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Color name
HEX #196F5E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #196F5E it is the complementary color #E690A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #196F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #196F5E shade: #1E6F59, #2F816C, #40937F, #51A592 and #62B7A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #196F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #196F5E shade: #196F5E, #085D4B, #004B38, #003925 and #002712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #196F5E shade: #19705F, #197047, #197030, #1A7019 and #317019

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #196F5E shade: #19705F, #196970, #195270, #193B70 and #192370

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #196F5E shade matches the following richer shades: #19705F, #0E7B65 and #03866C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #196F5E shade: #19705F, #246558, #2F5951, #3A4E4A and #464344

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #196F5E shade: #197030, #197047, #19705E, #196A70 and #195370

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #196F5E shade: #0A2C26, #114E42, #19705F, #21917B and #28B398

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #196F5E shade: #196F5E, #191970 and #703C19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #196F5E shade: #196F5E, #5E1970 and #705E19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #196F5E shade: #196F5E, #191970, #70192A and #707019

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #196F5E shade: #196F5E, #331970, #70192A and #567019

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 15 / 56

HEX #196F5E

RGB 25 111 94

HSL 168.14, 0.63%, 0.27%

LAB 41.82, -29.14, 2.35

 

Complementary color

CMYK 0 / 37 / 30 / 10

HEX #E690A1

RGB 230 144 161

HSL 348.14, 0.63%, 0.73%

LAB 69, 34.65, 4.85

 

CMYK 73 / 0 / 20 / 56

HEX #1E6F59

RGB 30 111 89

HSL 163.7, 0.57%, 0.28%

LAB 41.79, -29.77, 5.34

 

CMYK 64 / 0 / 16 / 49

HEX #2F816C

RGB 47 129 108

HSL 164.63, 0.47%, 0.35%

LAB 48.74, -30.14, 4.09

 

CMYK 56 / 0 / 14 / 42

HEX #40937F

RGB 64 147 127

HSL 165.54, 0.39%, 0.41%

LAB 55.57, -30.27, 3.01

 

CMYK 51 / 0 / 12 / 35

HEX #51A592

RGB 81 165 146

HSL 166.43, 0.34%, 0.48%

LAB 62.28, -30.26, 2.05

 

CMYK 46 / 0 / 10 / 28

HEX #62B7A5

RGB 98 183 165

HSL 167.29, 0.37%, 0.55%

LAB 68.88, -30.19, 1.17

 

CMYK 77 / 0 / 15 / 56

HEX #196F5E

RGB 25 111 94

HSL 168.14, 0.63%, 0.27%

LAB 41.82, -29.14, 2.35

 

CMYK 91 / 0 / 19 / 64

HEX #085D4B

RGB 8 93 75

HSL 167.29, 0.84%, 0.2%

LAB 34.78, -28.04, 3.79

 

CMYK 100 / 0 / 25 / 71

HEX #004B38

RGB 0 75 56

HSL 164.8, 1%, 0.15%

LAB 27.62, -26.07, 5.56

 

CMYK 100 / 0 / 35 / 78

HEX #003925

RGB 0 57 37

HSL 158.95, 1%, 0.11%

LAB 20.28, -23.19, 7.7

 

CMYK 100 / 0 / 54 / 85

HEX #002712

RGB 0 39 18

HSL 147.69, 1%, 0.08%

LAB 12.57, -20.01, 10

 

CMYK 78 / 0 / 15 / 56

HEX #19705F

RGB 25 112 95

HSL 168.28, 0.64%, 0.27%

LAB 42.19, -29.33, 2.28

 

CMYK 78 / 0 / 37 / 56

HEX #197047

RGB 25 112 71

HSL 151.72, 0.64%, 0.27%

LAB 41.61, -35.47, 15.77

 

CMYK 78 / 0 / 57 / 56

HEX #197030

RGB 25 112 48

HSL 135.86, 0.64%, 0.27%

LAB 41.23, -39.84, 28.22

 

CMYK 77 / 0 / 78 / 56

HEX #1A7019

RGB 26 112 25

HSL 119.31, 0.64%, 0.27%

LAB 41.02, -42.41, 38.76

 

CMYK 56 / 0 / 78 / 56

HEX #317019

RGB 49 112 25

HSL 103.45, 0.64%, 0.27%

LAB 41.71, -36.82, 39.67

 

CMYK 78 / 0 / 15 / 56

HEX #19705F

RGB 25 112 95

HSL 168.28, 0.64%, 0.27%

LAB 42.19, -29.33, 2.28

 

CMYK 78 / 6 / 0 / 56

HEX #196970

RGB 25 105 112

HSL 184.83, 0.64%, 0.27%

LAB 40.38, -20.49, -10.71

 

CMYK 78 / 27 / 0 / 56

HEX #195270

RGB 25 82 112

HSL 200.69, 0.64%, 0.27%

LAB 32.73, -7.21, -22.46

 

CMYK 78 / 47 / 0 / 56

HEX #193B70

RGB 25 59 112

HSL 216.55, 0.64%, 0.27%

LAB 25.27, 8.05, -34.25

 

CMYK 78 / 69 / 0 / 56

HEX #192370

RGB 25 35 112

HSL 233.1, 0.64%, 0.27%

LAB 18.27, 25.13, -45.61

 

CMYK 78 / 0 / 15 / 56

HEX #19705F

RGB 25 112 95

HSL 168.28, 0.64%, 0.27%

LAB 42.19, -29.33, 2.28

 

CMYK 89 / 0 / 18 / 52

HEX #0E7B65

RGB 14 123 101

HSL 167.89, 0.8%, 0.27%

LAB 45.91, -33.88, 4.04

 

CMYK 98 / 0 / 19 / 47

HEX #03866C

RGB 3 134 108

HSL 168.09, 0.96%, 0.27%

LAB 49.68, -37.47, 5.34

 

