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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CBEBC it is the complementary color #E34143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CBEBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CBEBC shade: #21BEB7, #32D0CA, #43E2DD, #54F4F0 and #65FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CBEBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CBEBC shade: #1CBEBC, #0BACA9, #009A96, #008883 and #007670

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CBEBC shade: #1CBEBC, #1CBE91, #1CBE65, #1CBE39 and #2BBE1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CBEBC shade: #1CBEBC, #1C95BE, #1C69BE, #1C3DBE and #1C1CBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CBEBC shade matches the following richer shades: #1CBEBC and #0AD0CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CBEBC shade: #1CBEBC, #2EADAB, #3F9B9A, #518988 and #637777

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CBEBC shade: #1CBE65, #1CBE90, #1CBEBC, #1C96BE and #1C6ABE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CBEBC shade: #117775, #179A99, #1CBEBC, #25DEDC and #49E3E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CBEBC shade: #1CBEBC, #3A1CBE and #BE7B1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CBEBC shade: #1CBEBC, #BC1CBE and #BEBC1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CBEBC shade: #1CBEBC, #3A1CBE, #BE1C1F and #A1BE1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CBEBC shade: #1CBEBC, #6A1CBE, #BE1C1F and #70BE1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 1 / 25

HEX #1CBEBC

RGB 28 190 188

HSL 179.26, 0.74%, 0.43%

LAB 69.97, -37.98, -10.05

 

Complementary color

CMYK 0 / 71 / 70 / 11

HEX #E34143

RGB 227 65 67

HSL 359.26, 0.74%, 0.57%

LAB 52.42, 62.05, 36.17

 

CMYK 83 / 0 / 4 / 25

HEX #21BEB7

RGB 33 190 183

HSL 177.32, 0.7%, 0.44%

LAB 69.87, -39.09, -7.44

 

CMYK 76 / 0 / 3 / 18

HEX #32D0CA

RGB 50 208 202

HSL 177.72, 0.63%, 0.51%

LAB 76.1, -40.22, -8.49

 

CMYK 70 / 0 / 2 / 11

HEX #43E2DD

RGB 67 226 221

HSL 178.11, 0.73%, 0.57%

LAB 82.27, -41.07, -9.44

 

CMYK 66 / 0 / 2 / 4

HEX #54F4F0

RGB 84 244 240

HSL 178.5, 0.88%, 0.64%

LAB 88.39, -41.71, -10.31

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFF

RGB 101 255 255

HSL 180, 1%, 0.7%

LAB 92.36, -40.11, -12.16

 

CMYK 85 / 0 / 1 / 25

HEX #1CBEBC

RGB 28 190 188

HSL 179.26, 0.74%, 0.43%

LAB 69.97, -37.98, -10.05

 

CMYK 94 / 0 / 2 / 33

HEX #0BACA9

RGB 11 172 169

HSL 178.88, 0.88%, 0.36%

LAB 63.71, -36.32, -8.9

 

CMYK 100 / 0 / 3 / 40

HEX #009A96

RGB 0 154 150

HSL 178.44, 1%, 0.3%

LAB 57.38, -34.24, -7.61

 

CMYK 100 / 0 / 4 / 47

HEX #008883

RGB 0 136 131

HSL 177.79, 1%, 0.27%

LAB 50.97, -31.73, -6.19

 

CMYK 100 / 0 / 5 / 54

HEX #007670

RGB 0 118 112

HSL 176.95, 1%, 0.23%

LAB 44.41, -29.16, -4.7

 

CMYK 85 / 0 / 1 / 25

HEX #1CBEBC

RGB 28 190 188

HSL 179.26, 0.74%, 0.43%

LAB 69.97, -37.98, -10.05

 

CMYK 85 / 0 / 24 / 25

HEX #1CBE91

RGB 28 190 145

HSL 163.33, 0.74%, 0.43%

LAB 68.84, -49.63, 11.83

 

