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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19D6C8 it is the complementary color #E62937. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19D6C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19D6C8 shade: #1ED6C3, #2FE8D6, #40FAE9, #51FFFC and #62FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19D6C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19D6C8 shade: #19D6C8, #08C4B5, #00B2A2, #00A08F and #008E7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19D6C8 shade: #19D6C8, #19D695, #19D662, #19D62F and #36D619

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19D6C8 shade: #19D6C8, #19B1D6, #197ED6, #194BD6 and #1919D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19D6C8 shade matches the following richer shades: #19D6C8 and #05E9D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19D6C8 shade: #19D6C8, #2CC3B7, #3FAFA7, #539C96 and #668886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19D6C8 shade: #19D661, #19D694, #19D6C6, #19B3D6 and #1981D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19D6C8 shade: #108C83, #14B1A6, #19D6C8, #32E6D9 and #56EBE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19D6C8 shade: #19D6C8, #2F19D6 and #D67B19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19D6C8 shade: #19D6C8, #C619D6 and #D6C619

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19D6C8 shade: #19D6C8, #2F19D6, #D61928 and #C0D619

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19D6C8 shade: #19D6C8, #6819D6, #D61928 and #87D619

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 7 / 16

HEX #19D6C8

RGB 25 214 200

HSL 175.56, 0.79%, 0.47%

LAB 77.56, -45.33, -5.29

 

Complementary color

CMYK 0 / 82 / 76 / 10

HEX #E62937

RGB 230 41 55

HSL 355.56, 0.79%, 0.53%

LAB 50.32, 69.49, 40.75

 

CMYK 86 / 0 / 9 / 16

HEX #1ED6C3

RGB 30 214 195

HSL 173.8, 0.75%, 0.48%

LAB 77.47, -46.43, -2.74

 

CMYK 80 / 0 / 8 / 9

HEX #2FE8D6

RGB 47 232 214

HSL 174.16, 0.8%, 0.55%

LAB 83.53, -47.68, -3.91

 

CMYK 74 / 0 / 7 / 2

HEX #40FAE9

RGB 64 250 233

HSL 174.52, 0.95%, 0.62%

LAB 89.55, -48.65, -4.97

 

CMYK 68 / 0 / 1 / 0

HEX #51FFFC

RGB 81 255 252

HSL 178.97, 1%, 0.66%

LAB 91.82, -43.77, -11.45

 

CMYK 62 / 0 / 0 / 0

HEX #62FFFF

RGB 98 255 255

HSL 180, 1%, 0.69%

LAB 92.28, -40.58, -12.28

 

CMYK 88 / 0 / 7 / 16

HEX #19D6C8

RGB 25 214 200

HSL 175.56, 0.79%, 0.47%

LAB 77.56, -45.33, -5.29

 

CMYK 96 / 0 / 8 / 23

HEX #08C4B5

RGB 8 196 181

HSL 175.21, 0.92%, 0.4%

LAB 71.47, -43.6, -4.02

 

CMYK 100 / 0 / 9 / 30

HEX #00B2A2

RGB 0 178 162

HSL 174.61, 1%, 0.35%

LAB 65.32, -41.47, -2.62

 

CMYK 100 / 0 / 11 / 37

HEX #00A08F

RGB 0 160 143

HSL 173.63, 1%, 0.31%

LAB 59.09, -39.06, -1.11

 

CMYK 100 / 0 / 13 / 44

HEX #008E7C

RGB 0 142 124

HSL 172.39, 1%, 0.28%

LAB 52.73, -36.6, 0.47

 

CMYK 88 / 0 / 7 / 16

HEX #19D6C8

RGB 25 214 200

HSL 175.56, 0.79%, 0.47%

LAB 77.56, -45.33, -5.29

 

CMYK 88 / 0 / 30 / 16

HEX #19D695

RGB 25 214 149

HSL 159.37, 0.79%, 0.47%

LAB 76.36, -58.14, 20.17

 

