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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CC899 it is the complementary color #E33766. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CC899. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CC899 shade: #21C894, #32DAA7, #43ECBA, #54FECD and #65FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CC899. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CC899 shade: #1CC899, #0BB686, #00A473, #009260 and #00804D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CC899 shade: #1CC899, #1CC86B, #1CC83C, #2AC81C and #59C81C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CC899 shade: #1CC899, #1CC8C8, #1C9BC8, #1C6CC8 and #1C3EC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CC899 shade matches the following richer shades: #1CC899 and #0ADBA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CC899 shade: #1CC899, #2FB691, #41A388, #549180 and #667E78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CC899 shade: #1CC83C, #1CC86A, #1CC898, #1CC8C5 and #1C9DC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CC899 shade: #128062, #17A47E, #1CC899, #2DE1B0 and #51E6BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CC899 shade: #1CC899, #1C2BC8 and #C8531C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CC899 shade: #1CC899, #981CC8 and #C8981C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CC899 shade: #1CC899, #1C2BC8, #C81C4D and #C8BA1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CC899 shade: #1CC899, #411CC8, #C81C4D and #A3C81C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 24 / 22

HEX #1CC899

RGB 28 200 153

HSL 163.6, 0.75%, 0.45%

LAB 72.13, -51.67, 12.15

 

Complementary color

CMYK 0 / 76 / 55 / 11

HEX #E33766

RGB 227 55 102

HSL 343.6, 0.75%, 0.55%

LAB 51.86, 67.38, 14.71

 

CMYK 84 / 0 / 26 / 22

HEX #21C894

RGB 33 200 148

HSL 161.32, 0.72%, 0.46%

LAB 72.07, -52.47, 14.77

 

CMYK 77 / 0 / 23 / 15

HEX #32DAA7

RGB 50 218 167

HSL 161.79, 0.69%, 0.53%

LAB 78.23, -53.48, 13.33

 

CMYK 72 / 0 / 21 / 7

HEX #43ECBA

RGB 67 236 186

HSL 162.25, 0.82%, 0.59%

LAB 84.34, -54.2, 12.03

 

CMYK 67 / 0 / 19 / 0

HEX #54FECD

RGB 84 254 205

HSL 162.71, 0.99%, 0.66%

LAB 90.4, -54.69, 10.83

 

CMYK 60 / 0 / 12 / 0

HEX #65FFE0

RGB 101 255 224

HSL 167.92, 1%, 0.7%

LAB 91.54, -47.92, 2.69

 

CMYK 86 / 0 / 24 / 22

HEX #1CC899

RGB 28 200 153

HSL 163.6, 0.75%, 0.45%

LAB 72.13, -51.67, 12.15

 

CMYK 94 / 0 / 26 / 29

HEX #0BB686

RGB 11 182 134

HSL 163.16, 0.89%, 0.38%

LAB 65.94, -50.12, 13.73

 

CMYK 100 / 0 / 30 / 36

HEX #00A473

RGB 0 164 115

HSL 162.07, 1%, 0.32%

LAB 59.7, -48.09, 15.47

 

CMYK 100 / 0 / 34 / 43

HEX #009260

RGB 0 146 96

HSL 159.45, 1%, 0.29%

LAB 53.39, -45.56, 17.4

 

CMYK 100 / 0 / 40 / 50

HEX #00804D

RGB 0 128 77

HSL 156.09, 1%, 0.25%

LAB 46.94, -42.9, 19.42

 

CMYK 86 / 0 / 24 / 22

HEX #1CC899

RGB 28 200 153

HSL 163.6, 0.75%, 0.45%

LAB 72.13, -51.67, 12.15

 

CMYK 86 / 0 / 47 / 22

HEX #1CC86B

RGB 28 200 107

HSL 147.56, 0.75%, 0.45%

LAB 71.29, -61.18, 35.17

 

