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Color name
HEX #19800E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19800E it is the complementary color #E67FF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19800E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19800E shade: #1E8009, #2F921C, #40A42F, #51B642 and #62C855

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19800E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19800E shade: #19800E, #086E00, #005C00, #004A00 and #003800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19800E shade: #19800E, #38800E, #56800E, #75800E and #806C0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19800E shade: #19800E, #0E8022, #0E8040, #0E805F and #0E807E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19800E shade matches the following richer shades: #19800E and #0F8C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19800E shade: #19800E, #227419, #2B6925, #355D30 and #3E523C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19800E shade: #56800E, #38800E, #19800E, #0E8021 and #0E803F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19800E shade: #0A3606, #115B0A, #19800E, #20A512 and #27CA16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19800E shade: #19800E, #0E7580 and #800E47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19800E shade: #19800E, #0E1980 and #800E19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19800E shade: #19800E, #0E7580, #750E80 and #80190E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19800E shade: #19800E, #0E5280, #750E80 and #803B0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 89 / 50

HEX #19800E

RGB 25 128 14

HSL 114.21, 0.8%, 0.28%

LAB 46.55, -48.67, 47.37

 

Complementary color

CMYK 5 / 47 / 0 / 5

HEX #E67FF1

RGB 230 127 241

HSL 294.21, 0.8%, 0.72%

LAB 68.28, 56.14, -40.75

 

CMYK 77 / 0 / 93 / 50

HEX #1E8009

RGB 30 128 9

HSL 109.41, 0.87%, 0.27%

LAB 46.62, -48.07, 48.54

 

CMYK 68 / 0 / 81 / 43

HEX #2F921C

RGB 47 146 28

HSL 110.34, 0.68%, 0.34%

LAB 53.22, -49.91, 49.76

 

CMYK 61 / 0 / 71 / 36

HEX #40A42F

RGB 64 164 47

HSL 111.28, 0.55%, 0.41%

LAB 59.75, -50.99, 49.63

 

CMYK 55 / 0 / 64 / 29

HEX #51B642

RGB 81 182 66

HSL 112.24, 0.47%, 0.49%

LAB 66.21, -51.59, 48.84

 

CMYK 51 / 0 / 58 / 22

HEX #62C855

RGB 98 200 85

HSL 113.22, 0.51%, 0.56%

LAB 72.6, -51.88, 47.76

 

CMYK 80 / 0 / 89 / 50

HEX #19800E

RGB 25 128 14

HSL 114.21, 0.8%, 0.28%

LAB 46.55, -48.67, 47.37

 

CMYK 93 / 0 / 100 / 57

HEX #086E00

RGB 8 110 0

HSL 115.64, 1%, 0.22%

LAB 39.92, -45.6, 44.88

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 80 / 0 / 89 / 50

HEX #19800E

RGB 25 128 14

HSL 114.21, 0.8%, 0.28%

LAB 46.55, -48.67, 47.37

 

CMYK 56 / 0 / 89 / 50

HEX #38800E

RGB 56 128 14

HSL 97.89, 0.8%, 0.28%

LAB 47.38, -41.72, 48.42

 

CMYK 33 / 0 / 89 / 50

HEX #56800E

RGB 86 128 14

HSL 82.11, 0.8%, 0.28%

LAB 48.82, -31.13, 50.23

 

CMYK 9 / 0 / 89 / 50

HEX #75800E

RGB 117 128 14

HSL 65.79, 0.8%, 0.28%

LAB 50.98, -17.7, 52.92

 

CMYK 0 / 16 / 89 / 50

HEX #806C0E

RGB 128 108 14

HSL 49.47, 0.8%, 0.28%

LAB 46.1, -1.49, 49.33

 

CMYK 80 / 0 / 89 / 50

HEX #19800E

RGB 25 128 14

HSL 114.21, 0.8%, 0.28%

LAB 46.55, -48.67, 47.37

 

CMYK 89 / 0 / 73 / 50

HEX #0E8022

RGB 14 128 34

HSL 130.53, 0.8%, 0.28%

LAB 46.51, -48.6, 40.73

 

CMYK 89 / 0 / 50 / 50

HEX #0E8040

RGB 14 128 64

HSL 146.32, 0.8%, 0.28%

LAB 46.85, -44.47, 26.54

 

CMYK 89 / 0 / 26 / 50

HEX #0E805F

RGB 14 128 95

HSL 162.63, 0.8%, 0.28%

LAB 47.44, -37.68, 9.75

 

CMYK 89 / 0 / 2 / 50

HEX #0E807E

RGB 14 128 126

HSL 178.95, 0.8%, 0.28%

LAB 48.31, -28.7, -7.21

 

CMYK 80 / 0 / 89 / 50

HEX #19800E

RGB 25 128 14

HSL 114.21, 0.8%, 0.28%

LAB 46.55, -48.67, 47.37

 

CMYK 89 / 0 / 99 / 45

HEX #0F8C02

RGB 15 140 2

HSL 114.35, 0.97%, 0.28%

LAB 50.53, -54.01, 53.02

 

CMYK 80 / 0 / 89 / 50

HEX #19800E

RGB 25 128 14

HSL 114.21, 0.8%, 0.28%

LAB 46.55, -48.67, 47.37

 

CMYK 71 / 0 / 78 / 55

HEX #227419

RGB 34 116 25

HSL 114.07, 0.65%, 0.28%

LAB 42.61, -42.26, 40.41

 

