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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19E1D4 it is the complementary color #E61E2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19E1D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19E1D4 shade: #1EE1CF, #2FF3E2, #40FFF5, #51FFFF and #62FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19E1D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19E1D4 shade: #19E1D4, #08CFC1, #00BDAE, #00AB9B and #009988

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19E1D4 shade: #18E0D3, #18E09E, #18E068, #18E032 and #35E018

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19E1D4 shade: #18E0D3, #18B7E0, #1882E0, #184CE0 and #1818E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19E1D4 shade matches the following richer shades: #18E0D3 and #04F5E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19E1D4 shade: #18E0D3, #2DCCC2, #41B8B0, #55A49F and #69908D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19E1D4 shade: #18E068, #18E09E, #18E0D3, #18B8E0 and #1883E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19E1D4 shade: #10968D, #14BBB0, #18E0D3, #3AE9DD and #5FEDE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19E1D4 shade: #19E1D4, #3318E0 and #E08318

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19E1D4 shade: #19E1D4, #D318E0 and #E0D318

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19E1D4 shade: #19E1D4, #3318E0, #E01826 and #C6E018

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19E1D4 shade: #19E1D4, #6F18E0, #E01826 and #8AE018

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 6 / 12

HEX #19E1D4

RGB 25 225 212

HSL 176.1, 0.8%, 0.49%

LAB 81.19, -46.7, -6.33

 

Complementary color

CMYK 0 / 87 / 81 / 10

HEX #E61E2B

RGB 230 30 43

HSL 356.1, 0.8%, 0.51%

LAB 49.41, 71.38, 46.4

 

CMYK 87 / 0 / 8 / 12

HEX #1EE1CF

RGB 30 225 207

HSL 174.46, 0.76%, 0.5%

LAB 81.09, -47.82, -3.82

 

CMYK 81 / 0 / 7 / 5

HEX #2FF3E2

RGB 47 243 226

HSL 174.8, 0.89%, 0.57%

LAB 87.09, -49.12, -4.97

 

CMYK 75 / 0 / 4 / 0

HEX #40FFF5

RGB 64 255 245

HSL 176.86, 1%, 0.63%

LAB 91.33, -47.59, -8.59

 

CMYK 68 / 0 / 0 / 0

HEX #51FFFF

RGB 81 255 255

HSL 180, 1%, 0.66%

LAB 91.9, -42.96, -12.88

 

CMYK 62 / 0 / 0 / 0

HEX #62FFFF

RGB 98 255 255

HSL 180, 1%, 0.69%

LAB 92.28, -40.58, -12.28

 

CMYK 89 / 0 / 6 / 12

HEX #19E1D4

RGB 25 225 212

HSL 176.1, 0.8%, 0.49%

LAB 81.19, -46.7, -6.33

 

CMYK 96 / 0 / 7 / 19

HEX #08CFC1

RGB 8 207 193

HSL 175.78, 0.93%, 0.42%

LAB 75.16, -44.94, -5.08

 

CMYK 100 / 0 / 8 / 26

HEX #00BDAE

RGB 0 189 174

HSL 175.24, 1%, 0.37%

LAB 69.08, -42.81, -3.71

 

CMYK 100 / 0 / 9 / 33

HEX #00AB9B

RGB 0 171 155

HSL 174.39, 1%, 0.34%

LAB 62.92, -40.43, -2.24

 

CMYK 100 / 0 / 11 / 40

HEX #009988

RGB 0 153 136

HSL 173.33, 1%, 0.3%

LAB 56.64, -38, -0.71

 

CMYK 89 / 0 / 6 / 12

HEX #18E0D3

RGB 24 224 211

HSL 176.1, 0.81%, 0.49%

LAB 80.85, -46.6, -6.29

 

CMYK 89 / 0 / 29 / 12

HEX #18E09E

RGB 24 224 158

HSL 160.2, 0.81%, 0.49%

LAB 79.6, -59.92, 19.93

 

