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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CAB01 it is the complementary color #E354FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CAB01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CAB01 shade: #21AB00, #32BD0F, #43CF22, #54E135 and #65F348

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CAB01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CAB01 shade: #1CAB01, #0B9900, #008700, #007500 and #006300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CAB01 shade: #1CAC00, #4AAC00, #78AC00, #A7AC00 and #AC8300

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CAB01 shade: #1CAC00, #00AC13, #00AC42, #00AC70 and #00AC9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CAB01 shade matches the following richer shades: #1CAC00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CAB01 shade: #1CAC00, #259E0E, #2F901C, #38822A and #427438

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CAB01 shade: #79AC00, #4BAC00, #1DAC00, #00AC12 and #00AC3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CAB01 shade: #0E5A00, #158300, #1CAC00, #22D501 and #2AFD02

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CAB01 shade: #1CAB01, #00A6AC and #AC0062

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CAB01 shade: #1CAB01, #001DAC and #AC001D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CAB01 shade: #1CAB01, #00A6AC, #8F00AC and #AC0600

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CAB01 shade: #1CAB01, #0073AC, #8F00AC and #AC3A00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 99 / 33

HEX #1CAB01

RGB 28 171 1

HSL 110.47, 0.99%, 0.34%

LAB 61.11, -61.89, 61.78

 

Complementary color

CMYK 11 / 67 / 0 / 0

HEX #E354FE

RGB 227 84 254

HSL 290.47, 0.99%, 0.66%

LAB 61.5, 76.79, -58.64

 

CMYK 81 / 0 / 100 / 33

HEX #21AB00

RGB 33 171 0

HSL 108.42, 1%, 0.34%

LAB 61.18, -61.32, 62

 

CMYK 74 / 0 / 92 / 26

HEX #32BD0F

RGB 50 189 15

HSL 107.93, 0.85%, 0.4%

LAB 67.36, -63.91, 65.23

 

CMYK 68 / 0 / 84 / 19

HEX #43CF22

RGB 67 207 34

HSL 108.55, 0.72%, 0.47%

LAB 73.5, -65.79, 66.98

 

CMYK 63 / 0 / 76 / 12

HEX #54E135

RGB 84 225 53

HSL 109.19, 0.74%, 0.55%

LAB 79.61, -67.11, 67.56

 

CMYK 58 / 0 / 70 / 5

HEX #65F348

RGB 101 243 72

HSL 109.82, 0.88%, 0.62%

LAB 85.67, -68.02, 67.41

 

CMYK 84 / 0 / 99 / 33

HEX #1CAB01

RGB 28 171 1

HSL 110.47, 0.99%, 0.34%

LAB 61.11, -61.89, 61.78

 

CMYK 93 / 0 / 100 / 40

HEX #0B9900

RGB 11 153 0

HSL 115.69, 1%, 0.3%

LAB 54.92, -58.19, 56.9

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 84 / 0 / 100 / 33

HEX #1CAC00

RGB 28 172 0

HSL 110.23, 1%, 0.34%

LAB 61.44, -62.21, 62.18

 

CMYK 57 / 0 / 100 / 33

HEX #4AAC00

RGB 74 172 0

HSL 94.19, 1%, 0.34%

LAB 62.47, -53.39, 63.44

 

CMYK 30 / 0 / 100 / 33

HEX #78AC00

RGB 120 172 0

HSL 78.14, 1%, 0.34%

LAB 64.56, -37.96, 65.97

 

CMYK 3 / 0 / 100 / 33

HEX #A7AC00

RGB 167 172 0

HSL 61.74, 1%, 0.34%

LAB 67.81, -18.25, 69.85

 

CMYK 0 / 24 / 100 / 33

HEX #AC8300

RGB 172 131 0

HSL 45.7, 1%, 0.34%

LAB 57.08, 5.92, 62.4

 

CMYK 84 / 0 / 100 / 33

HEX #1CAC00

RGB 28 172 0

HSL 110.23, 1%, 0.34%

LAB 61.44, -62.21, 62.18

 

CMYK 100 / 0 / 89 / 33

HEX #00AC13

RGB 0 172 19

HSL 126.63, 1%, 0.34%

LAB 61.27, -63.62, 59.12

 

CMYK 100 / 0 / 62 / 33

HEX #00AC42

RGB 0 172 66

HSL 143.02, 1%, 0.34%

LAB 61.57, -59.79, 43.21

 

CMYK 100 / 0 / 35 / 33

HEX #00AC70

RGB 0 172 112

HSL 159.07, 1%, 0.34%

LAB 62.23, -51.8, 20.59

 

CMYK 100 / 0 / 8 / 33

HEX #00AC9E

RGB 0 172 158

HSL 175.12, 1%, 0.34%

LAB 63.32, -39.99, -3.33

 

CMYK 84 / 0 / 100 / 33

HEX #1CAC00

RGB 28 172 0

HSL 110.23, 1%, 0.34%

LAB 61.44, -62.21, 62.18

 

CMYK 84 / 0 / 100 / 33

HEX #1CAC00

RGB 28 172 0

HSL 110.23, 1%, 0.34%

LAB 61.44, -62.21, 62.18

 

CMYK 77 / 0 / 91 / 38

HEX #259E0E

RGB 37 158 14

HSL 110.42, 0.84%, 0.34%

LAB 56.96, -56.4, 56.49

 

