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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19985F it is the complementary color #E667A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19985F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19985F shade: #1E985A, #2FAA6D, #40BC80, #51CE93 and #62E0A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19985F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19985F shade: #19985F, #08864C, #007439, #006226 and #005013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19985F shade: #18995F, #18993D, #18991A, #3A9918 and #5C9918

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19985F shade: #18995F, #189982, #188D99, #186B99 and #184899

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19985F shade matches the following richer shades: #18995F and #0AA761

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19985F shade: #18995F, #278B5E, #357C5C, #446E5B and #525F59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19985F shade: #18991B, #18993D, #18995F, #189981 and #188E99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19985F shade: #0D5233, #137649, #18995F, #1EBC75 and #28DC8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19985F shade: #19985F, #183999 and #992C18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19985F shade: #19985F, #5F1899 and #995F18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19985F shade: #19985F, #183999, #991852 and #997918

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19985F shade: #19985F, #1F1899, #991852 and #939918

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 38 / 40

HEX #19985F

RGB 25 152 95

HSL 153.07, 0.72%, 0.35%

LAB 55.57, -46.38, 20.94

 

Complementary color

CMYK 0 / 55 / 30 / 10

HEX #E667A0

RGB 230 103 160

HSL 333.07, 0.72%, 0.65%

LAB 60.84, 55.1, -6.53

 

CMYK 80 / 0 / 41 / 40

HEX #1E985A

RGB 30 152 90

HSL 149.51, 0.67%, 0.36%

LAB 55.55, -46.84, 23.67

 

CMYK 72 / 0 / 36 / 33

HEX #2FAA6D

RGB 47 170 109

HSL 150.24, 0.57%, 0.43%

LAB 62.05, -47.65, 22.06

 

CMYK 66 / 0 / 32 / 26

HEX #40BC80

RGB 64 188 128

HSL 150.97, 0.49%, 0.49%

LAB 68.47, -48.1, 20.6

 

CMYK 61 / 0 / 29 / 19

HEX #51CE93

RGB 81 206 147

HSL 151.68, 0.56%, 0.56%

LAB 74.82, -48.31, 19.27

 

CMYK 56 / 0 / 26 / 12

HEX #62E0A6

RGB 98 224 166

HSL 152.38, 0.67%, 0.63%

LAB 81.1, -48.36, 18.04

 

CMYK 84 / 0 / 38 / 40

HEX #19985F

RGB 25 152 95

HSL 153.07, 0.72%, 0.35%

LAB 55.57, -46.38, 20.94

 

CMYK 94 / 0 / 43 / 47

HEX #08864C

RGB 8 134 76

HSL 152.38, 0.89%, 0.28%

LAB 49.04, -44.84, 22.76

 

CMYK 100 / 0 / 51 / 55

HEX #007439

RGB 0 116 57

HSL 149.48, 1%, 0.23%

LAB 42.44, -42.47, 24.77

 

CMYK 100 / 0 / 61 / 62

HEX #006226

RGB 0 98 38

HSL 143.27, 1%, 0.19%

LAB 35.74, -39.28, 26.87

 

CMYK 100 / 0 / 76 / 69

HEX #005013

RGB 0 80 19

HSL 134.25, 1%, 0.16%

LAB 28.86, -35.6, 28.61

 

CMYK 84 / 0 / 38 / 40

HEX #18995F

RGB 24 153 95

HSL 153.02, 0.73%, 0.35%

LAB 55.89, -46.86, 21.37

 

CMYK 84 / 0 / 60 / 40

HEX #18993D

RGB 24 153 61

HSL 137.21, 0.73%, 0.35%

LAB 55.39, -52.72, 38.46

 

CMYK 84 / 0 / 83 / 40

HEX #18991A

RGB 24 153 26

HSL 120.93, 0.73%, 0.35%

LAB 55.13, -56.06, 51.99

 

CMYK 62 / 0 / 84 / 40

HEX #3A9918

RGB 58 153 24

HSL 104.19, 0.73%, 0.35%

LAB 55.83, -50.04, 53.46

 

CMYK 40 / 0 / 84 / 40

HEX #5C9918

RGB 92 153 24

HSL 88.37, 0.73%, 0.35%

LAB 57.2, -39.6, 55.2

 

CMYK 84 / 0 / 38 / 40

HEX #18995F

RGB 24 153 95

HSL 153.02, 0.73%, 0.35%

LAB 55.89, -46.86, 21.37

 

CMYK 84 / 0 / 15 / 40

HEX #189982

RGB 24 153 130

HSL 169.3, 0.73%, 0.35%

LAB 56.67, -38.34, 2.78

 

CMYK 84 / 8 / 0 / 40

HEX #188D99

RGB 24 141 153

HSL 185.58, 0.73%, 0.35%

LAB 53.54, -25.68, -15.08

 

CMYK 84 / 30 / 0 / 40

HEX #186B99

RGB 24 107 153

HSL 201.4, 0.73%, 0.35%

LAB 42.78, -6.89, -31.7

 

CMYK 84 / 53 / 0 / 40

HEX #184899

RGB 24 72 153

HSL 217.67, 0.73%, 0.35%

LAB 32.1, 15.78, -48.74

 

CMYK 84 / 0 / 38 / 40

HEX #18995F

RGB 24 153 95

HSL 153.02, 0.73%, 0.35%

LAB 55.89, -46.86, 21.37

 

CMYK 94 / 0 / 42 / 35

HEX #0AA761

RGB 10 167 97

HSL 153.25, 0.89%, 0.35%

LAB 60.4, -52.63, 26.23

 