CMYK 89 / 0 / 54 / 12

HEX #18E068

RGB 24 224 104

HSL 144, 0.81%, 0.49%

LAB 78.76, -69.78, 45.9

 

CMYK 89 / 0 / 78 / 12

HEX #18E032

RGB 24 224 50

HSL 127.8, 0.81%, 0.49%

LAB 78.31, -75.36, 66.88

 

CMYK 76 / 0 / 89 / 12

HEX #35E018

RGB 53 224 24

HSL 111.3, 0.81%, 0.49%

LAB 78.54, -73.67, 73.3

 

CMYK 89 / 0 / 6 / 12

HEX #18E0D3

RGB 24 224 211

HSL 176.1, 0.81%, 0.49%

LAB 80.85, -46.6, -6.29

 

CMYK 89 / 18 / 0 / 12

HEX #18B7E0

RGB 24 183 224

HSL 192.3, 0.81%, 0.49%

LAB 69.07, -23.38, -31.14

 

CMYK 89 / 42 / 0 / 12

HEX #1882E0

RGB 24 130 224

HSL 208.2, 0.81%, 0.49%

LAB 53.54, 6.4, -55.58

 

CMYK 89 / 66 / 0 / 12

HEX #184CE0

RGB 24 76 224

HSL 224.4, 0.81%, 0.49%

LAB 39.15, 40.74, -78.94

 

CMYK 89 / 89 / 0 / 12

HEX #1818E0

RGB 24 24 224

HSL 240, 0.81%, 0.49%

LAB 29.98, 66.84, -94.13

 

CMYK 89 / 0 / 6 / 12

HEX #18E0D3

RGB 24 224 211

HSL 176.1, 0.81%, 0.49%

LAB 80.85, -46.6, -6.29

 

CMYK 98 / 0 / 7 / 4

HEX #04F5E5

RGB 4 245 229

HSL 176.02, 0.97%, 0.49%

LAB 87.48, -51.08, -6

 

CMYK 89 / 0 / 6 / 12

HEX #18E0D3

RGB 24 224 211

HSL 176.1, 0.81%, 0.49%

LAB 80.85, -46.6, -6.29

 

CMYK 78 / 0 / 5 / 20

HEX #2DCCC2

RGB 45 204 194

HSL 176.23, 0.64%, 0.49%

LAB 74.6, -41.18, -6.41

 

CMYK 65 / 0 / 4 / 28

HEX #41B8B0

RGB 65 184 176

HSL 175.97, 0.48%, 0.49%

LAB 68.42, -34.54, -5.69

 

CMYK 48 / 0 / 3 / 36

HEX #55A49F

RGB 85 164 159

HSL 176.2, 0.32%, 0.49%

LAB 62.5, -25.51, -4.92

 

CMYK 27 / 0 / 2 / 44

HEX #69908D

RGB 105 144 141

HSL 175.38, 0.16%, 0.49%

LAB 56.95, -14.07, -2.77

 

CMYK 89 / 0 / 54 / 12

HEX #18E068

RGB 24 224 104

HSL 144, 0.81%, 0.49%

LAB 78.76, -69.78, 45.9

 

CMYK 89 / 0 / 29 / 12

HEX #18E09E

RGB 24 224 158

HSL 160.2, 0.81%, 0.49%

LAB 79.6, -59.92, 19.93

 

CMYK 89 / 0 / 6 / 12

HEX #18E0D3

RGB 24 224 211

HSL 176.1, 0.81%, 0.49%

LAB 80.85, -46.6, -6.29

 

CMYK 89 / 18 / 0 / 12

HEX #18B8E0

RGB 24 184 224

HSL 192, 0.81%, 0.49%

LAB 69.37, -23.89, -30.68

 

CMYK 89 / 42 / 0 / 12

HEX #1883E0

RGB 24 131 224

HSL 207.9, 0.81%, 0.49%

LAB 53.82, 5.79, -55.12

 

