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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CA4B9 it is the complementary color #E35B46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CA4B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CA4B9 shade: #21A4B4, #32B6C7, #43C8DA, #54DAED and #65ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CA4B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CA4B9 shade: #1CA4B9, #0B92A6, #008093, #006E80 and #005C6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CA4B9 shade: #1BA5BA, #1B7ABA, #1B4FBA, #1B24BA and #3D1BBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CA4B9 shade: #1BA5BA, #1B7ABA, #1B4FBA, #1B24BA and #1B1BBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CA4B9 shade matches the following richer shades: #1BA5BA and #0AB1CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CA4B9 shade: #1BA5BA, #2D98A9, #3E8B97, #4F7F86 and #617275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CA4B9 shade: #1BBA7A, #1BBAA5, #1BA5BA, #1B7ABA and #1B50BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CA4B9 shade: #116572, #168596, #1BA5BA, #21C4DD and #45CEE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CA4B9 shade: #1CA4B9, #501BBA and #BA901B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CA4B9 shade: #1CA4B9, #BA1BA5 and #A5BA1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CA4B9 shade: #1CA4B9, #501BBA, #BA301B and #85BA1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CA4B9 shade: #1CA4B9, #801BBA, #BA301B and #55BA1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 11 / 0 / 27

HEX #1CA4B9

RGB 28 164 185

HSL 188.03, 0.74%, 0.42%

LAB 61.91, -26.48, -20.54

 

Complementary color

CMYK 0 / 60 / 69 / 11

HEX #E35B46

RGB 227 91 70

HSL 8.03, 0.74%, 0.58%

LAB 56.34, 51.69, 39.08

 

CMYK 82 / 9 / 0 / 29

HEX #21A4B4

RGB 33 164 180

HSL 186.53, 0.69%, 0.42%

LAB 61.8, -27.7, -17.9

 

CMYK 75 / 9 / 0 / 22

HEX #32B6C7

RGB 50 182 199

HSL 186.85, 0.6%, 0.49%

LAB 68.21, -28.89, -18.71

 

CMYK 69 / 8 / 0 / 15

HEX #43C8DA

RGB 67 200 218

HSL 187.15, 0.67%, 0.56%

LAB 74.55, -29.8, -19.43

 

CMYK 65 / 8 / 0 / 7

HEX #54DAED

RGB 84 218 237

HSL 187.45, 0.81%, 0.63%

LAB 80.82, -30.49, -20.09

 

CMYK 60 / 7 / 0 / 0

HEX #65ECFF

RGB 101 236 255

HSL 187.4, 1%, 0.7%

LAB 86.99, -31.3, -20.22

 

CMYK 85 / 11 / 0 / 27

HEX #1CA4B9

RGB 28 164 185

HSL 188.03, 0.74%, 0.42%

LAB 61.91, -26.48, -20.54

 

CMYK 93 / 12 / 0 / 35

HEX #0B92A6

RGB 11 146 166

HSL 187.74, 0.88%, 0.35%

LAB 55.46, -24.67, -19.64

 

CMYK 100 / 13 / 0 / 42

HEX #008093

RGB 0 128 147

HSL 187.76, 1%, 0.29%

LAB 48.94, -22.39, -18.62

 

CMYK 100 / 14 / 0 / 50

HEX #006E80

RGB 0 110 128

HSL 188.44, 1%, 0.25%

LAB 42.32, -19.58, -17.47

 

CMYK 100 / 16 / 0 / 57

HEX #005C6D

RGB 0 92 109

HSL 189.36, 1%, 0.21%

LAB 35.51, -16.66, -16.3

 

CMYK 85 / 11 / 0 / 27

HEX #1BA5BA

RGB 27 165 186

HSL 187.92, 0.75%, 0.42%

LAB 62.24, -26.72, -20.6

 

CMYK 85 / 34 / 0 / 27

HEX #1B7ABA

RGB 27 122 186

HSL 204.15, 0.75%, 0.42%

LAB 49.13, -3.07, -40.99

 

