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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19BC73 it is the complementary color #E6438C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19BC73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19BC73 shade: #1EBC6E, #2FCE81, #40E094, #51F2A7 and #62FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19BC73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19BC73 shade: #19BC73, #08AA60, #00984D, #00863A and #007427

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19BC73 shade: #18BD73, #18BD47, #18BD1A, #42BD18 and #6FBD18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19BC73 shade: #18BD73, #18BDA0, #18AEBD, #1881BD and #1855BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19BC73 shade matches the following richer shades: #18BD73 and #07CE75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19BC73 shade: #18BD73, #29AC71, #3B9A70, #4C896E and #5D786C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19BC73 shade: #18BD1B, #18BD47, #18BD73, #18BD9F and #18AFBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19BC73 shade: #0F7447, #13995D, #18BD73, #1DE189 and #42E69C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19BC73 shade: #19BC73, #1841BD and #BD3118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19BC73 shade: #19BC73, #7318BD and #BD7318

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19BC73 shade: #19BC73, #1841BD, #BD1862 and #BD9418

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19BC73 shade: #19BC73, #2018BD, #BD1862 and #B5BD18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 39 / 26

HEX #19BC73

RGB 25 188 115

HSL 153.13, 0.77%, 0.42%

LAB 67.58, -55.73, 26.21

 

Complementary color

CMYK 0 / 71 / 39 / 10

HEX #E6438C

RGB 230 67 140

HSL 333.13, 0.77%, 0.58%

LAB 54.79, 67.58, -3.78

 

CMYK 84 / 0 / 41 / 26

HEX #1EBC6E

RGB 30 188 110

HSL 150.38, 0.72%, 0.43%

LAB 67.55, -56.28, 28.8

 

CMYK 77 / 0 / 37 / 19

HEX #2FCE81

RGB 47 206 129

HSL 150.94, 0.63%, 0.5%

LAB 73.76, -57.38, 27.16

 

CMYK 71 / 0 / 34 / 12

HEX #40E094

RGB 64 224 148

HSL 151.5, 0.72%, 0.56%

LAB 79.92, -58.11, 25.65

 

CMYK 67 / 0 / 31 / 5

HEX #51F2A7

RGB 81 242 167

HSL 152.05, 0.86%, 0.63%

LAB 86.03, -58.57, 24.26

 

CMYK 62 / 0 / 27 / 0

HEX #62FFBA

RGB 98 255 186

HSL 153.63, 1%, 0.69%

LAB 90.63, -56.88, 20.94

 

CMYK 87 / 0 / 39 / 26

HEX #19BC73

RGB 25 188 115

HSL 153.13, 0.77%, 0.42%

LAB 67.58, -55.73, 26.21

 

CMYK 95 / 0 / 44 / 33

HEX #08AA60

RGB 8 170 96

HSL 152.59, 0.91%, 0.35%

LAB 61.35, -53.98, 28.01

 

CMYK 100 / 0 / 49 / 40

HEX #00984D

RGB 0 152 77

HSL 150.39, 1%, 0.3%

LAB 55.06, -51.58, 29.95

 

CMYK 100 / 0 / 57 / 47

HEX #00863A

RGB 0 134 58

HSL 145.97, 1%, 0.26%

LAB 48.71, -48.59, 31.96

 

CMYK 100 / 0 / 66 / 55

HEX #007427

RGB 0 116 39

HSL 140.17, 1%, 0.23%

LAB 42.21, -45.28, 33.82

 

CMYK 87 / 0 / 39 / 26

HEX #18BD73

RGB 24 189 115

HSL 153.09, 0.77%, 0.42%

LAB 67.89, -56.16, 26.61

 

CMYK 87 / 0 / 62 / 26

HEX #18BD47

RGB 24 189 71

HSL 137.09, 0.77%, 0.42%

LAB 67.31, -63.14, 47.56

 

