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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19A26B it is the complementary color #E65D94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19A26B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19A26B shade: #1EA266, #2FB479, #40C68C, #51D89F and #62EAB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19A26B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19A26B shade: #19A26B, #089058, #007E45, #006C32 and #005A1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19A26B shade: #19A36B, #19A346, #19A321, #36A319 and #5BA319

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19A26B shade: #19A36B, #19A391, #1990A3, #196BA3 and #1945A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19A26B shade matches the following richer shades: #19A36B and #0AB26E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19A26B shade: #19A36B, #289368, #388465, #477562 and #56665F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19A26B shade: #19A320, #19A345, #19A369, #19A38E and #1993A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19A26B shade: #0E5B3C, #137F54, #19A36B, #1FC683 and #30DE98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19A26B shade: #19A26B, #1937A3 and #A33219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19A26B shade: #19A26B, #6919A3 and #A36919

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19A26B shade: #19A26B, #1937A3, #A31952 and #A38519

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19A26B shade: #19A26B, #2419A3, #A31952 and #97A319

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 34 / 36

HEX #19A26B

RGB 25 162 107

HSL 155.91, 0.73%, 0.37%

LAB 59.07, -47.67, 19.07

 

Complementary color

CMYK 0 / 60 / 36 / 10

HEX #E65D94

RGB 230 93 148

HSL 335.91, 0.73%, 0.63%

LAB 58.78, 58.19, -2.61

 

CMYK 81 / 0 / 37 / 36

HEX #1EA266

RGB 30 162 102

HSL 152.73, 0.69%, 0.38%

LAB 59.04, -48.23, 21.78

 

CMYK 74 / 0 / 33 / 29

HEX #2FB479

RGB 47 180 121

HSL 153.38, 0.59%, 0.45%

LAB 65.46, -49.1, 20.19

 

CMYK 68 / 0 / 29 / 22

HEX #40C68C

RGB 64 198 140

HSL 154.03, 0.54%, 0.51%

LAB 71.81, -49.62, 18.76

 

CMYK 63 / 0 / 26 / 15

HEX #51D89F

RGB 81 216 159

HSL 154.67, 0.63%, 0.58%

LAB 78.09, -49.9, 17.45

 

CMYK 58 / 0 / 24 / 8

HEX #62EAB2

RGB 98 234 178

HSL 155.29, 0.76%, 0.65%

LAB 84.31, -50.03, 16.25

 

CMYK 85 / 0 / 34 / 36

HEX #19A26B

RGB 25 162 107

HSL 155.91, 0.73%, 0.37%

LAB 59.07, -47.67, 19.07

 

CMYK 94 / 0 / 39 / 44

HEX #089058

RGB 8 144 88

HSL 155.29, 0.89%, 0.3%

LAB 52.62, -46.11, 20.84

 

CMYK 100 / 0 / 45 / 51

HEX #007E45

RGB 0 126 69

HSL 152.86, 1%, 0.25%

LAB 46.11, -43.82, 22.82

 

CMYK 100 / 0 / 54 / 58

HEX #006C32

RGB 0 108 50

HSL 147.78, 1%, 0.21%

LAB 39.51, -40.85, 24.95

 

CMYK 100 / 0 / 66 / 65

HEX #005A1F

RGB 0 90 31

HSL 140.67, 1%, 0.18%

LAB 32.73, -37.52, 27.01

 

CMYK 85 / 0 / 34 / 36

HEX #19A36B

RGB 25 163 107

HSL 155.65, 0.73%, 0.37%

LAB 59.4, -48.05, 19.51

 

CMYK 85 / 0 / 57 / 36

HEX #19A346

RGB 25 163 70

HSL 139.57, 0.73%, 0.37%

LAB 58.83, -54.74, 38.16

 

CMYK 85 / 0 / 80 / 36

HEX #19A321

RGB 25 163 33

HSL 123.48, 0.73%, 0.37%

LAB 58.52, -58.58, 53.1

 

CMYK 67 / 0 / 85 / 36

HEX #36A319

RGB 54 163 25

HSL 107.39, 0.73%, 0.37%

LAB 59.02, -54.4, 56.04

 

CMYK 44 / 0 / 85 / 36

HEX #5BA319

RGB 91 163 25

HSL 91.3, 0.73%, 0.37%

LAB 60.33, -44.08, 57.71

 

CMYK 85 / 0 / 34 / 36

HEX #19A36B

RGB 25 163 107

HSL 155.65, 0.73%, 0.37%

LAB 59.4, -48.05, 19.51

 

CMYK 85 / 0 / 11 / 36

HEX #19A391

RGB 25 163 145

HSL 172.17, 0.73%, 0.37%

LAB 60.29, -38.5, -0.46

 

CMYK 85 / 12 / 0 / 36

HEX #1990A3

RGB 25 144 163

HSL 188.26, 0.73%, 0.37%

LAB 54.86, -23.81, -18.83

 

CMYK 85 / 34 / 0 / 36

HEX #196BA3

RGB 25 107 163

HSL 204.35, 0.73%, 0.37%

LAB 43.31, -2.95, -36.78

 

CMYK 85 / 58 / 0 / 36

HEX #1945A3

RGB 25 69 163

HSL 220.87, 0.73%, 0.37%

LAB 32.05, 21.96, -54.86

 

CMYK 85 / 0 / 34 / 36

HEX #19A36B

RGB 25 163 107

HSL 155.65, 0.73%, 0.37%

LAB 59.4, -48.05, 19.51

 

CMYK 94 / 0 / 38 / 30

HEX #0AB26E

RGB 10 178 110

HSL 155.71, 0.89%, 0.37%

LAB 64.19, -54, 24.31

 

