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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19EB85 it is the complementary color #E6147A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19EB85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19EB85 shade: #1EEB80, #2FFD93, #40FFA6, #51FFB9 and #62FFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19EB85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19EB85 shade: #19EB85, #08D972, #00C75F, #00B54C and #00A339

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19EB85 shade: #19EB85, #19EB4C, #1EEB19, #56EB19 and #8FEB19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19EB85 shade: #19EB85, #19EBBD, #19DFEB, #19A7EB and #196EEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19EB85 shade matches the following richer shades: #19EB85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19EB85 shade: #19EB85, #2DD684, #41C283, #55AE83 and #699A82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19EB85 shade: #20EB19, #19EB4A, #19EB82, #19EBBA and #19E4EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19EB85 shade: #0EA35A, #11C970, #19EB85, #3FEE99 and #65F1AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19EB85 shade: #19EB85, #1958EB and #EB2E19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19EB85 shade: #19EB85, #8219EB and #EB8219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19EB85 shade: #19EB85, #1958EB, #EB1982 and #EBAC19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19EB85 shade: #19EB85, #1919EB, #EB1982 and #EBEB19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 43 / 8

HEX #19EB85

RGB 25 235 133

HSL 150.86, 0.84%, 0.51%

LAB 82.55, -68.65, 36.64

 

Complementary color

CMYK 0 / 91 / 47 / 10

HEX #E6147A

RGB 230 20 122

HSL 330.86, 0.84%, 0.49%

LAB 50.37, 77.02, 0.53

 

CMYK 87 / 0 / 46 / 8

HEX #1EEB80

RGB 30 235 128

HSL 148.68, 0.84%, 0.52%

LAB 82.51, -69.2, 39.07

 

CMYK 81 / 0 / 42 / 1

HEX #2FFD93

RGB 47 253 147

HSL 149.13, 0.98%, 0.59%

LAB 88.43, -70.61, 37.41

 

CMYK 75 / 0 / 35 / 0

HEX #40FFA6

RGB 64 255 166

HSL 152.04, 1%, 0.63%

LAB 89.56, -66.02, 29.51

 

CMYK 68 / 0 / 27 / 0

HEX #51FFB9

RGB 81 255 185

HSL 155.86, 1%, 0.66%

LAB 90.22, -59.91, 20.83

 

CMYK 62 / 0 / 20 / 0

HEX #62FFCC

RGB 98 255 204

HSL 160.51, 1%, 0.69%

LAB 91, -53.05, 12.23

 

CMYK 89 / 0 / 43 / 8

HEX #19EB85

RGB 25 235 133

HSL 150.86, 0.84%, 0.51%

LAB 82.55, -68.65, 36.64

 

CMYK 96 / 0 / 47 / 15

HEX #08D972

RGB 8 217 114

HSL 150.43, 0.93%, 0.44%

LAB 76.61, -66.7, 38.41

 

CMYK 100 / 0 / 52 / 22

HEX #00C75F

RGB 0 199 95

HSL 148.64, 1%, 0.39%

LAB 70.64, -64.22, 40.27

 

CMYK 100 / 0 / 58 / 29

HEX #00B54C

RGB 0 181 76

HSL 145.19, 1%, 0.35%

LAB 64.62, -61.28, 42.11

 

CMYK 100 / 0 / 65 / 36

HEX #00A339

RGB 0 163 57

HSL 140.98, 1%, 0.32%

LAB 58.5, -58.1, 43.8

 

CMYK 89 / 0 / 43 / 8

HEX #19EB85

RGB 25 235 133

HSL 150.86, 0.84%, 0.51%

LAB 82.55, -68.65, 36.64

 

CMYK 89 / 0 / 68 / 8

HEX #19EB4C

RGB 25 235 76

HSL 134.57, 0.84%, 0.51%

LAB 81.92, -76.36, 61.57

 

CMYK 87 / 0 / 89 / 8

HEX #1EEB19

RGB 30 235 25

HSL 118.57, 0.84%, 0.51%

LAB 81.71, -79.15, 75.74

 

CMYK 63 / 0 / 89 / 8

HEX #56EB19

RGB 86 235 25

HSL 102.57, 0.84%, 0.51%

LAB 82.63, -71.16, 76.88

 

CMYK 39 / 0 / 89 / 8

HEX #8FEB19

RGB 143 235 25

HSL 86.29, 0.84%, 0.51%

LAB 84.65, -55.4, 79.39

 

CMYK 89 / 0 / 43 / 8

HEX #19EB85

RGB 25 235 133

HSL 150.86, 0.84%, 0.51%

LAB 82.55, -68.65, 36.64

 

CMYK 89 / 0 / 20 / 8

HEX #19EBBD

RGB 25 235 189

HSL 166.86, 0.84%, 0.51%

LAB 83.6, -56.83, 9.33

 

CMYK 89 / 5 / 0 / 8

HEX #19DFEB

RGB 25 223 235

HSL 183.43, 0.84%, 0.51%

LAB 81.28, -39.13, -18.42

 

CMYK 89 / 29 / 0 / 8

HEX #19A7EB

RGB 25 167 235

HSL 199.43, 0.84%, 0.51%

LAB 64.84, -11, -43.76

 

CMYK 89 / 53 / 0 / 8

HEX #196EEB

RGB 25 110 235

HSL 215.71, 0.84%, 0.51%

LAB 48.71, 23.23, -69.54

 

CMYK 89 / 0 / 43 / 8

HEX #19EB85

RGB 25 235 133

HSL 150.86, 0.84%, 0.51%

LAB 82.55, -68.65, 36.64

 

