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Color name
HEX #1CDD80

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CDD80 it is the complementary color #E3227F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CDD80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CDD80 shade: #21DD7B, #32EF8E, #43FFA1, #54FFB4 and #65FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CDD80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CDD80 shade: #1CDD80, #0BCB6D, #00B95A, #00A747 and #009534

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CDD80 shade: #1BDE80, #1BDE4B, #1FDE1B, #54DE1B and #88DE1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CDD80 shade: #1BDE80, #1BDEB5, #1BD3DE, #1B9EDE and #1B6ADE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CDD80 shade matches the following richer shades: #1BDE80 and #07F281

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CDD80 shade: #1BDE80, #2FCA7F, #43B57F, #58A17E and #6C8D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CDD80 shade: #1EDE1B, #1BDE4C, #1BDE80, #1BDEB4 and #1BD4DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CDD80 shade: #129456, #16B96B, #1BDE80, #3CE694 and #60EBA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CDD80 shade: #1CDD80, #1B52DE and #DE321B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CDD80 shade: #1CDD80, #801BDE and #DE801B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CDD80 shade: #1CDD80, #1B52DE, #DE1B79 and #DEA71B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CDD80 shade: #1CDD80, #1E1BDE, #DE1B79 and #DBDE1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 42 / 13

HEX #1CDD80

RGB 28 221 128

HSL 151.09, 0.78%, 0.49%

LAB 78.18, -64.64, 33.47

 

Complementary color

CMYK 0 / 85 / 44 / 11

HEX #E3227F

RGB 227 34 127

HSL 331.09, 0.78%, 0.51%

LAB 50.7, 74.55, -2.09

 

CMYK 85 / 0 / 44 / 13

HEX #21DD7B

RGB 33 221 123

HSL 148.72, 0.74%, 0.5%

LAB 78.15, -65.16, 35.94

 

CMYK 79 / 0 / 41 / 6

HEX #32EF8E

RGB 50 239 142

HSL 149.21, 0.86%, 0.57%

LAB 84.15, -66.41, 34.31

 

CMYK 74 / 0 / 37 / 0

HEX #43FFA1

RGB 67 255 161

HSL 150, 1%, 0.63%

LAB 89.53, -66.59, 31.98

 

CMYK 67 / 0 / 29 / 0

HEX #54FFB4

RGB 84 255 180

HSL 153.68, 1%, 0.66%

LAB 90.18, -60.47, 23.34

 

CMYK 60 / 0 / 22 / 0

HEX #65FFC7

RGB 101 255 199

HSL 158.18, 1%, 0.7%

LAB 90.97, -53.61, 14.77

 

CMYK 87 / 0 / 42 / 13

HEX #1CDD80

RGB 28 221 128

HSL 151.09, 0.78%, 0.49%

LAB 78.18, -64.64, 33.47

 

CMYK 95 / 0 / 46 / 20

HEX #0BCB6D

RGB 11 203 109

HSL 150.63, 0.9%, 0.42%

LAB 72.15, -62.83, 35.24

 

CMYK 100 / 0 / 51 / 27

HEX #00B95A

RGB 0 185 90

HSL 149.19, 1%, 0.36%

LAB 66.09, -60.48, 37.1

 

CMYK 100 / 0 / 57 / 35

HEX #00A747

RGB 0 167 71

HSL 145.51, 1%, 0.33%

LAB 59.97, -57.53, 38.99

 

CMYK 100 / 0 / 65 / 42

HEX #009534

RGB 0 149 52

HSL 140.94, 1%, 0.29%

LAB 53.75, -54.32, 40.73

 

CMYK 88 / 0 / 42 / 13

HEX #1BDE80

RGB 27 222 128

HSL 151.08, 0.78%, 0.49%

LAB 78.48, -65.05, 33.86

 

CMYK 88 / 0 / 66 / 13

HEX #1BDE4B

RGB 27 222 75

HSL 134.77, 0.78%, 0.49%

LAB 77.87, -72.52, 57.6

 