CMYK 85 / 0 / 47 / 25

HEX #1CBE65

RGB 28 190 101

HSL 147.04, 0.74%, 0.43%

LAB 68.03, -58.78, 34.05

 

CMYK 85 / 0 / 70 / 25

HEX #1CBE39

RGB 28 190 57

HSL 130.74, 0.74%, 0.43%

LAB 67.55, -64.59, 53.67

 

CMYK 77 / 0 / 85 / 25

HEX #2BBE1C

RGB 43 190 28

HSL 114.44, 0.74%, 0.43%

LAB 67.59, -64.82, 62.92

 

CMYK 85 / 0 / 1 / 25

HEX #1CBEBC

RGB 28 190 188

HSL 179.26, 0.74%, 0.43%

LAB 69.97, -37.98, -10.05

 

CMYK 85 / 22 / 0 / 25

HEX #1C95BE

RGB 28 149 190

HSL 195.19, 0.74%, 0.43%

LAB 57.52, -16.94, -30.12

 

CMYK 85 / 45 / 0 / 25

HEX #1C69BE

RGB 28 105 190

HSL 211.48, 0.74%, 0.43%

LAB 44.33, 9.1, -50.95

 

CMYK 85 / 68 / 0 / 25

HEX #1C3DBE

RGB 28 61 190

HSL 227.78, 0.74%, 0.43%

LAB 32.48, 37.9, -70.21

 

CMYK 85 / 85 / 0 / 25

HEX #1C1CBE

RGB 28 28 190

HSL 240, 0.74%, 0.43%

LAB 26.14, 55.87, -80.71

 

CMYK 85 / 0 / 1 / 25

HEX #1CBEBC

RGB 28 190 188

HSL 179.26, 0.74%, 0.43%

LAB 69.97, -37.98, -10.05

 

CMYK 95 / 0 / 1 / 18

HEX #0AD0CE

RGB 10 208 206

HSL 179.39, 0.91%, 0.43%

LAB 75.84, -41.56, -11.07

 

CMYK 85 / 0 / 1 / 25

HEX #1CBEBC

RGB 28 190 188

HSL 179.26, 0.74%, 0.43%

LAB 69.97, -37.98, -10.05

 

CMYK 73 / 0 / 1 / 32

HEX #2EADAB

RGB 46 173 171

HSL 179.06, 0.58%, 0.43%

LAB 64.49, -33.47, -8.8

 

CMYK 59 / 0 / 1 / 39

HEX #3F9B9A

RGB 63 155 154

HSL 179.35, 0.42%, 0.43%

LAB 58.82, -27.08, -7.64

 

CMYK 41 / 0 / 1 / 46

HEX #518988

RGB 81 137 136

HSL 178.93, 0.26%, 0.43%

LAB 53.4, -18.65, -5.27

 

CMYK 17 / 0 / 0 / 53

HEX #637777

RGB 99 119 119

HSL 180, 0.09%, 0.43%

LAB 48.48, -7.31, -2.46

 

CMYK 85 / 0 / 47 / 25

HEX #1CBE65

RGB 28 190 101

HSL 147.04, 0.74%, 0.43%

LAB 68.03, -58.78, 34.05

 

CMYK 85 / 0 / 24 / 25

HEX #1CBE90

RGB 28 190 144

HSL 162.96, 0.74%, 0.43%

LAB 68.81, -49.87, 12.34

 

CMYK 85 / 0 / 1 / 25

HEX #1CBEBC

RGB 28 190 188

HSL 179.26, 0.74%, 0.43%

LAB 69.97, -37.98, -10.05

 

CMYK 85 / 21 / 0 / 25

HEX #1C96BE

RGB 28 150 190

HSL 194.81, 0.74%, 0.43%

LAB 57.83, -17.49, -29.65

 

CMYK 85 / 44 / 0 / 25

HEX #1C6ABE

RGB 28 106 190

HSL 211.11, 0.74%, 0.43%

LAB 44.62, 8.46, -50.48

 