CMYK 67 / 0 / 81 / 44

HEX #2F901C

RGB 47 144 28

HSL 110.17, 0.67%, 0.34%

LAB 52.55, -49.21, 49.12

 

CMYK 57 / 0 / 68 / 49

HEX #38822A

RGB 56 130 42

HSL 110.45, 0.51%, 0.34%

LAB 48.23, -40.55, 39.41

 

CMYK 43 / 0 / 52 / 55

HEX #427438

RGB 66 116 56

HSL 110, 0.35%, 0.34%

LAB 44.14, -29.6, 27.81

 

CMYK 30 / 0 / 100 / 33

HEX #79AC00

RGB 121 172 0

HSL 77.79, 1%, 0.34%

LAB 64.62, -37.57, 66.04

 

CMYK 56 / 0 / 100 / 33

HEX #4BAC00

RGB 75 172 0

HSL 93.84, 1%, 0.34%

LAB 62.51, -53.12, 63.49

 

CMYK 83 / 0 / 100 / 33

HEX #1DAC00

RGB 29 172 0

HSL 109.88, 1%, 0.34%

LAB 61.45, -62.1, 62.2

 

CMYK 100 / 0 / 90 / 33

HEX #00AC12

RGB 0 172 18

HSL 126.28, 1%, 0.34%

LAB 61.26, -63.66, 59.31

 

CMYK 100 / 0 / 63 / 33

HEX #00AC3F

RGB 0 172 63

HSL 141.98, 1%, 0.34%

LAB 61.54, -60.16, 44.54

 

CMYK 84 / 0 / 100 / 65

HEX #0E5A00

RGB 14 90 0

HSL 110.67, 1%, 0.18%

LAB 32.71, -38.44, 39.15

 

CMYK 84 / 0 / 100 / 49

HEX #158300

RGB 21 131 0

HSL 110.38, 1%, 0.26%

LAB 47.48, -50.7, 50.99

 

CMYK 84 / 0 / 100 / 33

HEX #1CAC00

RGB 28 172 0

HSL 110.23, 1%, 0.34%

LAB 61.44, -62.21, 62.18

 

CMYK 84 / 0 / 100 / 16

HEX #22D501

RGB 34 213 1

HSL 110.66, 0.99%, 0.42%

LAB 74.78, -73.27, 72.78

 

CMYK 83 / 0 / 99 / 1

HEX #2AFD02

RGB 42 253 2

HSL 110.44, 0.98%, 0.5%

LAB 87.36, -83.46, 82.83

 

CMYK 84 / 0 / 99 / 33

HEX #1CAB01

RGB 28 171 1

HSL 110.47, 0.99%, 0.34%

LAB 61.11, -61.89, 61.78

 

CMYK 100 / 3 / 0 / 33

HEX #00A6AC

RGB 0 166 172

HSL 182.09, 1%, 0.34%

LAB 61.87, -32.98, -13.33

 

CMYK 0 / 100 / 43 / 33

HEX #AC0062

RGB 172 0 98

HSL 325.81, 1%, 0.34%

LAB 37.21, 64.11, -5.21

 

CMYK 84 / 0 / 99 / 33

HEX #1CAB01

RGB 28 171 1

HSL 110.47, 0.99%, 0.34%

LAB 61.11, -61.89, 61.78

 

CMYK 100 / 83 / 0 / 33

HEX #001DAC

RGB 0 29 172

HSL 229.88, 1%, 0.34%

LAB 23.19, 49.14, -74.89

 

CMYK 0 / 100 / 83 / 33

HEX #AC001D

RGB 172 0 29

HSL 349.88, 1%, 0.34%

LAB 35.71, 60.11, 36.71

 

CMYK 84 / 0 / 99 / 33

HEX #1CAB01

RGB 28 171 1

HSL 110.47, 0.99%, 0.34%

LAB 61.11, -61.89, 61.78

 

CMYK 100 / 3 / 0 / 33

HEX #00A6AC

RGB 0 166 172

HSL 182.09, 1%, 0.34%

LAB 61.87, -32.98, -13.33

 

CMYK 17 / 100 / 0 / 33

HEX #8F00AC

RGB 143 0 172

HSL 289.88, 1%, 0.34%

LAB 35.63, 68.64, -53.91

 

CMYK 0 / 97 / 100 / 33

HEX #AC0600

RGB 172 6 0

HSL 2.09, 1%, 0.34%

LAB 35.79, 58.9, 50.01

 

CMYK 84 / 0 / 99 / 33

HEX #1CAB01

RGB 28 171 1

HSL 110.47, 0.99%, 0.34%

LAB 61.11, -61.89, 61.78

 

CMYK 100 / 33 / 0 / 33

HEX #0073AC

RGB 0 115 172

HSL 199.88, 1%, 0.34%

LAB 45.96, -5.7, -37.89

 

CMYK 17 / 100 / 0 / 33

HEX #8F00AC

RGB 143 0 172

HSL 289.88, 1%, 0.34%

LAB 35.63, 68.64, -53.91

 

CMYK 0 / 66 / 100 / 33

HEX #AC3A00

RGB 172 58 0

HSL 20.23, 1%, 0.34%

LAB 40.89, 44.68, 52.37

 

Description

Color code: HEX #1CAB01 | qconv.com Color code: HEX #1CAB01 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 171 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 171 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 99 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 99% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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