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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #199956 it is the complementary color #E666A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #199956. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #199956 shade: #1E9951, #2FAB64, #40BD77, #51CF8A and #62E19D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #199956. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #199956 shade: #199956, #088743, #007530, #00631D and #00510A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #199956 shade: #189956, #189933, #219918, #439918 and #669918

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #199956 shade: #189956, #189978, #189799, #187499 and #185299

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #199956 shade matches the following richer shades: #189956 and #0AA755

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #199956 shade: #189956, #278B56, #357C57, #446E58 and #525F58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #199956 shade: #219918, #189932, #189954, #189977 and #189999

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #199956 shade: #0D522E, #137642, #189956, #1EBC6A and #28DC7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #199956 shade: #199956, #184399 and #992118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #199956 shade: #199956, #541899 and #995418

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #199956 shade: #199956, #184399, #99185D and #996E18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #199956 shade: #199956, #181D99, #99185D and #999518

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 44 / 40

HEX #199956

RGB 25 153 86

HSL 148.59, 0.72%, 0.35%

LAB 55.75, -48.56, 26.08

 

Complementary color

CMYK 0 / 56 / 27 / 10

HEX #E666A9

RGB 230 102 169

HSL 328.59, 0.72%, 0.65%

LAB 60.95, 56.71, -11.54

 

CMYK 80 / 0 / 47 / 40

HEX #1E9951

RGB 30 153 81

HSL 144.88, 0.67%, 0.36%

LAB 55.74, -48.91, 28.76

 

CMYK 73 / 0 / 42 / 33

HEX #2FAB64

RGB 47 171 100

HSL 145.65, 0.57%, 0.43%

LAB 62.21, -49.8, 27.11

 

CMYK 66 / 0 / 37 / 26

HEX #40BD77

RGB 64 189 119

HSL 146.4, 0.49%, 0.5%

LAB 68.62, -50.29, 25.59

 

CMYK 61 / 0 / 33 / 19

HEX #51CF8A

RGB 81 207 138

HSL 147.14, 0.57%, 0.56%

LAB 74.96, -50.52, 24.19

 

CMYK 56 / 0 / 30 / 12

HEX #62E19D

RGB 98 225 157

HSL 147.87, 0.68%, 0.63%

LAB 81.23, -50.58, 22.91

 

CMYK 84 / 0 / 44 / 40

HEX #199956

RGB 25 153 86

HSL 148.59, 0.72%, 0.35%

LAB 55.75, -48.56, 26.08

 

CMYK 94 / 0 / 50 / 47

HEX #088743

RGB 8 135 67

HSL 147.87, 0.89%, 0.28%

LAB 49.23, -46.9, 27.92

 

CMYK 100 / 0 / 59 / 54

HEX #007530

RGB 0 117 48

HSL 144.62, 1%, 0.23%

LAB 42.67, -44.35, 29.87

 

CMYK 100 / 0 / 71 / 61

HEX #00631D

RGB 0 99 29

HSL 137.58, 1%, 0.19%

LAB 36.01, -40.86, 31.67

 

CMYK 100 / 0 / 88 / 68

HEX #00510A

RGB 0 81 10

HSL 127.41, 1%, 0.16%

LAB 29.18, -36.76, 32.54

 

CMYK 84 / 0 / 44 / 40

HEX #189956

RGB 24 153 86

HSL 148.84, 0.73%, 0.35%

LAB 55.73, -48.66, 26.06

 

CMYK 84 / 0 / 67 / 40

HEX #189933

RGB 24 153 51

HSL 132.56, 0.73%, 0.35%

LAB 55.29, -53.95, 42.95

 

CMYK 78 / 0 / 84 / 40

HEX #219918

RGB 33 153 24

HSL 115.81, 0.73%, 0.35%

LAB 55.25, -55, 52.71

 

CMYK 56 / 0 / 84 / 40

HEX #439918

RGB 67 153 24

HSL 100, 0.73%, 0.35%

LAB 56.13, -47.66, 53.84

 

CMYK 33 / 0 / 84 / 40

HEX #669918

RGB 102 153 24

HSL 83.72, 0.73%, 0.35%

LAB 57.73, -35.87, 55.87

 

CMYK 84 / 0 / 44 / 40

HEX #189956

RGB 24 153 86

HSL 148.84, 0.73%, 0.35%

LAB 55.73, -48.66, 26.06

 

CMYK 84 / 0 / 22 / 40

HEX #189978

RGB 24 153 120

HSL 164.65, 0.73%, 0.35%

LAB 56.42, -41.01, 8.1

 

CMYK 84 / 1 / 0 / 40

HEX #189799

RGB 24 151 153

HSL 180.93, 0.73%, 0.35%

LAB 56.71, -30.63, -10.3

 

CMYK 84 / 24 / 0 / 40

HEX #187499

RGB 24 116 153

HSL 197.21, 0.73%, 0.35%

LAB 45.61, -12.18, -27.26

 

CMYK 84 / 46 / 0 / 40

HEX #185299

RGB 24 82 153

HSL 213.02, 0.73%, 0.35%

LAB 35.06, 9.02, -43.96

 

CMYK 84 / 0 / 44 / 40

HEX #189956

RGB 24 153 86

HSL 148.84, 0.73%, 0.35%

LAB 55.73, -48.66, 26.06

 

CMYK 94 / 0 / 49 / 35

HEX #0AA755

RGB 10 167 85

HSL 148.66, 0.89%, 0.35%

LAB 60.21, -54.83, 32.3

 