CMYK 85 / 58 / 0 / 27

HEX #1B4FBA

RGB 27 79 186

HSL 220.38, 0.75%, 0.42%

LAB 36.69, 24.5, -60.98

 

CMYK 85 / 81 / 0 / 27

HEX #1B24BA

RGB 27 36 186

HSL 236.6, 0.75%, 0.42%

LAB 26.85, 50.92, -77.17

 

CMYK 67 / 85 / 0 / 27

HEX #3D1BBA

RGB 61 27 186

HSL 252.83, 0.75%, 0.42%

LAB 27.63, 56.92, -75.81

 

CMYK 85 / 11 / 0 / 27

HEX #1BA5BA

RGB 27 165 186

HSL 187.92, 0.75%, 0.42%

LAB 62.24, -26.72, -20.6

 

CMYK 85 / 34 / 0 / 27

HEX #1B7ABA

RGB 27 122 186

HSL 204.15, 0.75%, 0.42%

LAB 49.13, -3.07, -40.99

 

CMYK 85 / 58 / 0 / 27

HEX #1B4FBA

RGB 27 79 186

HSL 220.38, 0.75%, 0.42%

LAB 36.69, 24.5, -60.98

 

CMYK 85 / 81 / 0 / 27

HEX #1B24BA

RGB 27 36 186

HSL 236.6, 0.75%, 0.42%

LAB 26.85, 50.92, -77.17

 

CMYK 85 / 85 / 0 / 27

HEX #1B1BBA

RGB 27 27 186

HSL 240, 0.75%, 0.42%

LAB 25.45, 55.05, -79.5

 

CMYK 85 / 11 / 0 / 27

HEX #1BA5BA

RGB 27 165 186

HSL 187.92, 0.75%, 0.42%

LAB 62.24, -26.72, -20.6

 

CMYK 95 / 13 / 0 / 20

HEX #0AB1CB

RGB 10 177 203

HSL 188.08, 0.91%, 0.42%

LAB 66.38, -27.93, -23.74

 

CMYK 85 / 11 / 0 / 27

HEX #1BA5BA

RGB 27 165 186

HSL 187.92, 0.75%, 0.42%

LAB 62.24, -26.72, -20.6

 

CMYK 73 / 10 / 0 / 34

HEX #2D98A9

RGB 45 152 169

HSL 188.23, 0.58%, 0.42%

LAB 57.92, -23.88, -17.56

 

CMYK 59 / 8 / 0 / 41

HEX #3E8B97

RGB 62 139 151

HSL 188.09, 0.42%, 0.42%

LAB 53.73, -19.94, -13.55

 

CMYK 41 / 5 / 0 / 47

HEX #4F7F86

RGB 79 127 134

HSL 187.64, 0.26%, 0.42%

LAB 50.17, -14.32, -8.93

 

CMYK 17 / 3 / 0 / 54

HEX #617275

RGB 97 114 117

HSL 189, 0.09%, 0.42%

LAB 46.79, -5.6, -3.79

 

CMYK 85 / 0 / 34 / 27

HEX #1BBA7A

RGB 27 186 122

HSL 155.85, 0.75%, 0.42%

LAB 67.09, -53.4, 21.83

 

CMYK 85 / 0 / 11 / 27

HEX #1BBAA5

RGB 27 186 165

HSL 172.08, 0.75%, 0.42%

LAB 68.07, -42.86, -0.22

 

CMYK 85 / 11 / 0 / 27

HEX #1BA5BA

RGB 27 165 186

HSL 187.92, 0.75%, 0.42%

LAB 62.24, -26.72, -20.6

 

CMYK 85 / 34 / 0 / 27

HEX #1B7ABA

RGB 27 122 186

HSL 204.15, 0.75%, 0.42%

LAB 49.13, -3.07, -40.99

 

CMYK 85 / 57 / 0 / 27

HEX #1B50BA

RGB 27 80 186

HSL 220, 0.75%, 0.42%

LAB 36.96, 23.84, -60.54

 

