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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19B28B it is the complementary color #E64D74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19B28B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19B28B shade: #1EB286, #2FC499, #40D6AC, #51E8BF and #62FAD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19B28B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19B28B shade: #19B28B, #08A078, #008E65, #007C52 and #006A3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19B28B shade: #19B28B, #19B262, #19B238, #23B219 and #4CB219

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19B28B shade: #19B28B, #19B0B2, #1986B2, #195DB2 and #1934B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19B28B shade matches the following richer shades: #19B28B and #08C393

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19B28B shade: #19B28B, #2AA183, #3A917B, #4B8073 and #5B706B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19B28B shade: #19B238, #19B260, #19B289, #19B2B2 and #1989B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19B28B shade: #0F6A53, #148E6F, #19B28B, #1ED6A7 and #3BE3B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19B28B shade: #19B28B, #1923B2 and #B24C19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19B28B shade: #19B28B, #8919B2 and #B28919

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19B28B shade: #19B28B, #1923B2, #B21942 and #B2A819

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19B28B shade: #19B28B, #3D19B2, #B21942 and #8EB219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 22 / 30

HEX #19B28B

RGB 25 178 139

HSL 164.71, 0.75%, 0.4%

LAB 64.89, -46.49, 9.52

 

Complementary color

CMYK 0 / 67 / 50 / 10

HEX #E64D74

RGB 230 77 116

HSL 344.71, 0.75%, 0.6%

LAB 55.47, 61.68, 11.44

 

CMYK 83 / 0 / 25 / 30

HEX #1EB286

RGB 30 178 134

HSL 162.16, 0.71%, 0.41%

LAB 64.83, -47.31, 12.2

 

CMYK 76 / 0 / 22 / 23

HEX #2FC499

RGB 47 196 153

HSL 162.68, 0.61%, 0.48%

LAB 71.13, -48.28, 10.78

 

CMYK 70 / 0 / 20 / 16

HEX #40D6AC

RGB 64 214 172

HSL 163.2, 0.65%, 0.55%

LAB 77.38, -48.92, 9.5

 

CMYK 65 / 0 / 18 / 9

HEX #51E8BF

RGB 81 232 191

HSL 163.71, 0.77%, 0.61%

LAB 83.56, -49.35, 8.33

 

CMYK 61 / 0 / 16 / 2

HEX #62FAD2

RGB 98 250 210

HSL 164.21, 0.94%, 0.68%

LAB 89.68, -49.61, 7.26

 

CMYK 86 / 0 / 22 / 30

HEX #19B28B

RGB 25 178 139

HSL 164.71, 0.75%, 0.4%

LAB 64.89, -46.49, 9.52

 

CMYK 95 / 0 / 25 / 37

HEX #08A078

RGB 8 160 120

HSL 164.21, 0.9%, 0.33%

LAB 58.55, -44.93, 11.1

 

CMYK 100 / 0 / 29 / 44

HEX #008E65

RGB 0 142 101

HSL 162.68, 1%, 0.28%

LAB 52.16, -42.8, 12.88

 

CMYK 100 / 0 / 34 / 51

HEX #007C52

RGB 0 124 82

HSL 159.68, 1%, 0.24%

LAB 45.67, -40.21, 14.83

 

CMYK 100 / 0 / 41 / 58

HEX #006A3F

RGB 0 106 63

HSL 155.66, 1%, 0.21%

LAB 39.01, -37.48, 16.92

 

CMYK 86 / 0 / 22 / 30

HEX #19B28B

RGB 25 178 139

HSL 164.71, 0.75%, 0.4%

LAB 64.89, -46.49, 9.52

 

CMYK 86 / 0 / 45 / 30

HEX #19B262

RGB 25 178 98

HSL 148.63, 0.75%, 0.4%

LAB 64.1, -55.37, 30.55

 

CMYK 86 / 0 / 69 / 30

HEX #19B238

RGB 25 178 56

HSL 132.16, 0.75%, 0.4%

LAB 63.62, -61.27, 49.88

 

CMYK 80 / 0 / 86 / 30

HEX #23B219

RGB 35 178 25

HSL 116.08, 0.75%, 0.4%

LAB 63.56, -62.41, 59.97

 

CMYK 57 / 0 / 86 / 30

HEX #4CB219

RGB 76 178 25

HSL 100, 0.75%, 0.4%

LAB 64.52, -54.33, 61.19

 

CMYK 86 / 0 / 22 / 30

HEX #19B28B

RGB 25 178 139

HSL 164.71, 0.75%, 0.4%

LAB 64.89, -46.49, 9.52

 

CMYK 86 / 1 / 0 / 30

HEX #19B0B2

RGB 25 176 178

HSL 180.78, 0.75%, 0.4%

LAB 65.34, -34.72, -11.46

 

CMYK 86 / 25 / 0 / 30

HEX #1986B2

RGB 25 134 178

HSL 197.25, 0.75%, 0.4%

LAB 52.37, -13.18, -31.3

 

CMYK 86 / 48 / 0 / 30

HEX #195DB2

RGB 25 93 178

HSL 213.33, 0.75%, 0.4%

LAB 40, 11.89, -50.91

 

CMYK 86 / 71 / 0 / 30

HEX #1934B2

RGB 25 52 178

HSL 229.41, 0.75%, 0.4%

LAB 29.1, 38.98, -68.68

 

CMYK 86 / 0 / 22 / 30

HEX #19B28B

RGB 25 178 139

HSL 164.71, 0.75%, 0.4%

LAB 64.89, -46.49, 9.52

 

CMYK 96 / 0 / 25 / 24

HEX #08C393

RGB 8 195 147

HSL 164.6, 0.92%, 0.4%

LAB 70.31, -52.16, 12.8

 

