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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CB463 it is the complementary color #E34B9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CB463. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CB463 shade: #21B45E, #32C671, #43D884, #54EA97 and #65FCAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CB463. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CB463 shade: #1CB463, #0BA250, #00903D, #007E2A and #006C17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CB463 shade: #1CB463, #1CB43A, #27B41C, #50B41C and #79B41C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CB463 shade: #1CB463, #1CB48C, #1CB3B4, #1C8AB4 and #1C61B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CB463 shade matches the following richer shades: #1CB463 and #0BC562

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CB463 shade: #1CB463, #2DA364, #3E9365, #4E8266 and #5F7167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CB463 shade: #26B41C, #1CB43A, #1CB463, #1CB48C and #1CB4B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CB463 shade: #116D3C, #16914F, #1CB463, #21D877 and #42E18C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CB463 shade: #1CB463, #1C4FB4 and #B4261C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CB463 shade: #1CB463, #631CB4 and #B4631C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CB463 shade: #1CB463, #1C4FB4, #B41C6D and #B4811C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CB463 shade: #1CB463, #1C21B4, #B41C6D and #B4AF1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 45 / 29

HEX #1CB463

RGB 28 180 99

HSL 148.03, 0.73%, 0.41%

LAB 64.8, -55.64, 30.93

 

Complementary color

CMYK 0 / 67 / 31 / 11

HEX #E34B9C

RGB 227 75 156

HSL 328.03, 0.73%, 0.59%

LAB 55.85, 65.6, -11.7

 

CMYK 82 / 0 / 48 / 29

HEX #21B45E

RGB 33 180 94

HSL 144.9, 0.69%, 0.42%

LAB 64.78, -56.01, 33.5

 

CMYK 75 / 0 / 43 / 22

HEX #32C671

RGB 50 198 113

HSL 145.54, 0.6%, 0.49%

LAB 71.05, -57.04, 31.86

 

CMYK 69 / 0 / 39 / 15

HEX #43D884

RGB 67 216 132

HSL 146.17, 0.66%, 0.55%

LAB 77.26, -57.69, 30.33

 

CMYK 64 / 0 / 35 / 8

HEX #54EA97

RGB 84 234 151

HSL 146.8, 0.78%, 0.62%

LAB 83.42, -58.07, 28.91

 

CMYK 60 / 0 / 33 / 1

HEX #65FCAA

RGB 101 252 170

HSL 147.42, 0.96%, 0.69%

LAB 89.53, -58.27, 27.58

 

CMYK 84 / 0 / 45 / 29

HEX #1CB463

RGB 28 180 99

HSL 148.03, 0.73%, 0.41%

LAB 64.8, -55.64, 30.93

 

CMYK 93 / 0 / 51 / 36

HEX #0BA250

RGB 11 162 80

HSL 147.42, 0.87%, 0.34%

LAB 58.5, -53.92, 32.72

 

CMYK 100 / 0 / 58 / 44

HEX #00903D

RGB 0 144 61

HSL 145.42, 1%, 0.28%

LAB 52.16, -51.48, 34.59

 

CMYK 100 / 0 / 67 / 51

HEX #007E2A

RGB 0 126 42

HSL 140, 1%, 0.25%

LAB 45.76, -48.18, 36.38

 

CMYK 100 / 0 / 79 / 58

HEX #006C17

RGB 0 108 23

HSL 132.78, 1%, 0.21%

LAB 39.22, -44.42, 37.6

 

CMYK 84 / 0 / 45 / 29

HEX #1CB463

RGB 28 180 99

HSL 148.03, 0.73%, 0.41%

LAB 64.8, -55.64, 30.93

 

CMYK 84 / 0 / 68 / 29

HEX #1CB43A

RGB 28 180 58

HSL 131.84, 0.73%, 0.41%

LAB 64.32, -61.41, 49.82

 