CMYK 59 / 0 / 65 / 59

HEX #2B6925

RGB 43 105 37

HSL 114.71, 0.48%, 0.28%

LAB 39.16, -34.52, 31.57

 

CMYK 43 / 0 / 48 / 64

HEX #355D30

RGB 53 93 48

HSL 113.33, 0.32%, 0.28%

LAB 35.59, -24.24, 21.47

 

CMYK 24 / 0 / 27 / 68

HEX #3E523C

RGB 62 82 60

HSL 114.55, 0.15%, 0.28%

LAB 32.67, -12.71, 10.46

 

CMYK 33 / 0 / 89 / 50

HEX #56800E

RGB 86 128 14

HSL 82.11, 0.8%, 0.28%

LAB 48.82, -31.13, 50.23

 

CMYK 56 / 0 / 89 / 50

HEX #38800E

RGB 56 128 14

HSL 97.89, 0.8%, 0.28%

LAB 47.38, -41.72, 48.42

 

CMYK 80 / 0 / 89 / 50

HEX #19800E

RGB 25 128 14

HSL 114.21, 0.8%, 0.28%

LAB 46.55, -48.67, 47.37

 

CMYK 89 / 0 / 74 / 50

HEX #0E8021

RGB 14 128 33

HSL 130, 0.8%, 0.28%

LAB 46.5, -48.69, 41.12

 

CMYK 89 / 0 / 51 / 50

HEX #0E803F

RGB 14 128 63

HSL 145.79, 0.8%, 0.28%

LAB 46.83, -44.65, 27.06

 

CMYK 81 / 0 / 89 / 79

HEX #0A3606

RGB 10 54 6

HSL 115, 0.8%, 0.12%

LAB 18.87, -25.52, 23.68

 

CMYK 81 / 0 / 89 / 64

HEX #115B0A

RGB 17 91 10

HSL 114.81, 0.8%, 0.2%

LAB 33.19, -37.7, 36.37

 

CMYK 80 / 0 / 89 / 50

HEX #19800E

RGB 25 128 14

HSL 114.21, 0.8%, 0.28%

LAB 46.55, -48.67, 47.37

 

CMYK 81 / 0 / 89 / 35

HEX #20A512

RGB 32 165 18

HSL 114.29, 0.8%, 0.36%

LAB 59.22, -59.14, 57.64

 

CMYK 81 / 0 / 89 / 21

HEX #27CA16

RGB 39 202 22

HSL 114.33, 0.8%, 0.44%

LAB 71.37, -69.13, 67.43

 

CMYK 80 / 0 / 89 / 50

HEX #19800E

RGB 25 128 14

HSL 114.21, 0.8%, 0.28%

LAB 46.55, -48.67, 47.37

 

CMYK 89 / 9 / 0 / 50

HEX #0E7580

RGB 14 117 128

HSL 185.79, 0.8%, 0.28%

LAB 44.77, -22.47, -13.73

 

CMYK 0 / 89 / 45 / 50

HEX #800E47

RGB 128 14 71

HSL 330, 0.8%, 0.28%

LAB 27.73, 49.08, -2.6

 

CMYK 80 / 0 / 89 / 50

HEX #19800E

RGB 25 128 14

HSL 114.21, 0.8%, 0.28%

LAB 46.55, -48.67, 47.37

 

CMYK 89 / 80 / 0 / 50

HEX #0E1980

RGB 14 25 128

HSL 234.21, 0.8%, 0.28%

LAB 17.21, 36.71, -57.63

 

CMYK 0 / 89 / 80 / 50

HEX #800E19

RGB 128 14 25

HSL 354.21, 0.8%, 0.28%

LAB 26.66, 45.98, 26.77

 

CMYK 80 / 0 / 89 / 50

HEX #19800E

RGB 25 128 14

HSL 114.21, 0.8%, 0.28%

LAB 46.55, -48.67, 47.37

 

CMYK 89 / 9 / 0 / 50

HEX #0E7580

RGB 14 117 128

HSL 185.79, 0.8%, 0.28%

LAB 44.77, -22.47, -13.73

 

CMYK 9 / 89 / 0 / 50

HEX #750E80

RGB 117 14 128

HSL 294.21, 0.8%, 0.28%

LAB 28.52, 54.59, -38.63

 

CMYK 0 / 80 / 89 / 50

HEX #80190E

RGB 128 25 14

HSL 5.79, 0.8%, 0.28%

LAB 27.62, 42.64, 34.03

 

CMYK 80 / 0 / 89 / 50

HEX #19800E

RGB 25 128 14

HSL 114.21, 0.8%, 0.28%

LAB 46.55, -48.67, 47.37

 

CMYK 89 / 36 / 0 / 50

HEX #0E5280

RGB 14 82 128

HSL 204.21, 0.8%, 0.28%

LAB 33.32, -2.07, -31.48

 

CMYK 9 / 89 / 0 / 50

HEX #750E80

RGB 117 14 128

HSL 294.21, 0.8%, 0.28%

LAB 28.52, 54.59, -38.63

 

CMYK 0 / 54 / 89 / 50

HEX #803B0E

RGB 128 59 14

HSL 23.68, 0.8%, 0.28%

LAB 33.45, 27.09, 38.91

 

Description

Color code: HEX #19800E | qconv.com Color code: HEX #19800E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 128 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 128 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 89 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 89% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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