CMYK 86 / 0 / 88 / 13

HEX #1FDE1B

RGB 31 222 27

HSL 118.77, 0.78%, 0.49%

LAB 77.65, -75.43, 71.9

 

CMYK 62 / 0 / 88 / 13

HEX #54DE1B

RGB 84 222 27

HSL 102.46, 0.78%, 0.49%

LAB 78.58, -67.34, 73.08

 

CMYK 39 / 0 / 88 / 13

HEX #88DE1B

RGB 136 222 27

HSL 86.46, 0.78%, 0.49%

LAB 80.49, -52.57, 75.46

 

CMYK 88 / 0 / 42 / 13

HEX #1BDE80

RGB 27 222 128

HSL 151.08, 0.78%, 0.49%

LAB 78.48, -65.05, 33.86

 

CMYK 88 / 0 / 18 / 13

HEX #1BDEB5

RGB 27 222 181

HSL 167.38, 0.78%, 0.49%

LAB 79.51, -53.58, 7.69

 

CMYK 88 / 5 / 0 / 13

HEX #1BD3DE

RGB 27 211 222

HSL 183.38, 0.78%, 0.49%

LAB 77.34, -37.46, -17.43

 

CMYK 88 / 29 / 0 / 13

HEX #1B9EDE

RGB 27 158 222

HSL 199.69, 0.78%, 0.49%

LAB 61.62, -10.56, -41.64

 

CMYK 88 / 52 / 0 / 13

HEX #1B6ADE

RGB 27 106 222

HSL 215.69, 0.78%, 0.49%

LAB 46.73, 20.89, -65.41

 

CMYK 88 / 0 / 42 / 13

HEX #1BDE80

RGB 27 222 128

HSL 151.08, 0.78%, 0.49%

LAB 78.48, -65.05, 33.86

 

CMYK 97 / 0 / 47 / 5

HEX #07F281

RGB 7 242 129

HSL 151.15, 0.94%, 0.49%

LAB 84.55, -72.32, 41.16

 

CMYK 88 / 0 / 42 / 13

HEX #1BDE80

RGB 27 222 128

HSL 151.08, 0.78%, 0.49%

LAB 78.48, -65.05, 33.86

 

CMYK 77 / 0 / 37 / 21

HEX #2FCA7F

RGB 47 202 127

HSL 150.97, 0.62%, 0.49%

LAB 72.48, -56.29, 26.49

 

CMYK 63 / 0 / 30 / 29

HEX #43B57F

RGB 67 181 127

HSL 151.58, 0.46%, 0.49%

LAB 66.35, -44.86, 18.23

 

CMYK 45 / 0 / 22 / 37

HEX #58A17E

RGB 88 161 126

HSL 151.23, 0.29%, 0.49%

LAB 60.84, -31.2, 11.23

 

CMYK 23 / 0 / 11 / 45

HEX #6C8D7D

RGB 108 141 125

HSL 150.91, 0.13%, 0.49%

LAB 55.8, -15.06, 4.76

 

CMYK 86 / 0 / 88 / 13

HEX #1EDE1B

RGB 30 222 27

HSL 119.08, 0.78%, 0.49%

LAB 77.64, -75.51, 71.89

 

CMYK 88 / 0 / 66 / 13

HEX #1BDE4C

RGB 27 222 76

HSL 135.08, 0.78%, 0.49%

LAB 77.87, -72.42, 57.2

 

CMYK 88 / 0 / 42 / 13

HEX #1BDE80

RGB 27 222 128

HSL 151.08, 0.78%, 0.49%

LAB 78.48, -65.05, 33.86

 

CMYK 88 / 0 / 19 / 13

HEX #1BDEB4

RGB 27 222 180

HSL 167.08, 0.78%, 0.49%

LAB 79.48, -53.83, 8.19

 

CMYK 88 / 5 / 0 / 13

HEX #1BD4DE

RGB 27 212 222

HSL 183.08, 0.78%, 0.49%

LAB 77.63, -37.92, -16.98

 