CMYK 85 / 11 / 0 / 55

HEX #116572

RGB 17 101 114

HSL 188.04, 0.74%, 0.26%

LAB 38.97, -18.53, -14.08

 

CMYK 85 / 11 / 0 / 41

HEX #168596

RGB 22 133 150

HSL 187.97, 0.74%, 0.34%

LAB 50.86, -22.73, -17.42

 

CMYK 85 / 11 / 0 / 27

HEX #1BA5BA

RGB 27 165 186

HSL 187.92, 0.75%, 0.42%

LAB 62.24, -26.72, -20.6

 

CMYK 85 / 11 / 0 / 13

HEX #21C4DD

RGB 33 196 221

HSL 187.98, 0.74%, 0.5%

LAB 72.91, -30.32, -23.6

 

CMYK 70 / 9 / 0 / 11

HEX #45CEE3

RGB 69 206 227

HSL 187.97, 0.74%, 0.58%

LAB 76.65, -29.76, -21.09

 

CMYK 85 / 11 / 0 / 27

HEX #1CA4B9

RGB 28 164 185

HSL 188.03, 0.74%, 0.42%

LAB 61.91, -26.48, -20.54

 

CMYK 57 / 85 / 0 / 27

HEX #501BBA

RGB 80 27 186

HSL 260, 0.75%, 0.42%

LAB 29.5, 58.58, -72.66

 

CMYK 0 / 23 / 85 / 27

HEX #BA901B

RGB 186 144 27

HSL 44.15, 0.75%, 0.42%

LAB 62.05, 5.58, 61.49

 

CMYK 85 / 11 / 0 / 27

HEX #1CA4B9

RGB 28 164 185

HSL 188.03, 0.74%, 0.42%

LAB 61.91, -26.48, -20.54

 

CMYK 0 / 85 / 11 / 27

HEX #BA1BA5

RGB 186 27 165

HSL 307.92, 0.75%, 0.42%

LAB 44.15, 71.18, -35.67

 

CMYK 11 / 0 / 85 / 27

HEX #A5BA1B

RGB 165 186 27

HSL 67.92, 0.75%, 0.42%

LAB 71.69, -25.57, 68.76

 

CMYK 85 / 11 / 0 / 27

HEX #1CA4B9

RGB 28 164 185

HSL 188.03, 0.74%, 0.42%

LAB 61.91, -26.48, -20.54

 

CMYK 57 / 85 / 0 / 27

HEX #501BBA

RGB 80 27 186

HSL 260, 0.75%, 0.42%

LAB 29.5, 58.58, -72.66

 

CMYK 0 / 74 / 85 / 27

HEX #BA301B

RGB 186 48 27

HSL 7.92, 0.75%, 0.42%

LAB 42.2, 53.79, 44.73

 

CMYK 28 / 0 / 85 / 27

HEX #85BA1B

RGB 133 186 27

HSL 80, 0.75%, 0.42%

LAB 69.6, -38.55, 66.16

 

CMYK 85 / 11 / 0 / 27

HEX #1CA4B9

RGB 28 164 185

HSL 188.03, 0.74%, 0.42%

LAB 61.91, -26.48, -20.54

 

CMYK 31 / 85 / 0 / 27

HEX #801BBA

RGB 128 27 186

HSL 278.11, 0.75%, 0.42%

LAB 35.83, 64.57, -62.03

 

CMYK 0 / 74 / 85 / 27

HEX #BA301B

RGB 186 48 27

HSL 7.92, 0.75%, 0.42%

LAB 42.2, 53.79, 44.73

 

CMYK 54 / 0 / 85 / 27

HEX #55BA1B

RGB 85 186 27

HSL 98.11, 0.75%, 0.42%

LAB 67.37, -54.7, 63.36

 

Description

Color code: HEX #1CA4B9 | qconv.com Color code: HEX #1CA4B9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 164 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 164 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 11 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 11% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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