CMYK 78 / 0 / 84 / 29

HEX #27B41C

RGB 39 180 28

HSL 115.66, 0.73%, 0.41%

LAB 64.29, -62.34, 59.93

 

CMYK 56 / 0 / 84 / 29

HEX #50B41C

RGB 80 180 28

HSL 99.47, 0.73%, 0.41%

LAB 65.3, -53.85, 61.22

 

CMYK 33 / 0 / 84 / 29

HEX #79B41C

RGB 121 180 28

HSL 83.29, 0.73%, 0.41%

LAB 67.12, -40.43, 63.52

 

CMYK 84 / 0 / 45 / 29

HEX #1CB463

RGB 28 180 99

HSL 148.03, 0.73%, 0.41%

LAB 64.8, -55.64, 30.93

 

CMYK 84 / 0 / 22 / 29

HEX #1CB48C

RGB 28 180 140

HSL 164.21, 0.73%, 0.41%

LAB 65.58, -46.82, 9.95

 

CMYK 84 / 1 / 0 / 29

HEX #1CB3B4

RGB 28 179 180

HSL 180.39, 0.73%, 0.41%

LAB 66.35, -35.31, -11.04

 

CMYK 84 / 23 / 0 / 29

HEX #1C8AB4

RGB 28 138 180

HSL 196.58, 0.73%, 0.41%

LAB 53.73, -14.46, -30.32

 

CMYK 84 / 46 / 0 / 29

HEX #1C61B4

RGB 28 97 180

HSL 212.76, 0.73%, 0.41%

LAB 41.36, 10.31, -49.89

 

CMYK 84 / 0 / 45 / 29

HEX #1CB463

RGB 28 180 99

HSL 148.03, 0.73%, 0.41%

LAB 64.8, -55.64, 30.93

 

CMYK 94 / 0 / 50 / 23

HEX #0BC562

RGB 11 197 98

HSL 148.06, 0.89%, 0.41%

LAB 70.1, -62.68, 38.13

 

CMYK 84 / 0 / 45 / 29

HEX #1CB463

RGB 28 180 99

HSL 148.03, 0.73%, 0.41%

LAB 64.8, -55.64, 30.93

 

CMYK 72 / 0 / 39 / 36

HEX #2DA364

RGB 45 163 100

HSL 147.97, 0.57%, 0.41%

LAB 59.59, -47.02, 23.64

 

CMYK 58 / 0 / 31 / 42

HEX #3E9365

RGB 62 147 101

HSL 147.53, 0.41%, 0.41%

LAB 54.9, -36.79, 16.83

 

CMYK 40 / 0 / 22 / 49

HEX #4E8266

RGB 78 130 102

HSL 147.69, 0.25%, 0.41%

LAB 50.15, -24.1, 9.76

 

CMYK 16 / 0 / 9 / 56

HEX #5F7167

RGB 95 113 103

HSL 146.67, 0.09%, 0.41%

LAB 45.94, -8.88, 3.31

 

CMYK 79 / 0 / 84 / 29

HEX #26B41C

RGB 38 180 28

HSL 116.05, 0.73%, 0.41%

LAB 64.27, -62.48, 59.91

 

CMYK 84 / 0 / 68 / 29

HEX #1CB43A

RGB 28 180 58

HSL 131.84, 0.73%, 0.41%

LAB 64.32, -61.41, 49.82

 

CMYK 84 / 0 / 45 / 29

HEX #1CB463

RGB 28 180 99

HSL 148.03, 0.73%, 0.41%

LAB 64.8, -55.64, 30.93

 

CMYK 84 / 0 / 22 / 29

HEX #1CB48C

RGB 28 180 140

HSL 164.21, 0.73%, 0.41%

LAB 65.58, -46.82, 9.95

 

CMYK 84 / 0 / 0 / 29

HEX #1CB4B4

RGB 28 180 180

HSL 180, 0.73%, 0.41%

LAB 66.66, -35.77, -10.58

 