CMYK 84 / 0 / 44 / 40

HEX #189956

RGB 24 153 86

HSL 148.84, 0.73%, 0.35%

LAB 55.73, -48.66, 26.06

 

CMYK 72 / 0 / 38 / 45

HEX #278B56

RGB 39 139 86

HSL 148.2, 0.56%, 0.35%

LAB 51.35, -41.21, 20.33

 

CMYK 57 / 0 / 30 / 51

HEX #357C57

RGB 53 124 87

HSL 148.73, 0.4%, 0.35%

LAB 46.79, -31.53, 13.64

 

CMYK 38 / 0 / 20 / 57

HEX #446E58

RGB 68 110 88

HSL 148.57, 0.24%, 0.35%

LAB 42.89, -20.01, 7.7

 

CMYK 14 / 0 / 7 / 63

HEX #525F58

RGB 82 95 88

HSL 147.69, 0.07%, 0.35%

LAB 39.04, -6.57, 2.31

 

CMYK 78 / 0 / 84 / 40

HEX #219918

RGB 33 153 24

HSL 115.81, 0.73%, 0.35%

LAB 55.25, -55, 52.71

 

CMYK 84 / 0 / 67 / 40

HEX #189932

RGB 24 153 50

HSL 132.09, 0.73%, 0.35%

LAB 55.28, -54.06, 43.37

 

CMYK 84 / 0 / 45 / 40

HEX #189954

RGB 24 153 84

HSL 147.91, 0.73%, 0.35%

LAB 55.7, -49.04, 27.1

 

CMYK 84 / 0 / 22 / 40

HEX #189977

RGB 24 153 119

HSL 164.19, 0.73%, 0.35%

LAB 56.4, -41.26, 8.63

 

CMYK 84 / 0 / 0 / 40

HEX #189999

RGB 24 153 153

HSL 180, 0.73%, 0.35%

LAB 57.34, -31.59, -9.35

 

CMYK 84 / 0 / 44 / 68

HEX #0D522E

RGB 13 82 46

HSL 148.7, 0.73%, 0.19%

LAB 30.2, -30.04, 15.4

 

CMYK 84 / 0 / 44 / 54

HEX #137642

RGB 19 118 66

HSL 148.48, 0.72%, 0.27%

LAB 43.49, -39.79, 21.13

 

CMYK 84 / 0 / 44 / 40

HEX #189956

RGB 24 153 86

HSL 148.84, 0.73%, 0.35%

LAB 55.73, -48.66, 26.06

 

CMYK 84 / 0 / 44 / 26

HEX #1EBC6A

RGB 30 188 106

HSL 148.86, 0.72%, 0.43%

LAB 67.49, -57.02, 30.79

 

CMYK 82 / 0 / 43 / 14

HEX #28DC7E

RGB 40 220 126

HSL 148.67, 0.72%, 0.51%

LAB 77.96, -63.68, 34.21

 

CMYK 84 / 0 / 44 / 40

HEX #199956

RGB 25 153 86

HSL 148.59, 0.72%, 0.35%

LAB 55.75, -48.56, 26.08

 

CMYK 84 / 56 / 0 / 40

HEX #184399

RGB 24 67 153

HSL 220, 0.73%, 0.35%

LAB 30.66, 19.21, -51.07

 

CMYK 0 / 78 / 84 / 40

HEX #992118

RGB 153 33 24

HSL 4.19, 0.73%, 0.35%

LAB 33.83, 48.31, 36.28

 

CMYK 84 / 0 / 44 / 40

HEX #199956

RGB 25 153 86

HSL 148.59, 0.72%, 0.35%

LAB 55.75, -48.56, 26.08

 

CMYK 45 / 84 / 0 / 40

HEX #541899

RGB 84 24 153

HSL 267.91, 0.73%, 0.35%

LAB 26.27, 51.73, -58.07

 

CMYK 0 / 45 / 84 / 40

HEX #995418

RGB 153 84 24

HSL 27.91, 0.73%, 0.35%

LAB 43.03, 24.32, 44.63

 

CMYK 84 / 0 / 44 / 40

HEX #199956

RGB 25 153 86

HSL 148.59, 0.72%, 0.35%

LAB 55.75, -48.56, 26.08

 

CMYK 84 / 56 / 0 / 40

HEX #184399

RGB 24 67 153

HSL 220, 0.73%, 0.35%

LAB 30.66, 19.21, -51.07

 

CMYK 0 / 84 / 39 / 40

HEX #99185D

RGB 153 24 93

HSL 327.91, 0.73%, 0.35%

LAB 34.43, 55.45, -6.56

 

CMYK 0 / 28 / 84 / 40

HEX #996E18

RGB 153 110 24

HSL 40, 0.73%, 0.35%

LAB 49.48, 9.47, 50.29

 

CMYK 84 / 0 / 44 / 40

HEX #199956

RGB 25 153 86

HSL 148.59, 0.72%, 0.35%

LAB 55.75, -48.56, 26.08

 

CMYK 84 / 81 / 0 / 40

HEX #181D99

RGB 24 29 153

HSL 237.67, 0.73%, 0.35%

LAB 21.48, 43.61, -66.16

 

CMYK 0 / 84 / 39 / 40

HEX #99185D

RGB 153 24 93

HSL 327.91, 0.73%, 0.35%

LAB 34.43, 55.45, -6.56

 

CMYK 0 / 3 / 84 / 40

HEX #999518

RGB 153 149 24

HSL 58.14, 0.73%, 0.35%

LAB 60.19, -12.15, 59.43

 

Description

Color code: HEX #199956 | qconv.com Color code: HEX #199956 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 153 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 153 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 44 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 44% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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