CMYK 88 / 0 / 54 / 16

HEX #19D662

RGB 25 214 98

HSL 143.17, 0.79%, 0.47%

LAB 75.56, -67.41, 44.86

 

CMYK 88 / 0 / 78 / 16

HEX #19D62F

RGB 25 214 47

HSL 126.98, 0.79%, 0.47%

LAB 75.14, -72.66, 64.74

 

CMYK 75 / 0 / 88 / 16

HEX #36D619

RGB 54 214 25

HSL 110.79, 0.79%, 0.47%

LAB 75.42, -70.54, 70.46

 

CMYK 88 / 0 / 7 / 16

HEX #19D6C8

RGB 25 214 200

HSL 175.56, 0.79%, 0.47%

LAB 77.56, -45.33, -5.29

 

CMYK 88 / 17 / 0 / 16

HEX #19B1D6

RGB 25 177 214

HSL 191.75, 0.79%, 0.47%

LAB 66.9, -23.63, -28.99

 

CMYK 88 / 41 / 0 / 16

HEX #197ED6

RGB 25 126 214

HSL 207.94, 0.79%, 0.47%

LAB 51.82, 5.07, -52.69

 

CMYK 88 / 65 / 0 / 16

HEX #194BD6

RGB 25 75 214

HSL 224.13, 0.79%, 0.47%

LAB 38.01, 37.73, -75.08

 

CMYK 88 / 88 / 0 / 16

HEX #1919D6

RGB 25 25 214

HSL 240, 0.79%, 0.47%

LAB 28.79, 63.8, -90.35

 

CMYK 88 / 0 / 7 / 16

HEX #19D6C8

RGB 25 214 200

HSL 175.56, 0.79%, 0.47%

LAB 77.56, -45.33, -5.29

 

CMYK 98 / 0 / 7 / 9

HEX #05E9D9

RGB 5 233 217

HSL 175.79, 0.96%, 0.47%

LAB 83.61, -49.35, -5.41

 

CMYK 88 / 0 / 7 / 16

HEX #19D6C8

RGB 25 214 200

HSL 175.56, 0.79%, 0.47%

LAB 77.56, -45.33, -5.29

 

CMYK 77 / 0 / 6 / 24

HEX #2CC3B7

RGB 44 195 183

HSL 175.23, 0.63%, 0.47%

LAB 71.54, -40.35, -4.95

 

CMYK 64 / 0 / 5 / 31

HEX #3FAFA7

RGB 63 175 167

HSL 175.71, 0.47%, 0.47%

LAB 65.36, -33.12, -5.23

 

CMYK 47 / 0 / 4 / 39

HEX #539C96

RGB 83 156 150

HSL 175.07, 0.31%, 0.47%

LAB 59.72, -24.31, -3.95

 

CMYK 25 / 0 / 1 / 47

HEX #668886

RGB 102 136 134

HSL 176.47, 0.14%, 0.47%

LAB 54.19, -12.33, -2.82

 

CMYK 88 / 0 / 55 / 16

HEX #19D661

RGB 25 214 97

HSL 142.86, 0.79%, 0.47%

LAB 75.55, -67.55, 45.32

 

CMYK 88 / 0 / 31 / 16

HEX #19D694

RGB 25 214 148

HSL 159.05, 0.79%, 0.47%

LAB 76.34, -58.36, 20.67

 

CMYK 88 / 0 / 7 / 16

HEX #19D6C6

RGB 25 214 198

HSL 174.92, 0.79%, 0.47%

LAB 77.51, -45.89, -4.29

 

CMYK 88 / 16 / 0 / 16

HEX #19B3D6

RGB 25 179 214

HSL 191.11, 0.79%, 0.47%

LAB 67.5, -24.65, -28.07

 

CMYK 88 / 40 / 0 / 16

HEX #1981D6

RGB 25 129 214

HSL 206.98, 0.79%, 0.47%

LAB 52.69, 3.24, -51.3

 

