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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CA03F it is the complementary color #E35FC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CA03F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CA03F shade: #21A03A, #32B24D, #43C460, #54D673 and #65E886

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CA03F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CA03F shade: #1CA03F, #0B8E2C, #007C19, #006A06 and #005800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CA03F shade: #1CA03F, #1CA01C, #40A01C, #64A01C and #87A01C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CA03F shade: #1CA03F, #1CA062, #1CA086, #1C96A0 and #1C72A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CA03F shade matches the following richer shades: #1CA03F and #0DAF38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CA03F shade: #1CA03F, #2B9146, #3A814D, #4A7254 and #59635C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CA03F shade: #41A01C, #1EA01C, #1CA03D, #1CA060 and #1CA083

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CA03F shade: #0F5A23, #167D31, #1CA03F, #22C34D and #34DB60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CA03F shade: #1CA03F, #1C64A0 and #A01C30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CA03F shade: #1CA03F, #3D1CA0 and #A03D1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CA03F shade: #1CA03F, #1C64A0, #A01C7F and #A0571C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CA03F shade: #1CA03F, #1C3DA0, #A01C7F and #A07F1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 61 / 37

HEX #1CA03F

RGB 28 160 63

HSL 135.91, 0.7%, 0.37%

LAB 57.8, -54.36, 40.32

 

Complementary color

CMYK 0 / 58 / 15 / 11

HEX #E35FC0

RGB 227 95 192

HSL 315.91, 0.7%, 0.63%

LAB 60.18, 62.17, -25.94

 

CMYK 79 / 0 / 64 / 37

HEX #21A03A

RGB 33 160 58

HSL 131.81, 0.66%, 0.38%

LAB 57.82, -54.37, 42.67

 

CMYK 72 / 0 / 57 / 30

HEX #32B24D

RGB 50 178 77

HSL 132.66, 0.56%, 0.45%

LAB 64.21, -55.55, 41.28

 

CMYK 66 / 0 / 51 / 23

HEX #43C460

RGB 67 196 96

HSL 133.49, 0.52%, 0.52%

LAB 70.54, -56.25, 39.83

 

CMYK 61 / 0 / 46 / 16

HEX #54D673

RGB 84 214 115

HSL 134.31, 0.61%, 0.58%

LAB 76.81, -56.62, 38.4

 

CMYK 56 / 0 / 42 / 9

HEX #65E886

RGB 101 232 134

HSL 135.11, 0.74%, 0.65%

LAB 83.02, -56.78, 37.02

 

CMYK 83 / 0 / 61 / 37

HEX #1CA03F

RGB 28 160 63

HSL 135.91, 0.7%, 0.37%

LAB 57.8, -54.36, 40.32

 

CMYK 92 / 0 / 69 / 44

HEX #0B8E2C

RGB 11 142 44

HSL 135.11, 0.86%, 0.3%

LAB 51.38, -52.32, 41.69

 

CMYK 100 / 0 / 80 / 51

HEX #007C19

RGB 0 124 25

HSL 132.1, 1%, 0.24%

LAB 44.92, -49.25, 42.51

 

CMYK 100 / 0 / 94 / 58

HEX #006A06

RGB 0 106 6

HSL 123.4, 1%, 0.21%

LAB 38.41, -44.89, 42.02

 

CMYK 100 / 0 / 100 / 65

HEX #005800

RGB 0 88 0

HSL 120, 1%, 0.17%

LAB 31.76, -39.68, 38.3

 

CMYK 83 / 0 / 61 / 37

HEX #1CA03F

RGB 28 160 63

HSL 135.91, 0.7%, 0.37%

LAB 57.8, -54.36, 40.32

 

CMYK 83 / 0 / 83 / 37

HEX #1CA01C

RGB 28 160 28

HSL 120, 0.7%, 0.37%

LAB 57.53, -57.63, 53.68

 

