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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CC895 it is the complementary color #E3376A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CC895. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CC895 shade: #21C890, #32DAA3, #43ECB6, #54FEC9 and #65FFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CC895. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CC895 shade: #1CC895, #0BB682, #00A46F, #00925C and #008049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CC895 shade: #1CC895, #1CC867, #1CC838, #2EC81C and #5DC81C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CC895 shade: #1CC895, #1CC8C4, #1C9FC8, #1C70C8 and #1C42C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CC895 shade matches the following richer shades: #1CC895 and #0ADB9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CC895 shade: #1CC895, #2FB68E, #41A386, #54917F and #667E77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CC895 shade: #1CC839, #1CC867, #1CC895, #1CC8C3 and #1CA0C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CC895 shade: #12805F, #17A47A, #1CC895, #2DE1AB and #51E6BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CC895 shade: #1CC895, #1C2DC8 and #C8501C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CC895 shade: #1CC895, #951CC8 and #C8951C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CC895 shade: #1CC895, #1C2DC8, #C81C50 and #C8B71C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CC895 shade: #1CC895, #3F1CC8, #C81C50 and #A6C81C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 26 / 22

HEX #1CC895

RGB 28 200 149

HSL 162.21, 0.75%, 0.45%

LAB 72.04, -52.62, 14.18

 

Complementary color

CMYK 0 / 76 / 53 / 11

HEX #E3376A

RGB 227 55 106

HSL 342.21, 0.75%, 0.55%

LAB 51.95, 67.67, 12.43

 

CMYK 84 / 0 / 28 / 22

HEX #21C890

RGB 33 200 144

HSL 159.88, 0.72%, 0.46%

LAB 71.99, -53.39, 16.79

 

CMYK 77 / 0 / 25 / 15

HEX #32DAA3

RGB 50 218 163

HSL 160.36, 0.69%, 0.53%

LAB 78.15, -54.4, 15.33

 

CMYK 72 / 0 / 23 / 7

HEX #43ECB6

RGB 67 236 182

HSL 160.83, 0.82%, 0.59%

LAB 84.26, -55.11, 13.99

 

CMYK 67 / 0 / 21 / 0

HEX #54FEC9

RGB 84 254 201

HSL 161.29, 0.99%, 0.66%

LAB 90.31, -55.6, 12.77

 

CMYK 60 / 0 / 14 / 0

HEX #65FFDC

RGB 101 255 220

HSL 166.36, 1%, 0.7%

LAB 91.44, -48.87, 4.62

 

CMYK 86 / 0 / 26 / 22

HEX #1CC895

RGB 28 200 149

HSL 162.21, 0.75%, 0.45%

LAB 72.04, -52.62, 14.18

 

CMYK 94 / 0 / 29 / 29

HEX #0BB682

RGB 11 182 130

HSL 161.75, 0.89%, 0.38%

LAB 65.86, -51.06, 15.79

 

CMYK 100 / 0 / 32 / 36

HEX #00A46F

RGB 0 164 111

HSL 160.61, 1%, 0.32%

LAB 59.62, -49.02, 17.57

 

CMYK 100 / 0 / 37 / 43

HEX #00925C

RGB 0 146 92

HSL 157.81, 1%, 0.29%

LAB 53.31, -46.45, 19.53

 

CMYK 100 / 0 / 43 / 50

HEX #008049

RGB 0 128 73

HSL 154.22, 1%, 0.25%

LAB 46.87, -43.75, 21.58

 

CMYK 86 / 0 / 26 / 22

HEX #1CC895

RGB 28 200 149

HSL 162.21, 0.75%, 0.45%

LAB 72.04, -52.62, 14.18

 

CMYK 86 / 0 / 49 / 22

HEX #1CC867

RGB 28 200 103

HSL 146.16, 0.75%, 0.45%

LAB 71.24, -61.84, 37.1

 

