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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A1471 it is the complementary color #E5EB8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A1471. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A1471 shade: #1F146C, #30267F, #413892, #524AA5 and #635CB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A1471. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A1471 shade: #1A1471, #09025E, #00004B, #000038 and #000025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A1471 shade: #191370, #321370, #4B1370, #641370 and #701363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A1471 shade: #191370 and #131370

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A1471 shade matches the following richer shades: #191370 and #10097B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A1471 shade: #191370, #231E65, #2C295B, #353450 and #3F3E45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A1471 shade: #134070, #132870, #181370, #311370 and #4A1370

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1A1471 shade: #09072A, #110D4D, #191370, #211A93 and #2920B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A1471 shade: #1A1471, #701359 and #347013

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A1471 shade: #1A1471, #701813 and #137018

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A1471 shade: #1A1471, #701359, #6C7013 and #13702B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A1471 shade: #1A1471, #70133D, #6C7013 and #137046

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 82 / 0 / 56

HEX #1A1471

RGB 26 20 113

HSL 243.87, 0.7%, 0.26%

LAB 15.02, 35.09, -51.61

 

Complementary color

CMYK 3 / 0 / 40 / 8

HEX #E5EB8E

RGB 229 235 142

HSL 63.87, 0.7%, 0.74%

LAB 90.79, -15.54, 44.4

 

CMYK 71 / 81 / 0 / 58

HEX #1F146C

RGB 31 20 108

HSL 247.5, 0.69%, 0.25%

LAB 14.81, 33.88, -48.68

 

CMYK 62 / 70 / 0 / 50

HEX #30267F

RGB 48 38 127

HSL 246.74, 0.54%, 0.32%

LAB 22.11, 31.92, -48.84

 

CMYK 55 / 62 / 0 / 43

HEX #413892

RGB 65 56 146

HSL 246, 0.45%, 0.4%

LAB 29.48, 30, -48.61

 

CMYK 50 / 55 / 0 / 35

HEX #524AA5

RGB 82 74 165

HSL 245.27, 0.38%, 0.47%

LAB 36.76, 28.35, -48.28

 

CMYK 46 / 50 / 0 / 28

HEX #635CB8

RGB 99 92 184

HSL 244.57, 0.39%, 0.54%

LAB 43.9, 26.94, -47.96

 

CMYK 77 / 82 / 0 / 56

HEX #1A1471

RGB 26 20 113

HSL 243.87, 0.7%, 0.26%

LAB 15.02, 35.09, -51.61

 

CMYK 90 / 98 / 0 / 63

HEX #09025E

RGB 9 2 94

HSL 244.57, 0.96%, 0.19%

LAB 8.21, 37.14, -50.4

 

CMYK 100 / 100 / 0 / 71

HEX #00004B

RGB 0 0 75

HSL 240, 1%, 0.15%

LAB 4.59, 29.9, -43.41

 

CMYK 100 / 100 / 0 / 78

HEX #000038

RGB 0 0 56

HSL 240, 1%, 0.11%

LAB 2.58, 18.12, -33.09

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 78 / 83 / 0 / 56

HEX #191370

RGB 25 19 112

HSL 243.87, 0.71%, 0.26%

LAB 14.64, 35.21, -51.6

 

CMYK 55 / 83 / 0 / 56

HEX #321370

RGB 50 19 112

HSL 260, 0.71%, 0.26%

LAB 17.05, 38.04, -47.53

 

CMYK 33 / 83 / 0 / 56

HEX #4B1370

RGB 75 19 112

HSL 276.13, 0.71%, 0.26%

LAB 20.56, 42.14, -41.65

 

CMYK 11 / 83 / 0 / 56

HEX #641370

RGB 100 19 112

HSL 292.26, 0.71%, 0.26%

LAB 24.78, 47.05, -34.62

 

CMYK 0 / 83 / 12 / 56

HEX #701363

RGB 112 19 99

HSL 308.39, 0.71%, 0.26%

LAB 26.19, 47.44, -23.81

 

CMYK 78 / 83 / 0 / 56

HEX #191370

RGB 25 19 112

HSL 243.87, 0.71%, 0.26%

LAB 14.64, 35.21, -51.6

 

CMYK 83 / 83 / 0 / 56

HEX #131370

RGB 19 19 112

HSL 240, 0.71%, 0.26%

LAB 14.25, 34.76, -52.25

 

CMYK 78 / 83 / 0 / 56

HEX #191370

RGB 25 19 112

HSL 243.87, 0.71%, 0.26%

LAB 14.64, 35.21, -51.6

 

CMYK 87 / 93 / 0 / 52

HEX #10097B

RGB 16 9 123

HSL 243.68, 0.86%, 0.26%

LAB 14.03, 42.8, -59.72

 

CMYK 78 / 83 / 0 / 56

HEX #191370

RGB 25 19 112

HSL 243.87, 0.71%, 0.26%

LAB 14.64, 35.21, -51.6

 

CMYK 65 / 70 / 0 / 60

HEX #231E65

RGB 35 30 101

HSL 244.23, 0.54%, 0.26%

LAB 16.63, 25.81, -41.09

 

CMYK 52 / 55 / 0 / 64

HEX #2C295B

RGB 44 41 91

HSL 243.6, 0.38%, 0.26%

LAB 19.54, 16.56, -29.72

 

