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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #196936 it is the complementary color #E696C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #196936. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #196936 shade: #1E6931, #2F7B44, #408D57, #519F6A and #62B17D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #196936. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #196936 shade: #196936, #085723, #004510, #003300 and #002100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #196936 shade: #186734, #18671F, #266718, #3B6718 and #506718

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #196936 shade: #186734, #18674A, #18675F, #185967 and #184467

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #196936 shade matches the following richer shades: #186734, #0D7132 and #037B2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #196936 shade: #186734, #225C37, #2C523A, #37483D and #413E40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #196936 shade: #266718, #18671E, #186733, #186748 and #18675E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #196936 shade: #082412, #104523, #186734, #208845 and #27AA57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #196936 shade: #196936, #183B67 and #67181C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #196936 shade: #196936, #331867 and #673318

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #196936 shade: #196936, #183B67, #67184B and #674318

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #196936 shade: #196936, #182467, #67184B and #675B18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 49 / 59

HEX #196936

RGB 25 105 54

HSL 141.75, 0.62%, 0.25%

LAB 38.86, -36.07, 21.98

 

Complementary color

CMYK 0 / 35 / 13 / 10

HEX #E696C9

RGB 230 150 201

HSL 321.75, 0.62%, 0.75%

LAB 71.45, 37.36, -13.8

 

CMYK 71 / 0 / 53 / 59

HEX #1E6931

RGB 30 105 49

HSL 135.2, 0.56%, 0.26%

LAB 38.9, -36, 24.86

 

CMYK 62 / 0 / 45 / 52

HEX #2F7B44

RGB 47 123 68

HSL 136.58, 0.45%, 0.33%

LAB 45.89, -36.38, 23.25

 

CMYK 55 / 0 / 38 / 45

HEX #408D57

RGB 64 141 87

HSL 137.92, 0.38%, 0.4%

LAB 52.76, -36.41, 21.78

 

CMYK 49 / 0 / 33 / 38

HEX #519F6A

RGB 81 159 106

HSL 139.23, 0.33%, 0.47%

LAB 59.51, -36.28, 20.45

 

CMYK 45 / 0 / 29 / 31

HEX #62B17D

RGB 98 177 125

HSL 140.51, 0.34%, 0.54%

LAB 66.15, -36.07, 19.22

 

CMYK 76 / 0 / 49 / 59

HEX #196936

RGB 25 105 54

HSL 141.75, 0.62%, 0.25%

LAB 38.86, -36.07, 21.98

 

CMYK 91 / 0 / 60 / 66

HEX #085723

RGB 8 87 35

HSL 140.51, 0.83%, 0.19%

LAB 31.78, -34.82, 23.79

 

CMYK 100 / 0 / 77 / 73

HEX #004510

RGB 0 69 16

HSL 133.91, 1%, 0.14%

LAB 24.62, -32.12, 25.5

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 77 / 0 / 50 / 60

HEX #186734

RGB 24 103 52

HSL 141.27, 0.62%, 0.25%

LAB 38.1, -35.8, 22.14

 

CMYK 77 / 0 / 70 / 60

HEX #18671F

RGB 24 103 31

HSL 125.32, 0.62%, 0.25%

LAB 37.83, -38.94, 32.83

 

CMYK 63 / 0 / 77 / 60

HEX #266718

RGB 38 103 24

HSL 109.37, 0.62%, 0.25%

LAB 38.16, -36.44, 36.37

 

CMYK 43 / 0 / 77 / 60

HEX #3B6718

RGB 59 103 24

HSL 93.42, 0.62%, 0.25%

LAB 39.06, -29.59, 37.57

 

CMYK 22 / 0 / 77 / 60

HEX #506718

RGB 80 103 24

HSL 77.47, 0.62%, 0.25%

LAB 40.36, -20.91, 39.29

 

CMYK 77 / 0 / 50 / 60

HEX #186734

RGB 24 103 52

HSL 141.27, 0.62%, 0.25%

LAB 38.1, -35.8, 22.14

 

CMYK 77 / 0 / 28 / 60

HEX #18674A

RGB 24 103 74

HSL 157.97, 0.62%, 0.25%

LAB 38.53, -30.97, 9.76

 

CMYK 77 / 0 / 8 / 60

HEX #18675F

RGB 24 103 95

HSL 173.92, 0.62%, 0.25%

LAB 39.11, -25.06, -2.22

 

CMYK 77 / 14 / 0 / 60

HEX #185967

RGB 24 89 103

HSL 190.63, 0.62%, 0.25%

LAB 34.64, -14.88, -13.88

 

CMYK 77 / 34 / 0 / 60

HEX #184467

RGB 24 68 103

HSL 206.58, 0.62%, 0.25%

LAB 27.59, -1.92, -24.81

 

CMYK 77 / 0 / 50 / 60

HEX #186734

RGB 24 103 52

HSL 141.27, 0.62%, 0.25%

LAB 38.1, -35.8, 22.14

 

CMYK 88 / 0 / 56 / 56

HEX #0D7132

RGB 13 113 50

HSL 142.2, 0.79%, 0.25%

LAB 41.42, -41.48, 27.34

 

CMYK 98 / 0 / 62 / 52

HEX #037B2F

RGB 3 123 47

HSL 142, 0.95%, 0.25%

LAB 44.79, -46.29, 32.88

 

CMYK 77 / 0 / 50 / 60

HEX #186734

RGB 24 103 52

HSL 141.27, 0.62%, 0.25%

LAB 38.1, -35.8, 22.14

 