CMYK 60 / 0 / 83 / 37

HEX #40A01C

RGB 64 160 28

HSL 103.64, 0.7%, 0.37%

LAB 58.34, -50.84, 54.72

 

CMYK 38 / 0 / 83 / 37

HEX #64A01C

RGB 100 160 28

HSL 87.27, 0.7%, 0.37%

LAB 59.83, -39.53, 56.63

 

CMYK 16 / 0 / 83 / 37

HEX #87A01C

RGB 135 160 28

HSL 71.36, 0.7%, 0.37%

LAB 61.98, -25.57, 59.36

 

CMYK 83 / 0 / 61 / 37

HEX #1CA03F

RGB 28 160 63

HSL 135.91, 0.7%, 0.37%

LAB 57.8, -54.36, 40.32

 

CMYK 83 / 0 / 39 / 37

HEX #1CA062

RGB 28 160 98

HSL 151.82, 0.7%, 0.37%

LAB 58.29, -48.51, 22.94

 

CMYK 83 / 0 / 16 / 37

HEX #1CA086

RGB 28 160 134

HSL 168.18, 0.7%, 0.37%

LAB 59.08, -39.95, 3.99

 

CMYK 83 / 6 / 0 / 37

HEX #1C96A0

RGB 28 150 160

HSL 184.55, 0.7%, 0.37%

LAB 56.68, -27.59, -14.34

 

CMYK 83 / 29 / 0 / 37

HEX #1C72A0

RGB 28 114 160

HSL 200.91, 0.7%, 0.37%

LAB 45.39, -8.03, -31.74

 

CMYK 83 / 0 / 61 / 37

HEX #1CA03F

RGB 28 160 63

HSL 135.91, 0.7%, 0.37%

LAB 57.8, -54.36, 40.32

 

CMYK 93 / 0 / 68 / 31

HEX #0DAF38

RGB 13 175 56

HSL 135.93, 0.86%, 0.37%

LAB 62.53, -61.23, 48.68

 

CMYK 83 / 0 / 61 / 37

HEX #1CA03F

RGB 28 160 63

HSL 135.91, 0.7%, 0.37%

LAB 57.8, -54.36, 40.32

 

CMYK 70 / 0 / 52 / 43

HEX #2B9146

RGB 43 145 70

HSL 135.88, 0.54%, 0.37%

LAB 53.17, -45.76, 31.37

 

CMYK 55 / 0 / 40 / 49

HEX #3A814D

RGB 58 129 77

HSL 136.06, 0.38%, 0.37%

LAB 48.43, -34.54, 21.6

 

CMYK 35 / 0 / 26 / 55

HEX #4A7254

RGB 74 114 84

HSL 135, 0.21%, 0.37%

LAB 44.42, -20.96, 12.27

 

CMYK 10 / 0 / 7 / 61

HEX #59635C

RGB 89 99 92

HSL 138, 0.05%, 0.37%

LAB 40.93, -5.37, 2.66

 

CMYK 59 / 0 / 83 / 37

HEX #41A01C

RGB 65 160 28

HSL 103.18, 0.7%, 0.37%

LAB 58.37, -50.58, 54.76

 

CMYK 81 / 0 / 83 / 37

HEX #1EA01C

RGB 30 160 28

HSL 119.09, 0.7%, 0.37%

LAB 57.56, -57.39, 53.72

 

CMYK 83 / 0 / 62 / 37

HEX #1CA03D

RGB 28 160 61

HSL 135, 0.7%, 0.37%

LAB 57.78, -54.62, 41.23

 

CMYK 83 / 0 / 40 / 37

HEX #1CA060

RGB 28 160 96

HSL 150.91, 0.7%, 0.37%

LAB 58.26, -48.91, 23.98

 

CMYK 83 / 0 / 18 / 37

HEX #1CA083

RGB 28 160 131

HSL 166.82, 0.7%, 0.37%

LAB 59, -40.75, 5.57

 