CMYK 34 / 35 / 0 / 69

HEX #353450

RGB 53 52 80

HSL 242.14, 0.21%, 0.26%

LAB 22.97, 8, -16.93

 

CMYK 9 / 10 / 0 / 73

HEX #3F3E45

RGB 63 62 69

HSL 248.57, 0.05%, 0.26%

LAB 26.54, 2.05, -4.12

 

CMYK 83 / 43 / 0 / 56

HEX #134070

RGB 19 64 112

HSL 210.97, 0.71%, 0.26%

LAB 26.66, 3.78, -32.04

 

CMYK 83 / 64 / 0 / 56

HEX #132870

RGB 19 40 112

HSL 226.45, 0.71%, 0.26%

LAB 19.33, 20.92, -43.88

 

CMYK 79 / 83 / 0 / 56

HEX #181370

RGB 24 19 112

HSL 243.23, 0.71%, 0.26%

LAB 14.57, 35.13, -51.72

 

CMYK 56 / 83 / 0 / 56

HEX #311370

RGB 49 19 112

HSL 259.35, 0.71%, 0.26%

LAB 16.93, 37.9, -47.73

 

CMYK 34 / 83 / 0 / 56

HEX #4A1370

RGB 74 19 112

HSL 275.48, 0.71%, 0.26%

LAB 20.41, 41.96, -41.91

 

CMYK 79 / 83 / 0 / 84

HEX #09072A

RGB 9 7 42

HSL 243.43, 0.71%, 0.1%

LAB 3.41, 10.16, -21.27

 

CMYK 78 / 83 / 0 / 70

HEX #110D4D

RGB 17 13 77

HSL 243.75, 0.71%, 0.18%

LAB 8.51, 25.51, -38.3

 

CMYK 78 / 83 / 0 / 56

HEX #191370

RGB 25 19 112

HSL 243.87, 0.71%, 0.26%

LAB 14.64, 35.21, -51.6

 

CMYK 78 / 82 / 0 / 42

HEX #211A93

RGB 33 26 147

HSL 243.47, 0.7%, 0.34%

LAB 20.71, 43.73, -63.72

 

CMYK 77 / 82 / 0 / 29

HEX #2920B6

RGB 41 32 182

HSL 243.6, 0.7%, 0.42%

LAB 26.4, 52.31, -75.52

 

CMYK 77 / 82 / 0 / 56

HEX #1A1471

RGB 26 20 113

HSL 243.87, 0.7%, 0.26%

LAB 15.02, 35.09, -51.61

 

CMYK 0 / 83 / 21 / 56

HEX #701359

RGB 112 19 89

HSL 314.84, 0.71%, 0.26%

LAB 25.66, 45.93, -18.06

 

CMYK 54 / 0 / 83 / 56

HEX #347013

RGB 52 112 19

HSL 98.71, 0.71%, 0.26%

LAB 41.79, -36.29, 41.92

 

CMYK 77 / 82 / 0 / 56

HEX #1A1471

RGB 26 20 113

HSL 243.87, 0.7%, 0.26%

LAB 15.02, 35.09, -51.61

 

CMYK 0 / 79 / 83 / 56

HEX #701813

RGB 112 24 19

HSL 3.23, 0.71%, 0.26%

LAB 24.15, 37.8, 26.77

 

CMYK 83 / 0 / 79 / 56

HEX #137018

RGB 19 112 24

HSL 123.23, 0.71%, 0.26%

LAB 40.88, -43.62, 38.96

 

CMYK 77 / 82 / 0 / 56

HEX #1A1471

RGB 26 20 113

HSL 243.87, 0.7%, 0.26%

LAB 15.02, 35.09, -51.61

 

CMYK 0 / 83 / 21 / 56

HEX #701359

RGB 112 19 89

HSL 314.84, 0.71%, 0.26%

LAB 25.66, 45.93, -18.06

 

CMYK 4 / 0 / 83 / 56

HEX #6C7013

RGB 108 112 19

HSL 62.58, 0.71%, 0.26%

LAB 45.39, -13.12, 46.54

 

CMYK 83 / 0 / 62 / 56

HEX #13702B

RGB 19 112 43

HSL 135.48, 0.71%, 0.26%

LAB 41.06, -41.49, 30.59

 

CMYK 77 / 82 / 0 / 56

HEX #1A1471

RGB 26 20 113

HSL 243.87, 0.7%, 0.26%

LAB 15.02, 35.09, -51.61

 

CMYK 0 / 83 / 46 / 56

HEX #70133D

RGB 112 19 61

HSL 332.9, 0.71%, 0.26%

LAB 24.47, 42.43, -1

 

CMYK 4 / 0 / 83 / 56

HEX #6C7013

RGB 108 112 19

HSL 62.58, 0.71%, 0.26%

LAB 45.39, -13.12, 46.54

 

CMYK 83 / 0 / 38 / 56

HEX #137046

RGB 19 112 70

HSL 152.9, 0.71%, 0.26%

LAB 41.48, -36.52, 16.17

 

Description

Color code: HEX #1A1471 | qconv.com Color code: HEX #1A1471 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 20 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 20 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 82 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 82% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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