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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19F990 it is the complementary color #E6066F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19F990. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19F990 shade: #1EF98B, #2FFF9E, #40FFB1, #51FFC4 and #62FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19F990. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19F990 shade: #19F990, #08E77D, #00D56A, #00C357 and #00B144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19F990 shade: #1AF990, #1AF954, #1CF91A, #58F91A and #94F91A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19F990 shade: #1AF990, #1AF9CC, #1AE9F9, #1AADF9 and #1A71F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19F990 shade matches the following richer shades: #1AF990

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19F990 shade: #1AF990, #2DE68F, #40D38E, #53C08D and #66AD8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19F990 shade: #1DF91A, #1AF951, #1AF98D, #1AF9C8 and #1AEDF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19F990 shade: #04BC66, #05E47C, #1AF990, #42FAA4 and #6AFBB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19F990 shade: #19F990, #1A59F9 and #F9341A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19F990 shade: #19F990, #8D1AF9 and #F98D1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19F990 shade: #19F990, #1A59F9, #F91A85 and #F9B91A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19F990 shade: #19F990, #1D1AF9, #F91A85 and #F5F91A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 42 / 2

HEX #19F990

RGB 25 249 144

HSL 151.88, 0.95%, 0.54%

LAB 86.98, -71.36, 36.97

 

Complementary color

CMYK 0 / 97 / 52 / 10

HEX #E6066F

RGB 230 6 111

HSL 331.88, 0.95%, 0.46%

LAB 49.62, 77.47, 6.17

 

CMYK 88 / 0 / 44 / 2

HEX #1EF98B

RGB 30 249 139

HSL 149.86, 0.95%, 0.55%

LAB 86.94, -71.95, 39.38

 

CMYK 82 / 0 / 38 / 0

HEX #2FFF9E

RGB 47 255 158

HSL 152.02, 1%, 0.59%

LAB 89.2, -69.31, 32.99

 

CMYK 75 / 0 / 31 / 0

HEX #40FFB1

RGB 64 255 177

HSL 155.5, 1%, 0.63%

LAB 89.76, -63.84, 24.22

 

CMYK 68 / 0 / 23 / 0

HEX #51FFC4

RGB 81 255 196

HSL 159.66, 1%, 0.66%

LAB 90.44, -57.55, 15.5

 

CMYK 62 / 0 / 16 / 0

HEX #62FFD7

RGB 98 255 215

HSL 164.71, 1%, 0.69%

LAB 91.24, -50.56, 6.91

 

CMYK 90 / 0 / 42 / 2

HEX #19F990

RGB 25 249 144

HSL 151.88, 0.95%, 0.54%

LAB 86.98, -71.36, 36.97

 

CMYK 97 / 0 / 46 / 9

HEX #08E77D

RGB 8 231 125

HSL 151.48, 0.93%, 0.47%

LAB 81.12, -69.41, 38.73

 

CMYK 100 / 0 / 50 / 16

HEX #00D56A

RGB 0 213 106

HSL 149.86, 1%, 0.42%

LAB 75.22, -66.98, 40.58

 

CMYK 100 / 0 / 55 / 24

HEX #00C357

RGB 0 195 87

HSL 146.77, 1%, 0.38%

LAB 69.27, -64.14, 42.44

 

CMYK 100 / 0 / 62 / 31

HEX #00B144

RGB 0 177 68

HSL 143.05, 1%, 0.35%

LAB 63.23, -61.09, 44.21

 

CMYK 90 / 0 / 42 / 2

HEX #1AF990

RGB 26 249 144

HSL 151.75, 0.95%, 0.54%

LAB 86.99, -71.31, 36.98

 

CMYK 90 / 0 / 66 / 2

HEX #1AF954

RGB 26 249 84

HSL 135.61, 0.95%, 0.54%

LAB 86.31, -79.56, 63.21

 

CMYK 89 / 0 / 90 / 2

HEX #1CF91A

RGB 28 249 26

HSL 119.46, 0.95%, 0.54%

LAB 86.04, -83.03, 79.26

 

CMYK 65 / 0 / 90 / 2

HEX #58F91A

RGB 88 249 26

HSL 103.32, 0.95%, 0.54%

LAB 86.95, -75.12, 80.39

 

CMYK 41 / 0 / 90 / 2

HEX #94F91A

RGB 148 249 26

HSL 87.17, 0.95%, 0.54%

LAB 88.98, -59.16, 82.91

 

CMYK 90 / 0 / 42 / 2

HEX #1AF990

RGB 26 249 144

HSL 151.75, 0.95%, 0.54%

LAB 86.99, -71.31, 36.98

 

CMYK 90 / 0 / 18 / 2

HEX #1AF9CC

RGB 26 249 204

HSL 167.89, 0.95%, 0.54%

LAB 88.13, -58.55, 7.99

 

CMYK 90 / 6 / 0 / 2

HEX #1AE9F9

RGB 26 233 249

HSL 184.3, 0.95%, 0.54%

LAB 84.66, -39.42, -20.71

 

CMYK 90 / 31 / 0 / 2

HEX #1AADF9

RGB 26 173 249

HSL 200.45, 0.95%, 0.54%

LAB 67.24, -9.25, -47.63

 

CMYK 90 / 55 / 0 / 2

HEX #1A71F9

RGB 26 113 249

HSL 216.59, 0.95%, 0.54%

LAB 50.53, 26.72, -74.38

 

CMYK 90 / 0 / 42 / 2

HEX #1AF990

RGB 26 249 144

HSL 151.75, 0.95%, 0.54%

LAB 86.99, -71.31, 36.98

 

CMYK 90 / 0 / 42 / 2

HEX #1AF990

RGB 26 249 144

HSL 151.75, 0.95%, 0.54%

LAB 86.99, -71.31, 36.98

 