CMYK 86 / 0 / 70 / 22

HEX #1CC83C

RGB 28 200 60

HSL 131.16, 0.75%, 0.45%

LAB 70.79, -67.34, 55.92

 

CMYK 79 / 0 / 86 / 22

HEX #2AC81C

RGB 42 200 28

HSL 115.12, 0.75%, 0.45%

LAB 70.79, -67.95, 65.76

 

CMYK 56 / 0 / 86 / 22

HEX #59C81C

RGB 89 200 28

HSL 98.72, 0.75%, 0.45%

LAB 71.9, -58.61, 67.16

 

CMYK 86 / 0 / 24 / 22

HEX #1CC899

RGB 28 200 153

HSL 163.6, 0.75%, 0.45%

LAB 72.13, -51.67, 12.15

 

CMYK 86 / 0 / 0 / 22

HEX #1CC8C8

RGB 28 200 200

HSL 180, 0.75%, 0.45%

LAB 73.37, -38.97, -11.52

 

CMYK 86 / 23 / 0 / 22

HEX #1C9BC8

RGB 28 155 200

HSL 195.7, 0.75%, 0.45%

LAB 59.76, -16.68, -32.27

 

CMYK 86 / 46 / 0 / 22

HEX #1C6CC8

RGB 28 108 200

HSL 212.09, 0.75%, 0.45%

LAB 45.83, 11.1, -54.31

 

CMYK 86 / 69 / 0 / 22

HEX #1C3EC8

RGB 28 62 200

HSL 228.14, 0.75%, 0.45%

LAB 33.69, 40.93, -74.08

 

CMYK 86 / 0 / 24 / 22

HEX #1CC899

RGB 28 200 153

HSL 163.6, 0.75%, 0.45%

LAB 72.13, -51.67, 12.15

 

CMYK 95 / 0 / 26 / 14

HEX #0ADBA2

RGB 10 219 162

HSL 163.64, 0.91%, 0.45%

LAB 78.07, -57.73, 15.7

 

CMYK 86 / 0 / 24 / 22

HEX #1CC899

RGB 28 200 153

HSL 163.6, 0.75%, 0.45%

LAB 72.13, -51.67, 12.15

 

CMYK 74 / 0 / 20 / 29

HEX #2FB691

RGB 47 182 145

HSL 163.56, 0.59%, 0.45%

LAB 66.6, -44.41, 8.69

 

CMYK 60 / 0 / 17 / 36

HEX #41A388

RGB 65 163 136

HSL 163.47, 0.43%, 0.45%

LAB 60.87, -35.31, 5.54

 

CMYK 42 / 0 / 12 / 43

HEX #549180

RGB 84 145 128

HSL 163.28, 0.27%, 0.45%

LAB 55.78, -23.99, 2.84

 

CMYK 19 / 0 / 5 / 51

HEX #667E78

RGB 102 126 120

HSL 165, 0.11%, 0.45%

LAB 50.81, -10, 0.38

 

CMYK 86 / 0 / 70 / 22

HEX #1CC83C

RGB 28 200 60

HSL 131.16, 0.75%, 0.45%

LAB 70.79, -67.34, 55.92

 

CMYK 86 / 0 / 47 / 22

HEX #1CC86A

RGB 28 200 106

HSL 147.21, 0.75%, 0.45%

LAB 71.28, -61.35, 35.66

 

CMYK 86 / 0 / 24 / 22

HEX #1CC898

RGB 28 200 152

HSL 163.26, 0.75%, 0.45%

LAB 72.11, -51.91, 12.66

 

CMYK 86 / 0 / 1 / 22

HEX #1CC8C5

RGB 28 200 197

HSL 178.95, 0.75%, 0.45%

LAB 73.28, -39.86, -10.02

 

CMYK 86 / 22 / 0 / 22

HEX #1C9DC8

RGB 28 157 200

HSL 195, 0.75%, 0.45%

LAB 60.37, -17.76, -31.33

 