CMYK 86 / 0 / 22 / 30

HEX #19B28B

RGB 25 178 139

HSL 164.71, 0.75%, 0.4%

LAB 64.89, -46.49, 9.52

 

CMYK 74 / 0 / 19 / 37

HEX #2AA183

RGB 42 161 131

HSL 164.87, 0.59%, 0.4%

LAB 59.54, -39.58, 6.38

 

CMYK 60 / 0 / 15 / 43

HEX #3A917B

RGB 58 145 123

HSL 164.83, 0.43%, 0.4%

LAB 54.64, -31.62, 3.93

 

CMYK 41 / 0 / 10 / 50

HEX #4B8073

RGB 75 128 115

HSL 165.28, 0.26%, 0.4%

LAB 49.7, -20.95, 1.51

 

CMYK 19 / 0 / 4 / 56

HEX #5B706B

RGB 91 112 107

HSL 165.71, 0.1%, 0.4%

LAB 45.46, -8.88, 0.19

 

CMYK 86 / 0 / 69 / 30

HEX #19B238

RGB 25 178 56

HSL 132.16, 0.75%, 0.4%

LAB 63.62, -61.27, 49.88

 

CMYK 86 / 0 / 46 / 30

HEX #19B260

RGB 25 178 96

HSL 147.84, 0.75%, 0.4%

LAB 64.07, -55.73, 31.55

 

CMYK 86 / 0 / 23 / 30

HEX #19B289

RGB 25 178 137

HSL 163.92, 0.75%, 0.4%

LAB 64.85, -46.99, 10.56

 

CMYK 86 / 0 / 0 / 30

HEX #19B2B2

RGB 25 178 178

HSL 180, 0.75%, 0.4%

LAB 65.95, -35.65, -10.54

 

CMYK 86 / 23 / 0 / 30

HEX #1989B2

RGB 25 137 178

HSL 196.08, 0.75%, 0.4%

LAB 53.29, -14.85, -29.86

 

CMYK 86 / 0 / 22 / 58

HEX #0F6A53

RGB 15 106 83

HSL 164.84, 0.75%, 0.24%

LAB 39.64, -31.11, 5.85

 

CMYK 86 / 0 / 22 / 44

HEX #148E6F

RGB 20 142 111

HSL 164.75, 0.75%, 0.32%

LAB 52.56, -39.01, 7.73

 

CMYK 86 / 0 / 22 / 30

HEX #19B28B

RGB 25 178 139

HSL 164.71, 0.75%, 0.4%

LAB 64.89, -46.49, 9.52

 

CMYK 86 / 0 / 22 / 16

HEX #1ED6A7

RGB 30 214 167

HSL 164.67, 0.75%, 0.48%

LAB 76.78, -53.67, 11.24

 

CMYK 74 / 0 / 19 / 11

HEX #3BE3B8

RGB 59 227 184

HSL 164.64, 0.75%, 0.56%

LAB 81.47, -52.04, 8.97

 

CMYK 86 / 0 / 22 / 30

HEX #19B28B

RGB 25 178 139

HSL 164.71, 0.75%, 0.4%

LAB 64.89, -46.49, 9.52

 

CMYK 86 / 80 / 0 / 30

HEX #1923B2

RGB 25 35 178

HSL 236.08, 0.75%, 0.4%

LAB 25.63, 48.76, -74.42

 

CMYK 0 / 57 / 86 / 30

HEX #B24C19

RGB 178 76 25

HSL 20, 0.75%, 0.4%

LAB 45.23, 38.94, 47.64

 

CMYK 86 / 0 / 22 / 30

HEX #19B28B

RGB 25 178 139

HSL 164.71, 0.75%, 0.4%

LAB 64.89, -46.49, 9.52

 

CMYK 23 / 86 / 0 / 30

HEX #8919B2

RGB 137 25 178

HSL 283.92, 0.75%, 0.4%

LAB 36.42, 64.86, -56.26

 

CMYK 0 / 23 / 86 / 30

HEX #B28919

RGB 178 137 25

HSL 43.92, 0.75%, 0.4%

LAB 59.37, 5.77, 59.46

 

CMYK 86 / 0 / 22 / 30

HEX #19B28B

RGB 25 178 139

HSL 164.71, 0.75%, 0.4%

LAB 64.89, -46.49, 9.52

 

CMYK 86 / 80 / 0 / 30

HEX #1923B2

RGB 25 35 178

HSL 236.08, 0.75%, 0.4%

LAB 25.63, 48.76, -74.42

 

CMYK 0 / 86 / 63 / 30

HEX #B21942

RGB 178 25 66

HSL 343.92, 0.75%, 0.4%

LAB 38.82, 59.57, 17.76

 

CMYK 0 / 6 / 86 / 30

HEX #B2A819

RGB 178 168 25

HSL 56.08, 0.75%, 0.4%

LAB 67.68, -10.92, 66.31

 

CMYK 86 / 0 / 22 / 30

HEX #19B28B

RGB 25 178 139

HSL 164.71, 0.75%, 0.4%

LAB 64.89, -46.49, 9.52

 

CMYK 66 / 86 / 0 / 30

HEX #3D19B2

RGB 61 25 178

HSL 254.12, 0.75%, 0.4%

LAB 26.45, 55.45, -72.99

 

CMYK 0 / 86 / 63 / 30

HEX #B21942

RGB 178 25 66

HSL 343.92, 0.75%, 0.4%

LAB 38.82, 59.57, 17.76

 

CMYK 20 / 0 / 86 / 30

HEX #8EB219

RGB 142 178 25

HSL 74.12, 0.75%, 0.4%

LAB 67.77, -31.38, 65.27

 

Description

Color code: HEX #19B28B | qconv.com Color code: HEX #19B28B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 178 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 178 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 22 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 22% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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