CMYK 78 / 0 / 15 / 56

HEX #19705F

RGB 25 112 95

HSL 168.28, 0.64%, 0.27%

LAB 42.19, -29.33, 2.28

 

CMYK 64 / 0 / 13 / 60

HEX #246558

RGB 36 101 88

HSL 168, 0.47%, 0.27%

LAB 38.53, -24.04, 1.26

 

CMYK 47 / 0 / 9 / 65

HEX #2F5951

RGB 47 89 81

HSL 168.57, 0.31%, 0.27%

LAB 34.69, -16.88, 0.06

 

CMYK 26 / 0 / 5 / 69

HEX #3A4E4A

RGB 58 78 74

HSL 168, 0.15%, 0.27%

LAB 31.45, -8.74, -0.18

 

CMYK 0 / 4 / 3 / 73

HEX #464344

RGB 70 67 68

HSL 340, 0.02%, 0.27%

LAB 28.73, 1.48, -0.16

 

CMYK 78 / 0 / 57 / 56

HEX #197030

RGB 25 112 48

HSL 135.86, 0.64%, 0.27%

LAB 41.23, -39.84, 28.22

 

CMYK 78 / 0 / 37 / 56

HEX #197047

RGB 25 112 71

HSL 151.72, 0.64%, 0.27%

LAB 41.61, -35.47, 15.77

 

CMYK 78 / 0 / 16 / 56

HEX #19705E

RGB 25 112 94

HSL 167.59, 0.64%, 0.27%

LAB 42.16, -29.61, 2.84

 

CMYK 78 / 5 / 0 / 56

HEX #196A70

RGB 25 106 112

HSL 184.14, 0.64%, 0.27%

LAB 40.71, -21.02, -10.21

 

CMYK 78 / 26 / 0 / 56

HEX #195370

RGB 25 83 112

HSL 200, 0.64%, 0.27%

LAB 33.06, -7.83, -21.94

 

CMYK 77 / 0 / 14 / 83

HEX #0A2C26

RGB 10 44 38

HSL 169.41, 0.63%, 0.11%

LAB 15.52, -14, 0.3

 

CMYK 78 / 0 / 15 / 69

HEX #114E42

RGB 17 78 66

HSL 168.2, 0.64%, 0.19%

LAB 29.31, -22.29, 1.61

 

CMYK 78 / 0 / 15 / 56

HEX #19705F

RGB 25 112 95

HSL 168.28, 0.64%, 0.27%

LAB 42.19, -29.33, 2.28

 

CMYK 77 / 0 / 15 / 43

HEX #21917B

RGB 33 145 123

HSL 168.21, 0.63%, 0.35%

LAB 54.03, -35.76, 2.98

 

CMYK 78 / 0 / 15 / 30

HEX #28B398

RGB 40 179 152

HSL 168.35, 0.63%, 0.43%

LAB 65.72, -42.18, 3.55

 

CMYK 77 / 0 / 15 / 56

HEX #196F5E

RGB 25 111 94

HSL 168.14, 0.63%, 0.27%

LAB 41.82, -29.14, 2.35

 

CMYK 78 / 78 / 0 / 56

HEX #191970

RGB 25 25 112

HSL 240, 0.64%, 0.27%

LAB 15.86, 31.72, -49.58

 

CMYK 0 / 46 / 78 / 56

HEX #703C19

RGB 112 60 25

HSL 24.14, 0.64%, 0.27%

LAB 31.22, 19.81, 30.7

 

CMYK 77 / 0 / 15 / 56

HEX #196F5E

RGB 25 111 94

HSL 168.14, 0.63%, 0.27%

LAB 41.82, -29.14, 2.35

 

CMYK 16 / 78 / 0 / 56

HEX #5E1970

RGB 94 25 112

HSL 287.59, 0.64%, 0.27%

LAB 24.46, 43.68, -35.18

 

CMYK 0 / 16 / 78 / 56

HEX #705E19

RGB 112 94 25

HSL 47.59, 0.64%, 0.27%

LAB 40.44, -0.66, 39.94

 

CMYK 77 / 0 / 15 / 56

HEX #196F5E

RGB 25 111 94

HSL 168.14, 0.63%, 0.27%

LAB 41.82, -29.14, 2.35

 

CMYK 78 / 78 / 0 / 56

HEX #191970

RGB 25 25 112

HSL 240, 0.64%, 0.27%

LAB 15.86, 31.72, -49.58

 

CMYK 0 / 78 / 63 / 56

HEX #70192A

RGB 112 25 42

HSL 348.28, 0.64%, 0.27%

LAB 24.66, 38.69, 12.3

 

CMYK 0 / 0 / 78 / 56

HEX #707019

RGB 112 112 25

HSL 60, 0.64%, 0.27%

LAB 45.78, -10.98, 44.99

 

CMYK 77 / 0 / 15 / 56

HEX #196F5E

RGB 25 111 94

HSL 168.14, 0.63%, 0.27%

LAB 41.82, -29.14, 2.35

 

CMYK 54 / 78 / 0 / 56

HEX #331970

RGB 51 25 112

HSL 257.93, 0.64%, 0.27%

LAB 18.23, 35.17, -45.6

 

CMYK 0 / 78 / 63 / 56

HEX #70192A

RGB 112 25 42

HSL 348.28, 0.64%, 0.27%

LAB 24.66, 38.69, 12.3

 

CMYK 23 / 0 / 78 / 56

HEX #567019

RGB 86 112 25

HSL 77.93, 0.64%, 0.27%

LAB 43.71, -22.84, 42.3

 

Description

Color code: HEX #196F5E | qconv.com Color code: HEX #196F5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 111 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 111 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 15 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 15% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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