CMYK 86 / 0 / 2 / 53

HEX #117775

RGB 17 119 117

HSL 178.82, 0.75%, 0.27%

LAB 45.08, -26.92, -6.69

 

CMYK 85 / 0 / 1 / 40

HEX #179A99

RGB 23 154 153

HSL 179.54, 0.74%, 0.35%

LAB 57.65, -32.15, -8.9

 

CMYK 85 / 0 / 1 / 25

HEX #1CBEBC

RGB 28 190 188

HSL 179.26, 0.74%, 0.43%

LAB 69.97, -37.98, -10.05

 

CMYK 83 / 0 / 1 / 13

HEX #25DEDC

RGB 37 222 220

HSL 179.35, 0.74%, 0.51%

LAB 80.63, -42.43, -11.41

 

CMYK 68 / 0 / 0 / 11

HEX #49E3E2

RGB 73 227 226

HSL 179.61, 0.73%, 0.59%

LAB 82.83, -39.37, -11.25

 

CMYK 85 / 0 / 1 / 25

HEX #1CBEBC

RGB 28 190 188

HSL 179.26, 0.74%, 0.43%

LAB 69.97, -37.98, -10.05

 

CMYK 69 / 85 / 0 / 25

HEX #3A1CBE

RGB 58 28 190

HSL 251.11, 0.74%, 0.43%

LAB 27.97, 57.43, -77.62

 

CMYK 0 / 35 / 85 / 25

HEX #BE7B1C

RGB 190 123 28

HSL 35.19, 0.74%, 0.43%

LAB 57.27, 18.96, 57.39

 

CMYK 85 / 0 / 1 / 25

HEX #1CBEBC

RGB 28 190 188

HSL 179.26, 0.74%, 0.43%

LAB 69.97, -37.98, -10.05

 

CMYK 1 / 85 / 0 / 25

HEX #BC1CBE

RGB 188 28 190

HSL 299.26, 0.74%, 0.43%

LAB 45.96, 75.05, -47.53

 

CMYK 0 / 1 / 85 / 25

HEX #BEBC1C

RGB 190 188 28

HSL 59.26, 0.74%, 0.43%

LAB 74.19, -15.84, 71.41

 

CMYK 85 / 0 / 1 / 25

HEX #1CBEBC

RGB 28 190 188

HSL 179.26, 0.74%, 0.43%

LAB 69.97, -37.98, -10.05

 

CMYK 69 / 85 / 0 / 25

HEX #3A1CBE

RGB 58 28 190

HSL 251.11, 0.74%, 0.43%

LAB 27.97, 57.43, -77.62

 

CMYK 0 / 85 / 84 / 25

HEX #BE1C1F

RGB 190 28 31

HSL 358.89, 0.74%, 0.43%

LAB 41.02, 60.75, 41.96

 

CMYK 15 / 0 / 85 / 25

HEX #A1BE1C

RGB 161 190 28

HSL 70.74, 0.74%, 0.43%

LAB 72.55, -29.14, 69.16

 

CMYK 85 / 0 / 1 / 25

HEX #1CBEBC

RGB 28 190 188

HSL 179.26, 0.74%, 0.43%

LAB 69.97, -37.98, -10.05

 

CMYK 44 / 85 / 0 / 25

HEX #6A1CBE

RGB 106 28 190

HSL 268.89, 0.74%, 0.43%

LAB 33.16, 62.16, -68.88

 

CMYK 0 / 85 / 84 / 25

HEX #BE1C1F

RGB 190 28 31

HSL 358.89, 0.74%, 0.43%

LAB 41.02, 60.75, 41.96

 

CMYK 41 / 0 / 85 / 25

HEX #70BE1C

RGB 112 190 28

HSL 88.89, 0.74%, 0.43%

LAB 69.72, -47.83, 65.61

 

Description

Color code: HEX #1CBEBC | qconv.com Color code: HEX #1CBEBC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 190 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 190 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 1 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 1% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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