CMYK 85 / 0 / 34 / 36

HEX #19A36B

RGB 25 163 107

HSL 155.65, 0.73%, 0.37%

LAB 59.4, -48.05, 19.51

 

CMYK 73 / 0 / 29 / 42

HEX #289368

RGB 40 147 104

HSL 155.89, 0.57%, 0.37%

LAB 54.36, -40.45, 14.31

 

CMYK 58 / 0 / 23 / 48

HEX #388465

RGB 56 132 101

HSL 155.53, 0.4%, 0.37%

LAB 49.84, -31.35, 9.77

 

CMYK 39 / 0 / 16 / 54

HEX #477562

RGB 71 117 98

HSL 155.22, 0.24%, 0.37%

LAB 45.56, -20.46, 5.55

 

CMYK 16 / 0 / 7 / 60

HEX #56665F

RGB 86 102 95

HSL 153.75, 0.09%, 0.37%

LAB 41.7, -7.62, 1.92

 

CMYK 85 / 0 / 80 / 36

HEX #19A320

RGB 25 163 32

HSL 123.04, 0.73%, 0.37%

LAB 58.51, -58.65, 53.4

 

CMYK 85 / 0 / 58 / 36

HEX #19A345

RGB 25 163 69

HSL 139.13, 0.73%, 0.37%

LAB 58.82, -54.88, 38.64

 

CMYK 85 / 0 / 36 / 36

HEX #19A369

RGB 25 163 105

HSL 154.78, 0.73%, 0.37%

LAB 59.36, -48.48, 20.55

 

CMYK 85 / 0 / 13 / 36

HEX #19A38E

RGB 25 163 142

HSL 170.87, 0.73%, 0.37%

LAB 60.21, -39.34, 1.11

 

CMYK 85 / 10 / 0 / 36

HEX #1993A3

RGB 25 147 163

HSL 186.96, 0.73%, 0.37%

LAB 55.8, -25.35, -17.39

 

CMYK 85 / 0 / 34 / 64

HEX #0E5B3C

RGB 14 91 60

HSL 155.84, 0.73%, 0.21%

LAB 33.78, -30.54, 11.67

 

CMYK 85 / 0 / 34 / 50

HEX #137F54

RGB 19 127 84

HSL 156.11, 0.74%, 0.29%

LAB 46.92, -39.5, 15.42

 

CMYK 85 / 0 / 34 / 36

HEX #19A36B

RGB 25 163 107

HSL 155.65, 0.73%, 0.37%

LAB 59.4, -48.05, 19.51

 

CMYK 84 / 0 / 34 / 22

HEX #1FC683

RGB 31 198 131

HSL 155.93, 0.73%, 0.45%

LAB 71.09, -55.64, 22.47

 

CMYK 78 / 0 / 32 / 13

HEX #30DE98

RGB 48 222 152

HSL 155.86, 0.73%, 0.53%

LAB 79.12, -58.55, 22.44

 

CMYK 85 / 0 / 34 / 36

HEX #19A26B

RGB 25 162 107

HSL 155.91, 0.73%, 0.37%

LAB 59.07, -47.67, 19.07

 

CMYK 85 / 66 / 0 / 36

HEX #1937A3

RGB 25 55 163

HSL 226.96, 0.73%, 0.37%

LAB 28.34, 31.42, -60.94

 

CMYK 0 / 69 / 85 / 36

HEX #A33219

RGB 163 50 25

HSL 10.87, 0.73%, 0.37%

LAB 38.09, 45.33, 40.39

 

CMYK 85 / 0 / 34 / 36

HEX #19A26B

RGB 25 162 107

HSL 155.91, 0.73%, 0.37%

LAB 59.07, -47.67, 19.07

 

CMYK 36 / 85 / 0 / 36

HEX #6919A3

RGB 105 25 163

HSL 274.78, 0.73%, 0.37%

LAB 30.26, 56.78, -57.5

 

CMYK 0 / 36 / 85 / 36

HEX #A36919

RGB 163 105 25

HSL 34.78, 0.73%, 0.37%

LAB 49.45, 16.93, 50.39

 

CMYK 85 / 0 / 34 / 36

HEX #19A26B

RGB 25 162 107

HSL 155.91, 0.73%, 0.37%

LAB 59.07, -47.67, 19.07

 

CMYK 85 / 66 / 0 / 36

HEX #1937A3

RGB 25 55 163

HSL 226.96, 0.73%, 0.37%

LAB 28.34, 31.42, -60.94

 

CMYK 0 / 85 / 50 / 36

HEX #A31952

RGB 163 25 82

HSL 335.22, 0.73%, 0.37%

LAB 36.16, 56.75, 3.32

 

CMYK 0 / 18 / 85 / 36

HEX #A38519

RGB 163 133 25

HSL 46.96, 0.73%, 0.37%

LAB 56.71, 1.14, 56.6

 

CMYK 85 / 0 / 34 / 36

HEX #19A26B

RGB 25 162 107

HSL 155.91, 0.73%, 0.37%

LAB 59.07, -47.67, 19.07

 

CMYK 78 / 85 / 0 / 36

HEX #2419A3

RGB 36 25 163

HSL 244.78, 0.73%, 0.37%

LAB 22.7, 49.39, -70.22

 

CMYK 0 / 85 / 50 / 36

HEX #A31952

RGB 163 25 82

HSL 335.22, 0.73%, 0.37%

LAB 36.16, 56.75, 3.32

 

CMYK 7 / 0 / 85 / 36

HEX #97A319

RGB 151 163 25

HSL 65.22, 0.73%, 0.37%

LAB 64.03, -20.25, 62.36

 

Description

Color code: HEX #19A26B | qconv.com Color code: HEX #19A26B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 162 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 162 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 34 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 34% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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