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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19BC1F it is the complementary color #E643E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19BC1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19BC1F shade: #1EBC1A, #2FCE2D, #40E040, #51F253 and #62FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19BC1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19BC1F shade: #19BC1F, #08AA0C, #009800, #008600 and #007400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19BC1F shade: #18BD1E, #3FBD18, #6BBD18, #97BD18 and #BDB618

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19BC1F shade: #18BD1E, #18BD4B, #18BD77, #18BDA4 and #18AABD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19BC1F shade matches the following richer shades: #18BD1E and #07CE0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19BC1F shade: #18BD1E, #29AC2E, #3B9A3E, #4C894E and #5D785E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19BC1F shade: #6BBD18, #3FBD18, #18BD1E, #18BD4A and #18BD76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19BC1F shade: #0F7412, #139918, #18BD1E, #1DE124 and #42E648

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19BC1F shade: #19BC1F, #1897BD and #BD1855

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19BC1F shade: #19BC1F, #1E18BD and #BD1E18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19BC1F shade: #19BC1F, #1897BD, #BD18B8 and #BD3F18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19BC1F shade: #19BC1F, #1865BD, #BD18B8 and #BD7018

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 84 / 26

HEX #19BC1F

RGB 25 188 31

HSL 122.21, 0.77%, 0.42%

LAB 66.73, -66.13, 61.33

 

Complementary color

CMYK 0 / 71 / 3 / 10

HEX #E643E0

RGB 230 67 224

HSL 302.21, 0.77%, 0.58%

LAB 58.24, 78.42, -47.08

 

CMYK 84 / 0 / 86 / 26

HEX #1EBC1A

RGB 30 188 26

HSL 118.52, 0.76%, 0.42%

LAB 66.76, -65.9, 62.57

 

CMYK 77 / 0 / 78 / 19

HEX #2FCE2D

RGB 47 206 45

HSL 119.25, 0.64%, 0.49%

LAB 72.85, -68.19, 63.24

 

CMYK 71 / 0 / 71 / 12

HEX #40E040

RGB 64 224 64

HSL 120, 0.72%, 0.56%

LAB 78.91, -69.82, 63.04

 

CMYK 67 / 0 / 66 / 5

HEX #51F253

RGB 81 242 83

HSL 120.75, 0.86%, 0.63%

LAB 84.93, -70.95, 62.33

 

CMYK 62 / 0 / 60 / 0

HEX #62FF66

RGB 98 255 102

HSL 121.53, 1%, 0.69%

LAB 89.43, -70.02, 59.66

 

CMYK 87 / 0 / 84 / 26

HEX #19BC1F

RGB 25 188 31

HSL 122.21, 0.77%, 0.42%

LAB 66.73, -66.13, 61.33

 

CMYK 95 / 0 / 93 / 33

HEX #08AA0C

RGB 8 170 12

HSL 121.48, 0.91%, 0.35%

LAB 60.63, -62.88, 59.81

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 87 / 0 / 84 / 26

HEX #18BD1E

RGB 24 189 30

HSL 122.18, 0.77%, 0.42%

LAB 67.04, -66.56, 61.86

 

CMYK 67 / 0 / 87 / 26

HEX #3FBD18

RGB 63 189 24

HSL 105.82, 0.77%, 0.42%

LAB 67.66, -61.19, 64.01

 

CMYK 43 / 0 / 87 / 26

HEX #6BBD18

RGB 107 189 24

HSL 89.82, 0.77%, 0.42%

LAB 69.17, -49.24, 65.91

 

CMYK 20 / 0 / 87 / 26

HEX #97BD18

RGB 151 189 24

HSL 73.82, 0.77%, 0.42%

LAB 71.58, -32.87, 68.91

 

CMYK 0 / 4 / 87 / 26

HEX #BDB618

RGB 189 182 24

HSL 57.45, 0.77%, 0.42%

LAB 72.46, -13.32, 70.79

 

CMYK 87 / 0 / 84 / 26

HEX #18BD1E

RGB 24 189 30

HSL 122.18, 0.77%, 0.42%

LAB 67.04, -66.56, 61.86

 

CMYK 87 / 0 / 60 / 26

HEX #18BD4B

RGB 24 189 75

HSL 138.55, 0.77%, 0.42%

LAB 67.35, -62.65, 45.81

 

CMYK 87 / 0 / 37 / 26

HEX #18BD77

RGB 24 189 119

HSL 154.55, 0.77%, 0.42%

LAB 67.96, -55.36, 24.59

 

CMYK 87 / 0 / 13 / 26

HEX #18BDA4

RGB 24 189 164

HSL 170.91, 0.77%, 0.42%

LAB 68.95, -44.62, 1.6

 

CMYK 87 / 10 / 0 / 26

HEX #18AABD

RGB 24 170 189

HSL 186.91, 0.77%, 0.42%

LAB 63.85, -28.43, -19.83

 

CMYK 87 / 0 / 84 / 26

HEX #18BD1E

RGB 24 189 30

HSL 122.18, 0.77%, 0.42%

LAB 67.04, -66.56, 61.86

 

CMYK 97 / 0 / 93 / 19

HEX #07CE0E

RGB 7 206 14

HSL 122.11, 0.93%, 0.42%

LAB 72.37, -72.83, 69.38

 

CMYK 87 / 0 / 84 / 26

HEX #18BD1E

RGB 24 189 30

HSL 122.18, 0.77%, 0.42%

LAB 67.04, -66.56, 61.86

 

