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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19512A it is the complementary color #E6AED5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19512A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19512A shade: #1E5125, #2F6338, #40754B, #51875E and #629971

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19512A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19512A shade: #19512A, #083F17, #002D04, #001B00 and #000900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19512A shade: #19512A, #19511B, #265119, #355119 and #455119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19512A shade: #19512A, #195139, #195149, #194B51 and #193C51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19512A shade matches the following richer shades: #19512A, #105A26 and #076323

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19512A shade: #19512A, #21492D, #2A4031, #333734 and #3B2F38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19512A shade: #265119, #19511B, #19512A, #195139 and #195148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19512A shade: #051209, #0F321A, #19512A, #22713A and #2C914B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19512A shade: #19512A, #193551 and #51191E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19512A shade: #19512A, #2A1951 and #512A19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19512A shade: #19512A, #193551, #511940 and #513519

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19512A shade: #19512A, #192451, #511940 and #514619

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 48 / 68

HEX #19512A

RGB 25 81 42

HSL 138.21, 0.53%, 0.21%

LAB 30.06, -28.13, 17.68

 

Complementary color

CMYK 0 / 24 / 7 / 10

HEX #E6AED5

RGB 230 174 213

HSL 318.21, 0.53%, 0.79%

LAB 77.22, 26.58, -11.74

 

CMYK 63 / 0 / 54 / 68

HEX #1E5125

RGB 30 81 37

HSL 128.24, 0.46%, 0.22%

LAB 30.14, -27.75, 20.78

 

CMYK 53 / 0 / 43 / 61

HEX #2F6338

RGB 47 99 56

HSL 130.38, 0.36%, 0.29%

LAB 37.51, -27.77, 19.22

 

CMYK 45 / 0 / 36 / 54

HEX #40754B

RGB 64 117 75

HSL 132.45, 0.29%, 0.35%

LAB 44.69, -27.57, 17.82

 

CMYK 40 / 0 / 30 / 47

HEX #51875E

RGB 81 135 94

HSL 134.44, 0.25%, 0.42%

LAB 51.71, -27.3, 16.55

 

CMYK 36 / 0 / 26 / 40

HEX #629971

RGB 98 153 113

HSL 136.36, 0.22%, 0.49%

LAB 58.58, -27.01, 15.41

 

CMYK 69 / 0 / 48 / 68

HEX #19512A

RGB 25 81 42

HSL 138.21, 0.53%, 0.21%

LAB 30.06, -28.13, 17.68

 

CMYK 87 / 0 / 63 / 75

HEX #083F17

RGB 8 63 23

HSL 136.36, 0.77%, 0.14%

LAB 22.54, -27.36, 19.47

 

CMYK 100 / 0 / 91 / 82

HEX #002D04

RGB 0 45 4

HSL 125.33, 1%, 0.09%

LAB 14.87, -24.99, 19.52

 

CMYK 100 / 0 / 100 / 89

HEX #001B00

RGB 0 27 0

HSL 120, 1%, 0.05%

LAB 7.08, -14.46, 10.34

 

CMYK 100 / 0 / 100 / 96

HEX #000900

RGB 0 9 0

HSL 120, 1%, 0.02%

LAB 1.76, -3.61, 2.58

 

CMYK 69 / 0 / 48 / 68

HEX #19512A

RGB 25 81 42

HSL 138.21, 0.53%, 0.21%

LAB 30.06, -28.13, 17.68

 

CMYK 69 / 0 / 67 / 68

HEX #19511B

RGB 25 81 27

HSL 122.14, 0.53%, 0.21%

LAB 29.84, -30.59, 25.9

 

CMYK 53 / 0 / 69 / 68

HEX #265119

RGB 38 81 25

HSL 106.07, 0.53%, 0.21%

LAB 30.32, -26.95, 27.61

 

CMYK 35 / 0 / 69 / 68

HEX #355119

RGB 53 81 25

HSL 90, 0.53%, 0.21%

LAB 31.14, -21.17, 28.74

 

CMYK 15 / 0 / 69 / 68

HEX #455119

RGB 69 81 25

HSL 72.86, 0.53%, 0.21%

LAB 32.3, -13.97, 30.34

 

CMYK 69 / 0 / 48 / 68

HEX #19512A

RGB 25 81 42

HSL 138.21, 0.53%, 0.21%

LAB 30.06, -28.13, 17.68

 

CMYK 69 / 0 / 30 / 68

HEX #195139

RGB 25 81 57

HSL 154.29, 0.53%, 0.21%

LAB 30.37, -24.77, 8.86

 

CMYK 69 / 0 / 10 / 68

HEX #195149

RGB 25 81 73

HSL 171.43, 0.53%, 0.21%

LAB 30.81, -20.29, -0.66

 

CMYK 69 / 7 / 0 / 68

HEX #194B51

RGB 25 75 81

HSL 186.43, 0.53%, 0.21%

LAB 28.99, -14.35, -8.51

 

CMYK 69 / 26 / 0 / 68

HEX #193C51

RGB 25 60 81

HSL 202.5, 0.53%, 0.21%

LAB 23.78, -5.08, -16.48

 

CMYK 69 / 0 / 48 / 68

HEX #19512A

RGB 25 81 42

HSL 138.21, 0.53%, 0.21%

LAB 30.06, -28.13, 17.68

 

CMYK 82 / 0 / 58 / 65

HEX #105A26

RGB 16 90 38

HSL 137.84, 0.7%, 0.21%

LAB 33.05, -34.4, 23.7

 

CMYK 93 / 0 / 65 / 61

HEX #076323

RGB 7 99 35

HSL 138.26, 0.87%, 0.21%

LAB 36.16, -39.33, 28.93

 

