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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CBD04 it is the complementary color #E342FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CBD04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CBD04 shade: #21BD00, #32CF12, #43E125, #54F338 and #65FF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CBD04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CBD04 shade: #1CBD04, #0BAB00, #009900, #008700 and #007500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CBD04 shade: #1CBD03, #4EBD03, #80BD03, #B2BD03 and #BD9703

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CBD04 shade: #1CBD03, #03BD1D, #03BD50, #03BD82 and #03BDB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CBD04 shade matches the following richer shades: #1CBD03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CBD04 shade: #1CBD03, #27AE13, #339E23, #3E8E32 and #4A7F42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CBD04 shade: #7FBD03, #4EBD03, #1CBD03, #03BD1C and #03BD4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CBD04 shade: #106D02, #169503, #1CBD03, #21E604 and #37FA19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CBD04 shade: #1CBD04, #03B1BD and #BD0367

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CBD04 shade: #1CBD04, #031CBD and #BD031C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CBD04 shade: #1CBD04, #03B1BD, #A503BD and #BD1003

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CBD04 shade: #1CBD04, #0379BD, #A503BD and #BD4803

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 98 / 26

HEX #1CBD04

RGB 28 189 4

HSL 112.22, 0.96%, 0.38%

LAB 67.01, -67.02, 66.17

 

Complementary color

CMYK 10 / 74 / 0 / 2

HEX #E342FB

RGB 227 66 251

HSL 292.22, 0.96%, 0.62%

LAB 59.15, 82.47, -60.75

 

CMYK 83 / 0 / 100 / 26

HEX #21BD00

RGB 33 189 0

HSL 109.52, 1%, 0.37%

LAB 67.07, -66.59, 66.71

 

CMYK 76 / 0 / 91 / 19

HEX #32CF12

RGB 50 207 18

HSL 109.84, 0.84%, 0.44%

LAB 73.12, -69.27, 69.63

 

CMYK 70 / 0 / 84 / 12

HEX #43E125

RGB 67 225 37

HSL 110.43, 0.76%, 0.51%

LAB 79.14, -71.29, 71.34

 

CMYK 65 / 0 / 77 / 5

HEX #54F338

RGB 84 243 56

HSL 111.02, 0.89%, 0.59%

LAB 85.13, -72.76, 71.97

 

CMYK 60 / 0 / 71 / 0

HEX #65FF4B

RGB 101 255 75

HSL 111.33, 1%, 0.65%

LAB 89.3, -71.83, 70.06

 

CMYK 85 / 0 / 98 / 26

HEX #1CBD04

RGB 28 189 4

HSL 112.22, 0.96%, 0.38%

LAB 67.01, -67.02, 66.17

 

CMYK 94 / 0 / 100 / 33

HEX #0BAB00

RGB 11 171 0

HSL 116.14, 1%, 0.34%

LAB 60.96, -63.31, 61.73

 

CMYK 100 / 0 / 100 / 40

HEX #009900

RGB 0 153 0

HSL 120, 1%, 0.3%

LAB 54.85, -58.86, 56.81

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 85 / 0 / 98 / 26

HEX #1CBD03

RGB 28 189 3

HSL 111.94, 0.97%, 0.38%

LAB 67.01, -67.04, 66.29

 

CMYK 59 / 0 / 98 / 26

HEX #4EBD03

RGB 78 189 3

HSL 95.81, 0.97%, 0.38%

LAB 68.04, -58.26, 67.54

 

CMYK 32 / 0 / 98 / 26

HEX #80BD03

RGB 128 189 3

HSL 79.68, 0.97%, 0.38%

LAB 70.17, -42.27, 70.13

 

CMYK 6 / 0 / 98 / 26

HEX #B2BD03

RGB 178 189 3

HSL 63.55, 0.97%, 0.38%

LAB 73.46, -21.92, 74.07

 

CMYK 0 / 20 / 98 / 26

HEX #BD9703

RGB 189 151 3

HSL 47.74, 0.97%, 0.38%

LAB 64.13, 2.71, 67.71

 

CMYK 85 / 0 / 98 / 26

HEX #1CBD03

RGB 28 189 3

HSL 111.94, 0.97%, 0.38%

LAB 67.01, -67.04, 66.29

 

CMYK 98 / 0 / 85 / 26

HEX #03BD1D

RGB 3 189 29

HSL 128.39, 0.97%, 0.38%

LAB 66.9, -67.8, 61.93

 

CMYK 98 / 0 / 58 / 26

HEX #03BD50

RGB 3 189 80

HSL 144.84, 0.97%, 0.38%

LAB 67.27, -63.12, 43.37

 

CMYK 98 / 0 / 31 / 26

HEX #03BD82

RGB 3 189 130

HSL 160.97, 0.97%, 0.38%

LAB 68.04, -54.02, 18.8

 

CMYK 98 / 0 / 5 / 26

HEX #03BDB4

RGB 3 189 180

HSL 177.1, 0.97%, 0.38%

LAB 69.26, -40.98, -6.73

 

CMYK 85 / 0 / 98 / 26

HEX #1CBD03

RGB 28 189 3

HSL 111.94, 0.97%, 0.38%

LAB 67.01, -67.04, 66.29

 

CMYK 85 / 0 / 98 / 26

HEX #1CBD03

RGB 28 189 3

HSL 111.94, 0.97%, 0.38%

LAB 67.01, -67.04, 66.29

 

CMYK 78 / 0 / 89 / 32

HEX #27AE13

RGB 39 174 19

HSL 112.26, 0.8%, 0.38%

LAB 62.3, -60.89, 60.16

 