CMYK 86 / 0 / 72 / 22

HEX #1CC838

RGB 28 200 56

HSL 129.77, 0.75%, 0.45%

LAB 70.76, -67.69, 57.39

 

CMYK 77 / 0 / 86 / 22

HEX #2EC81C

RGB 46 200 28

HSL 113.72, 0.75%, 0.45%

LAB 70.85, -67.41, 65.83

 

CMYK 54 / 0 / 86 / 22

HEX #5DC81C

RGB 93 200 28

HSL 97.33, 0.75%, 0.45%

LAB 72.04, -57.52, 67.34

 

CMYK 86 / 0 / 26 / 22

HEX #1CC895

RGB 28 200 149

HSL 162.21, 0.75%, 0.45%

LAB 72.04, -52.62, 14.18

 

CMYK 86 / 0 / 2 / 22

HEX #1CC8C4

RGB 28 200 196

HSL 178.6, 0.75%, 0.45%

LAB 73.25, -40.15, -9.52

 

CMYK 86 / 21 / 0 / 22

HEX #1C9FC8

RGB 28 159 200

HSL 194.3, 0.75%, 0.45%

LAB 60.97, -18.83, -30.4

 

CMYK 86 / 44 / 0 / 22

HEX #1C70C8

RGB 28 112 200

HSL 210.7, 0.75%, 0.45%

LAB 46.98, 8.56, -52.46

 

CMYK 86 / 67 / 0 / 22

HEX #1C42C8

RGB 28 66 200

HSL 226.74, 0.75%, 0.45%

LAB 34.63, 38.42, -72.54

 

CMYK 86 / 0 / 26 / 22

HEX #1CC895

RGB 28 200 149

HSL 162.21, 0.75%, 0.45%

LAB 72.04, -52.62, 14.18

 

CMYK 95 / 0 / 28 / 14

HEX #0ADB9D

RGB 10 219 157

HSL 162.2, 0.91%, 0.45%

LAB 77.97, -58.88, 18.19

 

CMYK 86 / 0 / 26 / 22

HEX #1CC895

RGB 28 200 149

HSL 162.21, 0.75%, 0.45%

LAB 72.04, -52.62, 14.18

 

CMYK 74 / 0 / 22 / 29

HEX #2FB68E

RGB 47 182 142

HSL 162.22, 0.59%, 0.45%

LAB 66.53, -45.14, 10.24

 

CMYK 60 / 0 / 18 / 36

HEX #41A386

RGB 65 163 134

HSL 162.24, 0.43%, 0.45%

LAB 60.82, -35.81, 6.59

 

CMYK 42 / 0 / 12 / 43

HEX #54917F

RGB 84 145 127

HSL 162.3, 0.27%, 0.45%

LAB 55.75, -24.23, 3.37

 

CMYK 19 / 0 / 6 / 51

HEX #667E77

RGB 102 126 119

HSL 162.5, 0.11%, 0.45%

LAB 50.78, -10.22, 0.92

 

CMYK 86 / 0 / 72 / 22

HEX #1CC839

RGB 28 200 57

HSL 130.12, 0.75%, 0.45%

LAB 70.77, -67.6, 57.03

 

CMYK 86 / 0 / 49 / 22

HEX #1CC867

RGB 28 200 103

HSL 146.16, 0.75%, 0.45%

LAB 71.24, -61.84, 37.1

 

CMYK 86 / 0 / 26 / 22

HEX #1CC895

RGB 28 200 149

HSL 162.21, 0.75%, 0.45%

LAB 72.04, -52.62, 14.18

 

CMYK 86 / 0 / 3 / 22

HEX #1CC8C3

RGB 28 200 195

HSL 178.26, 0.75%, 0.45%

LAB 73.22, -40.44, -9.03

 

CMYK 86 / 20 / 0 / 22

HEX #1CA0C8

RGB 28 160 200

HSL 193.95, 0.75%, 0.45%

LAB 61.27, -19.36, -29.93

 