CMYK 69 / 0 / 48 / 68

HEX #19512A

RGB 25 81 42

HSL 138.21, 0.53%, 0.21%

LAB 30.06, -28.13, 17.68

 

CMYK 55 / 0 / 38 / 71

HEX #21492D

RGB 33 73 45

HSL 138, 0.38%, 0.21%

LAB 27.51, -21.47, 12.55

 

CMYK 34 / 0 / 23 / 75

HEX #2A4031

RGB 42 64 49

HSL 139.09, 0.21%, 0.21%

LAB 24.89, -12.45, 6.46

 

CMYK 7 / 0 / 5 / 78

HEX #333734

RGB 51 55 52

HSL 135, 0.04%, 0.21%

LAB 22.6, -2.42, 1.29

 

CMYK 0 / 20 / 5 / 77

HEX #3B2F38

RGB 59 47 56

HSL 315, 0.11%, 0.21%

LAB 21.01, 7.35, -3.67

 

CMYK 53 / 0 / 69 / 68

HEX #265119

RGB 38 81 25

HSL 106.07, 0.53%, 0.21%

LAB 30.32, -26.95, 27.61

 

CMYK 69 / 0 / 67 / 68

HEX #19511B

RGB 25 81 27

HSL 122.14, 0.53%, 0.21%

LAB 29.84, -30.59, 25.9

 

CMYK 69 / 0 / 48 / 68

HEX #19512A

RGB 25 81 42

HSL 138.21, 0.53%, 0.21%

LAB 30.06, -28.13, 17.68

 

CMYK 69 / 0 / 30 / 68

HEX #195139

RGB 25 81 57

HSL 154.29, 0.53%, 0.21%

LAB 30.37, -24.77, 8.86

 

CMYK 69 / 0 / 11 / 68

HEX #195148

RGB 25 81 72

HSL 170.36, 0.53%, 0.21%

LAB 30.78, -20.59, -0.06

 

CMYK 72 / 0 / 50 / 93

HEX #051209

RGB 5 18 9

HSL 138.46, 0.57%, 0.05%

LAB 4.38, -5.42, 2.76

 

CMYK 70 / 0 / 48 / 80

HEX #0F321A

RGB 15 50 26

HSL 138.86, 0.54%, 0.13%

LAB 17.72, -19.28, 11.61

 

CMYK 69 / 0 / 48 / 68

HEX #19512A

RGB 25 81 42

HSL 138.21, 0.53%, 0.21%

LAB 30.06, -28.13, 17.68

 

CMYK 70 / 0 / 49 / 56

HEX #22713A

RGB 34 113 58

HSL 138.23, 0.54%, 0.29%

LAB 41.93, -36.89, 23.69

 

CMYK 70 / 0 / 48 / 43

HEX #2C914B

RGB 44 145 75

HSL 138.42, 0.53%, 0.37%

LAB 53.27, -44.76, 28.86

 

CMYK 69 / 0 / 48 / 68

HEX #19512A

RGB 25 81 42

HSL 138.21, 0.53%, 0.21%

LAB 30.06, -28.13, 17.68

 

CMYK 69 / 35 / 0 / 68

HEX #193551

RGB 25 53 81

HSL 210, 0.53%, 0.21%

LAB 21.38, -0.37, -20.23

 

CMYK 0 / 69 / 63 / 68

HEX #51191E

RGB 81 25 30

HSL 354.64, 0.53%, 0.21%

LAB 18.09, 26.61, 10.74

 

CMYK 69 / 0 / 48 / 68

HEX #19512A

RGB 25 81 42

HSL 138.21, 0.53%, 0.21%

LAB 30.06, -28.13, 17.68

 

CMYK 48 / 69 / 0 / 68

HEX #2A1951

RGB 42 25 81

HSL 258.21, 0.53%, 0.21%

LAB 14.3, 23.61, -31.47

 

CMYK 0 / 48 / 69 / 68

HEX #512A19

RGB 81 42 25

HSL 18.21, 0.53%, 0.21%

LAB 21.86, 16.32, 18.88

 

CMYK 69 / 0 / 48 / 68

HEX #19512A

RGB 25 81 42

HSL 138.21, 0.53%, 0.21%

LAB 30.06, -28.13, 17.68

 

CMYK 69 / 35 / 0 / 68

HEX #193551

RGB 25 53 81

HSL 210, 0.53%, 0.21%

LAB 21.38, -0.37, -20.23

 

CMYK 0 / 69 / 21 / 68

HEX #511940

RGB 81 25 64

HSL 318.21, 0.53%, 0.21%

LAB 19.29, 30.99, -11.48

 

CMYK 0 / 35 / 69 / 68

HEX #513519

RGB 81 53 25

HSL 30, 0.53%, 0.21%

LAB 24.85, 9.29, 22.4

 

CMYK 69 / 0 / 48 / 68

HEX #19512A

RGB 25 81 42

HSL 138.21, 0.53%, 0.21%

LAB 30.06, -28.13, 17.68

 

CMYK 69 / 56 / 0 / 68

HEX #192451

RGB 25 36 81

HSL 228.21, 0.53%, 0.21%

LAB 15.81, 11.91, -29.09

 

CMYK 0 / 69 / 21 / 68

HEX #511940

RGB 81 25 64

HSL 318.21, 0.53%, 0.21%

LAB 19.29, 30.99, -11.48

 

CMYK 0 / 14 / 69 / 68

HEX #514619

RGB 81 70 25

HSL 48.21, 0.53%, 0.21%

LAB 29.91, -1.51, 28.09

 

Description

Color code: HEX #19512A | qconv.com Color code: HEX #19512A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 81 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 81 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 48 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 48% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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