CMYK 89 / 0 / 6 / 41

HEX #10968D

RGB 16 150 141

HSL 175.97, 0.81%, 0.33%

LAB 55.93, -34.4, -4.6

 

CMYK 89 / 0 / 6 / 27

HEX #14BBB0

RGB 20 187 176

HSL 176.05, 0.81%, 0.41%

LAB 68.62, -40.62, -5.47

 

CMYK 89 / 0 / 6 / 12

HEX #18E0D3

RGB 24 224 211

HSL 176.1, 0.81%, 0.49%

LAB 80.85, -46.6, -6.29

 

CMYK 75 / 0 / 5 / 9

HEX #3AE9DD

RGB 58 233 221

HSL 175.89, 0.8%, 0.57%

LAB 84.17, -45.18, -6.64

 

CMYK 60 / 0 / 4 / 7

HEX #5FEDE4

RGB 95 237 228

HSL 176.2, 0.8%, 0.65%

LAB 86.31, -40.04, -7.08

 

CMYK 89 / 0 / 6 / 12

HEX #19E1D4

RGB 25 225 212

HSL 176.1, 0.8%, 0.49%

LAB 81.19, -46.7, -6.33

 

CMYK 77 / 89 / 0 / 12

HEX #3318E0

RGB 51 24 224

HSL 248.1, 0.81%, 0.49%

LAB 31.2, 67.61, -92.06

 

CMYK 0 / 42 / 89 / 12

HEX #E08318

RGB 224 131 24

HSL 32.1, 0.81%, 0.49%

LAB 63.46, 29.1, 65.33

 

CMYK 89 / 0 / 6 / 12

HEX #19E1D4

RGB 25 225 212

HSL 176.1, 0.8%, 0.49%

LAB 81.19, -46.7, -6.33

 

CMYK 6 / 89 / 0 / 12

HEX #D318E0

RGB 211 24 224

HSL 296.1, 0.81%, 0.49%

LAB 51.71, 84.86, -57.68

 

CMYK 0 / 6 / 89 / 12

HEX #E0D318

RGB 224 211 24

HSL 56.1, 0.81%, 0.49%

LAB 83.18, -12.87, 80.55

 

CMYK 89 / 0 / 6 / 12

HEX #19E1D4

RGB 25 225 212

HSL 176.1, 0.8%, 0.49%

LAB 81.19, -46.7, -6.33

 

CMYK 77 / 89 / 0 / 12

HEX #3318E0

RGB 51 24 224

HSL 248.1, 0.81%, 0.49%

LAB 31.2, 67.61, -92.06

 

CMYK 0 / 89 / 83 / 12

HEX #E01826

RGB 224 24 38

HSL 355.8, 0.81%, 0.49%

LAB 47.8, 70.69, 47.09

 

CMYK 12 / 0 / 89 / 12

HEX #C6E018

RGB 198 224 24

HSL 67.8, 0.81%, 0.49%

LAB 84.68, -30.05, 80.88

 

CMYK 89 / 0 / 6 / 12

HEX #19E1D4

RGB 25 225 212

HSL 176.1, 0.8%, 0.49%

LAB 81.19, -46.7, -6.33

 

CMYK 50 / 89 / 0 / 12

HEX #6F18E0

RGB 111 24 224

HSL 266.1, 0.81%, 0.49%

LAB 36.77, 71.6, -82.66

 

CMYK 0 / 89 / 83 / 12

HEX #E01826

RGB 224 24 38

HSL 355.8, 0.81%, 0.49%

LAB 47.8, 70.69, 47.09

 

CMYK 38 / 0 / 89 / 12

HEX #8AE018

RGB 138 224 24

HSL 85.8, 0.81%, 0.49%

LAB 81.17, -52.77, 76.57

 

Description

Color code: HEX #19E1D4 | qconv.com Color code: HEX #19E1D4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 225 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 225 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 6 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 6% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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