CMYK 86 / 0 / 26 / 50

HEX #12805F

RGB 18 128 95

HSL 162, 0.75%, 0.29%

LAB 47.49, -37.34, 9.82

 

CMYK 86 / 0 / 26 / 36

HEX #17A47A

RGB 23 164 122

HSL 162.13, 0.75%, 0.37%

LAB 60.01, -45.15, 12.05

 

CMYK 86 / 0 / 26 / 22

HEX #1CC895

RGB 28 200 149

HSL 162.21, 0.75%, 0.45%

LAB 72.04, -52.62, 14.18

 

CMYK 80 / 0 / 24 / 12

HEX #2DE1AB

RGB 45 225 171

HSL 162, 0.75%, 0.53%

LAB 80.38, -55.81, 14.23

 

CMYK 65 / 0 / 19 / 10

HEX #51E6BA

RGB 81 230 186

HSL 162.28, 0.75%, 0.61%

LAB 82.85, -49.68, 9.95

 

CMYK 86 / 0 / 26 / 22

HEX #1CC895

RGB 28 200 149

HSL 162.21, 0.75%, 0.45%

LAB 72.04, -52.62, 14.18

 

CMYK 86 / 78 / 0 / 22

HEX #1C2DC8

RGB 28 45 200

HSL 234.07, 0.75%, 0.45%

LAB 30.14, 50.84, -79.95

 

CMYK 0 / 60 / 86 / 22

HEX #C8501C

RGB 200 80 28

HSL 18.14, 0.75%, 0.45%

LAB 49.62, 45.43, 51.58

 

CMYK 86 / 0 / 26 / 22

HEX #1CC895

RGB 28 200 149

HSL 162.21, 0.75%, 0.45%

LAB 72.04, -52.62, 14.18

 

CMYK 26 / 86 / 0 / 22

HEX #951CC8

RGB 149 28 200

HSL 282.21, 0.75%, 0.45%

LAB 40.23, 70.26, -62.93

 

CMYK 0 / 26 / 86 / 22

HEX #C8951C

RGB 200 149 28

HSL 42.21, 0.75%, 0.45%

LAB 64.85, 9.13, 64.14

 

CMYK 86 / 0 / 26 / 22

HEX #1CC895

RGB 28 200 149

HSL 162.21, 0.75%, 0.45%

LAB 72.04, -52.62, 14.18

 

CMYK 86 / 78 / 0 / 22

HEX #1C2DC8

RGB 28 45 200

HSL 234.07, 0.75%, 0.45%

LAB 30.14, 50.84, -79.95

 

CMYK 0 / 86 / 60 / 22

HEX #C81C50

RGB 200 28 80

HSL 341.86, 0.75%, 0.45%

LAB 43.78, 65.56, 16.35

 

CMYK 0 / 9 / 86 / 22

HEX #C8B71C

RGB 200 183 28

HSL 54.07, 0.75%, 0.45%

LAB 73.69, -8.94, 71.36

 

CMYK 86 / 0 / 26 / 22

HEX #1CC895

RGB 28 200 149

HSL 162.21, 0.75%, 0.45%

LAB 72.04, -52.62, 14.18

 

CMYK 69 / 86 / 0 / 22

HEX #3F1CC8

RGB 63 28 200

HSL 252.21, 0.75%, 0.45%

LAB 29.56, 60.52, -80.86

 

CMYK 0 / 86 / 60 / 22

HEX #C81C50

RGB 200 28 80

HSL 341.86, 0.75%, 0.45%

LAB 43.78, 65.56, 16.35

 

CMYK 17 / 0 / 86 / 22

HEX #A6C81C

RGB 166 200 28

HSL 71.86, 0.75%, 0.45%

LAB 75.76, -31.79, 71.99

 

Description

Color code: HEX #1CC895 | qconv.com Color code: HEX #1CC895 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 200 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 200 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 26 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 26% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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