CMYK 76 / 0 / 73 / 33

HEX #29AC2E

RGB 41 172 46

HSL 122.29, 0.62%, 0.42%

LAB 61.8, -58.37, 51.95

 

CMYK 62 / 0 / 60 / 40

HEX #3B9A3E

RGB 59 154 62

HSL 121.89, 0.45%, 0.42%

LAB 56.47, -46.9, 39.43

 

CMYK 45 / 0 / 43 / 46

HEX #4C894E

RGB 76 137 78

HSL 121.97, 0.29%, 0.42%

LAB 51.81, -32.7, 25.6

 

CMYK 23 / 0 / 22 / 53

HEX #5D785E

RGB 93 120 94

HSL 122.22, 0.13%, 0.42%

LAB 47.71, -15.35, 11.14

 

CMYK 43 / 0 / 87 / 26

HEX #6BBD18

RGB 107 189 24

HSL 89.82, 0.77%, 0.42%

LAB 69.17, -49.24, 65.91

 

CMYK 67 / 0 / 87 / 26

HEX #3FBD18

RGB 63 189 24

HSL 105.82, 0.77%, 0.42%

LAB 67.66, -61.19, 64.01

 

CMYK 87 / 0 / 84 / 26

HEX #18BD1E

RGB 24 189 30

HSL 122.18, 0.77%, 0.42%

LAB 67.04, -66.56, 61.86

 

CMYK 87 / 0 / 61 / 26

HEX #18BD4A

RGB 24 189 74

HSL 138.18, 0.77%, 0.42%

LAB 67.34, -62.77, 46.25

 

CMYK 87 / 0 / 38 / 26

HEX #18BD76

RGB 24 189 118

HSL 154.18, 0.77%, 0.42%

LAB 67.94, -55.56, 25.1

 

CMYK 87 / 0 / 84 / 55

HEX #0F7412

RGB 15 116 18

HSL 121.78, 0.77%, 0.26%

LAB 42.21, -45.89, 42.29

 

CMYK 88 / 0 / 84 / 40

HEX #139918

RGB 19 153 24

HSL 122.24, 0.78%, 0.34%

LAB 55.06, -56.68, 52.47

 

CMYK 87 / 0 / 84 / 26

HEX #18BD1E

RGB 24 189 30

HSL 122.18, 0.77%, 0.42%

LAB 67.04, -66.56, 61.86

 

CMYK 87 / 0 / 84 / 12

HEX #1DE124

RGB 29 225 36

HSL 122.14, 0.77%, 0.5%

LAB 78.6, -76.06, 70.88

 

CMYK 71 / 0 / 69 / 10

HEX #42E648

RGB 66 230 72

HSL 122.2, 0.77%, 0.58%

LAB 80.86, -70.71, 62.13

 

CMYK 87 / 0 / 84 / 26

HEX #19BC1F

RGB 25 188 31

HSL 122.21, 0.77%, 0.42%

LAB 66.73, -66.13, 61.33

 

CMYK 87 / 20 / 0 / 26

HEX #1897BD

RGB 24 151 189

HSL 193.82, 0.77%, 0.42%

LAB 58.04, -18.65, -28.75

 

CMYK 0 / 87 / 55 / 26

HEX #BD1855

RGB 189 24 85

HSL 337.82, 0.77%, 0.42%

LAB 41.42, 63.87, 9.6

 

CMYK 87 / 0 / 84 / 26

HEX #19BC1F

RGB 25 188 31

HSL 122.21, 0.77%, 0.42%

LAB 66.73, -66.13, 61.33

 

CMYK 84 / 87 / 0 / 26

HEX #1E18BD

RGB 30 24 189

HSL 242.18, 0.77%, 0.42%

LAB 25.57, 57.22, -81.07

 

CMYK 0 / 84 / 87 / 26

HEX #BD1E18

RGB 189 30 24

HSL 2.18, 0.77%, 0.42%

LAB 40.92, 59.86, 45.32

 

CMYK 87 / 0 / 84 / 26

HEX #19BC1F

RGB 25 188 31

HSL 122.21, 0.77%, 0.42%

LAB 66.73, -66.13, 61.33

 

CMYK 87 / 20 / 0 / 26

HEX #1897BD

RGB 24 151 189

HSL 193.82, 0.77%, 0.42%

LAB 58.04, -18.65, -28.75

 

CMYK 0 / 87 / 3 / 26

HEX #BD18B8

RGB 189 24 184

HSL 301.82, 0.77%, 0.42%

LAB 45.54, 75.03, -44.67

 

CMYK 0 / 67 / 87 / 26

HEX #BD3F18

RGB 189 63 24

HSL 14.18, 0.77%, 0.42%

LAB 44.86, 48.94, 48.52

 

CMYK 87 / 0 / 84 / 26

HEX #19BC1F

RGB 25 188 31

HSL 122.21, 0.77%, 0.42%

LAB 66.73, -66.13, 61.33

 

CMYK 87 / 47 / 0 / 26

HEX #1865BD

RGB 24 101 189

HSL 212, 0.77%, 0.42%

LAB 43.03, 10.98, -52.47

 

CMYK 0 / 87 / 3 / 26

HEX #BD18B8

RGB 189 24 184

HSL 301.82, 0.77%, 0.42%

LAB 45.54, 75.03, -44.67

 

CMYK 0 / 41 / 87 / 26

HEX #BD7018

RGB 189 112 24

HSL 32, 0.77%, 0.42%

LAB 54.53, 24.47, 56.34

 

Description

Color code: HEX #19BC1F | qconv.com Color code: HEX #19BC1F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 188 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 188 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 84 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 84% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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