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Color name
HEX #1A3126

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A3126 it is the complementary color #E5CED9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A3126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1A3126 shade: #1F3121, #304334, #415547, #52675A and #63796D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A3126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1A3126 shade: #1A3126, #091F13 and #000D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1A3126 shade: #1A3226, #1A3220, #1A321A, #21321A and #27321A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1A3126 shade: #1A3226, #1A322D, #1A3032, #1A2A32 and #1A2332

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1A3126 shade matches the following richer shades: #1A3226, #143827, #0E3E27, #074427 and #014A27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1A3126 shade: #1A3226, #202B26, #262526, #2C1F25 and #331925

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1A3126 shade: #1A321A, #1A3220, #1A3226, #1A322C and #1A3032

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1A3126 shade: #1A3126, #1A2132 and #321D1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1A3126 shade: #1A3126, #261A32 and #32261A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1A3126 shade: #1A3126, #1A2132, #321A25 and #322B1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1A3126 shade: #1A3126, #1A1A32, #321A25 and #31321A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 22 / 81

HEX #1A3126

RGB 26 49 38

HSL 151.3, 0.31%, 0.15%

LAB 18.17, -12.21, 4.21

 

Complementary color

CMYK 0 / 10 / 5 / 10

HEX #E5CED9

RGB 229 206 217

HSL 331.3, 0.31%, 0.85%

LAB 84.9, 9.87, -2.52

 

CMYK 37 / 0 / 33 / 81

HEX #1F3121

RGB 31 49 33

HSL 126.67, 0.23%, 0.16%

LAB 18.35, -11.49, 7.93

 

CMYK 28 / 0 / 22 / 74

HEX #304334

RGB 48 67 52

HSL 132.63, 0.17%, 0.23%

LAB 26.42, -11.19, 6.71

 

CMYK 24 / 0 / 16 / 67

HEX #415547

RGB 65 85 71

HSL 138, 0.13%, 0.29%

LAB 34.14, -10.96, 5.67

 

CMYK 20 / 0 / 13 / 60

HEX #52675A

RGB 82 103 90

HSL 142.86, 0.11%, 0.36%

LAB 41.58, -10.79, 4.75

 

CMYK 18 / 0 / 10 / 53

HEX #63796D

RGB 99 121 109

HSL 147.27, 0.1%, 0.43%

LAB 48.8, -10.66, 3.91

 

CMYK 47 / 0 / 22 / 81

HEX #1A3126

RGB 26 49 38

HSL 151.3, 0.31%, 0.15%

LAB 18.17, -12.21, 4.21

 

CMYK 71 / 0 / 39 / 88

HEX #091F13

RGB 9 31 19

HSL 147.27, 0.55%, 0.08%

LAB 9.68, -12.23, 5.43

 

CMYK 100 / 0 / 100 / 95

HEX #000D00

RGB 0 13 0

HSL 120, 1%, 0.03%

LAB 2.6, -5.31, 3.8

 

CMYK 48 / 0 / 24 / 80

HEX #1A3226

RGB 26 50 38

HSL 150, 0.32%, 0.15%

LAB 18.54, -12.81, 4.74

 

CMYK 48 / 0 / 36 / 80

HEX #1A3220

RGB 26 50 32

HSL 135, 0.32%, 0.15%

LAB 18.39, -14.28, 8.6

 

CMYK 48 / 0 / 48 / 80

HEX #1A321A

RGB 26 50 26

HSL 120, 0.32%, 0.15%

LAB 18.26, -15.55, 12.41

 

CMYK 34 / 0 / 48 / 80

HEX #21321A

RGB 33 50 26

HSL 102.5, 0.32%, 0.15%

LAB 18.71, -12.63, 13.09

 

CMYK 22 / 0 / 48 / 80

HEX #27321A

RGB 39 50 26

HSL 87.5, 0.32%, 0.15%

LAB 19.17, -9.89, 13.77

 

CMYK 48 / 0 / 24 / 80

HEX #1A3226

RGB 26 50 38

HSL 150, 0.32%, 0.15%

LAB 18.54, -12.81, 4.74

 

CMYK 48 / 0 / 10 / 80

HEX #1A322D

RGB 26 50 45

HSL 167.5, 0.32%, 0.15%

LAB 18.76, -10.86, 0.24

 

CMYK 48 / 4 / 0 / 80

HEX #1A3032

RGB 26 48 50

HSL 185, 0.32%, 0.15%

LAB 18.2, -8.06, -4.03

 

CMYK 48 / 16 / 0 / 80

HEX #1A2A32

RGB 26 42 50

HSL 200, 0.32%, 0.15%

LAB 16.03, -4.07, -7.3

 

CMYK 48 / 30 / 0 / 80

HEX #1A2332

RGB 26 35 50

HSL 217.5, 0.32%, 0.15%

LAB 13.54, 0.88, -11.12

 

CMYK 48 / 0 / 24 / 80

HEX #1A3226

RGB 26 50 38

HSL 150, 0.32%, 0.15%

LAB 18.54, -12.81, 4.74

 

CMYK 64 / 0 / 30 / 78

HEX #143827

RGB 20 56 39

HSL 151.67, 0.47%, 0.15%

LAB 20.53, -17.86, 6.81

 