CMYK 84 / 0 / 45 / 57

HEX #116D3C

RGB 17 109 60

HSL 148.04, 0.73%, 0.25%

LAB 40.22, -37.69, 20.28

 

CMYK 85 / 0 / 46 / 43

HEX #16914F

RGB 22 145 79

HSL 147.8, 0.74%, 0.33%

LAB 52.93, -47.22, 26.21

 

CMYK 84 / 0 / 45 / 29

HEX #1CB463

RGB 28 180 99

HSL 148.03, 0.73%, 0.41%

LAB 64.8, -55.64, 30.93

 

CMYK 85 / 0 / 45 / 15

HEX #21D877

RGB 33 216 119

HSL 148.2, 0.73%, 0.49%

LAB 76.54, -64.16, 35.87

 

CMYK 71 / 0 / 38 / 12

HEX #42E18C

RGB 66 225 140

HSL 147.92, 0.73%, 0.57%

LAB 80.12, -59.72, 30.04

 

CMYK 84 / 0 / 45 / 29

HEX #1CB463

RGB 28 180 99

HSL 148.03, 0.73%, 0.41%

LAB 64.8, -55.64, 30.93

 

CMYK 84 / 56 / 0 / 29

HEX #1C4FB4

RGB 28 79 180

HSL 219.87, 0.73%, 0.41%

LAB 36.24, 22.22, -58.17

 

CMYK 0 / 79 / 84 / 29

HEX #B4261C

RGB 180 38 28

HSL 3.95, 0.73%, 0.41%

LAB 39.87, 55.2, 41.73

 

CMYK 84 / 0 / 45 / 29

HEX #1CB463

RGB 28 180 99

HSL 148.03, 0.73%, 0.41%

LAB 64.8, -55.64, 30.93

 

CMYK 45 / 84 / 0 / 29

HEX #631CB4

RGB 99 28 180

HSL 268.03, 0.73%, 0.41%

LAB 31.3, 58.92, -66.05

 

CMYK 0 / 45 / 84 / 29

HEX #B4631C

RGB 180 99 28

HSL 28.03, 0.73%, 0.41%

LAB 50.35, 27.81, 50.97

 

CMYK 84 / 0 / 45 / 29

HEX #1CB463

RGB 28 180 99

HSL 148.03, 0.73%, 0.41%

LAB 64.8, -55.64, 30.93

 

CMYK 84 / 56 / 0 / 29

HEX #1C4FB4

RGB 28 79 180

HSL 219.87, 0.73%, 0.41%

LAB 36.24, 22.22, -58.17

 

CMYK 0 / 84 / 39 / 29

HEX #B41C6D

RGB 180 28 109

HSL 328.03, 0.73%, 0.41%

LAB 40.63, 62.87, -6.91

 

CMYK 0 / 28 / 84 / 29

HEX #B4811C

RGB 180 129 28

HSL 39.87, 0.73%, 0.41%

LAB 57.55, 11.19, 57.14

 

CMYK 84 / 0 / 45 / 29

HEX #1CB463

RGB 28 180 99

HSL 148.03, 0.73%, 0.41%

LAB 64.8, -55.64, 30.93

 

CMYK 84 / 82 / 0 / 29

HEX #1C21B4

RGB 28 33 180

HSL 238.03, 0.73%, 0.41%

LAB 25.65, 50.54, -75.58

 

CMYK 0 / 84 / 39 / 29

HEX #B41C6D

RGB 180 28 109

HSL 328.03, 0.73%, 0.41%

LAB 40.63, 62.87, -6.91

 

CMYK 0 / 3 / 84 / 29

HEX #B4AF1C

RGB 180 175 28

HSL 58.03, 0.73%, 0.41%

LAB 69.79, -13.58, 67.43

 

Description

Color code: HEX #1CB463 | qconv.com Color code: HEX #1CB463 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 180 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 180 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 45 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 45% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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