CMYK 88 / 0 / 42 / 42

HEX #129456

RGB 18 148 86

HSL 151.38, 0.78%, 0.33%

LAB 54.01, -47.35, 23.79

 

CMYK 88 / 0 / 42 / 27

HEX #16B96B

RGB 22 185 107

HSL 151.29, 0.79%, 0.41%

LAB 66.47, -56.42, 28.93

 

CMYK 88 / 0 / 42 / 13

HEX #1BDE80

RGB 27 222 128

HSL 151.08, 0.78%, 0.49%

LAB 78.48, -65.05, 33.86

 

CMYK 74 / 0 / 36 / 10

HEX #3CE694

RGB 60 230 148

HSL 151.06, 0.77%, 0.57%

LAB 81.67, -60.89, 28

 

CMYK 59 / 0 / 29 / 8

HEX #60EBA8

RGB 96 235 168

HSL 151.08, 0.78%, 0.65%

LAB 84.34, -52.89, 21.49

 

CMYK 87 / 0 / 42 / 13

HEX #1CDD80

RGB 28 221 128

HSL 151.09, 0.78%, 0.49%

LAB 78.18, -64.64, 33.47

 

CMYK 88 / 63 / 0 / 13

HEX #1B52DE

RGB 27 82 222

HSL 223.08, 0.78%, 0.49%

LAB 40.48, 36.35, -75.61

 

CMYK 0 / 77 / 88 / 13

HEX #DE321B

RGB 222 50 27

HSL 7.08, 0.78%, 0.49%

LAB 49.36, 64.14, 53.44

 

CMYK 87 / 0 / 42 / 13

HEX #1CDD80

RGB 28 221 128

HSL 151.09, 0.78%, 0.49%

LAB 78.18, -64.64, 33.47

 

CMYK 42 / 88 / 0 / 13

HEX #801BDE

RGB 128 27 222

HSL 271.08, 0.78%, 0.49%

LAB 38.98, 72.23, -77.8

 

CMYK 0 / 42 / 88 / 13

HEX #DE801B

RGB 222 128 27

HSL 31.08, 0.78%, 0.49%

LAB 62.55, 29.91, 63.69

 

CMYK 87 / 0 / 42 / 13

HEX #1CDD80

RGB 28 221 128

HSL 151.09, 0.78%, 0.49%

LAB 78.18, -64.64, 33.47

 

CMYK 88 / 63 / 0 / 13

HEX #1B52DE

RGB 27 82 222

HSL 223.08, 0.78%, 0.49%

LAB 40.48, 36.35, -75.61

 

CMYK 0 / 88 / 45 / 13

HEX #DE1B79

RGB 222 27 121

HSL 331.08, 0.78%, 0.49%

LAB 49.12, 74.12, -0.86

 

CMYK 0 / 25 / 88 / 13

HEX #DEA71B

RGB 222 167 27

HSL 43.08, 0.78%, 0.49%

LAB 71.72, 9.09, 70.9

 

CMYK 87 / 0 / 42 / 13

HEX #1CDD80

RGB 28 221 128

HSL 151.09, 0.78%, 0.49%

LAB 78.18, -64.64, 33.47

 

CMYK 86 / 88 / 0 / 13

HEX #1E1BDE

RGB 30 27 222

HSL 240.92, 0.78%, 0.49%

LAB 30.24, 65.45, -92.55

 

CMYK 0 / 88 / 45 / 13

HEX #DE1B79

RGB 222 27 121

HSL 331.08, 0.78%, 0.49%

LAB 49.12, 74.12, -0.86

 

CMYK 1 / 0 / 88 / 13

HEX #DBDE1B

RGB 219 222 27

HSL 60.92, 0.78%, 0.49%

LAB 85.7, -20.35, 81.86

 

Description

Color code: HEX #1CDD80 | qconv.com Color code: HEX #1CDD80 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 221 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 221 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 42 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 42% 13% C M Y K

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Provide designers and agencies with accurate color values.

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