CMYK 87 / 0 / 86 / 26

HEX #18BD1A

RGB 24 189 26

HSL 120.73, 0.77%, 0.42%

LAB 67.02, -66.74, 62.78

 

CMYK 65 / 0 / 87 / 26

HEX #42BD18

RGB 66 189 24

HSL 104.73, 0.77%, 0.42%

LAB 67.74, -60.56, 64.11

 

CMYK 41 / 0 / 87 / 26

HEX #6FBD18

RGB 111 189 24

HSL 88.36, 0.77%, 0.42%

LAB 69.36, -47.9, 66.14

 

CMYK 87 / 0 / 39 / 26

HEX #18BD73

RGB 24 189 115

HSL 153.09, 0.77%, 0.42%

LAB 67.89, -56.16, 26.61

 

CMYK 87 / 0 / 15 / 26

HEX #18BDA0

RGB 24 189 160

HSL 169.45, 0.77%, 0.42%

LAB 68.84, -45.69, 3.65

 

CMYK 87 / 8 / 0 / 26

HEX #18AEBD

RGB 24 174 189

HSL 185.45, 0.77%, 0.42%

LAB 65.07, -30.39, -17.97

 

CMYK 87 / 32 / 0 / 26

HEX #1881BD

RGB 24 129 189

HSL 201.82, 0.77%, 0.42%

LAB 51.35, -6.31, -39.21

 

CMYK 87 / 55 / 0 / 26

HEX #1855BD

RGB 24 85 189

HSL 217.82, 0.77%, 0.42%

LAB 38.49, 21.49, -59.8

 

CMYK 87 / 0 / 39 / 26

HEX #18BD73

RGB 24 189 115

HSL 153.09, 0.77%, 0.42%

LAB 67.89, -56.16, 26.61

 

CMYK 97 / 0 / 43 / 19

HEX #07CE75

RGB 7 206 117

HSL 153.17, 0.93%, 0.42%

LAB 73.2, -62.56, 32.53

 

CMYK 87 / 0 / 39 / 26

HEX #18BD73

RGB 24 189 115

HSL 153.09, 0.77%, 0.42%

LAB 67.89, -56.16, 26.61

 

CMYK 76 / 0 / 34 / 33

HEX #29AC71

RGB 41 172 113

HSL 152.98, 0.62%, 0.42%

LAB 62.65, -48.47, 20.68

 

CMYK 62 / 0 / 27 / 40

HEX #3B9A70

RGB 59 154 112

HSL 153.47, 0.45%, 0.42%

LAB 57.28, -38.16, 13.93

 

CMYK 45 / 0 / 20 / 46

HEX #4C896E

RGB 76 137 110

HSL 153.44, 0.29%, 0.42%

LAB 52.46, -26.44, 8.38

 

CMYK 23 / 0 / 10 / 53

HEX #5D786C

RGB 93 120 108

HSL 153.33, 0.13%, 0.42%

LAB 48.06, -12.46, 3.39

 

CMYK 87 / 0 / 86 / 26

HEX #18BD1B

RGB 24 189 27

HSL 121.09, 0.77%, 0.42%

LAB 67.03, -66.7, 62.56

 

CMYK 87 / 0 / 62 / 26

HEX #18BD47

RGB 24 189 71

HSL 137.09, 0.77%, 0.42%

LAB 67.31, -63.14, 47.56

 

CMYK 87 / 0 / 39 / 26

HEX #18BD73

RGB 24 189 115

HSL 153.09, 0.77%, 0.42%

LAB 67.89, -56.16, 26.61

 

CMYK 87 / 0 / 16 / 26

HEX #18BD9F

RGB 24 189 159

HSL 169.09, 0.77%, 0.42%

LAB 68.82, -45.95, 4.16

 

CMYK 87 / 7 / 0 / 26

HEX #18AFBD

RGB 24 175 189

HSL 185.09, 0.77%, 0.42%

LAB 65.38, -30.88, -17.51

 

