162

HSL 209.4, 0.87%, 0.34%

LAB 37.22, 7.8, -45.9

 

CMYK 83 / 41 / 0 / 42

HEX #195894

RGB 25 88 148

HSL 209.27, 0.71%, 0.34%

LAB 36.6, 3.14, -38.47

 

CMYK 71 / 35 / 0 / 47

HEX #275786

RGB 39 87 134

HSL 209.68, 0.55%, 0.34%

LAB 35.92, 0.2, -31.01

 

CMYK 56 / 28 / 0 / 53

HEX #355778

RGB 53 87 120

HSL 209.55, 0.39%, 0.34%

LAB 35.85, -1.95, -22.48

 

CMYK 37 / 18 / 0 / 58

HEX #43576A

RGB 67 87 106

HSL 209.23, 0.23%, 0.34%

LAB 36.08, -2.44, -13.37

 

CMYK 12 / 7 / 0 / 64

HEX #51565C

RGB 81 86 92

HSL 212.73, 0.06%, 0.34%

LAB 36.32, -0.61, -4.16

 

CMYK 83 / 0 / 4 / 42

HEX #19948E

RGB 25 148 142

HSL 177.07, 0.71%, 0.34%

LAB 55.42, -32.5, -5.92

 

CMYK 83 / 18 / 0 / 42

HEX #197994

RGB 25 121 148

HSL 193.17, 0.71%, 0.34%

LAB 47, -16.72, -22.16

 

CMYK 83 / 41 / 0 / 42

HEX #195894

RGB 25 88 148

HSL 209.27, 0.71%, 0.34%

LAB 36.6, 3.14, -38.47

 

CMYK 83 / 63 / 0 / 42

HEX #193794

RGB 25 55 148

HSL 225.37, 0.71%, 0.34%

LAB 26.95, 25.55, -54.06

 

CMYK 82 / 83 / 0 / 42

HEX #1B1994

RGB 27 25 148

HSL 240.98, 0.71%, 0.34%

LAB 20.31, 44.18, -65.01

 

CMYK 83 / 40 / 0 / 70

HEX #0D2E4D

RGB 13 46 77

HSL 209.06, 0.71%, 0.18%

LAB 18.26, 0.69, -22.51

 

CMYK 83 / 40 / 0 / 56

HEX #134370

RGB 19 67 112

HSL 209.03, 0.71%, 0.26%

LAB 27.63, 1.74, -30.49

 

CMYK 83 / 41 / 0 / 42

HEX #195894

RGB 25 88 148

HSL 209.27, 0.71%, 0.34%

LAB 36.6, 3.14, -38.47

 

CMYK 83 / 40 / 0 / 28

HEX #1F6DB7

RGB 31 109 183

HSL 209.21, 0.71%, 0.42%

LAB 45.15, 4.09, -45.57

 

CMYK 83 / 40 / 0 / 15

HEX #2582DA

RGB 37 130 218

HSL 209.17, 0.71%, 0.5%

LAB 53.41, 5.01, -52.4

 

CMYK 83 / 41 / 0 / 42

HEX #195894

RGB 25 88 148

HSL 209.27, 0.71%, 0.34%

LAB 36.6, 3.14, -38.47

 

CMYK 26 / 83 / 0 / 42

HEX #6D1994

RGB 109 25 148

HSL 280.98, 0.71%, 0.34%

LAB 29.62, 54.17, -49.36

 

CMYK 7 / 0 / 83 / 42

HEX #899419

RGB 137 148 25

HSL 65.37, 0.71%, 0.34%

LAB 58.57, -18.77, 57.26

 

CMYK 83 / 41 / 0 / 42

HEX #195894

RGB 25 88 148

HSL 209.27, 0.71%, 0.34%

LAB 36.6, 3.14, -38.47

 

CMYK 0 / 83 / 41 / 42

HEX #941958

RGB 148 25 88

HSL 329.27, 0.71%, 0.34%

LAB 33.34, 53.39, -5.05

 

CMYK 41 / 0 / 83 / 42

HEX #589419

RGB 88 148 25

HSL 89.27, 0.71%, 0.34%

LAB 55.41, -38.85, 53.24

 

CMYK 83 / 41 / 0 / 42

HEX #195894

RGB 25 88 148

HSL 209.27, 0.71%, 0.34%

LAB 36.6, 3.14, -38.47

 

CMYK 26 / 83 / 0 / 42

HEX #6D1994

RGB 109 25 148

HSL 280.98, 0.71%, 0.34%

LAB 29.62, 54.17, -49.36

 

CMYK 0 / 43 / 83 / 42

HEX #945419

RGB 148 84 25

HSL 28.78, 0.71%, 0.34%

LAB 42.32, 22.14, 43.31

 

CMYK 57 / 0 / 83 / 42

HEX #409419

RGB 64 148 25

HSL 100.98, 0.71%, 0.34%

LAB 54.39, -46.57, 51.94

 

CMYK 83 / 41 / 0 / 42

HEX #195894

RGB 25 88 148

HSL 209.27, 0.71%, 0.34%

LAB 36.6, 3.14, -38.47

 

CMYK 1 / 83 / 0 / 42

HEX #921994

RGB 146 25 148

HSL 299.02, 0.71%, 0.34%

LAB 35.88, 61.09, -38.97

 

CMYK 0 / 43 / 83 / 42

HEX #945419

RGB 148 84 25

HSL 28.78, 0.71%, 0.34%

LAB 42.32, 22.14, 43.31

 

CMYK 82 / 0 / 83 / 42

HEX #1B9419

RGB 27 148 25

HSL 119.02, 0.71%, 0.34%

LAB 53.47, -54.2, 50.76

 

Description

Color code: HEX #195894 | qconv.com Color code: HEX #195894 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 88 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 88 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 41 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 41% 0% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - 四川成都新东方烹饪学校_学厨师_西点西餐...
Link: http://www.scxdf.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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