CMYK 80 / 0 / 38 / 10

HEX #2DE68F

RGB 45 230 143

HSL 151.78, 0.79%, 0.54%

LAB 81.37, -63.57, 30.1

 

CMYK 70 / 0 / 33 / 17

HEX #40D38E

RGB 64 211 142

HSL 151.84, 0.63%, 0.54%

LAB 75.84, -54.34, 23.23

 

CMYK 57 / 0 / 27 / 25

HEX #53C08D

RGB 83 192 141

HSL 151.93, 0.46%, 0.54%

LAB 70.5, -43.24, 16.49

 

CMYK 41 / 0 / 20 / 32

HEX #66AD8B

RGB 102 173 139

HSL 151.27, 0.3%, 0.54%

LAB 65.42, -30.22, 10.55

 

CMYK 88 / 0 / 90 / 2

HEX #1DF91A

RGB 29 249 26

HSL 119.19, 0.95%, 0.54%

LAB 86.05, -82.97, 79.27

 

CMYK 90 / 0 / 67 / 2

HEX #1AF951

RGB 26 249 81

HSL 134.8, 0.95%, 0.54%

LAB 86.29, -79.85, 64.34

 

CMYK 90 / 0 / 43 / 2

HEX #1AF98D

RGB 26 249 141

HSL 150.94, 0.95%, 0.54%

LAB 86.94, -71.84, 38.39

 

CMYK 90 / 0 / 20 / 2

HEX #1AF9C8

RGB 26 249 200

HSL 166.82, 0.95%, 0.54%

LAB 88.04, -59.52, 9.93

 

CMYK 90 / 5 / 0 / 2

HEX #1AEDF9

RGB 26 237 249

HSL 183.23, 0.95%, 0.54%

LAB 85.82, -41.24, -18.96

 

CMYK 98 / 0 / 46 / 26

HEX #04BC66

RGB 4 188 102

HSL 151.96, 0.96%, 0.38%

LAB 67.24, -59.28, 32.49

 

CMYK 98 / 0 / 46 / 11

HEX #05E47C

RGB 5 228 124

HSL 152.02, 0.96%, 0.46%

LAB 80.17, -68.7, 38

 

CMYK 90 / 0 / 42 / 2

HEX #1AF990

RGB 26 249 144

HSL 151.75, 0.95%, 0.54%

LAB 86.99, -71.31, 36.98

 

CMYK 74 / 0 / 34 / 2

HEX #42FAA4

RGB 66 250 164

HSL 151.96, 0.95%, 0.62%

LAB 88.07, -64.34, 28.51

 

CMYK 58 / 0 / 27 / 2

HEX #6AFBB7

RGB 106 251 183

HSL 151.86, 0.95%, 0.7%

LAB 89.62, -54.36, 21.11

 

CMYK 90 / 0 / 42 / 2

HEX #19F990

RGB 25 249 144

HSL 151.88, 0.95%, 0.54%

LAB 86.98, -71.36, 36.97

 

CMYK 90 / 64 / 0 / 2

HEX #1A59F9

RGB 26 89 249

HSL 223.05, 0.95%, 0.54%

LAB 44.52, 41.86, -84.21

 

CMYK 0 / 79 / 90 / 2

HEX #F9341A

RGB 249 52 26

HSL 7, 0.95%, 0.54%

LAB 54.73, 71.32, 60.11

 

CMYK 90 / 0 / 42 / 2

HEX #19F990

RGB 25 249 144

HSL 151.88, 0.95%, 0.54%

LAB 86.98, -71.36, 36.97

 

CMYK 43 / 90 / 0 / 2

HEX #8D1AF9

RGB 141 26 249

HSL 270.94, 0.95%, 0.54%

LAB 43.12, 79.63, -86.23

 

CMYK 0 / 43 / 90 / 2

HEX #F98D1A

RGB 249 141 26

HSL 30.94, 0.95%, 0.54%

LAB 68.94, 34.18, 70.41

 

CMYK 90 / 0 / 42 / 2

HEX #19F990

RGB 25 249 144

HSL 151.88, 0.95%, 0.54%

LAB 86.98, -71.36, 36.97

 

CMYK 90 / 64 / 0 / 2

HEX #1A59F9

RGB 26 89 249

HSL 223.05, 0.95%, 0.54%

LAB 44.52, 41.86, -84.21

 

CMYK 0 / 90 / 47 / 2

HEX #F91A85

RGB 249 26 133

HSL 331.21, 0.95%, 0.54%

LAB 54.63, 81.39, 0.55

 

CMYK 0 / 26 / 90 / 2

HEX #F9B91A

RGB 249 185 26

HSL 42.78, 0.95%, 0.54%

LAB 78.99, 11.22, 77.99

 

CMYK 90 / 0 / 42 / 2

HEX #19F990

RGB 25 249 144

HSL 151.88, 0.95%, 0.54%

LAB 86.98, -71.36, 36.97

 

CMYK 88 / 90 / 0 / 2

HEX #1D1AF9

RGB 29 26 249

HSL 240.81, 0.95%, 0.54%

LAB 33.65, 73.01, -102.23

 

CMYK 0 / 90 / 47 / 2

HEX #F91A85

RGB 249 26 133

HSL 331.21, 0.95%, 0.54%

LAB 54.63, 81.39, 0.55

 

CMYK 2 / 0 / 90 / 2

HEX #F5F91A

RGB 245 249 26

HSL 61.08, 0.95%, 0.54%

LAB 94.84, -22.56, 90.07

 

Description

Color code: HEX #19F990 | qconv.com Color code: HEX #19F990 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 249 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 249 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 42 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 42% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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