CMYK 63 / 0 / 40 / 64

HEX #225C37

RGB 34 92 55

HSL 141.72, 0.46%, 0.25%

LAB 34.54, -28.32, 15.81

 

CMYK 46 / 0 / 29 / 68

HEX #2C523A

RGB 44 82 58

HSL 142.11, 0.3%, 0.25%

LAB 31.52, -19.77, 9.95

 

CMYK 24 / 0 / 15 / 72

HEX #37483D

RGB 55 72 61

HSL 141.18, 0.13%, 0.25%

LAB 28.86, -9.38, 4.41

 

CMYK 0 / 5 / 2 / 75

HEX #413E40

RGB 65 62 64

HSL 320, 0.02%, 0.25%

LAB 26.56, 1.72, -0.77

 

CMYK 63 / 0 / 77 / 60

HEX #266718

RGB 38 103 24

HSL 109.37, 0.62%, 0.25%

LAB 38.16, -36.44, 36.37

 

CMYK 77 / 0 / 71 / 60

HEX #18671E

RGB 24 103 30

HSL 124.56, 0.62%, 0.25%

LAB 37.82, -39.05, 33.29

 

CMYK 77 / 0 / 50 / 60

HEX #186733

RGB 24 103 51

HSL 140.51, 0.62%, 0.25%

LAB 38.08, -35.98, 22.69

 

CMYK 77 / 0 / 30 / 60

HEX #186748

RGB 24 103 72

HSL 156.46, 0.62%, 0.25%

LAB 38.49, -31.47, 10.9

 

CMYK 77 / 0 / 9 / 60

HEX #18675E

RGB 24 103 94

HSL 173.16, 0.62%, 0.25%

LAB 39.08, -25.37, -1.65

 

CMYK 78 / 0 / 50 / 86

HEX #082412

RGB 8 36 18

HSL 141.43, 0.64%, 0.09%

LAB 11.67, -15.88, 8.82

 

CMYK 77 / 0 / 49 / 73

HEX #104523

RGB 16 69 35

HSL 141.51, 0.62%, 0.17%

LAB 25.22, -26.16, 15.65

 

CMYK 77 / 0 / 50 / 60

HEX #186734

RGB 24 103 52

HSL 141.27, 0.62%, 0.25%

LAB 38.1, -35.8, 22.14

 

CMYK 76 / 0 / 49 / 47

HEX #208845

RGB 32 136 69

HSL 141.35, 0.62%, 0.33%

LAB 49.91, -44.39, 27.77

 

CMYK 77 / 0 / 49 / 33

HEX #27AA57

RGB 39 170 87

HSL 141.98, 0.63%, 0.41%

LAB 61.54, -52.89, 33.01

 

CMYK 76 / 0 / 49 / 59

HEX #196936

RGB 25 105 54

HSL 141.75, 0.62%, 0.25%

LAB 38.86, -36.07, 21.98

 

CMYK 77 / 43 / 0 / 60

HEX #183B67

RGB 24 59 103

HSL 213.42, 0.62%, 0.25%

LAB 24.64, 4.19, -29.48

 

CMYK 0 / 77 / 73 / 60

HEX #67181C

RGB 103 24 28

HSL 356.96, 0.62%, 0.25%

LAB 22.38, 35.1, 18.49

 

CMYK 76 / 0 / 49 / 59

HEX #196936

RGB 25 105 54

HSL 141.75, 0.62%, 0.25%

LAB 38.86, -36.07, 21.98

 

CMYK 50 / 77 / 0 / 60

HEX #331867

RGB 51 24 103

HSL 260.51, 0.62%, 0.25%

LAB 17.16, 32.99, -41.47

 

CMYK 0 / 50 / 77 / 60

HEX #673318

RGB 103 51 24

HSL 20.51, 0.62%, 0.25%

LAB 27.62, 20.99, 27

 

CMYK 76 / 0 / 49 / 59

HEX #196936

RGB 25 105 54

HSL 141.75, 0.62%, 0.25%

LAB 38.86, -36.07, 21.98

 

CMYK 77 / 43 / 0 / 60

HEX #183B67

RGB 24 59 103

HSL 213.42, 0.62%, 0.25%

LAB 24.64, 4.19, -29.48

 

CMYK 0 / 77 / 27 / 60

HEX #67184B

RGB 103 24 75

HSL 321.27, 0.62%, 0.25%

LAB 23.82, 39.83, -11.69

 

CMYK 0 / 35 / 77 / 60

HEX #674318

RGB 103 67 24

HSL 32.66, 0.62%, 0.25%

LAB 31.72, 11.25, 31.34

 

CMYK 76 / 0 / 49 / 59

HEX #196936

RGB 25 105 54

HSL 141.75, 0.62%, 0.25%

LAB 38.86, -36.07, 21.98

 

CMYK 77 / 65 / 0 / 60

HEX #182467

RGB 24 36 103

HSL 230.89, 0.62%, 0.25%

LAB 17.62, 20.72, -40.81

 

CMYK 0 / 77 / 27 / 60

HEX #67184B

RGB 103 24 75

HSL 321.27, 0.62%, 0.25%

LAB 23.82, 39.83, -11.69

 

CMYK 0 / 12 / 77 / 60

HEX #675B18

RGB 103 91 24

HSL 50.89, 0.62%, 0.25%

LAB 38.61, -3.34, 38.25

 

Description

Color code: HEX #196936 | qconv.com Color code: HEX #196936 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 105 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 105 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 49 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 49% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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