CMYK 77 / 0 / 37 / 76

HEX #0E3E27

RGB 14 62 39

HSL 151.25, 0.63%, 0.15%

LAB 22.6, -22.4, 9.63

 

CMYK 90 / 0 / 43 / 73

HEX #074427

RGB 7 68 39

HSL 151.48, 0.81%, 0.15%

LAB 24.72, -26.41, 12.46

 

CMYK 99 / 0 / 47 / 71

HEX #014A27

RGB 1 74 39

HSL 151.23, 0.97%, 0.15%

LAB 26.88, -29.89, 15.28

 

CMYK 48 / 0 / 24 / 80

HEX #1A3226

RGB 26 50 38

HSL 150, 0.32%, 0.15%

LAB 18.54, -12.81, 4.74

 

CMYK 26 / 0 / 12 / 83

HEX #202B26

RGB 32 43 38

HSL 152.73, 0.15%, 0.15%

LAB 16.38, -6.06, 1.7

 

CMYK 0 / 3 / 0 / 85

HEX #262526

RGB 38 37 38

HSL 300, 0.01%, 0.15%

LAB 14.82, 0.7, -0.5

 

CMYK 0 / 30 / 16 / 83

HEX #2C1F25

RGB 44 31 37

HSL 332.31, 0.17%, 0.15%

LAB 13.53, 7.54, -1.6

 

CMYK 0 / 51 / 27 / 80

HEX #331925

RGB 51 25 37

HSL 332.31, 0.34%, 0.15%

LAB 12.81, 14.91, -2.54

 

CMYK 48 / 0 / 48 / 80

HEX #1A321A

RGB 26 50 26

HSL 120, 0.32%, 0.15%

LAB 18.26, -15.55, 12.41

 

CMYK 48 / 0 / 36 / 80

HEX #1A3220

RGB 26 50 32

HSL 135, 0.32%, 0.15%

LAB 18.39, -14.28, 8.6

 

CMYK 48 / 0 / 24 / 80

HEX #1A3226

RGB 26 50 38

HSL 150, 0.32%, 0.15%

LAB 18.54, -12.81, 4.74

 

CMYK 48 / 0 / 12 / 80

HEX #1A322C

RGB 26 50 44

HSL 165, 0.32%, 0.15%

LAB 18.73, -11.15, 0.88

 

CMYK 48 / 4 / 0 / 80

HEX #1A3032

RGB 26 48 50

HSL 185, 0.32%, 0.15%

LAB 18.2, -8.06, -4.03

 

CMYK 47 / 0 / 22 / 81

HEX #1A3126

RGB 26 49 38

HSL 151.3, 0.31%, 0.15%

LAB 18.17, -12.21, 4.21

 

CMYK 48 / 34 / 0 / 80

HEX #1A2132

RGB 26 33 50

HSL 222.5, 0.32%, 0.15%

LAB 12.85, 2.34, -12.2

 

CMYK 0 / 42 / 48 / 80

HEX #321D1A

RGB 50 29 26

HSL 7.5, 0.32%, 0.15%

LAB 13.42, 9.86, 6.34

 

CMYK 47 / 0 / 22 / 81

HEX #1A3126

RGB 26 49 38

HSL 151.3, 0.31%, 0.15%

LAB 18.17, -12.21, 4.21

 

CMYK 24 / 48 / 0 / 80

HEX #261A32

RGB 38 26 50

HSL 270, 0.32%, 0.15%

LAB 11.83, 11.93, -13.68

 

CMYK 0 / 24 / 48 / 80

HEX #32261A

RGB 50 38 26

HSL 30, 0.32%, 0.15%

LAB 16.2, 3.59, 10.11

 

CMYK 47 / 0 / 22 / 81

HEX #1A3126

RGB 26 49 38

HSL 151.3, 0.31%, 0.15%

LAB 18.17, -12.21, 4.21

 

CMYK 48 / 34 / 0 / 80

HEX #1A2132

RGB 26 33 50

HSL 222.5, 0.32%, 0.15%

LAB 12.85, 2.34, -12.2

 

CMYK 0 / 48 / 26 / 80

HEX #321A25

RGB 50 26 37

HSL 332.5, 0.32%, 0.15%

LAB 12.93, 13.79, -2.39

 

CMYK 0 / 14 / 48 / 80

HEX #322B1A

RGB 50 43 26

HSL 42.5, 0.32%, 0.15%

LAB 17.83, 0.17, 12.25

 

CMYK 47 / 0 / 22 / 81

HEX #1A3126

RGB 26 49 38

HSL 151.3, 0.31%, 0.15%

LAB 18.17, -12.21, 4.21

 

CMYK 48 / 48 / 0 / 80

HEX #1A1A32

RGB 26 26 50

HSL 240, 0.32%, 0.15%

LAB 10.47, 7.61, -15.91

 

CMYK 0 / 48 / 26 / 80

HEX #321A25

RGB 50 26 37

HSL 332.5, 0.32%, 0.15%

LAB 12.93, 13.79, -2.39

 

CMYK 2 / 0 / 48 / 80

HEX #31321A

RGB 49 50 26

HSL 62.5, 0.32%, 0.15%

LAB 20.08, -4.98, 15.11

 

Description

Color code: HEX #1A3126 | qconv.com Color code: HEX #1A3126 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 49 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 49 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 22 yellow and 81 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 22% 81% C M Y K

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Provide designers and agencies with accurate color values.

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