CMYK 84 / 0 / 38 / 40

HEX #18995F

RGB 24 153 95

HSL 153.02, 0.73%, 0.35%

LAB 55.89, -46.86, 21.37

 

CMYK 72 / 0 / 32 / 45

HEX #278B5E

RGB 39 139 94

HSL 153, 0.56%, 0.35%

LAB 51.5, -39.5, 16.03

 

CMYK 57 / 0 / 26 / 51

HEX #357C5C

RGB 53 124 92

HSL 152.96, 0.4%, 0.35%

LAB 46.9, -30.4, 10.88

 

CMYK 38 / 0 / 17 / 57

HEX #446E5B

RGB 68 110 91

HSL 152.86, 0.24%, 0.35%

LAB 42.97, -19.33, 6.01

 

CMYK 14 / 0 / 6 / 63

HEX #525F59

RGB 82 95 89

HSL 152.31, 0.07%, 0.35%

LAB 39.07, -6.35, 1.74

 

CMYK 84 / 0 / 82 / 40

HEX #18991B

RGB 24 153 27

HSL 121.4, 0.73%, 0.35%

LAB 55.13, -56, 51.71

 

CMYK 84 / 0 / 60 / 40

HEX #18993D

RGB 24 153 61

HSL 137.21, 0.73%, 0.35%

LAB 55.39, -52.72, 38.46

 

CMYK 84 / 0 / 38 / 40

HEX #18995F

RGB 24 153 95

HSL 153.02, 0.73%, 0.35%

LAB 55.89, -46.86, 21.37

 

CMYK 84 / 0 / 16 / 40

HEX #189981

RGB 24 153 129

HSL 168.84, 0.73%, 0.35%

LAB 56.65, -38.61, 3.31

 

CMYK 84 / 7 / 0 / 40

HEX #188E99

RGB 24 142 153

HSL 185.12, 0.73%, 0.35%

LAB 53.86, -26.19, -14.6

 

CMYK 84 / 0 / 38 / 68

HEX #0D5233

RGB 13 82 51

HSL 153.04, 0.73%, 0.19%

LAB 30.3, -28.89, 12.47

 

CMYK 84 / 0 / 38 / 54

HEX #137649

RGB 19 118 73

HSL 152.73, 0.72%, 0.27%

LAB 43.62, -38.32, 17.3

 

CMYK 84 / 0 / 38 / 40

HEX #18995F

RGB 24 153 95

HSL 153.02, 0.73%, 0.35%

LAB 55.89, -46.86, 21.37

 

CMYK 84 / 0 / 38 / 26

HEX #1EBC75

RGB 30 188 117

HSL 153.04, 0.72%, 0.43%

LAB 67.67, -54.92, 25.27

 

CMYK 82 / 0 / 37 / 14

HEX #28DC8B

RGB 40 220 139

HSL 153, 0.72%, 0.51%

LAB 78.17, -61.26, 27.87

 

CMYK 84 / 0 / 38 / 40

HEX #19985F

RGB 25 152 95

HSL 153.07, 0.72%, 0.35%

LAB 55.57, -46.38, 20.94

 

CMYK 84 / 63 / 0 / 40

HEX #183999

RGB 24 57 153

HSL 224.65, 0.73%, 0.35%

LAB 27.9, 26.08, -55.57

 

CMYK 0 / 71 / 84 / 40

HEX #992C18

RGB 153 44 24

HSL 9.3, 0.73%, 0.35%

LAB 35.28, 44.29, 37.63

 

CMYK 84 / 0 / 38 / 40

HEX #19985F

RGB 25 152 95

HSL 153.07, 0.72%, 0.35%

LAB 55.57, -46.38, 20.94

 

CMYK 38 / 84 / 0 / 40

HEX #5F1899

RGB 95 24 153

HSL 273.02, 0.73%, 0.35%

LAB 27.81, 53.32, -55.48

 

CMYK 0 / 38 / 84 / 40

HEX #995F18

RGB 153 95 24

HSL 33.02, 0.73%, 0.35%

LAB 45.67, 18.07, 46.96

 

CMYK 84 / 0 / 38 / 40

HEX #19985F

RGB 25 152 95

HSL 153.07, 0.72%, 0.35%

LAB 55.57, -46.38, 20.94

 

CMYK 84 / 63 / 0 / 40

HEX #183999

RGB 24 57 153

HSL 224.65, 0.73%, 0.35%

LAB 27.9, 26.08, -55.57

 

CMYK 0 / 84 / 46 / 40

HEX #991852

RGB 153 24 82

HSL 333.02, 0.73%, 0.35%

LAB 34.06, 54.37, 0.02

 

CMYK 0 / 21 / 84 / 40

HEX #997918

RGB 153 121 24

HSL 45.12, 0.73%, 0.35%

LAB 52.41, 3.2, 52.81

 

CMYK 84 / 0 / 38 / 40

HEX #19985F

RGB 25 152 95

HSL 153.07, 0.72%, 0.35%

LAB 55.57, -46.38, 20.94

 

CMYK 80 / 84 / 0 / 40

HEX #1F1899

RGB 31 24 153

HSL 243.26, 0.73%, 0.35%

LAB 21, 46.47, -66.95

 

CMYK 0 / 84 / 46 / 40

HEX #991852

RGB 153 24 82

HSL 333.02, 0.73%, 0.35%

LAB 34.06, 54.37, 0.02

 

CMYK 4 / 0 / 84 / 40

HEX #939918

RGB 147 153 24

HSL 62.79, 0.73%, 0.35%

LAB 60.83, -16.94, 59.77

 

Description

Color code: HEX #19985F | qconv.com Color code: HEX #19985F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 152 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 152 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 38 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 38% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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