CMYK 86 / 0 / 23 / 50

HEX #128062

RGB 18 128 98

HSL 163.64, 0.75%, 0.29%

LAB 47.56, -36.56, 8.17

 

CMYK 86 / 0 / 23 / 36

HEX #17A47E

RGB 23 164 126

HSL 163.83, 0.75%, 0.37%

LAB 60.1, -44.16, 9.95

 

CMYK 86 / 0 / 24 / 22

HEX #1CC899

RGB 28 200 153

HSL 163.6, 0.75%, 0.45%

LAB 72.13, -51.67, 12.15

 

CMYK 80 / 0 / 22 / 12

HEX #2DE1B0

RGB 45 225 176

HSL 163.67, 0.75%, 0.53%

LAB 80.48, -54.64, 11.75

 

CMYK 65 / 0 / 18 / 10

HEX #51E6BD

RGB 81 230 189

HSL 163.49, 0.75%, 0.61%

LAB 82.92, -48.98, 8.47

 

CMYK 86 / 0 / 24 / 22

HEX #1CC899

RGB 28 200 153

HSL 163.6, 0.75%, 0.45%

LAB 72.13, -51.67, 12.15

 

CMYK 86 / 79 / 0 / 22

HEX #1C2BC8

RGB 28 43 200

HSL 234.77, 0.75%, 0.45%

LAB 29.77, 51.9, -80.56

 

CMYK 0 / 59 / 86 / 22

HEX #C8531C

RGB 200 83 28

HSL 19.19, 0.75%, 0.45%

LAB 50.16, 44.02, 52.03

 

CMYK 86 / 0 / 24 / 22

HEX #1CC899

RGB 28 200 153

HSL 163.6, 0.75%, 0.45%

LAB 72.13, -51.67, 12.15

 

CMYK 24 / 86 / 0 / 22

HEX #981CC8

RGB 152 28 200

HSL 283.26, 0.75%, 0.45%

LAB 40.7, 70.72, -62.15

 

CMYK 0 / 24 / 86 / 22

HEX #C8981C

RGB 200 152 28

HSL 43.26, 0.75%, 0.45%

LAB 65.61, 7.5, 64.76

 

CMYK 86 / 0 / 24 / 22

HEX #1CC899

RGB 28 200 153

HSL 163.6, 0.75%, 0.45%

LAB 72.13, -51.67, 12.15

 

CMYK 86 / 79 / 0 / 22

HEX #1C2BC8

RGB 28 43 200

HSL 234.77, 0.75%, 0.45%

LAB 29.77, 51.9, -80.56

 

CMYK 0 / 86 / 62 / 22

HEX #C81C4D

RGB 200 28 77

HSL 342.91, 0.75%, 0.45%

LAB 43.72, 65.38, 18.14

 

CMYK 0 / 7 / 86 / 22

HEX #C8BA1C

RGB 200 186 28

HSL 55.12, 0.75%, 0.45%

LAB 74.5, -10.48, 72.01

 

CMYK 86 / 0 / 24 / 22

HEX #1CC899

RGB 28 200 153

HSL 163.6, 0.75%, 0.45%

LAB 72.13, -51.67, 12.15

 

CMYK 68 / 86 / 0 / 22

HEX #411CC8

RGB 65 28 200

HSL 252.91, 0.75%, 0.45%

LAB 29.72, 60.66, -80.58

 

CMYK 0 / 86 / 62 / 22

HEX #C81C4D

RGB 200 28 77

HSL 342.91, 0.75%, 0.45%

LAB 43.72, 65.38, 18.14

 

CMYK 19 / 0 / 86 / 22

HEX #A3C81C

RGB 163 200 28

HSL 72.91, 0.75%, 0.45%

LAB 75.56, -33.01, 71.74

 

Description

Color code: HEX #1CC899 | qconv.com Color code: HEX #1CC899 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 200 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 200 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 24 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 24% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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