CMYK 87 / 0 / 39 / 55

HEX #0F7447

RGB 15 116 71

HSL 153.27, 0.77%, 0.26%

LAB 42.83, -38.38, 17.39

 

CMYK 88 / 0 / 39 / 40

HEX #13995D

RGB 19 153 93

HSL 153.13, 0.78%, 0.34%

LAB 55.8, -47.73, 22.33

 

CMYK 87 / 0 / 39 / 26

HEX #18BD73

RGB 24 189 115

HSL 153.09, 0.77%, 0.42%

LAB 67.89, -56.16, 26.61

 

CMYK 87 / 0 / 39 / 12

HEX #1DE189

RGB 29 225 137

HSL 153.06, 0.77%, 0.5%

LAB 79.57, -64.28, 30.73

 

CMYK 71 / 0 / 32 / 10

HEX #42E69C

RGB 66 230 156

HSL 152.93, 0.77%, 0.58%

LAB 81.92, -58.49, 24.24

 

CMYK 87 / 0 / 39 / 26

HEX #19BC73

RGB 25 188 115

HSL 153.13, 0.77%, 0.42%

LAB 67.58, -55.73, 26.21

 

CMYK 87 / 66 / 0 / 26

HEX #1841BD

RGB 24 65 189

HSL 225.09, 0.77%, 0.42%

LAB 33.24, 34.71, -68.38

 

CMYK 0 / 74 / 87 / 26

HEX #BD3118

RGB 189 49 24

HSL 9.09, 0.77%, 0.42%

LAB 42.89, 54.33, 46.92

 

CMYK 87 / 0 / 39 / 26

HEX #19BC73

RGB 25 188 115

HSL 153.13, 0.77%, 0.42%

LAB 67.58, -55.73, 26.21

 

CMYK 39 / 87 / 0 / 26

HEX #7318BD

RGB 115 24 189

HSL 273.09, 0.77%, 0.42%

LAB 33.92, 64.19, -66.99

 

CMYK 0 / 39 / 87 / 26

HEX #BD7318

RGB 189 115 24

HSL 33.09, 0.77%, 0.42%

LAB 55.22, 22.83, 56.9

 

CMYK 87 / 0 / 39 / 26

HEX #19BC73

RGB 25 188 115

HSL 153.13, 0.77%, 0.42%

LAB 67.58, -55.73, 26.21

 

CMYK 87 / 66 / 0 / 26

HEX #1841BD

RGB 24 65 189

HSL 225.09, 0.77%, 0.42%

LAB 33.24, 34.71, -68.38

 

CMYK 0 / 87 / 48 / 26

HEX #BD1862

RGB 189 24 98

HSL 333.09, 0.77%, 0.42%

LAB 41.77, 64.87, 1.89

 

CMYK 0 / 22 / 87 / 26

HEX #BD9418

RGB 189 148 24

HSL 45.09, 0.77%, 0.42%

LAB 63.4, 4.67, 63.5

 

CMYK 87 / 0 / 39 / 26

HEX #19BC73

RGB 25 188 115

HSL 153.13, 0.77%, 0.42%

LAB 67.58, -55.73, 26.21

 

CMYK 83 / 87 / 0 / 26

HEX #2018BD

RGB 32 24 189

HSL 242.91, 0.77%, 0.42%

LAB 25.67, 57.29, -80.91

 

CMYK 0 / 87 / 48 / 26

HEX #BD1862

RGB 189 24 98

HSL 333.09, 0.77%, 0.42%

LAB 41.77, 64.87, 1.89

 

CMYK 4 / 0 / 87 / 26

HEX #B5BD18

RGB 181 189 24

HSL 62.91, 0.77%, 0.42%

LAB 73.73, -20.31, 71.55

 

Description

Color code: HEX #19BC73 | qconv.com Color code: HEX #19BC73 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 188 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 188 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 39 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 39% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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