CMYK 89 / 0 / 43 / 8

HEX #19EB85

RGB 25 235 133

HSL 150.86, 0.84%, 0.51%

LAB 82.55, -68.65, 36.64

 

CMYK 79 / 0 / 38 / 16

HEX #2DD684

RGB 45 214 132

HSL 150.89, 0.67%, 0.51%

LAB 76.26, -59.95, 28.94

 

CMYK 66 / 0 / 32 / 24

HEX #41C283

RGB 65 194 131

HSL 150.7, 0.51%, 0.51%

LAB 70.42, -49.72, 21.65

 

CMYK 51 / 0 / 25 / 32

HEX #55AE83

RGB 85 174 131

HSL 151.01, 0.35%, 0.51%

LAB 64.84, -36.95, 14.04

 

CMYK 32 / 0 / 16 / 40

HEX #699A82

RGB 105 154 130

HSL 150.61, 0.2%, 0.51%

LAB 59.64, -21.81, 7.39

 

CMYK 86 / 0 / 89 / 8

HEX #20EB19

RGB 32 235 25

HSL 118, 0.84%, 0.51%

LAB 81.73, -79, 75.76

 

CMYK 89 / 0 / 69 / 8

HEX #19EB4A

RGB 25 235 74

HSL 134, 0.84%, 0.51%

LAB 81.9, -76.55, 62.32

 

CMYK 89 / 0 / 45 / 8

HEX #19EB82

RGB 25 235 130

HSL 150, 0.84%, 0.51%

LAB 82.5, -69.17, 38.07

 

CMYK 89 / 0 / 21 / 8

HEX #19EBBA

RGB 25 235 186

HSL 166, 0.84%, 0.51%

LAB 83.53, -57.56, 10.8

 

CMYK 89 / 3 / 0 / 8

HEX #19E4EB

RGB 25 228 235

HSL 182, 0.84%, 0.51%

LAB 82.75, -41.39, -16.2

 

CMYK 91 / 0 / 45 / 36

HEX #0EA35A

RGB 14 163 90

HSL 150.6, 0.84%, 0.35%

LAB 59, -52.33, 28.14

 

CMYK 92 / 0 / 44 / 21

HEX #11C970

RGB 17 201 112

HSL 150.98, 0.84%, 0.43%

LAB 71.6, -61.36, 33.01

 

CMYK 89 / 0 / 43 / 8

HEX #19EB85

RGB 25 235 133

HSL 150.86, 0.84%, 0.51%

LAB 82.55, -68.65, 36.64

 

CMYK 74 / 0 / 36 / 7

HEX #3FEE99

RGB 63 238 153

HSL 150.86, 0.84%, 0.59%

LAB 84.23, -62.47, 28.9

 

CMYK 58 / 0 / 28 / 5

HEX #65F1AD

RGB 101 241 173

HSL 150.86, 0.83%, 0.67%

LAB 86.35, -53.32, 21.7

 

CMYK 89 / 0 / 43 / 8

HEX #19EB85

RGB 25 235 133

HSL 150.86, 0.84%, 0.51%

LAB 82.55, -68.65, 36.64

 

CMYK 89 / 63 / 0 / 8

HEX #1958EB

RGB 25 88 235

HSL 222, 0.84%, 0.51%

LAB 43.04, 37.29, -78.79

 

CMYK 0 / 80 / 89 / 8

HEX #EB2E19

RGB 235 46 25

HSL 6, 0.84%, 0.51%

LAB 51.48, 68.92, 56.94

 

CMYK 89 / 0 / 43 / 8

HEX #19EB85

RGB 25 235 133

HSL 150.86, 0.84%, 0.51%

LAB 82.55, -68.65, 36.64

 

CMYK 45 / 89 / 0 / 8

HEX #8219EB

RGB 130 25 235

HSL 270, 0.84%, 0.51%

LAB 40.31, 75.7, -83.02

 

CMYK 0 / 45 / 89 / 8

HEX #EB8219

RGB 235 130 25

HSL 30, 0.84%, 0.51%

LAB 64.72, 34.16, 66.67

 

CMYK 89 / 0 / 43 / 8

HEX #19EB85

RGB 25 235 133

HSL 150.86, 0.84%, 0.51%

LAB 82.55, -68.65, 36.64

 

CMYK 89 / 63 / 0 / 8

HEX #1958EB

RGB 25 88 235

HSL 222, 0.84%, 0.51%

LAB 43.04, 37.29, -78.79

 

CMYK 0 / 89 / 45 / 8

HEX #EB1982

RGB 235 25 130

HSL 330, 0.84%, 0.51%

LAB 51.8, 78.14, -2.1

 

CMYK 0 / 27 / 89 / 8

HEX #EBAC19

RGB 235 172 25

HSL 42, 0.84%, 0.51%

LAB 74.34, 12.03, 73.98

 

CMYK 89 / 0 / 43 / 8

HEX #19EB85

RGB 25 235 133

HSL 150.86, 0.84%, 0.51%

LAB 82.55, -68.65, 36.64

 

CMYK 89 / 89 / 0 / 8

HEX #1919EB

RGB 25 25 235

HSL 240, 0.84%, 0.51%

LAB 31.58, 69.52, -97.76

 

CMYK 0 / 89 / 45 / 8

HEX #EB1982

RGB 235 25 130

HSL 330, 0.84%, 0.51%

LAB 51.8, 78.14, -2.1

 

CMYK 0 / 0 / 89 / 8

HEX #EBEB19

RGB 235 235 25

HSL 60, 0.84%, 0.51%

LAB 90.39, -20, 86.41

 

Description

Color code: HEX #19EB85 | qconv.com Color code: HEX #19EB85 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 235 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 235 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 43 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 43% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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