CMYK 68 / 0 / 78 / 38

HEX #339E23

RGB 51 158 35

HSL 112.2, 0.64%, 0.38%

LAB 57.35, -52.75, 51.48

 

CMYK 56 / 0 / 65 / 44

HEX #3E8E32

RGB 62 142 50

HSL 112.17, 0.48%, 0.38%

LAB 52.51, -42.84, 40.56

 

CMYK 42 / 0 / 48 / 50

HEX #4A7F42

RGB 74 127 66

HSL 112.13, 0.32%, 0.38%

LAB 48.3, -30.58, 27.65

 

CMYK 33 / 0 / 98 / 26

HEX #7FBD03

RGB 127 189 3

HSL 80, 0.97%, 0.38%

LAB 70.12, -42.64, 70.06

 

CMYK 59 / 0 / 98 / 26

HEX #4EBD03

RGB 78 189 3

HSL 95.81, 0.97%, 0.38%

LAB 68.04, -58.26, 67.54

 

CMYK 85 / 0 / 98 / 26

HEX #1CBD03

RGB 28 189 3

HSL 111.94, 0.97%, 0.38%

LAB 67.01, -67.04, 66.29

 

CMYK 98 / 0 / 85 / 26

HEX #03BD1C

RGB 3 189 28

HSL 128.06, 0.97%, 0.38%

LAB 66.9, -67.85, 62.16

 

CMYK 98 / 0 / 59 / 26

HEX #03BD4E

RGB 3 189 78

HSL 144.19, 0.97%, 0.38%

LAB 67.25, -63.39, 44.28

 

CMYK 85 / 0 / 98 / 57

HEX #106D02

RGB 16 109 2

HSL 112.15, 0.96%, 0.22%

LAB 39.67, -44.31, 44.19

 

CMYK 85 / 0 / 98 / 42

HEX #169503

RGB 22 149 3

HSL 112.19, 0.96%, 0.3%

LAB 53.68, -55.97, 55.44

 

CMYK 85 / 0 / 98 / 26

HEX #1CBD03

RGB 28 189 3

HSL 111.94, 0.97%, 0.38%

LAB 67.01, -67.04, 66.29

 

CMYK 86 / 0 / 98 / 10

HEX #21E604

RGB 33 230 4

HSL 112.3, 0.97%, 0.46%

LAB 80.14, -77.99, 76.81

 

CMYK 78 / 0 / 90 / 2

HEX #37FA19

RGB 55 250 25

HSL 112, 0.96%, 0.54%

LAB 86.63, -80.82, 80.02

 

CMYK 85 / 0 / 98 / 26

HEX #1CBD04

RGB 28 189 4

HSL 112.22, 0.96%, 0.38%

LAB 67.01, -67.02, 66.17

 

CMYK 98 / 6 / 0 / 26

HEX #03B1BD

RGB 3 177 189

HSL 183.87, 0.97%, 0.38%

LAB 65.86, -32.7, -16.8

 

CMYK 0 / 98 / 46 / 26

HEX #BD0367

RGB 189 3 103

HSL 327.74, 0.97%, 0.38%

LAB 41, 67.99, -2.4

 

CMYK 85 / 0 / 98 / 26

HEX #1CBD04

RGB 28 189 4

HSL 112.22, 0.96%, 0.38%

LAB 67.01, -67.02, 66.17

 

CMYK 98 / 85 / 0 / 26

HEX #031CBD

RGB 3 28 189

HSL 231.94, 0.97%, 0.38%

LAB 25.33, 55, -81.49

 

CMYK 0 / 98 / 85 / 26

HEX #BD031C

RGB 189 3 28

HSL 351.94, 0.97%, 0.38%

LAB 39.53, 64.03, 42.13

 

CMYK 85 / 0 / 98 / 26

HEX #1CBD04

RGB 28 189 4

HSL 112.22, 0.96%, 0.38%

LAB 67.01, -67.02, 66.17

 

CMYK 98 / 6 / 0 / 26

HEX #03B1BD

RGB 3 177 189

HSL 183.87, 0.97%, 0.38%

LAB 65.86, -32.7, -16.8

 

CMYK 13 / 98 / 0 / 26

HEX #A503BD

RGB 165 3 189

HSL 292.26, 0.97%, 0.38%

LAB 40.8, 74.41, -55.45

 

CMYK 0 / 92 / 98 / 26

HEX #BD1003

RGB 189 16 3

HSL 4.19, 0.97%, 0.38%

LAB 39.91, 62.19, 52.76

 

CMYK 85 / 0 / 98 / 26

HEX #1CBD04

RGB 28 189 4

HSL 112.22, 0.96%, 0.38%

LAB 67.01, -67.02, 66.17

 

CMYK 98 / 36 / 0 / 26

HEX #0379BD

RGB 3 121 189

HSL 201.94, 0.97%, 0.38%

LAB 48.72, -2.55, -43.38

 

CMYK 13 / 98 / 0 / 26

HEX #A503BD

RGB 165 3 189

HSL 292.26, 0.97%, 0.38%

LAB 40.8, 74.41, -55.45

 

CMYK 0 / 62 / 98 / 26

HEX #BD4803

RGB 189 72 3

HSL 22.26, 0.97%, 0.38%

LAB 46.26, 44.66, 56.01

 

Description

Color code: HEX #1CBD04 | qconv.com Color code: HEX #1CBD04 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 189 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 189 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 98 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 98% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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