CMYK 83 / 0 / 61 / 65

HEX #0F5A23

RGB 15 90 35

HSL 136, 0.71%, 0.21%

LAB 33, -35.03, 25.26

 

CMYK 82 / 0 / 61 / 51

HEX #167D31

RGB 22 125 49

HSL 135.73, 0.7%, 0.29%

LAB 45.72, -44.91, 33.02

 

CMYK 83 / 0 / 61 / 37

HEX #1CA03F

RGB 28 160 63

HSL 135.91, 0.7%, 0.37%

LAB 57.8, -54.36, 40.32

 

CMYK 83 / 0 / 61 / 24

HEX #22C34D

RGB 34 195 77

HSL 136.02, 0.7%, 0.45%

LAB 69.4, -63.4, 47.3

 

CMYK 76 / 0 / 56 / 14

HEX #34DB60

RGB 52 219 96

HSL 135.81, 0.7%, 0.53%

LAB 77.42, -66.62, 48.09

 

CMYK 83 / 0 / 61 / 37

HEX #1CA03F

RGB 28 160 63

HSL 135.91, 0.7%, 0.37%

LAB 57.8, -54.36, 40.32

 

CMYK 83 / 38 / 0 / 37

HEX #1C64A0

RGB 28 100 160

HSL 207.27, 0.7%, 0.37%

LAB 41.06, 0.52, -38.57

 

CMYK 0 / 83 / 70 / 37

HEX #A01C30

RGB 160 28 48

HSL 350.91, 0.7%, 0.37%

LAB 35.04, 52.86, 23.65

 

CMYK 83 / 0 / 61 / 37

HEX #1CA03F

RGB 28 160 63

HSL 135.91, 0.7%, 0.37%

LAB 57.8, -54.36, 40.32

 

CMYK 62 / 83 / 0 / 37

HEX #3D1CA0

RGB 61 28 160

HSL 255, 0.7%, 0.37%

LAB 24.83, 49.22, -64.81

 

CMYK 0 / 62 / 83 / 37

HEX #A03D1C

RGB 160 61 28

HSL 15, 0.7%, 0.37%

LAB 39.4, 39.41, 39.93

 

CMYK 83 / 0 / 61 / 37

HEX #1CA03F

RGB 28 160 63

HSL 135.91, 0.7%, 0.37%

LAB 57.8, -54.36, 40.32

 

CMYK 83 / 38 / 0 / 37

HEX #1C64A0

RGB 28 100 160

HSL 207.27, 0.7%, 0.37%

LAB 41.06, 0.52, -38.57

 

CMYK 0 / 83 / 21 / 37

HEX #A01C7F

RGB 160 28 127

HSL 315, 0.7%, 0.37%

LAB 37.55, 60.22, -23.21

 

CMYK 0 / 46 / 83 / 37

HEX #A0571C

RGB 160 87 28

HSL 26.82, 0.7%, 0.37%

LAB 44.76, 25.83, 44.91

 

CMYK 83 / 0 / 61 / 37

HEX #1CA03F

RGB 28 160 63

HSL 135.91, 0.7%, 0.37%

LAB 57.8, -54.36, 40.32

 

CMYK 83 / 62 / 0 / 37

HEX #1C3DA0

RGB 28 61 160

HSL 225, 0.7%, 0.37%

LAB 29.72, 26.47, -56.85

 

CMYK 0 / 83 / 21 / 37

HEX #A01C7F

RGB 160 28 127

HSL 315, 0.7%, 0.37%

LAB 37.55, 60.22, -23.21

 

CMYK 0 / 21 / 83 / 37

HEX #A07F1C

RGB 160 127 28

HSL 45, 0.7%, 0.37%

LAB 54.8, 3.2, 53.9

 

Description

Color code: HEX #1CA03F | qconv.com Color code: HEX #1CA03F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 160 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 160 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 61 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 61% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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