CMYK 89 / 0 / 6 / 45

HEX #108C83

RGB 16 140 131

HSL 175.65, 0.79%, 0.31%

LAB 52.4, -32.76, -4.05

 

CMYK 89 / 0 / 6 / 31

HEX #14B1A6

RGB 20 177 166

HSL 175.8, 0.8%, 0.39%

LAB 65.24, -39.06, -4.94

 

CMYK 88 / 0 / 7 / 16

HEX #19D6C8

RGB 25 214 200

HSL 175.56, 0.79%, 0.47%

LAB 77.56, -45.33, -5.29

 

CMYK 78 / 0 / 6 / 10

HEX #32E6D9

RGB 50 230 217

HSL 175.67, 0.78%, 0.55%

LAB 83.06, -45.74, -6.18

 

CMYK 63 / 0 / 5 / 8

HEX #56EBE0

RGB 86 235 224

HSL 175.57, 0.79%, 0.63%

LAB 85.39, -41.64, -6.36

 

CMYK 88 / 0 / 7 / 16

HEX #19D6C8

RGB 25 214 200

HSL 175.56, 0.79%, 0.47%

LAB 77.56, -45.33, -5.29

 

CMYK 78 / 88 / 0 / 16

HEX #2F19D6

RGB 47 25 214

HSL 246.98, 0.79%, 0.47%

LAB 29.8, 64.48, -88.65

 

CMYK 0 / 43 / 88 / 16

HEX #D67B19

RGB 214 123 25

HSL 31.11, 0.79%, 0.47%

LAB 60.37, 29.18, 62.1

 

CMYK 88 / 0 / 7 / 16

HEX #19D6C8

RGB 25 214 200

HSL 175.56, 0.79%, 0.47%

LAB 77.56, -45.33, -5.29

 

CMYK 7 / 88 / 0 / 16

HEX #C619D6

RGB 198 25 214

HSL 294.92, 0.79%, 0.47%

LAB 48.95, 81.03, -56.52

 

CMYK 0 / 7 / 88 / 16

HEX #D6C619

RGB 214 198 25

HSL 54.92, 0.79%, 0.47%

LAB 78.9, -10.6, 76.65

 

CMYK 88 / 0 / 7 / 16

HEX #19D6C8

RGB 25 214 200

HSL 175.56, 0.79%, 0.47%

LAB 77.56, -45.33, -5.29

 

CMYK 78 / 88 / 0 / 16

HEX #2F19D6

RGB 47 25 214

HSL 246.98, 0.79%, 0.47%

LAB 29.8, 64.48, -88.65

 

CMYK 0 / 88 / 81 / 16

HEX #D61928

RGB 214 25 40

HSL 355.24, 0.79%, 0.47%

LAB 45.83, 68, 43.44

 

CMYK 10 / 0 / 88 / 16

HEX #C0D619

RGB 192 214 25

HSL 66.98, 0.79%, 0.47%

LAB 81.49, -27.78, 77.99

 

CMYK 88 / 0 / 7 / 16

HEX #19D6C8

RGB 25 214 200

HSL 175.56, 0.79%, 0.47%

LAB 77.56, -45.33, -5.29

 

CMYK 51 / 88 / 0 / 16

HEX #6819D6

RGB 104 25 214

HSL 265.08, 0.79%, 0.47%

LAB 34.99, 68.38, -79.88

 

CMYK 0 / 88 / 81 / 16

HEX #D61928

RGB 214 25 40

HSL 355.24, 0.79%, 0.47%

LAB 45.83, 68, 43.44

 

CMYK 37 / 0 / 88 / 16

HEX #87D619

RGB 135 214 25

HSL 85.08, 0.79%, 0.47%

LAB 78.06, -49.75, 73.76

 

Description

Color code: HEX #19D6C8 | qconv.com Color code: HEX #19D6C8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 214 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 214 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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